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Best Famous Noiselessly Poems

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Written by William Cullen Bryant | Create an image from this poem

A Forest Hymn

The groves were God's first temples. Ere man learned 
To hew the shaft, and lay the architrave, 
And spread the roof above them,---ere he framed 
The lofty vault, to gather and roll back 
The sound of anthems; in the darkling wood, 
Amidst the cool and silence, he knelt down, 
And offered to the Mightiest solemn thanks 
And supplication. For his simple heart 
Might not resist the sacred influences, 
Which, from the stilly twilight of the place, 
And from the gray old trunks that high in heaven 
Mingled their mossy boughs, and from the sound 
Of the invisible breath that swayed at once 
All their green tops, stole over him, and bowed 
His spirit with the thought of boundless power 
And inaccessible majesty. Ah, why 
Should we, in the world's riper years, neglect 
God's ancient sanctuaries, and adore 
Only among the crowd, and under roofs, 
That our frail hands have raised? Let me, at least, 
Here, in the shadow of this aged wood, 
Offer one hymn---thrice happy, if it find 
Acceptance in His ear. 
Father, thy hand 
Hath reared these venerable columns, thou 
Didst weave this verdant roof. Thou didst look down 
Upon the naked earth, and, forthwith, rose 
All these fair ranks of trees. They, in thy sun, 
Budded, and shook their green leaves in the breeze, 
And shot towards heaven. The century-living crow, 
Whose birth was in their tops, grew old and died 
Among their branches, till, at last, they stood, 
As now they stand, massy, and tall, and dark, 
Fit shrine for humble worshipper to hold 
Communion with his Maker. These dim vaults, 
These winding aisles, of human pomp and pride 
Report not. No fantastic carvings show 
The boast of our vain race to change the form 
Of thy fair works. But thou art here---thou fill'st 
The solitude. Thou art in the soft winds 
That run along the summit of these trees 
In music; thou art in the cooler breath 
That from the inmost darkness of the place 
Comes, scarcely felt; the barky trunks, the ground, 
The fresh moist ground, are all instinct with thee. 
Here is continual worship;---Nature, here, 
In the tranquility that thou dost love, 
Enjoys thy presence. Noiselessly, around, 
From perch to perch, the solitary bird 
Passes; and yon clear spring, that, midst its herbs, 
Wells softly forth and wandering steeps the roots 
Of half the mighty forest, tells no tale 
Of all the good it does. Thou hast not left 
Thyself without a witness, in these shades, 
Of thy perfections. Grandeur, strength, and grace 
Are here to speak of thee. This mighty oak--- 
By whose immovable stem I stand and seem 
Almost annihilated---not a prince, 
In all that proud old world beyond the deep, 
E'er wore his crown as lofty as he 
Wears the green coronal of leaves with which 
Thy hand has graced him. Nestled at his root 
Is beauty, such as blooms not in the glare 
Of the broad sun. That delicate forest flower 
With scented breath, and look so like a smile, 
Seems, as it issues from the shapeless mould, 
An emanation of the indwelling Life, 
A visible token of the upholding Love, 
That are the soul of this wide universe. 

My heart is awed within me when I think 
Of the great miracle that still goes on, 
In silence, round me---the perpetual work 
Of thy creation, finished, yet renewed 
Forever. Written on thy works I read 
The lesson of thy own eternity. 
Lo! all grow old and die---but see again, 
How on the faltering footsteps of decay 
Youth presses----ever gay and beautiful youth 
In all its beautiful forms. These lofty trees 
Wave not less proudly that their ancestors 
Moulder beneath them. Oh, there is not lost 
One of earth's charms: upon her bosom yet, 
After the flight of untold centuries, 
The freshness of her far beginning lies 
And yet shall lie. Life mocks the idle hate 
Of his arch enemy Death---yea, seats himself 
Upon the tyrant's throne---the sepulchre, 
And of the triumphs of his ghastly foe 
Makes his own nourishment. For he came forth 
From thine own bosom, and shall have no end. 

