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Best Famous Now We Poems

Here is a collection of the all-time best famous Now We poems. This is a select list of the best famous Now We poetry. Reading, writing, and enjoying famous Now We poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of now we poems.

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Written by Langston Hughes | Create an image from this poem

Freedoms Plow

 When a man starts out with nothing,
 When a man starts out with his hands
 Empty, but clean,
 When a man starts to build a world,
He starts first with himself
And the faith that is in his heart-
The strength there,
The will there to build.
First in the heart is the dream- Then the mind starts seeking a way.
His eyes look out on the world, On the great wooded world, On the rich soil of the world, On the rivers of the world.
The eyes see there materials for building, See the difficulties, too, and the obstacles.
The mind seeks a way to overcome these obstacles.
The hand seeks tools to cut the wood, To till the soil, and harness the power of the waters.
Then the hand seeks other hands to help, A community of hands to help- Thus the dream becomes not one man's dream alone, But a community dream.
Not my dream alone, but our dream.
Not my world alone, But your world and my world, Belonging to all the hands who build.
A long time ago, but not too long ago, Ships came from across the sea Bringing the Pilgrims and prayer-makers, Adventurers and booty seekers, Free men and indentured servants, Slave men and slave masters, all new- To a new world, America! With billowing sails the galleons came Bringing men and dreams, women and dreams.
In little bands together, Heart reaching out to heart, Hand reaching out to hand, They began to build our land.
Some were free hands Seeking a greater freedom, Some were indentured hands Hoping to find their freedom, Some were slave hands Guarding in their hearts the seed of freedom, But the word was there always: Freedom.
Down into the earth went the plow In the free hands and the slave hands, In indentured hands and adventurous hands, Turning the rich soil went the plow in many hands That planted and harvested the food that fed And the cotton that clothed America.
Clang against the trees went the ax into many hands That hewed and shaped the rooftops of America.
Splash into the rivers and the seas went the boat-hulls That moved and transported America.
Crack went the whips that drove the horses Across the plains of America.
Free hands and slave hands, Indentured hands, adventurous hands, White hands and black hands Held the plow handles, Ax handles, hammer handles, Launched the boats and whipped the horses That fed and housed and moved America.
Thus together through labor, All these hands made America.
Labor! Out of labor came villages And the towns that grew cities.
Labor! Out of labor came the rowboats And the sailboats and the steamboats, Came the wagons, and the coaches, Covered wagons, stage coaches, Out of labor came the factories, Came the foundries, came the railroads.
Came the marts and markets, shops and stores, Came the mighty products moulded, manufactured, Sold in shops, piled in warehouses, Shipped the wide world over: Out of labor-white hands and black hands- Came the dream, the strength, the will, And the way to build America.
Now it is Me here, and You there.
Now it's Manhattan, Chicago, Seattle, New Orleans, Boston and El Paso- Now it's the U.
S.
A.
A long time ago, but not too long ago, a man said: ALL MEN ARE CREATED EQUAL-- ENDOWED BY THEIR CREATOR WITH CERTAIN UNALIENABLE RIGHTS-- AMONG THESE LIFE, LIBERTY AND THE PURSUIT OF HAPPINESS.
His name was Jefferson.
There were slaves then, But in their hearts the slaves believed him, too, And silently too for granted That what he said was also meant for them.
It was a long time ago, But not so long ago at that, Lincoln said: NO MAN IS GOOD ENOUGH TO GOVERN ANOTHER MAN WITHOUT THAT OTHER'S CONSENT.
There were slaves then, too, But in their hearts the slaves knew What he said must be meant for every human being- Else it had no meaning for anyone.
Then a man said: BETTER TO DIE FREE THAN TO LIVE SLAVES He was a colored man who had been a slave But had run away to freedom.
And the slaves knew What Frederick Douglass said was true.
With John Brown at Harper's Ferry, ******* died.
John Brown was hung.
Before the Civil War, days were dark, And nobody knew for sure When freedom would triumph "Or if it would," thought some.
But others new it had to triumph.
In those dark days of slavery, Guarding in their hearts the seed of freedom, The slaves made up a song: Keep Your Hand On The Plow! Hold On! That song meant just what it said: Hold On! Freedom will come! Keep Your Hand On The Plow! Hold On! Out of war it came, bloody and terrible! But it came! Some there were, as always, Who doubted that the war would end right, That the slaves would be free, Or that the union would stand, But now we know how it all came out.
Out of the darkest days for people and a nation, We know now how it came out.
There was light when the battle clouds rolled away.
There was a great wooded land, And men united as a nation.
America is a dream.
The poet says it was promises.
The people say it is promises-that will come true.
The people do not always say things out loud, Nor write them down on paper.
The people often hold Great thoughts in their deepest hearts And sometimes only blunderingly express them, Haltingly and stumblingly say them, And faultily put them into practice.
The people do not always understand each other.
But there is, somewhere there, Always the trying to understand, And the trying to say, "You are a man.
Together we are building our land.
" America! Land created in common, Dream nourished in common, Keep your hand on the plow! Hold on! If the house is not yet finished, Don't be discouraged, builder! If the fight is not yet won, Don't be weary, soldier! The plan and the pattern is here, Woven from the beginning Into the warp and woof of America: ALL MEN ARE CREATED EQUAL.
NO MAN IS GOOD ENOUGH TO GOVERN ANOTHER MAN WITHOUT HIS CONSENT.
BETTER DIE FREE, THAN TO LIVE SLAVES.
Who said those things? Americans! Who owns those words? America! Who is America? You, me! We are America! To the enemy who would conquer us from without, We say, NO! To the enemy who would divide And conquer us from within, We say, NO! FREEDOM! BROTHERHOOD! DEMOCRACY! To all the enemies of these great words: We say, NO! A long time ago, An enslaved people heading toward freedom Made up a song: Keep Your Hand On The Plow! Hold On! The plow plowed a new furrow Across the field of history.
Into that furrow the freedom seed was dropped.
From that seed a tree grew, is growing, will ever grow.
That tree is for everybody, For all America, for all the world.
May its branches spread and shelter grow Until all races and all peoples know its shade.
KEEP YOUR HAND ON THE PLOW! HOLD ON!


