Written by
Aleister Crowley |
[Dedicated to General J.
C.
F.
Fuller]
Velvet soft the night-star glowed
Over the untrodden road,
Through the giant glades of yew
Where its ray fell light as dew
Lighting up the shimmering veil
Maiden pure and aery frail
That the spiders wove to hide
Blushes of the sylvan bride
Earth, that trembled with delight
At the male caress of Night.
Velvet soft the wizard trod
To the Sabbath of his God.
With his naked feet he made
Starry blossoms in the glade,
Softly, softly, as he went
To the sombre sacrament,
Stealthy stepping to the tryst
In his gown of amethyst.
Earlier yet his soul had come
To the Hill of Martyrdom,
Where the charred and crooked stake
Like a black envenomed snake
By the hangman's hands is thrust
Through the wet and writhing dust,
Never black and never dried
Heart's blood of a suicide.
He had plucked the hazel rod
From the rude and goatish god,
Even as the curved moon's waning ray
Stolen from the King of Day.
He had learnt the elvish sign;
Given the Token of the Nine:
Once to rave, and once to revel,
Once to bow before the devil,
Once to swing the thurible,
Once to kiss the goat of hell,
Once to dance the aspen spring,
Once to croak, and once to sing,
Once to oil the savoury thighs
Of the witch with sea-green eyes
With the unguents magical.
Oh the honey and the gall
Of that black enchanter's lips
As he croons to the eclipse
Mingling that most puissant spell
Of the giant gods of hell
With the four ingredients
Of the evil elements;
Ambergris from golden spar,
Musk of ox from Mongol jar,
Civet from a box of jade,
Mixed with fat of many a maid
Slain by the inchauntments cold
Of the witches wild and old.
He had crucified a toad
In the basilisk abode,
Muttering the Runes averse
Mad with many a mocking curse.
He had traced the serpent sigil
In his ghastly virgin vigil.
Sursum cor! the elfin hill,
Where the wind blows deadly chill
From the world that wails beneath
Death's black throat and lipless teeth.
There he had stood - his bosom bare -
Tracing Life upon the Air
With the crook and with the flail
Lashing forward on the gale,
Till its blade that wavereth
Like the flickering of Death
Sank before his subtle fence
To the starless sea of sense.
Now at last the man is come
Haply to his halidom.
Surely as he waves his rod
In a circle on the sod
Springs the emerald chaste and clean
From the duller paler green.
Surely in the circle millions
Of immaculate pavilions
Flash upon the trembling turf
Like the sea-stars in the surf -
Millions of bejewelled tents
For the warrior sacraments.
Vaster, vaster, vaster, vaster,
Grows the stature of the master;
All the ringed encampment vies
With the infinite galaxies.
In the midst a cubic stone
With the Devil set thereon;
Hath a lamb's virginal throat;
Hath the body of a stoat;
Hath the buttocks of a goat;
Hath the sanguine face and rod
Of a goddess and a god!
Spell by spell and pace by pace!
Mystic flashes swing and trace
Velvet soft the sigils stepped
By the silver-starred adept.
Back and front, and to and fro,
Soul and body sway and flow
In vertiginous caresses
To imponderable recesses,
Till at last the spell is woven,
And the faery veil is cloven
That was Sequence, Space, and Stress
Of the soul-sick consciousness.
"Give thy body to the beasts!
Give thy spirit to the priests!
Break in twain the hazel rod
On the virgin lips of God!
Tear the Rosy Cross asunder!
Shatter the black bolt of thunder!
Suck the swart ensanguine kiss
Of the resolute abyss!"
Wonder-weft the wizard heard
This intolerable word.
Smote the blasting hazel rod
On the scarlet lips of God;
Trampled Cross and rosy core;
Brake the thunder-tool of Thor;
Meek and holy acolyte
Of the priestly hells of spite,
Sleek and shameless catamite
Of the beasts that prowl the night!
Like a star that streams from heaven
Through the virgin airs light-riven,
From the lift there shot and fell
An admirable miracle.
Carved minute and clean, a key
Of purest lapis-lazuli
More blue than the blind sky that aches
(Wreathed with the stars, her torturing snakes),
For the dead god's kiss that never wakes;
Shot with golden specks of fire
Like a virgin with desire.