There have been holy men who hid themselves 
Deep in the woody wilderness, and gave 
Their lives to thought and prayer, till they outlived 
The generation born with them, nor seemed 
Less aged than the hoary trees and rocks 
Around them;---and there have been holy men 
Who deemed it were not well to pass life thus. 
But let me often to these solitudes 
Retire, and in thy presence reassure 
My feeble virtue. Here its enemies, 
The passions, at thy plainer footsteps shrink 
And tremble and are still. Oh, God! when thou 
Dost scare the world with falling thunderbolts, or fill, 
With all the waters of the firmament, 
The swift dark whirlwind that uproots the woods 
And drowns the village; when, at thy call, 
Uprises the great deep and throws himself 
Upon the continent, and overwhelms 
Its cities---who forgets not, at the sight 
Of these tremendous tokens of thy power, 
His pride, and lays his strifes and follies by? 
Oh, from these sterner aspects of thy face 
Spare me and mine, nor let us need the wrath 
Of the mad unchained elements to teach 
Who rules them. Be it ours to meditate, 
In these calm shades, thy milder majesty, 
And to the beautiful order of the works 
Learn to conform the order of our lives. 


Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?
Written by William Cullen Bryant | Create an image from this poem

A Forest Hymn

THE GROVES were God's first temples. Ere man learned 
To hew the shaft and lay the architrave  
And spread the roof above them¡ªere he framed 
The lofty vault to gather and roll back 
The sound of anthems; in the darkling wood 5 
Amidst the cool and silence he knelt down  
And offered to the Mightiest solemn thanks 
And supplication. For his simple heart 
Might not resist the sacred influences 
Which from the stilly twilight of the place 10 
And from the gray old trunks that high in heaven 
Mingled their mossy boughs and from the sound 
Of the invisible breath that swayed at once 
All their green tops stole over him and bowed 
His spirit with the thought of boundless power 15 
And inaccessible majesty. Ah why 
Should we in the world's riper years neglect 
God's ancient sanctuaries and adore 
Only among the crowd and under roofs 
That our frail hands have raised? Let me at least 20 
Here in the shadow of this aged wood  
Offer one hymn¡ªthrice happy if it find 
Acceptance in His ear. 

Father thy hand 
Hath reared these venerable columns thou 25 
Didst weave this verdant roof. Thou didst look down 
Upon the naked earth and forthwith rose 
All these fair ranks of trees. They in thy sun  
Budded and shook their green leaves in thy breeze  
And shot towards heaven. The century-living crow 30 
Whose birth was in their tops grew old and died 
Among their branches till at last they stood  
As now they stand massy and tall and dark  
Fit shrine for humble worshipper to hold 
Communion with his Maker. These dim vaults 35 
These winding aisles of human pomp or pride 
Report not. No fantastic carvings show 
The boast of our vain race to change the form 
Of thy fair works. But thou art here¡ªthou fill'st 
The solitude. Thou art in the soft winds 40 
That run along the summit of these trees 
In music; thou art in the cooler breath 
That from the inmost darkness of the place 
Comes scarcely felt; the barky trunks the ground  
The fresh moist ground are all instinct with thee. 45 
Here is continual worship;¡ªNature here  
In the tranquillity that thou dost love  
Enjoys thy presence. Noiselessly around  
From perch to perch the solitary bird 
Passes; and yon clear spring that midst its herbs 50 
Wells softly forth and wandering steeps the roots 
Of half the mighty forest tells no tale 
Of all the good it does. Thou hast not left 
Thyself without a witness in these shades  
Of thy perfections. Grandeur strength and grace 55 
Are here to speak of thee. This mighty oak ¡ª 
By whose immovable stem I stand and seem 
Almost annihilated¡ªnot a prince  
In all that proud old world beyond the deep  
E'er wore his crown as loftily as he 60 
Wears the green coronal of leaves with which 
Thy hand has graced him. Nestled at his root 
Is beauty such as blooms not in the glare 
Of the broad sun. That delicate forest flower  
With scented breath and look so like a smile 65 
Seems as it issues from the shapeless mould  
An emanation of the indwelling Life  
A visible token of the upholding Love  
That are the soul of this great universe. 