Written by Sara Teasdale | Create an image from this poem

A November Night

 There! See the line of lights,
A chain of stars down either side the street --
Why can't you lift the chain and give it to me,
A necklace for my throat? I'd twist it round
And you could play with it.
You smile at me As though I were a little dreamy child Behind whose eyes the fairies live.
.
.
.
And see, The people on the street look up at us All envious.
We are a king and queen, Our royal carriage is a motor bus, We watch our subjects with a haughty joy.
.
.
.
How still you are! Have you been hard at work And are you tired to-night? It is so long Since I have seen you -- four whole days, I think.
My heart is crowded full of foolish thoughts Like early flowers in an April meadow, And I must give them to you, all of them, Before they fade.
The people I have met, The play I saw, the trivial, shifting things That loom too big or shrink too little, shadows That hurry, gesturing along a wall, Haunting or gay -- and yet they all grow real And take their proper size here in my heart When you have seen them.
.
.
.
There's the Plaza now, A lake of light! To-night it almost seems That all the lights are gathered in your eyes, Drawn somehow toward you.
See the open park Lying below us with a million lamps Scattered in wise disorder like the stars.
We look down on them as God must look down On constellations floating under Him Tangled in clouds.
.
.
.
Come, then, and let us walk Since we have reached the park.
It is our garden, All black and blossomless this winter night, But we bring April with us, you and I; We set the whole world on the trail of spring.
I think that every path we ever took Has marked our footprints in mysterious fire, Delicate gold that only fairies see.
When they wake up at dawn in hollow tree-trunks And come out on the drowsy park, they look Along the empty paths and say, "Oh, here They went, and here, and here, and here! Come, see, Here is their bench, take hands and let us dance About it in a windy ring and make A circle round it only they can cross When they come back again!" .
.
.
Look at the lake -- Do you remember how we watched the swans That night in late October while they slept? Swans must have stately dreams, I think.
But now The lake bears only thin reflected lights That shake a little.
How I long to take One from the cold black water -- new-made gold To give you in your hand! And see, and see, There is a star, deep in the lake, a star! Oh, dimmer than a pearl -- if you stoop down Your hand could almost reach it up to me.
.
.
.
There was a new frail yellow moon to-night -- I wish you could have had it for a cup With stars like dew to fill it to the brim.
.
.
.
How cold it is! Even the lights are cold; They have put shawls of fog around them, see! What if the air should grow so dimly white That we would lose our way along the paths Made new by walls of moving mist receding The more we follow.
.
.
.
What a silver night! That was our bench the time you said to me The long new poem -- but how different now, How eerie with the curtain of the fog Making it strange to all the friendly trees! There is no wind, and yet great curving scrolls Carve themselves, ever changing, in the mist.
Walk on a little, let me stand here watching To see you, too, grown strange to me and far.
.
.
.
I used to wonder how the park would be If one night we could have it all alone -- No lovers with close arm-encircled waists To whisper and break in upon our dreams.
And now we have it! Every wish comes true! We are alone now in a fleecy world; Even the stars have gone.
We two alone!
Written by Lawrence Ferlinghetti | Create an image from this poem

