Written by
Walt Whitman |
SPLENDOR of ended day, floating and filling me!
Hour prophetic—hour resuming the past!
Inflating my throat—you, divine average!
You, Earth and Life, till the last ray gleams, I sing.
Open mouth of my Soul, uttering gladness,
Eyes of my Soul, seeing perfection,
Natural life of me, faithfully praising things;
Corroborating forever the triumph of things.
Illustrious every one!
Illustrious what we name space—sphere of unnumber’d spirits;
Illustrious the mystery of motion, in all beings, even the tiniest insect;
Illustrious the attribute of speech—the senses—the body;
Illustrious the passing light! Illustrious the pale reflection on the new moon in the
western
sky!
Illustrious whatever I see, or hear, or touch, to the last.
Good in all,
In the satisfaction and aplomb of animals,
In the annual return of the seasons,
In the hilarity of youth,
In the strength and flush of manhood,
In the grandeur and exquisiteness of old age,
In the superb vistas of Death.
Wonderful to depart;
Wonderful to be here!
The heart, to jet the all-alike and innocent blood!
To breathe the air, how delicious!
To speak! to walk! to seize something by the hand!
To prepare for sleep, for bed—to look on my rose-color’d flesh;
To be conscious of my body, so satisfied, so large;
To be this incredible God I am;
To have gone forth among other Gods—these men and women I love.
Wonderful how I celebrate you and myself!
How my thoughts play subtly at the spectacles around!
How the clouds pass silently overhead!
How the earth darts on and on! and how the sun, moon, stars, dart on and on!
How the water sports and sings! (Surely it is alive!)
How the trees rise and stand up—with strong trunks—with branches and leaves!
(Surely there is something more in each of the tree—some living Soul.
)
O amazement of things! even the least particle!
O spirituality of things!
O strain musical, flowing through ages and continents—now reaching me and America!
I take your strong chords—I intersperse them, and cheerfully pass them forward.
I too carol the sun, usher’d, or at noon, or, as now, setting,
I too throb to the brain and beauty of the earth, and of all the growths of the earth,
I too have felt the resistless call of myself.
As I sail’d down the Mississippi,
As I wander’d over the prairies,
As I have lived—As I have look’d through my windows, my eyes,
As I went forth in the morning—As I beheld the light breaking in the east;
As I bathed on the beach of the Eastern Sea, and again on the beach of the Western Sea;
As I roam’d the streets of inland Chicago—whatever streets I have roam’d;
Or cities, or silent woods, or peace, or even amid the sights of war;
Wherever I have been, I have charged myself with contentment and triumph.
I sing the Equalities, modern or old,
I sing the endless finales of things;
I say Nature continues—Glory continues;
I praise with electric voice;
For I do not see one imperfection in the universe;
And I do not see one cause or result lamentable at last in the universe.
O setting sun! though the time has come,
I still warble under you, if none else does, unmitigated adoration.
|
Written by
Elizabeth Barrett Browning |
I MIND me in the days departed,
How often underneath the sun
With childish bounds I used to run
To a garden long deserted.
The beds and walks were vanish'd quite; 5
And wheresoe'er had struck the spade,
The greenest grasses Nature laid,
To sanctify her right.
I call'd the place my wilderness,
For no one enter'd there but I.
10
The sheep look'd in, the grass to espy,
And pass'd it ne'ertheless.
The trees were interwoven wild,
And spread their boughs enough about
To keep both sheep and shepherd out, 15
But not a happy child.
Adventurous joy it was for me!
I crept beneath the boughs, and found
A circle smooth of mossy ground
Beneath a poplar-tree.
20
Old garden rose-trees hedged it in,
Bedropt with roses waxen-white,
Well satisfied with dew and light,
And careless to be seen.
Long years ago, it might befall, 25
When all the garden flowers were trim,
The grave old gardener prided him
On these the most of all.
Some Lady, stately overmuch,
Here moving with a silken noise, 30
Has blush'd beside them at the voice
That liken'd her to such.
Or these, to make a diadem,
She often may have pluck'd and twined;
Half-smiling as it came to mind, 35
That few would look at them.
O, little thought that Lady proud,
A child would watch her fair white rose,
When buried lay her whiter brows,
And silk was changed for shroud!¡ª 40
Nor thought that gardener (full of scorns
For men unlearn'd and simple phrase)
A child would bring it all its praise,
By creeping through the thorns!
To me upon my low moss seat, 45
Though never a dream the roses sent
Of science or love's compliment,
I ween they smelt as sweet.
It did not move my grief to see
The trace of human step departed: 50
Because the garden was deserted,
The blither place for me!
Friends, blame me not! a narrow ken
Hath childhood 'twixt the sun and sward:
We draw the moral afterward¡ª 55
We feel the gladness then.