My heart is awed within me when I think 70 
Of the great miracle that still goes on  
In silence round me¡ªthe perpetual work 
Of thy creation finished yet renewed 
Forever. Written on thy works I read 
The lesson of thy own eternity. 75 
Lo! all grow old and die¡ªbut see again  
How on the faltering footsteps of decay 
Youth presses ¡ªever-gay and beautiful youth 
In all its beautiful forms. These lofty trees 
Wave not less proudly that their ancestors 80 
Moulder beneath them. O there is not lost 
One of earth's charms: upon her bosom yet  
After the flight of untold centuries  
The freshness of her far beginning lies 
And yet shall lie. Life mocks the idle hate 85 
Of his arch-enemy Death¡ªyea seats himself 
Upon the tyrant's throne¡ªthe sepulchre  
And of the triumphs of his ghastly foe 
Makes his own nourishment. For he came forth 
From thine own bosom and shall have no end. 90 

There have been holy men who hid themselves 
Deep in the woody wilderness and gave 
Their lives to thought and prayer till they outlived 
The generation born with them nor seemed 
Less aged than the hoary trees and rocks 95 
Around them;¡ªand there have been holy men 
Who deemed it were not well to pass life thus. 
But let me often to these solitudes 
Retire and in thy presence reassure 
My feeble virtue. Here its enemies 100 
The passions at thy plainer footsteps shrink 
And tremble and are still. O God! when thou 
Dost scare the world with tempests set on fire 
The heavens with falling thunderbolts or fill  
With all the waters of the firmament 105 
The swift dark whirlwind that uproots the woods 
And drowns the villages; when at thy call  
Uprises the great deep and throws himself 
Upon the continent and overwhelms 
Its cities¡ªwho forgets not at the sight 110 
Of these tremendous tokens of thy power  
His pride and lays his strifes and follies by? 
O from these sterner aspects of thy face 
Spare me and mine nor let us need the wrath 
Of the mad unchain¨¨d elements to teach 115 
Who rules them. Be it ours to meditate  
In these calm shades thy milder majesty  
And to the beautiful order of thy works 
Learn to conform the order of our lives. 
Written by John Ashbery | Create an image from this poem

Into the Dusk-Charged Air

 Far from the Rappahannock, the silent
Danube moves along toward the sea.
The brown and green Nile rolls slowly
Like the Niagara's welling descent.
Tractors stood on the green banks of the Loire
Near where it joined the Cher.
The St. Lawrence prods among black stones
And mud. But the Arno is all stones.
Wind ruffles the Hudson's
Surface. The Irawaddy is overflowing.
But the yellowish, gray Tiber
Is contained within steep banks. The Isar
Flows too fast to swim in, the Jordan's water
Courses over the flat land. The Allegheny and its boats
Were dark blue. The Moskowa is
Gray boats. The Amstel flows slowly.
Leaves fall into the Connecticut as it passes
Underneath. The Liffey is full of sewage,
Like the Seine, but unlike
The brownish-yellow Dordogne.
Mountains hem in the Colorado
And the Oder is very deep, almost
As deep as the Congo is wide.
The plain banks of the Neva are
Gray. The dark Saône flows silently.
And the Volga is long and wide
As it flows across the brownish land. The Ebro
Is blue, and slow. The Shannon flows
Swiftly between its banks. The Mississippi
Is one of the world's longest rivers, like the Amazon.
It has the Missouri for a tributary.
The Harlem flows amid factories
And buildings. The Nelson is in Canada,
Flowing. Through hard banks the Dubawnt
Forces its way. People walk near the Trent.
The landscape around the Mohawk stretches away;
The Rubicon is merely a brook.
In winter the Main
Surges; the Rhine sings its eternal song.
The Rhône slogs along through whitish banks
And the Rio Grande spins tales of the past.
The Loir bursts its frozen shackles
But the Moldau's wet mud ensnares it.
The East catches the light.
Near the Escaut the noise of factories echoes
And the sinuous Humboldt gurgles wildly.
The Po too flows, and the many-colored
Thames. Into the Atlantic Ocean
Pours the Garonne. Few ships navigate
On the Housatonic, but quite a few can be seen
On the Elbe. For centuries
The Afton has flowed.
If the Rio *****
Could abandon its song, and the Magdalena
The jungle flowers, the Tagus
Would still flow serenely, and the Ohio
Abrade its slate banks. The tan Euphrates would
Sidle silently across the world. The Yukon
Was choked with ice, but the Susquehanna still pushed
Bravely along. The Dee caught the day's last flares
Like the Pilcomayo's carrion rose.
The Peace offered eternal fragrance
Perhaps, but the Mackenzie churned livid mud
Like tan chalk-marks. Near where
The Brahmaputra slapped swollen dikes
And the Pechora? The São Francisco
Skulks amid gray, rubbery nettles. The Liard's
Reflexes are slow, and the Arkansas erodes
Anthracite hummocks. The Paraná stinks.
The Ottawa is light emerald green
Among grays. Better that the Indus fade
In steaming sands! Let the Brazos
Freeze solid! And the Wabash turn to a leaden
Cinder of ice! The Marañón is too tepid, we must
Find a way to freeze it hard. The Ural
Is freezing slowly in the blasts. The black Yonne
Congeals nicely. And the Petit-Morin
Curls up on the solid earth. The Inn
Does not remember better times, and the Merrimack's
Galvanized. The Ganges is liquid snow by now;
The Vyatka's ice-gray. The once-molten Tennessee s
Curdled. The Japurá is a pack of ice. Gelid
The Columbia's gray loam banks. The Don's merely
A giant icicle. The Niger freezes, slowly.
The interminable Lena plods on
But the Purus' mercurial waters are icy, grim
With cold. The Loing is choked with fragments of ice.
The Weser is frozen, like liquid air.
And so is the Kama. And the beige, thickly flowing
Tocantins. The rivers bask in the cold.
The stern Uruguay chafes its banks,
A mass of ice. The Hooghly is solid
Ice. The Adour is silent, motionless.
The lovely Tigris is nothing but scratchy ice
Like the Yellowstone, with its osier-clustered banks.
The Mekong is beginning to thaw out a little
And the Donets gurgles beneath the
Huge blocks of ice. The Manzanares gushes free.
The Illinois darts through the sunny air again.
But the Dnieper is still ice-bound. Somewhere
The Salado propels irs floes, but the Roosevelt's
Frozen. The Oka is frozen solider
Than the Somme. The Minho slumbers
In winter, nor does the Snake
Remember August. Hilarious, the Canadian
Is solid ice. The Madeira slavers
Across the thawing fields, and the Plata laughs.
The Dvina soaks up the snow. The Sava's
Temperature is above freezing. The Avon
Carols noiselessly. The Drôme presses
Grass banks; the Adige's frozen
Surface is like gray pebbles.