Bird With Two Right Wings

 And now our government
a bird with two right wings
flies on from zone to zone
while we go on having our little fun & games
at each election
as if it really mattered who the pilot is
of Air Force One
(They're interchangeable, stupid!)
While this bird with two right wings
flies right on with its corporate flight crew
And this year its the Great Movie Cowboy in the cockpit
And next year its the great Bush pilot
And now its the Chameleon Kid
and he keeps changing the logo on his captains cap
and now its a donkey and now an elephant
and now some kind of donkephant
And now we recognize two of the crew
who took out a contract on America
and one is a certain gringo wretch
who's busy monkeywrenching
crucial parts of the engine
and its life-support systems
and they got a big fat hose
to siphon off the fuel to privatized tanks
And all the while we just sit there
in the passenger seats
without parachutes
listening to all the news that's fit to air
over the one-way PA system
about how the contract on America
is really good for us etcetera
As all the while the plane lumbers on
into its postmodern
manifest destiny
Written by Sylvia Plath | Create an image from this poem

Love Is A Parallax

 'Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
 in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
 where wave pretends to drench real sky.
' 'Well then, if we agree, it is not odd that one man's devil is another's god or that the solar spectrum is a multitude of shaded grays; suspense on the quicksands of ambivalence is our life's whole nemesis.
So we could rave on, darling, you and I, until the stars tick out a lullaby about each cosmic pro and con; nothing changes, for all the blazing of our drastic jargon, but clock hands that move implacably from twelve to one.
We raise our arguments like sitting ducks to knock them down with logic or with luck and contradict ourselves for fun; the waitress holds our coats and we put on the raw wind like a scarf; love is a faun who insists his playmates run.
Now you, my intellectual leprechaun, would have me swallow the entire sun like an enormous oyster, down the ocean in one gulp: you say a mark of comet hara-kiri through the dark should inflame the sleeping town.
So kiss: the drunks upon the curb and dames in dubious doorways forget their monday names, caper with candles in their heads; the leaves applaud, and santa claus flies in scattering candy from a zeppelin, playing his prodigal charades.
The moon leans down to took; the tilting fish in the rare river wink and laugh; we lavish blessings right and left and cry hello, and then hello again in deaf churchyard ears until the starlit stiff graves all carol in reply.
Now kiss again: till our strict father leans to call for curtain on our thousand scenes; brazen actors mock at him, multiply pink harlequins and sing in gay ventriloquy from wing to wing while footlights flare and houselights dim.
Tell now, we taunq where black or white begins and separate the flutes from violins: the algebra of absolutes explodes in a kaleidoscope of shapes that jar, while each polemic jackanapes joins his enemies' recruits.
The paradox is that 'the play's the thing': though prima donna pouts and critic stings, there burns throughout the line of words, the cultivated act, a fierce brief fusion which dreamers call real, and realists, illusion: an insight like the flight of birds: Arrows that lacerate the sky, while knowing the secret of their ecstasy's in going; some day, moving, one will drop, and, dropping, die, to trace a wound that heals only to reopen as flesh congeals: cycling phoenix never stops.
So we shall walk barefoot on walnut shells of withered worlds, and stamp out puny hells and heavens till the spirits squeak surrender: to build our bed as high as jack's bold beanstalk; lie and love till sharp scythe hacks away our rationed days and weeks.
Then jet the blue tent topple, stars rain down, and god or void appall us till we drown in our own tears: today we start to pay the piper with each breath, yet love knows not of death nor calculus above the simple sum of heart plus heart.
Written by Oscar Wilde | Create an image from this poem