Look, the levers! fern-frail fronds
Of fantastic diamonds,
Glimmering with ethereal azure
In each exquisite embrasure.
On the shaft the letters laced,
As if dryads lunar-chaste
With the satyrs were embraced,
Spelled the secret of the key:
Sic pervenias.
And he
Went his wizard way, inweaving
Dreams of things beyond believing.
When he will, the weary world
Of the senses closely curled
Like a serpent round his heart
Shakes herself and stands apart.
So the heart's blood flames, expanding,
Strenuous, urgent, and commanding;
And the key unlocks the door
Where his love lives evermore.
She is of the faery blood;
All smaragdine flows its flood.
Glowing in the amber sky
To ensorcelled porphyry
She hath eyes of glittering flake
Like a cold grey water-snake.
She hath naked breasts of amber
Jetting wine in her bed-chamber,
Whereof whoso stoops and drinks
Rees the riddle of the Sphinx.
She hath naked limbs of amber
Whereupon her children clamber.
She hath five navels rosy-red
From the five wounds of God that bled;
Each wound that mothered her still bleeding,
And on that blood her babes are feeding.
Oh! like a rose-winged pelican
She hath bred blessed babes to Pan!
Oh! like a lion-hued nightingale
She hath torn her breast on thorns to avail
The barren rose-tree to renew
Her life with that disastrous dew,
Building the rose o' the world alight
With music out of the pale moonlight!
O She is like the river of blood
That broke from the lips of the bastard god,
When he saw the sacred mother smile
On the ibis that flew up the foam of Nile
Bearing the limbs unblessed, unborn,
That the lurking beast of Nile had torn!
So (for the world is weary) I
These dreadful souls of sense lay by.
I sacrifice these impure shoon
To the cold ray of the waning moon.
I take the forked hazel staff,
And the rose of no terrene graff,
And the lamp of no olive oil
With heart's blood that alone may boil.
With naked breast and feet unshod
I follow the wizard way to God.
Wherever he leads my foot shall follow;
Over the height, into the hollow,
Up to the caves of pure cold breath,
Down to the deeps of foul hot death,
Across the seas, through the fires,
Past the palace of desires;
Where he will, whether he will or no,
If I go, I care not whither I go.
For in me is the taint of the faery blood.
Fast, fast its emerald flood
Leaps within me, violent rude
Like a bestial faun's beatitude.
In me the faery blood runs hard:
My sires were a druid, a devil, a bard,
A beast, a wizard, a snake and a satyr;
For - as my mother said - what does it matter?
She was a fay, pure of the faery;
Queen Morgan's daughter by an aery
Demon that came to Orkney once
To pay the Beetle his orisons.
So, it is I that writhe with the twitch
Of the faery blood, and the wizard itch
To attain a matter one may not utter
Rather than sink in the greasy splutter
Of Britons munching their bread and butter;
Ailing boys and coarse-grained girls
Grown to sloppy women and brutal churls.
So, I am off with staff in hand
To the endless light of the nameless land.
Darkness spreads its sombre streams,
Blotting out the elfin dreams.
I might haply be afraid,
Were it not the Feather-maid
Leads me softly by the hand,
Whispers me to understand.
Now (when through the world of weeping
Light at last starrily creeping
Steals upon my babe-new sight,
Light - O light that is not light!)
On my mouth the lips of her
Like a stone on my sepulchre
Seal my speech with ecstasy,
Till a babe is born of me
That is silent more than I;
For its inarticulate cry
Hushes as its mouth is pressed
To the pearl, her honey breast;
While its breath divinely ripples
The rose-petals of her nipples,
And the jetted milk he laps
From the soft delicious paps,
Sweeter than the bee-sweet showers
In the chalice of the flowers,
More intoxicating than
All the purple grapes of Pan.
Ah! my proper lips are stilled.
Only, all the world is filled
With the Echo, that drips over
Like the honey from the clover.
Passion, penitence, and pain
Seek their mother's womb again,
And are born the triple treasure,
Peace and purity and pleasure.