And gladdest hours for me did glide
In silence at the rose-tree wall:
A thrush made gladness musical
Upon the other side.
60
Nor he nor I did e'er incline
To peck or pluck the blossoms white:¡ª
How should I know but that they might
Lead lives as glad as mine?
To make my hermit-home complete, 65
I brought clear water from the spring
Praised in its own low murmuring,
And cresses glossy wet.
And so, I thought, my likeness grew
(Without the melancholy tale) 70
To 'gentle hermit of the dale,'
And Angelina too.
For oft I read within my nook
Such minstrel stories; till the breeze
Made sounds poetic in the trees, 75
And then I shut the book.
If I shut this wherein I write,
I hear no more the wind athwart
Those trees, nor feel that childish heart
Delighting in delight.
80
My childhood from my life is parted,
My footstep from the moss which drew
Its fairy circle round: anew
The garden is deserted.
Another thrush may there rehearse 85
The madrigals which sweetest are;
No more for me!¡ªmyself afar
Do sing a sadder verse.
Ah me! ah me! when erst I lay
In that child's-nest so greenly wrought, 90
I laugh'd unto myself and thought,
'The time will pass away.
'
And still I laugh'd, and did not fear
But that, whene'er was pass'd away
The childish time, some happier play 95
My womanhood would cheer.
I knew the time would pass away;
And yet, beside the rose-tree wall,
Dear God, how seldom, if at all,
Did I look up to pray! 100
The time is past: and now that grows
The cypress high among the trees,
And I behold white sepulchres
As well as the white rose,¡ª
When wiser, meeker thoughts are given, 105
And I have learnt to lift my face,
Reminded how earth's greenest place
The colour draws from heaven,¡ª
It something saith for earthly pain,
But more for heavenly promise free, 110
That I who was, would shrink to be
That happy child again.
|
Written by
Walt Whitman |
1
A SONG of the good green grass!
A song no more of the city streets;
A song of farms—a song of the soil of fields.
A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork;
A song tasting of new wheat, and of fresh-husk’d maize.
2
For the lands, and for these passionate days, and for myself,
Now I awhile return to thee, O soil of Autumn fields,
Reclining on thy breast, giving myself to thee,
Answering the pulses of thy sane and equable heart,
Tuning a verse for thee.
O Earth, that hast no voice, confide to me a voice!
O harvest of my lands! O boundless summer growths!
O lavish, brown, parturient earth! O infinite, teeming womb!
A verse to seek, to see, to narrate thee.
3
Ever upon this stage,
Is acted God’s calm, annual drama,
Gorgeous processions, songs of birds,
Sunrise, that fullest feeds and freshens most the soul,
The heaving sea, the waves upon the shore, the musical, strong waves,
The woods, the stalwart trees, the slender, tapering trees,
The flowers, the grass, the lilliput, countless armies of the grass,
The heat, the showers, the measureless pasturages,
The scenery of the snows, the winds’ free orchestra,
The stretching, light-hung roof of clouds—the clear cerulean, and the bulging,
silvery
fringes,
The high dilating stars, the placid, beckoning stars,
The moving flocks and herds, the plains and emerald meadows,
The shows of all the varied lands, and all the growths and products.
4
Fecund America! To-day,
Thou art all over set in births and joys!
Thou groan’st with riches! thy wealth clothes thee as with a swathing garment!
Thou laughest loud with ache of great possessions!
A myriad-twining life, like interlacing vines, binds all thy vast demesne!
As some huge ship, freighted to water’s edge, thou ridest into port!
As rain falls from the heaven, and vapors rise from earth, so have the precious values
fallen
upon thee, and risen out of thee!
Thou envy of the globe! thou miracle!
Thou, bathed, choked, swimming in plenty!
Thou lucky Mistress of the tranquil barns!
Thou Prairie Dame that sittest in the middle, and lookest out upon thy world, and lookest
East,
and lookest West!
Dispensatress, that by a word givest a thousand miles—that giv’st a million
farms,
and missest nothing!
Thou All-Acceptress—thou Hospitable—(thou only art hospitable, as God is
hospitable.
)
5
When late I sang, sad was my voice;
Sad were the shows around me, with deafening noises of hatred, and smoke of conflict;
In the midst of the armies, the Heroes, I stood,
Or pass’d with slow step through the wounded and dying.
But now I sing not War,
Nor the measur’d march of soldiers, nor the tents of camps,
Nor the regiments hastily coming up, deploying in line of battle.
No more the dead and wounded;
No more the sad, unnatural shows of War.
Ask’d room those flush’d immortal ranks? the first forth-stepping armies?
Ask room, alas, the ghastly ranks—the armies dread that follow’d.