Panthea

 Nay, let us walk from fire unto fire,
From passionate pain to deadlier delight, -
I am too young to live without desire,
Too young art thou to waste this summer night
Asking those idle questions which of old
Man sought of seer and oracle, and no reply was told.
For, sweet, to feel is better than to know, And wisdom is a childless heritage, One pulse of passion - youth's first fiery glow, - Are worth the hoarded proverbs of the sage: Vex not thy soul with dead philosophy, Have we not lips to kiss with, hearts to love and eyes to see! Dost thou not hear the murmuring nightingale, Like water bubbling from a silver jar, So soft she sings the envious moon is pale, That high in heaven she is hung so far She cannot hear that love-enraptured tune, - Mark how she wreathes each horn with mist, yon late and labouring moon.
White lilies, in whose cups the gold bees dream, The fallen snow of petals where the breeze Scatters the chestnut blossom, or the gleam Of boyish limbs in water, - are not these Enough for thee, dost thou desire more? Alas! the Gods will give nought else from their eternal store.
For our high Gods have sick and wearied grown Of all our endless sins, our vain endeavour For wasted days of youth to make atone By pain or prayer or priest, and never, never, Hearken they now to either good or ill, But send their rain upon the just and the unjust at will.
They sit at ease, our Gods they sit at ease, Strewing with leaves of rose their scented wine, They sleep, they sleep, beneath the rocking trees Where asphodel and yellow lotus twine, Mourning the old glad days before they knew What evil things the heart of man could dream, and dreaming do.
And far beneath the brazen floor they see Like swarming flies the crowd of little men, The bustle of small lives, then wearily Back to their lotus-haunts they turn again Kissing each others' mouths, and mix more deep The poppy-seeded draught which brings soft purple-lidded sleep.
There all day long the golden-vestured sun, Their torch-bearer, stands with his torch ablaze, And, when the gaudy web of noon is spun By its twelve maidens, through the crimson haze Fresh from Endymion's arms comes forth the moon, And the immortal Gods in toils of mortal passions swoon.
There walks Queen Juno through some dewy mead, Her grand white feet flecked with the saffron dust Of wind-stirred lilies, while young Ganymede Leaps in the hot and amber-foaming must, His curls all tossed, as when the eagle bare The frightened boy from Ida through the blue Ionian air.
There in the green heart of some garden close Queen Venus with the shepherd at her side, Her warm soft body like the briar rose Which would be white yet blushes at its pride, Laughs low for love, till jealous Salmacis Peers through the myrtle-leaves and sighs for pain of lonely bliss.
There never does that dreary north-wind blow Which leaves our English forests bleak and bare, Nor ever falls the swift white-feathered snow, Nor ever doth the red-toothed lightning dare To wake them in the silver-fretted night When we lie weeping for some sweet sad sin, some dead delight.
Alas! they know the far Lethaean spring, The violet-hidden waters well they know, Where one whose feet with tired wandering Are faint and broken may take heart and go, And from those dark depths cool and crystalline Drink, and draw balm, and sleep for sleepless souls, and anodyne.
But we oppress our natures, God or Fate Is our enemy, we starve and feed On vain repentance - O we are born too late! What balm for us in bruised poppy seed Who crowd into one finite pulse of time The joy of infinite love and the fierce pain of infinite crime.
O we are wearied of this sense of guilt, Wearied of pleasure's paramour despair, Wearied of every temple we have built, Wearied of every right, unanswered prayer, For man is weak; God sleeps: and heaven is high: One fiery-coloured moment: one great love; and lo! we die.
Ah! but no ferry-man with labouring pole Nears his black shallop to the flowerless strand, No little coin of bronze can bring the soul Over Death's river to the sunless land, Victim and wine and vow are all in vain, The tomb is sealed; the soldiers watch; the dead rise not again.
We are resolved into the supreme air, We are made one with what we touch and see, With our heart's blood each crimson sun is fair, With our young lives each spring-impassioned tree Flames into green, the wildest beasts that range The moor our kinsmen are, all life is one, and all is change.
With beat of systole and of diastole One grand great life throbs through earth's giant heart, And mighty waves of single Being roll From nerveless germ to man, for we are part Of every rock and bird and beast and hill, One with the things that prey on us, and one with what we kill.
From lower cells of waking life we pass To full perfection; thus the world grows old: We who are godlike now were once a mass Of quivering purple flecked with bars of gold, Unsentient or of joy or misery, And tossed in terrible tangles of some wild and wind-swept sea.
This hot hard flame with which our bodies burn Will make some meadow blaze with daffodil, Ay! and those argent breasts of thine will turn To water-lilies; the brown fields men till Will be more fruitful for our love to-night, Nothing is lost in nature, all things live in Death's despite.
The boy's first kiss, the hyacinth's first bell, The man's last passion, and the last red spear That from the lily leaps, the asphodel Which will not let its blossoms blow for fear Of too much beauty, and the timid shame Of the young bridegroom at his lover's eyes, - these with the same One sacrament are consecrate, the earth Not we alone hath passions hymeneal, The yellow buttercups that shake for mirth At daybreak know a pleasure not less real Than we do, when in some fresh-blossoming wood, We draw the spring into our hearts, and feel that life is good.
So when men bury us beneath the yew Thy crimson-stained mouth a rose will be, And thy soft eyes lush bluebells dimmed with dew, And when the white narcissus wantonly Kisses the wind its playmate some faint joy Will thrill our dust, and we will be again fond maid and boy.
And thus without life's conscious torturing pain In some sweet flower we will feel the sun, And from the linnet's throat will sing again, And as two gorgeous-mailed snakes will run Over our graves, or as two tigers creep Through the hot jungle where the yellow-eyed huge lions sleep And give them battle! How my heart leaps up To think of that grand living after death In beast and bird and flower, when this cup, Being filled too full of spirit, bursts for breath, And with the pale leaves of some autumn day The soul earth's earliest conqueror becomes earth's last great prey.
O think of it! We shall inform ourselves Into all sensuous life, the goat-foot Faun, The Centaur, or the merry bright-eyed Elves That leave their dancing rings to spite the dawn Upon the meadows, shall not be more near Than you and I to nature's mysteries, for we shall hear The thrush's heart beat, and the daisies grow, And the wan snowdrop sighing for the sun On sunless days in winter, we shall know By whom the silver gossamer is spun, Who paints the diapered fritillaries, On what wide wings from shivering pine to pine the eagle flies.
Ay! had we never loved at all, who knows If yonder daffodil had lured the bee Into its gilded womb, or any rose Had hung with crimson lamps its little tree! Methinks no leaf would ever bud in spring, But for the lovers' lips that kiss, the poets' lips that sing.
Is the light vanished from our golden sun, Or is this daedal-fashioned earth less fair, That we are nature's heritors, and one With every pulse of life that beats the air? Rather new suns across the sky shall pass, New splendour come unto the flower, new glory to the grass.
And we two lovers shall not sit afar, Critics of nature, but the joyous sea Shall be our raiment, and the bearded star Shoot arrows at our pleasure! We shall be Part of the mighty universal whole, And through all aeons mix and mingle with the Kosmic Soul! We shall be notes in that great Symphony Whose cadence circles through the rhythmic spheres, And all the live World's throbbing heart shall be One with our heart; the stealthy creeping years Have lost their terrors now, we shall not die, The Universe itself shall be our Immortality.