- Hush, my child, and come aloft
Where the stars are velvet soft!
|
Written by
Barry Tebb |
I
Eddie Linden
Dear Eddie we’ve not met
Except upon the written page
And at your age the wonder
Is that you write at all
When so many have gone under
Or been split asunder by narcissistic humours
Blunder following blunder
Barker and Graham, godfathering my verse
Bearing me cloud-handed to Haworth moor
From my chained metropolitan moorings,
O hyaline March morning with Leeds
At its thrusting best, the thirsty beasts
Of night quenched as the furnaces
Of Hunslet where Hudswell Clarke’s locos
Rust in their skeletal sheds, rails skewed
To graveyards platforms and now instead
Skyscrapers circle the city, cranes, aeroplanes,
Electric trains but even they cannot hinder
Branches bursting with semen
Seraphic cloud sanctuaries shunting
Us homeward to the beckoning moors.
II
Brenda Williams
Leeds voices soothe the turbulence
‘Ey’ ‘sithee’ and ‘love’, lastingly lilt
From cradle to grave, from backstreet
On the social, our son, beat his way
To Eton, Balliol, to Calcatta’s Shantiniketan
And all the way back to a locked ward.
While I in the meantime fondly fiddled
With rhyme and unreason, publishing pamphlets
And Leeds Poetry Weekly while under the bane
Of his tragic illness, poet and mother,
You were driven from pillar to post
By the taunting yobbery of your family
And the crass insensitivity of wild therapy
To the smoking dark of despair,
Locked in your flat in the Abbey Road
With seven cats and poetry.
O stop and strop your bladed darkness
On the rock of ages while plangent tollings
Mock your cradled rockings, knock by knock.
III
Debjani Chatterjee
In these doom-laden days
You are steady as a pilot nursing tired ships homeward
Through churning seas
Where grey gulls scream
Forlornly and for ever.
I am the red-neck,
Bear-headed blaster
Shifting sheer rock
To rape the ore of poetry’s plunder
Or bulldozing trees to glean mines of silver
While you sail serenely onward
Ever the diplomat’s daughter
Toujours de la politesse.
IV
Daisy Abey
Daisy, dearest of all, safest
And kindest, watcher and warner
Of chaotic corners looming
Round poetry’s boomerang bends
I owe you most a letter
While you are here beside me
Patient as a miller waiting on wind
To drive the great sails
Through summer.
When the muse takes over
I am snatched from order and duty
Blowing routine into a riot of going
And coming, blind, backwards, tip
Over ****, sea waves crashing in suburbia,
Saturnalia in Sutton, headlines of mad poet
Striding naked over moors, roaring
"I am here I am waiting".
V
Jeremy Reed
Niagaras of letters on pink sheets
In sheaths of silver envelopes
Mutually exchanged.
I open your missives
Like undressing a girl in my teens
Undoing the flap like a recalcitrant
Bra strap, the letters stiff as nipples
While I stroke the creviced folds
Of amber and mauve and lick
As I stick stamps like the ********
Of a reluctant virgin, urgent for
Defloration and the pulse of ******.
|
Written by
Charles Baudelaire |
I love the naked ages long ago
When statues were gilded by Apollo,
When men and women of agility
Could play without lies and anxiety,
And the sky lovingly caressed their spines,
As it exercised its noble machine.
Fertile Cybele, mother of nature, then,
Would not place on her daughters a burden,
But, she-wolf sharing her heart with the people,
Would feed creation from her brown nipples.
Men, elegant and strong, would have the right
To be proud to have beauty named their king;
Virgin fruit free of blemish and cracking,
Whose flesh smooth and firm would summon a bite!
The Poet today, when he would convey
This native grandeur, would not be swept away
By man free and woman natural,
But would feel darkness envelop his soul
Before this black tableau full of loathing.
O malformed monsters crying for clothing!
O ludicrous heads! Torsos needing disguise!
O poor writhing bodies of every wrong size,
Children that the god of the Useful swaths
In the language of bronze and brass!
And women, alas! You shadow your heredity,
You gnaw nourishment from debauchery,
A virgin holds maternal lechery
And all the horrors of fecundity!
