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Best Famous Nighttime Poems

Here is a collection of the all-time best famous Nighttime poems. This is a select list of the best famous Nighttime poetry. Reading, writing, and enjoying famous Nighttime poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of nighttime poems.

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Written by Shel Silverstein | Create an image from this poem

Whatif

 Last night, while I lay thinking here,
some Whatifs crawled inside my ear
and pranced and partied all night long
and sang their same old Whatif song:
Whatif I'm dumb in school?
Whatif they've closed the swimming pool?
Whatif I get beat up?
Whatif there's poison in my cup?
Whatif I start to cry?
Whatif I get sick and die?
Whatif I flunk that test?
Whatif green hair grows on my chest?
Whatif nobody likes me?
Whatif a bolt of lightning strikes me?
Whatif I don't grow talle?
Whatif my head starts getting smaller?
Whatif the fish won't bite?
Whatif the wind tears up my kite?
Whatif they start a war?
Whatif my parents get divorced?
Whatif the bus is late?
Whatif my teeth don't grow in straight?
Whatif I tear my pants?
Whatif I never learn to dance?
Everything seems well, and then
the nighttime Whatifs strike again!


Written by David Wagoner | Create an image from this poem

Wallace Stevens On His Way To Work

 He would leave early and walk slowly
 As if balancing books
 On the way to school, already expecting
To be tardy once again and heavy
 With numbers, the unfashionably rounded
 Toes of his shoes invisible beyond
The slope of his corporation. He would pause
 At his favorite fundamentally sound
 Park bench, which had been the birthplace
Of paeans and ruminations on other mornings,
 And would turn his back to it, having gauged the distance
 Between his knees and the edge of the hardwood
Almost invariably unoccupied
 At this enlightened hour by the bums of nighttime
 (For whom the owlish eye of the moon
Had been closed by daylight), and would give himself wholly over
 Backwards and trustingly downwards
 And be well seated there. He would remove
From his sinister jacket pocket a postcard
 And touch it and retouch it with the point
 Of the fountain he produced at his fingertips
And fill it with his never-before-uttered
 Runes and obbligatos and pellucidly cryptic
 Duets from private pageants, from broken ends
Of fandangos with the amoeba chaos chaos
 Couchant and rampant. Then he would rise
 With an effort as heartfelt as a decision
To get out of bed on Sunday and carefully
 Relocate his center of gravity
 Above and beyond an imaginary axis
Between his feet and carry the good news
 Along the path and the sidewalk, well on his way
 To readjusting the business of the earth.
Written by Russell Edson | Create an image from this poem

Mr. Brain

 Mr Brain was a hermit dwarf who liked to eat shellfish off 
the moon. He liked to go into a tree then because there is a 
little height to see a little further, which may reveal now the 
stone, a pebble--it is a twig, it is nothing under the moon that 
you can make sure of.
 So Mr Brain opened his mouth to let a moonbeam into his head. 

 Why to be alone, and you invite the stars to tea. A cup of 
tea drinks a luminous guest. 

 In the winter could you sit quietly by the window, in the 
evening when you could have vinegar and pretend it to be 
wine, because you would do well to eat doughnuts and 
pretend you drink wine as you sit quietly by the window. You 
may kick your leg back and forth. You may have a tendency 
to not want to look there too long and turn to find darkness in 
the room because it had become nighttime. 

 Why to be alone. You are pretty are you not/you are as 
pretty as you are not, or does that make sense.
 You are not pretty, that is how you can be alone. And 
then you are pretty like fungus and alga, you are no one 
without some one, in theory alone. 

 Be good enough to go to bed so you can not think too 
much longer.
Written by Amy Lowell | Create an image from this poem

Lilacs

Lilacs,
False blue,
White,
Purple,
Color of lilac,
Your great puffs of flowers
Are everywhere in this my New England.
Among your heart-shaped leaves
Orange orioles hop like music-box birds and sing
Their little weak soft songs;
In the crooks of your branches
The bright eyes of song sparrows sitting on spotted eggs
Peer restlessly through the light and shadow
Of all Springs.
Lilacs in dooryards
Holding quiet conversations with an early moon;
Lilacs watching a deserted house
Settling sideways into the grass of an old road;
Lilacs, wind-beaten, staggering under a lopsided shock of bloom
Above a cellar dug into a hill.
You are everywhere.
You were everywhere.
You tapped the window when the preacher preached his sermon,
And ran along the road beside the boy going to school.
You stood by the pasture-bars to give the cows good milking,
You persuaded the housewife that her dishpan was of silver.
And her husband an image of pure gold.
You flaunted the fragrance of your blossoms
Through the wide doors of Custom Houses—
You, and sandal-wood, and tea,
Charging the noses of quill-driving clerks
When a ship was in from China.
You called to them: “Goose-quill men, goose-quill men,
May is a month for flitting.”
Until they writhed on their high stools
And wrote poetry on their letter-sheets behind the propped-up ledgers.
Paradoxical New England clerks,
Writing inventories in ledgers, reading the “Song of Solomon” at night,
So many verses before bed-time,
Because it was the Bible.
The dead fed you
Amid the slant stones of graveyards.
Pale ghosts who planted you
Came in the nighttime
And let their thin hair blow through your clustered stems.
You are of the green sea,
And of the stone hills which reach a long distance.
You are of elm-shaded streets with little shops where they sell kites and marbles,
You are of great parks where every one walks and nobody is at home.
You cover the blind sides of greenhouses
And lean over the top to say a hurry-word through the glass
To your friends, the grapes, inside.

Lilacs,
False blue,
White,
Purple,
Color of lilac,
You have forgotten your Eastern origin,
The veiled women with eyes like panthers,
The swollen, aggressive turbans of jeweled pashas.
Now you are a very decent flower,
A reticent flower,
A curiously clear-cut, candid flower,
Standing beside clean doorways,
Friendly to a house-cat and a pair of spectacles,
Making poetry out of a bit of moonlight
And a hundred or two sharp blossoms.
Maine knows you,
Has for years and years;
New Hampshire knows you,
And Massachusetts
And Vermont.
Cape Cod starts you along the beaches to Rhode Island;
Connecticut takes you from a river to the sea.
You are brighter than apples,
Sweeter than tulips,
You are the great flood of our souls
Bursting above the leaf-shapes of our hearts,
You are the smell of all Summers,
The love of wives and children,
The recollection of gardens of little children,
You are State Houses and Charters
And the familiar treading of the foot to and fro on a road it knows.
May is lilac here in New England,
May is a thrush singing “Sun up!” on a tip-top ash tree,
May is white clouds behind pine-trees
Puffed out and marching upon a blue sky.
May is a green as no other,
May is much sun through small leaves,
May is soft earth,
And apple-blossoms,
And windows open to a South Wind.
May is full light wind of lilac
From Canada to Narragansett Bay.

Lilacs,
False blue,
White,
Purple,
Color of lilac.
Heart-leaves of lilac all over New England,
Roots of lilac under all the soil of New England,
Lilac in me because I am New England,
Because my roots are in it,
Because my leaves are of it,
Because my flowers are for it,
Because it is my country
And I speak to it of itself
And sing of it with my own voice
Since certainly it is mine.

Book: Radiant Verses: A Journey Through Inspiring Poetry