Written by C S Lewis | Create an image from this poem

Science-fiction Cradlesong

 By and by Man will try 
To get out into the sky, 
Sailing far beyond the air 
From Down and Here to Up and There.
Stars and sky, sky and stars Make us feel the prison bars.
Suppose it done.
Now we ride Closed in steel, up there, outside Through our port-holes see the vast Heaven-scape go rushing past.
Shall we? All that meets the eye Is sky and stars, stars and sky.
Points of light with black between Hang like a painted scene Motionless, no nearer there Than on Earth, everywhere Equidistant from our ship.
Heaven has given us the slip.
Hush, be still.
Outer space Is a concept, not a place.
Try no more.
Where we are Never can be sky or star.
From prison, in a prison, we fly; There's no way into the sky.
Written by Aleister Crowley | Create an image from this poem

The Twins

 [Dedicated to Austin Osman Spare]


Have pity ! show no pity !
Those eyes that send such shivers
Into my brain and spine : oh let them
Flame like the ancient city
Swallowed up by the sulphurous rivers
When men let angels fret them !

Yea ! let the south wind blow,
And the Turkish banner advance,
And the word go out : No quarter !
But I shall hod thee -so !
While the boys and maidens dance
About the shambles of slaughter !

I know thee who thou art,
The inmost fiend that curlest
Thy vampire tounge about
Earth's corybantic heart,
Hell's warrior that whirlest
The darts of horror and doubt !

Thou knowest me who I am
The inmost soul and saviour
Of man ; what hieroglyph
Of the dragon and the lamb
Shall thou and I engrave here
On Time's inscandescable cliff ?

Look ! in the plished granite,
Black as thy cartouche is with sins,
I read the searing sentence
That blasts the eyes that scan it :
"HOOR and SET be TWINS.
" A fico for repentance ! Ay ! O Son of my mother That snarled and clawed in her womb As now we rave in our rapture, I know thee, I love thee, brother ! Incestuous males that consumes The light and the life that we capture.
Starve thou the soul of the world, Brother, as I the body ! Shall we not glut our lust On these wretches whom Fate hath hurled To a hell of jesus and shoddy, Dung and ethics and dust ? Thou as I art Fate.
Coe then, conquer and kiss me ! Come ! what hinders? Believe me : This is the thought we await.
The mark is fair ; can you miss me ? See, how subtly I writhe ! Strange runes and unknown sigils I trace in the trance that thrills us.
Death ! how lithe, how blithe Are these male incestuous vigils ! Ah ! this is the spasm that kills us ! Wherefore I solemnly affirm This twofold Oneness at the term.
Asar on Asi did beget Horus twin brother unto Set.
Now Set and Horus kiss, to call The Soul of the Unnatural Forth from the dusk ; then nature slain Lets the Beyond be born again.
This weird is of the tongue of Khem, The Conjuration used of them.
Whoso shall speak it, let him die, His bowels rotting inwardly, Save he uncover and caress The God that lighteth his liesse.
Written by Jonathan Swift | Create an image from this poem