We have, it is true, corrupt nations,
Beauty unknown to the radiant ancients:
Faces that gnaw through the heart's cankers,
And talk with the cool beauty of languor;
But these inventions of our backward muses
Are never hindered in their morbid uses
Of the old for profound homage to youth,
—To the young saint, the sweet air, the simple truth,
To the eye as limpid as the water current,
To spread out over all, insouciant
Like the blue sky, the birds and the flowers,
Its perfumes, its songs and its sweet fervors.
|
Written by
Pablo Neruda |
Day-colored wine,
night-colored wine,
wine with purple feet
or wine with topaz blood,
wine,
starry child
of earth,
wine, smooth
as a golden sword,
soft
as lascivious velvet,
wine, spiral-seashelled
and full of wonder,
amorous,
marine;
never has one goblet contained you,
one song, one man,
you are choral, gregarious,
at the least, you must be shared.
At times
you feed on mortal
memories;
your wave carries us
from tomb to tomb,
stonecutter of icy sepulchers,
and we weep
transitory tears;
your
glorious
spring dress
is different,
blood rises through the shoots,
wind incites the day,
nothing is left
of your immutable soul.
Wine
stirs the spring, happiness
bursts through the earth like a plant,
walls crumble,
and rocky cliffs,
chasms close,
as song is born.
A jug of wine, and thou beside me
in the wilderness,
sang the ancient poet.
Let the wine pitcher
add to the kiss of love its own.
My darling, suddenly
the line of your hip
becomes the brimming curve
of the wine goblet,
your breast is the grape cluster,
your nipples are the grapes,
the gleam of spirits lights your hair,
and your navel is a chaste seal
stamped on the vessel of your belly,
your love an inexhaustible
cascade of wine,
light that illuminates my senses,
the earthly splendor of life.
But you are more than love,
the fiery kiss,
the heat of fire,
more than the wine of life;
you are
the community of man,
translucency,
chorus of discipline,
abundance of flowers.
I like on the table,
when we're speaking,
the light of a bottle
of intelligent wine.
Drink it,
and remember in every
drop of gold,
in every topaz glass,
in every purple ladle,
that autumn labored
to fill the vessel with wine;
and in the ritual of his office,
let the simple man remember
to think of the soil and of his duty,
to propagate the canticle of the wine.
|
Written by
Pablo Neruda |
Day-colored wine,
night-colored wine,
wine with purple feet
or wine with topaz blood,
wine,
starry child
of earth,
wine, smooth
as a golden sword,
soft
as lascivious velvet,
wine, spiral-seashelled
and full of wonder,
amorous,
marine;
never has one goblet contained you,
one song, one man,
you are choral, gregarious,
at the least, you must be shared.
At times
you feed on mortal
memories;
your wave carries us
from tomb to tomb,
stonecutter of icy sepulchers,
and we weep
transitory tears;
your
glorious
spring dress
is different,
blood rises through the shoots,
wind incites the day,
nothing is left
of your immutable soul.
Wine
stirs the spring, happiness
bursts through the earth like a plant,
walls crumble,
and rocky cliffs,
chasms close,
as song is born.
A jug of wine, and thou beside me
in the wilderness,
sang the ancient poet.
Let the wine pitcher
add to the kiss of love its own.
My darling, suddenly
the line of your hip
becomes the brimming curve
of the wine goblet,
your breast is the grape cluster,
your nipples are the grapes,
the gleam of spirits lights your hair,
and your navel is a chaste seal
stamped on the vessel of your belly,
your love an inexhaustible
cascade of wine,
light that illuminates my senses,
the earthly splendor of life.
But you are more than love,
the fiery kiss,
the heat of fire,
more than the wine of life;
you are
the community of man,
translucency,
chorus of discipline,
abundance of flowers.
I like on the table,
when we're speaking,
the light of a bottle
of intelligent wine.
Drink it,
and remember in every
drop of gold,
in every topaz glass,
in every purple ladle,
that autumn labored
to fill the vessel with wine;
and in the ritual of his office,
let the simple man remember
to think of the soil and of his duty,
to propagate the canticle of the wine.
|
Written by
Pablo Neruda |
When I cannot look at your face
I look at your feet.
Your feet of arched bone,
your hard little feet.