Birds circle the Ticino. In winter
The Var was dark blue, unfrozen. The
Thwaite, cold, is choked with sandy ice;
The Ardèche glistens feebly through the freezing rain.
Written by Philip Levine | Create an image from this poem

Black Stone On Top Of Nothing

 Still sober, César Vallejo comes home and finds a black ribbon 
around the apartment building covering the front door. 
He puts down his cane, removes his greasy fedora, and begins 
to untangle the mess. His neighbors line up behind him 
wondering what's going on. A middle-aged woman carrying 
a loaf of fresh bread asks him to step aside so she 
can enter, ascend the two steep flights to her apartment, 
and begin the daily task of preparing lunch for her Monsieur. 
Vallejo pretends he hears nothing or perhaps he truly 
hears nothing so absorbed is he in this odd task consuming 
his late morning. Did I forget to mention that no one else 
can see the black ribbon or understand why his fingers 
seem so intent on unraveling what is not there? Remember 
when you were only six and on especially hot days you 
would descend the shaky steps to the cellar hoping at first 
that someone, perhaps your mother, would gradually 
become aware of your absence and feel a sudden seizure 
of anxiety or terror. Of course no one noticed. Mother 
sat for hours beside the phone waiting, and now and then 
gazed at summer sunlight blazing through the parlor curtains 
while below, cool and alone, seated on the damp concrete 
you watched the same sunlight filter through the rising dust 
from the two high windows. Beside the furnace a spider 
worked brilliantly downward from the burned-out, overhead bulb 
with a purpose you at that age could still comprehend. 
1937 would last only six more months. It was a Thursday. 
Rain was promised but never arrived. The brown spider worked 
with or without hope, though when the dusty sunlight caught 
in the web you beheld a design so perfect it remained 
in your memory as a model of meaning. César Vallejo 
untangled the black ribbon no one else saw and climbed 
to his attic apartment and gazed out at the sullen rooftops 
stretching southward toward Spain where his heart died. I know this. 
I've walked by the same building year after year in late evening 
when the swallows were settling noiselessly in the few sparse trees
beside the unused canal. I've come when the winter snow 
blinded the distant brooding sky. I've come just after dawn, 
I've come in spring, in autumn, in rain, and he was never there.