The Beasts Confession

 To the Priest, on Observing how most Men mistake their own Talents
When beasts could speak (the learned say, 
They still can do so ev'ry day),
It seems, they had religion then,
As much as now we find in men.
It happen'd, when a plague broke out (Which therefore made them more devout), The king of brutes (to make it plain, Of quadrupeds I only mean) By proclamation gave command, That ev'ry subject in the land Should to the priest confess their sins; And thus the pious wolf begins: "Good father, I must own with shame, That often I have been to blame: I must confess, on Friday last, Wretch that I was! I broke my fast: But I defy the basest tongue To prove I did my neighbour wrong; Or ever went to seek my food By rapine, theft, or thirst of blood.
" The ass, approaching next, confess'd That in his heart he lov'd a jest: A wag he was, he needs must own, And could not let a dunce alone: Sometimes his friend he would not spare, And might perhaps be too severe: But yet, the worst that could be said, He was a wit both born and bred; And, if it be a sin or shame, Nature alone must bear the blame: One fault he hath, is sorry for't, His ears are half a foot too short; Which could he to the standard bring, He'd show his face before the King: Then for his voice, there's none disputes That he's the nightingale of brutes.
The swine with contrite heart allow'd, His shape and beauty made him proud: In diet was perhaps too nice, But gluttony was ne'er his vice: In ev'ry turn of life content, And meekly took what fortune sent: Inquire through all the parish round, A better neighbour ne'er was found: His vigilance might some displease; 'Tis true he hated sloth like peas.
The mimic ape began his chatter, How evil tongues his life bespatter: Much of the cens'ring world complain'd, Who said, his gravity was feign'd: Indeed, the strictness of his morals Engag'd him in a hundred quarrels: He saw, and he was griev'd to see't, His zeal was sometimes indiscreet: He found his virtues too severe For our corrupted times to bear: Yet, such a lewd licentious age Might well excuse a Stoic's rage.
The goat advanc'd with decent pace; And first excus'd his youthful face; Forgiveness begg'd that he appear'd ('Twas nature's fault) without a beard.
'Tis true, he was not much inclin'd To fondness for the female kind; Not, as his enemies object, From chance, or natural defect; Not by his frigid constitution, But through a pious resolution; For he had made a holy vow Of chastity as monks do now; Which he resolv'd to keep for ever hence, As strictly too, as doth his Reverence.
Apply the tale, and you shall find, How just it suits with human kind.
Some faults we own: but, can you guess? Why?--virtues carried to excess, Wherewith our vanity endows us, Though neither foe nor friend allows us.
The lawyer swears, you may rely on't, He never squeez'd a needy client; And this he makes his constant rule, For which his brethren call him fool: His conscience always was so nice, He freely gave the poor advice; By which he lost, he may affirm, A hundred fees last Easter term.
While others of the learned robe Would break the patience of a Job; No pleader at the bar could match His diligence and quick dispatch; Ne'er kept a cause, he well may boast, Above a term or two at most.
The cringing knave, who seeks a place Without success, thus tells his case: Why should he longer mince the matter? He fail'd because he could not flatter; He had not learn'd to turn his coat, Nor for a party give his vote: His crime he quickly understood; Too zealous for the nation's good: He found the ministers resent it, Yet could not for his heart repent it.
The chaplain vows he cannot fawn, Though it would raise him to the lawn: He pass'd his hours among his books; You find it in his meagre looks: He might, if he were worldly wise, Preferment get and spare his eyes: But own'd he had a stubborn spirit, That made him trust alone in merit: Would rise by merit to promotion; Alas! a mere chimeric notion.
The doctor, if you will believe him, Confess'd a sin; and God forgive him! Call'd up at midnight, ran to save A blind old beggar from the grave: But see how Satan spreads his snares; He quite forgot to say his prayers.
He cannot help it for his heart Sometimes to act the parson's part: Quotes from the Bible many a sentence, That moves his patients to repentance: And, when his med'cines do no good, Supports their minds with heav'nly food, At which, however well intended, He hears the clergy are offended; And grown so bold behind his back, To call him hypocrite and quack.
In his own church he keeps a seat; Says grace before and after meat; And calls, without affecting airs, His household twice a day to prayers.
He shuns apothecaries' shops; And hates to cram the sick with slops: He scorns to make his art a trade; Nor bribes my lady's fav'rite maid.
Old nurse-keepers would never hire To recommend him to the squire; Which others, whom he will not name, Have often practis'd to their shame.
The statesman tells you with a sneer, His fault is to be too sincere; And, having no sinister ends, Is apt to disoblige his friends.
The nation's good, his master's glory, Without regard to Whig or Tory, Were all the schemes he had in view; Yet he was seconded by few: Though some had spread a hundred lies, 'Twas he defeated the Excise.
'Twas known, though he had borne aspersion, That standing troops were his aversion: His practice was, in ev'ry station, To serve the King, and please the nation.
Though hard to find in ev'ry case The fittest man to fill a place: His promises he ne'er forgot, But took memorials on the spot: His enemies, for want of charity, Said he affected popularity: 'Tis true, the people understood, That all he did was for their good; Their kind affections he has tried; No love is lost on either side.
He came to Court with fortune clear, Which now he runs out ev'ry year: Must, at the rate that he goes on, Inevitably be undone: Oh! if his Majesty would please To give him but a writ of ease, Would grant him licence to retire, As it hath long been his desire, By fair accounts it would be found, He's poorer by ten thousand pound.
He owns, and hopes it is no sin, He ne'er was partial to his kin; He thought it base for men in stations To crowd the Court with their relations; His country was his dearest mother, And ev'ry virtuous man his brother; Through modesty or awkward shame (For which he owns himself to blame), He found the wisest man he could, Without respect to friends or blood; Nor ever acts on private views, When he hath liberty to choose.
The sharper swore he hated play, Except to pass an hour away: And well he might; for, to his cost, By want of skill he always lost; He heard there was a club of cheats, Who had contriv'd a thousand feats; Could change the stock, or cog a die, And thus deceive the sharpest eye: Nor wonder how his fortune sunk, His brothers fleece him when he's drunk.
I own the moral not exact; Besides, the tale is false in fact; And so absurd, that could I raise up From fields Elysian fabling Aesop; I would accuse him to his face For libelling the four-foot race.
Creatures of ev'ry kind but ours Well comprehend their natural pow'rs; While we, whom reason ought to sway, Mistake our talents ev'ry day.
The ass was never known so stupid To act the part of Tray or Cupid; Nor leaps upon his master's lap, There to be strok'd, and fed with pap, As Aesop would the world persuade; He better understands his trade: Nor comes, whene'er his lady whistles; But carries loads, and feeds on thistles.
Our author's meaning, I presume, is A creature bipes et implumis; Wherein the moralist design'd A compliment on human kind: For here he owns, that now and then Beasts may degenerate into men.
Written by Robert Hayden | Create an image from this poem