I know that they support you,
and that your sweet weight
rises upon them.
Your waist and your breasts,
the doubled purple
of your nipples,
the sockets of your eyes
that have just flown away,
your wide fruit mouth,
your red tresses,
my little tower.
But I love your feet
only because they walked
upon the earth and upon
the wind and upon the waters,
until they found me.
|
Written by
Jackie Kay |
I am only nineteen
My whole life is changing
Tonight I see her
Shuttered eyes in my dreams
I cannot pretend she's never been
My stitches pull and threaten to snap
My own body a witness
Leaking blood to sheets milk to shirts
My stretch marks
Record that birth
Though I feel like somebody is dying
I stand up in my bed
And wail like a banshee
II
On the second night
I shall suffocate her with a feather pillow
Bury her under a weeping willow
Or take her far out to sea
And watch her tiny six pound body
Sink to shells and re shape herself
So much better than her body
Encased in glass like a museum piece
Or I shall stab myself
Cut my wrists steal some sleeping pills
Better than this-mummified
Preserved as a warning
III
On the third night I toss
I did not go through those months
For you to die on me now
On the third night I lie
Willing life into her
Breathing air all the way down through the corridor
To the glass cot
I push my nipples through
Feel the ferocity of her lips
IV
Here
Landed in a place I recognize
My eyes in the mirror
Hard marbles glinting
Murderous light
My breasts sag my stomach
Still soft as a baby's
My voice deep and old as ammonite
I am a stranger visiting
Myself occasionally
An empty ruinous house
Cobwebs dust and broken stairs
Inside woodworm
Outside the weeds grow tall
As she must be now
V
She, my little foreigner
No longer familiar with my womb
Kicking her language of living
Somewhere past stalking her first words
She is six years old today
I am twenty-five; we are only
That distance apart yet
Time has fossilised
Prehistoric time is easier
I can imagine dinosaurs
More vivid than my daughter
Dinosaurs do not hurt my eyes
Nor make me old so terribly old
We are land sliced and torn.
|
Written by
Frank Bidart |
"When I hit her on the head, it was good,
and then I did it to her a couple of times,--
but it was funny,--afterwards,
it was as if somebody else did it .
.
.
Everything flat, without sharpness, richness or line.
Still, I liked to drive past the woods where she lay,
tell the old lady and the kids I had to take a piss,
hop out and do it to her .
.
.
The whole buggy of them waiting for me
made me feel good;
but still, just like I knew all along,
she didn't move.
When the body got too discomposed,
I'd just jack off, letting it fall on her .
.
.
--It sounds crazy, but I tell you
sometimes it was beautiful--; I don't know how
to say it, but for a miute, everything was possible--;
and then,
then,--
well, like I said, she didn't move: and I saw,
under me, a little girl was just lying there in the mud:
and I knew I couldn't have done that,--
somebody else had to have done that,--
standing above her there,
in those ordinary, shitty leaves .
.
.
--One time, I went to see Dad in a motel where he was
staying with a woman; but she was gone;
you could smell the wine in the air; and he started,
real embarrassing, to cry .
.
.
He was still a little drunk,
and asked me to forgive him for
all he hasn't done--; but, What the ****?
Who would have wanted to stay with Mom? with bastards
not even his own kids?
I got in the truck, and started to drive
and saw a little girl--
who I picked up, hit on the head, and
screwed, and screwed, and screwed, and screwed, then
buried,
in the garden of the motel .
.
.
--You see, ever since I was a kid I wanted
to feel things make sense: I remember
looking out the window of my room back home,--
and being almost suffocated by the asphalt;
and grass; and trees; and glass;
just there, just there, doing nothing!
not saying anything! filling me up--
but also being a wall; dead, and stopping me;
--how I wanted to see beneath it, cut
beneath it, and make it
somehow, come alive .
.
.
The salt of the earth;
Mom once said, 'Man's ***** is the salt of the earth .
.
.
'
--That night, at that Twenty-nine Palms Motel
I had passed a million times on the road, everything
fit together; was alright;
it seemed like
everything had to be there, like I had spent years
trying, and at last finally finished drawing this
huge circle .
.
.