Written by Walt Whitman | Create an image from this poem

Last Invocation The

 1
AT the last, tenderly, 
From the walls of the powerful, fortress’d house, 
From the clasp of the knitted locks—from the keep of the well-closed doors, 
Let me be wafted. 

2
Let me glide noiselessly forth;
With the key of softness unlock the locks—with a whisper, 
Set ope the doors, O Soul! 

3
Tenderly! be not impatient! 
(Strong is your hold, O mortal flesh! 
Strong is your hold, O love.)
Written by Amy Lowell | Create an image from this poem

Teatro Bambino. Dublin N. H

 How still it is! Sunshine itself here 
falls
In quiet shafts of light through the high trees
Which, arching, make a roof above the walls
Changing from sun to shadow as each breeze
Lingers a moment, charmed by the strange sight
Of an Italian theatre, storied, seer
Of vague romance, and time's long history;
Where tiers of grass-grown seats sprinkled with white,
Sweet-scented clover, form a broken sphere
Grouped round the stage in hushed expectancy.
What sound is that which echoes through the wood?
Is it the reedy note of an oaten pipe?
Perchance a minute more will see the brood
Of the shaggy forest god, and on his lip
Will rest the rushes he is wont to play.
His train in woven baskets bear ripe fruit
And weave a dance with ropes of gray acorns,
So light their touch the grasses scarcely sway
As they the measure tread to the lilting flute.
Alas! 't is only Fancy thus adorns.
A cloud drifts idly over the shining sun.
How damp it seems, how silent, still, and strange!
Surely 't was here some tragedy was done,
And here the chorus sang each coming change?
Sure this is deep in some sweet, southern wood,
These are not pines, but cypress tall and dark;
That is no thrush which sings so rapturously,
But the nightingale in his most passionate mood
Bursting his little heart with anguish. Hark!
The tread of sandalled feet comes noiselessly.
The silence almost is a sound, and dreams
Take on the semblances of finite things;
So potent is the spell that what but seems
Elsewhere, is lifted here on Fancy's wings.
The little woodland theatre seems to wait,
All tremulous with hope and wistful joy,
For something that is sure to come at last,
Some deep emotion, satisfying, great.
It grows a living presence, bold and shy,
Cradling the future in a glorious past.
Written by Lucy Maud Montgomery | Create an image from this poem

Harbor Moonrise

 There is never a wind to sing o'er the sea 
On its dimpled bosom that holdeth in fee 
Wealth of silver and magicry; 
And the harbor is like to an ebon cup 
With mother-o'-pearl to the lips lined up, 
And brimmed with the wine of entranced delight, 
Purple and rare, from the flagon of night. 

Lo, in the east is a glamor and gleam, 
Like waves that lap on the shores of dream, 
Or voice their lure in a poet's theme! 
And behind the curtseying fisher boats 
The barge of the rising moon upfloats, 
The pilot ship over unknown seas 
Of treasure-laden cloud argosies. 

Ere ever she drifts from the ocean's rim, 
Out from the background of shadows dim, 
Stealeth a boat o'er her golden rim; 
Noiselessly, swiftly, it swayeth by 
Into the bourne of enchanted sky, 
Like a fairy shallop that seeks the strand 
Of a far and uncharted fairyland. 

Now, ere the sleeping winds may stir, 
Send, O, my heart, a wish with her, 
Like to a venturous mariner; 
For who knoweth but that on an elfin sea 
She may meet the bark that is sailing to thee, 
And, winging thy message across the foam, 
May hasten the hour when thy ship comes home?
Written by Robert Louis Stevenson | Create an image from this poem

I Now O Friend Whom Noiselessly The Snows

 I NOW, O friend, whom noiselessly the snows
Settle around, and whose small chamber grows
Dusk as the sloping window takes its load:

* * * * *

The kindly hill, as to complete our hap,
Has ta'en us in the shelter of her lap;
Well sheltered in our slender grove of trees
And ring of walls, we sit between her knees;
A disused quarry, paved with rose plots, hung
With clematis, the barren womb whence sprung
The crow-stepped house itself, that now far seen
Stands, like a bather, to the neck in green.
A disused quarry, furnished with a seat
Sacred to pipes and meditation meet
For such a sunny and retired nook.
There in the clear, warm mornings many a book
Has vied with the fair prospect of the hills
That, vale on vale, rough brae on brae, upfills
Halfway to the zenith all the vacant sky
To keep my loose attention. . . .
Horace has sat with me whole mornings through:
And Montaigne gossiped, fairly false and true;
And chattering Pepys, and a few beside
That suit the easy vein, the quiet tide,
The calm and certain stay of garden-life,
Far sunk from all the thunderous roar of strife.
There is about the small secluded place
A garnish of old times; a certain grace
Of pensive memories lays about the braes:
The old chestnuts gossip tales of bygone days.
Here, where some wandering preacher, blest Lazil,
Perhaps, or Peden, on the middle hill
Had made his secret church, in rain or snow,
He cheers the chosen residue from woe.
All night the doors stood open, come who might,
The hounded kebbock mat the mud all night.
Nor are there wanting later tales; of how
Prince Charlie's Highlanders . . .

* * * * *

I have had talents, too. In life's first hour
God crowned with benefits my childish head.
Flower after flower, I plucked them; flower by flower
Cast them behind me, ruined, withered, dead.
Full many a shining godhead disappeared.
From the bright rank that once adorned her brow
The old child's Olympus

* * * * *

Gone are the fair old dreams, and one by one,
As, one by one, the means to reach them went,
As, one by one, the stars in riot and disgrace,
I squandered what . . .

There shut the door, alas! on many a hope
Too many;
My face is set to the autumnal slope,
Where the loud winds shall . . .

There shut the door, alas! on many a hope,
And yet some hopes remain that shall decide
My rest of years and down the autumnal slope.

* * * * *

Gone are the quiet twilight dreams that I
Loved, as all men have loved them; gone!
I have great dreams, and still they stir my soul on high -
Dreams of the knight's stout heart and tempered will.
Not in Elysian lands they take their way;
Not as of yore across the gay champaign,
Towards some dream city, towered . . .
and my . . .
The path winds forth before me, sweet and plain,
Not now; but though beneath a stone-grey sky
November's russet woodlands toss and wail,
Still the white road goes thro' them, still may I,
Strong in new purpose, God, may still prevail.

* * * * *

I and my like, improvident sailors!

* * * * *

At whose light fall awaking, all my heart
Grew populous with gracious, favoured thought,
And all night long thereafter, hour by hour,
The pageant of dead love before my eyes
Went proudly, and old hopes with downcast head
Followed like Kings, subdued in Rome's imperial hour,
Followed the car; and I . . .
Written by Friedrich von Schiller | Create an image from this poem

The Fugitive

 The air is perfumed with the morning's fresh breeze,
From the bush peer the sunbeams all purple and bright,
While they gleam through the clefts of the dark-waving trees,
And the cloud-crested mountains are golden with light.

With joyful, melodious, ravishing, strain,
The lark, as he wakens, salutes the glad sun,
Who glows in the arms of Aurora again,
And blissfully smiling, his race 'gins to run.

All hail, light of day!
Thy sweet gushing ray
Pours down its soft warmth over pasture and field;
With hues silver-tinged
The meadows are fringed,
And numberless suns in the dewdrop revealed.

Young Nature invades
The whispering shades,
Displaying each ravishing charm;
The soft zephyr blows,
And kisses the rose,
The plain is sweet-scented with balm.

How high from yon city the smoke-clouds ascend!
Their neighing, and snorting, and bellowing blend
The horses and cattle;
The chariot-wheels rattle,
As down to the valley they take their mad way;
And even the forest where life seems to move,
The eagle, and falcon, and hawk soar above,
And flutter their pinions, in heaven's bright ray.

In search of repose
From my heart-rending woes,
Oh, where shall my sad spirit flee?
The earth's smiling face,
With its sweet youthful grace,
A tomb must, alas, be for me!

Arise, then, thou sunlight of morning, and fling
O'er plain and o'er forest thy purple-dyed beams!
Thou twilight of evening, all noiselessly sing
In melody soft to the world as it dreams!

Ah, sunlight of morning, to me thou but flingest
Thy purple-dyed beams o'er the grave of the past!
Ah, twilight of evening, thy strains thou but singest
To one whose deep slumbers forever must last!

Book: Radiant Verses: A Journey Through Inspiring Poetry