Middle Passage

 I 

Jesús, Estrella, Esperanza, Mercy: 

Sails flashing to the wind like weapons, 
sharks following the moans the fever and the dying; 
horror the corposant and compass rose.
Middle Passage: voyage through death to life upon these shores.
"10 April 1800-- Blacks rebellious.
Crew uneasy.
Our linguist says their moaning is a prayer for death, our and their own.
Some try to starve themselves.
Lost three this morning leaped with crazy laughter to the waiting sharks, sang as they went under.
" Desire, Adventure, Tartar, Ann: Standing to America, bringing home black gold, black ivory, black seed.
Deep in the festering hold thy father lies, of his bones New England pews are made, those are altar lights that were his eyes.
Jesus Saviour Pilot Me Over Life's Tempestuous Sea We pray that Thou wilt grant, O Lord, safe passage to our vessels bringing heathen souls unto Thy chastening.
Jesus Saviour "8 bells.
I cannot sleep, for I am sick with fear, but writing eases fear a little since still my eyes can see these words take shape upon the page & so I write, as one would turn to exorcism.
4 days scudding, but now the sea is calm again.
Misfortune follows in our wake like sharks (our grinning tutelary gods).
Which one of us has killed an albatross? A plague among our blacks--Ophthalmia: blindness--& we have jettisoned the blind to no avail.
It spreads, the terrifying sickness spreads.
Its claws have scratched sight from the Capt.
's eyes & there is blindness in the fo'c'sle & we must sail 3 weeks before we come to port.
" What port awaits us, Davy Jones' or home? I've heard of slavers drifting, drifting, playthings of wind and storm and chance, their crews gone blind, the jungle hatred crawling up on deck.
Thou Who Walked On Galilee "Deponent further sayeth The Bella J left the Guinea Coast with cargo of five hundred blacks and odd for the barracoons of Florida: "That there was hardly room 'tween-decks for half the sweltering cattle stowed spoon-fashion there; that some went mad of thirst and tore their flesh and sucked the blood: "That Crew and Captain lusted with the comeliest of the savage girls kept naked in the cabins; that there was one they called The Guinea Rose and they cast lots and fought to lie with her: "That when the Bo's'n piped all hands, the flames spreading from starboard already were beyond control, the ******* howling and their chains entangled with the flames: "That the burning blacks could not be reached, that the Crew abandoned ship, leaving their shrieking negresses behind, that the Captain perished drunken with the wenches: "Further Deponent sayeth not.
" Pilot Oh Pilot Me II Aye, lad, and I have seen those factories, Gambia, Rio Pongo, Calabar; have watched the artful mongos baiting traps of war wherein the victor and the vanquished Were caught as prizes for our barracoons.
Have seen the ****** kings whose vanity and greed turned wild black hides of Fellatah, Mandingo, Ibo, Kru to gold for us.
And there was one--King Anthracite we named him-- fetish face beneath French parasols of brass and orange velvet, impudent mouth whose cups were carven skulls of enemies: He'd honor us with drum and feast and conjo and palm-oil-glistening wenches deft in love, and for tin crowns that shone with paste, red calico and German-silver trinkets Would have the drums talk war and send his warriors to burn the sleeping villages and kill the sick and old and lead the young in coffles to our factories.
Twenty years a trader, twenty years, for there was wealth aplenty to be harvested from those black fields, and I'd be trading still but for the fevers melting down my bones.
III Shuttles in the rocking loom of history, the dark ships move, the dark ships move, their bright ironical names like jests of kindness on a murderer's mouth; plough through thrashing glister toward fata morgana's lucent melting shore, weave toward New World littorals that are mirage and myth and actual shore.
Voyage through death, voyage whose chartings are unlove.
A charnel stench, effluvium of living death spreads outward from the hold, where the living and the dead, the horribly dying, lie interlocked, lie foul with blood and excrement.
Deep in the festering hold thy father lies, the corpse of mercy rots with him, rats eat love's rotten gelid eyes.