--But then, suddenly I knew
somebody else did it, some bastard
had hurt a little girl--; the motel
I could see again, it had been
itself all the time, a lousy
pile of bricks, plaster, that didn't seem to
have to be there,--but was, just by chance .
.
.
--Once, on the farm, when I was a kid,
I was screwing a goat; and the rope around his neck
when he tried to get away
pulled tight;--and just when I came,
he died .
.
.
I came back the next day; jacked off over his body;
but it didn't do any good .
.
.
Mom once said:
'Man's ***** is the salt of the earth, and grows kids.
'
I tried so hard to come; more pain than anything else;
but didn't do any good .
.
.
--About six months ago, I heard Dad remarried,
so I drove over to Connecticut to see him and see
if he was happy.
She was twenty-five years younger than him:
she had lots of little kids, and I don't know why,
I felt shaky .
.
.
I stopped in front of the address; and
snuck up to the window to look in .
.
.
--There he was, a kid
six months old on his lap, laughing
and bouncing the kid, happy in his old age
to play the papa after years of sleeping around,--
it twisted me up .
.
.
To think that what he wouldn't give me,
he wanted to give them .
.
.
I could have killed the bastard .
.
.
--Naturally, I just got right back in the car,
and believe me, was determined, determined,
to head straight for home .
.
.
but the more I drove,
I kept thinking about getting a girl,
and the more I thought I shouldn't do it,
the more I had to--
I saw her coming out of the movies,
saw she was alone, and
kept circling the blocks as she walked along them,
saying, 'You're going to leave her alone.
'
'You're going to leave her alone.
'
--The woods were scary!
As the seasons changed, and you saw more and more
of the skull show through, the nights became clearer,
and the buds,--erect, like nipples .
.
.
--But then, one night,
nothing worked .
.
.
Nothing in the sky
would blur like I wanted it to;
and I couldn't, couldn't,
get it to seem to me
that somebody else did it .
.
.
I tried, and tried, but there was just me there,
and her, and the sharp trees
saying, "That's you standing there.
You're .
.
.
just you.
'
I hope I fry.
--Hell came when I saw
MYSELF .
.
.
and couldn't stand
what I see .
.
.
"
|
Written by
Jack Gilbert |
I'd walk her home after work
buying roses and talking of Bechsteins.
She was full of soul.
Her small room was gorged with heat
and there were no windows.
She'd take off everything
but her pants
and take the pins from her hair
throwing them on the floor
with a great noise.
Like Crete.
We wouldn't make love.
She'd get on the bed
with those nipples
and we'd lie
sweating
and talking of my best friend.
They were in love.
When I got quiet
she'd put on usually Debussy
and
leaning down to the small ribs
bite me.
Hard.
|
Written by
Amy Lowell |
The fountain bent and straightened itself
In the night wind,
Blowing like a flower.
It gleamed and glittered,
A tall white lily,
Under the eye of the golden moon.
From a stone seat,
Beneath a blossoming lime,
The man watched it.
And the spray pattered
On the dim grass at his feet.
The fountain tossed its water,
Up and up, like silver marbles.
Is that an arm he sees?
And for one moment
Does he catch the moving curve
Of a thigh?
The fountain gurgled and splashed,
And the man's face was wet.
Is it singing that he hears?
A song of playing at ball?
The moonlight shines on the straight column of water,
And through it he sees a woman,
Tossing the water-balls.
Her breasts point outwards,
And the nipples are like buds of peonies.
Her flanks ripple as she plays,
And the water is not more undulating
Than the lines of her body.
"Come," she sings, "Poet!
Am I not more worth than your day ladies,
Covered with awkward stuffs,
Unreal, unbeautiful?
What do you fear in taking me?
Is not the night for poets?
I am your dream,
Recurrent as water,
Gemmed with the moon!"
She steps to the edge of the pool
And the water runs, rustling, down her sides.
She stretches out her arms,
And the fountain streams behind her
Like an opened veil.
*
* * * *
In the morning the gardeners came to their work.
"There is something in the fountain," said one.
They shuddered as they laid their dead master
On the grass.
"I will close his eyes," said the head gardener,
"It is uncanny to see a dead man staring at the sun.
"
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