But, oh, the living look at you with human eyes whose suffering accuses you, whose hatred reaches through the swill of dark to strike you like a leper's claw.
You cannot stare that hatred down or chain the fear that stalks the watches and breathes on you its fetid scorching breath; cannot kill the deep immortal human wish, the timeless will.
"But for the storm that flung up barriers of wind and wave, The Amistad, señores, would have reached the port of Príncipe in two, three days at most; but for the storm we should have been prepared for what befell.
Swift as a puma's leap it came.
There was that interval of moonless calm filled only with the water's and the rigging's usual sounds, then sudden movement, blows and snarling cries and they had fallen on us with machete and marlinspike.
It was as though the very air, the night itself were striking us.
Exhausted by the rigors of the storm, we were no match for them.
Our men went down before the murderous Africans.
Our loyal Celestino ran from below with gun and lantern and I saw, before the cane- knife's wounding flash, Cinquez, that surly brute who calls himself a prince, directing, urging on the ghastly work.
He hacked the poor mulatto down, and then he turned on me.
The decks were slippery when daylight finally came.
It sickens me to think of what I saw, of how these apes threw overboard the butchered bodies of our men, true Christians all, like so much jetsam.
Enough, enough.
The rest is quickly told: Cinquez was forced to spare the two of us you see to steer the ship to Africa, and we like phantoms doomed to rove the sea voyaged east by day and west by night, deceiving them, hoping for rescue, prisoners on our own vessel, till at length we drifted to the shores of this your land, America, where we were freed from our unspeakable misery.
Now we demand, good sirs, the extradition of Cinquez and his accomplices to La Havana.
And it distresses us to know there are so many here who seem inclined to justify the mutiny of these blacks.
We find it paradoxical indeed that you whose wealth, whose tree of liberty are rooted in the labor of your slaves should suffer the august John Quincey Adams to speak with so much passion of the right of chattel slaves to kill their lawful masters and with his Roman rhetoric weave a hero's garland for Cinquez.
I tell you that we are determined to return to Cuba with our slaves and there see justice done.
Cinquez-- or let us say 'the Prince'--Cinquez shall die.
" The deep immortal human wish, the timeless will: Cinquez its deathless primaveral image, life that transfigures many lives.
Voyage through death to life upon these shores.
Written by Carolyn Kizer | Create an image from this poem

Parents Pantoum

 for Maxine Kumin

Where did these enormous children come from,
More ladylike than we have ever been?
Some of ours look older than we feel.
How did they appear in their long dresses More ladylike than we have ever been? But they moan about their aging more than we do, In their fragile heels and long black dresses.
They say they admire our youthful spontaneity.
They moan about their aging more than we do, A somber group--why don't they brighten up? Though they say they admire our youthful spontaneity The beg us to be dignified like them As they ignore our pleas to brighten up.
Someday perhaps we'll capture their attention Then we won't try to be dignified like them Nor they to be so gently patronizing.
Someday perhaps we'll capture their attention.
Don't they know that we're supposed to be the stars? Instead they are so gently patronizing.
It makes us feel like children--second-childish? Perhaps we're too accustomed to be stars.
The famous flowers glowing in the garden, So now we pout like children.
Second-childish? Quaint fragments of forgotten history? Our daughters stroll together in the garden, Chatting of news we've chosen to ignore, Pausing to toss us morsels of their history, Not questions to which only we know answers.
Eyes closed to news we've chosen to ignore, We'd rather excavate old memories, Disdaining age, ignoring pain, avoiding mirrors.
Why do they never listen to our stories? Because they hate to excavate old memories They don't believe our stories have an end.
They don't ask questions because they dread the answers.
They don't see that we've become their mirrors, We offspring of our enormous children.

Book: Shattered Sighs