6
(Pass—pass, ye proud brigades!
So handsome, dress’d in blue—with your tramping, sinewy legs;
With your shoulders young and strong—with your knapsacks and your muskets;
—How elate I stood and watch’d you, where, starting off, you march’d!
Pass;—then rattle, drums, again!
Scream, you steamers on the river, out of whistles loud and shrill, your salutes!
For an army heaves in sight—O another gathering army!
Swarming, trailing on the rear—O you dread, accruing army!
O you regiments so piteous, with your mortal diarrhoea! with your fever!
O my land’s maimed darlings! with the plenteous bloody bandage and the crutch!
Lo! your pallid army follow’d!)
7
But on these days of brightness,
On the far-stretching beauteous landscape, the roads and lanes, the high-piled
farm-wagons, and
the fruits and barns,
Shall the dead intrude?
Ah, the dead to me mar not—they fit well in Nature;
They fit very well in the landscape, under the trees and grass,
And along the edge of the sky, in the horizon’s far margin.
Nor do I forget you, departed;
Nor in winter or summer, my lost ones;
But most, in the open air, as now, when my soul is rapt and at peace—like pleasing
phantoms,
Your dear memories, rising, glide silently by me.
8
I saw the day, the return of the Heroes;
(Yet the Heroes never surpass’d, shall never return;
Them, that day, I saw not.
)
I saw the interminable Corps—I saw the processions of armies,
I saw them approaching, defiling by, with divisions,
Streaming northward, their work done, camping awhile in clusters of mighty camps.
No holiday soldiers!—youthful, yet veterans;
Worn, swart, handsome, strong, of the stock of homestead and workshop,
Harden’d of many a long campaign and sweaty march,
Inured on many a hard-fought, bloody field.
9
A pause—the armies wait;
A million flush’d, embattled conquerors wait;
The world, too, waits—then, soft as breaking night, and sure as dawn,
They melt—they disappear.
Exult, indeed, O lands! victorious lands!
Not there your victory, on those red, shuddering fields;
But here and hence your victory.
Melt, melt away, ye armies! disperse, ye blue-clad soldiers!
Resolve ye back again—give up, for good, your deadly arms;
Other the arms, the fields henceforth for you, or South or North, or East or West,
With saner wars—sweet wars—life-giving wars.
10
Loud, O my throat, and clear, O soul!
The season of thanks, and the voice of full-yielding;
The chant of joy and power for boundless fertility.
All till’d and untill’d fields expand before me;
I see the true arenas of my race—or first, or last,
Man’s innocent and strong arenas.
I see the Heroes at other toils;
I see, well-wielded in their hands, the better weapons.
11
I see where America, Mother of All,
Well-pleased, with full-spanning eye, gazes forth, dwells long,
And counts the varied gathering of the products.
Busy the far, the sunlit panorama;
Prairie, orchard, and yellow grain of the North,
Cotton and rice of the South, and Louisianian cane;
Open, unseeded fallows, rich fields of clover and timothy,
Kine and horses feeding, and droves of sheep and swine,
And many a stately river flowing, and many a jocund brook,
And healthy uplands with their herby-perfumed breezes,
And the good green grass—that delicate miracle, the ever-recurring grass.
12
Toil on, Heroes! harvest the products!
Not alone on those warlike fields, the Mother of All,
With dilated form and lambent eyes, watch’d you.
Toil on, Heroes! toil well! Handle the weapons well!
The Mother of All—yet here, as ever, she watches you.
Well-pleased, America, thou beholdest,
Over the fields of the West, those crawling monsters,
The human-divine inventions, the labor-saving implements:
Beholdest, moving in every direction, imbued as with life, the revolving hay-rakes,
The steam-power reaping-machines, and the horse-power machines,
The engines, thrashers of grain, and cleaners of grain, well separating the straw—the
nimble work of the patent pitch-fork;
Beholdest the newer saw-mill, the southern cotton-gin, and the rice-cleanser.
Beneath thy look, O Maternal,
With these, and else, and with their own strong hands, the Heroes harvest.
All gather, and all harvest;
(Yet but for thee, O Powerful! not a scythe might swing, as now, in security;
Not a maize-stalk dangle, as now, its silken tassels in peace.
)
13
Under Thee only they harvest—even but a wisp of hay, under thy great face, only;
Harvest the wheat of Ohio, Illinois, Wisconsin—every barbed spear, under thee;
Harvest the maize of Missouri, Kentucky, Tennessee—each ear in its light-green
sheath,
Gather the hay to its myriad mows, in the odorous, tranquil barns,
Oats to their bins—the white potato, the buckwheat of Michigan, to theirs;
Gather the cotton in Mississippi or Alabama—dig and hoard the golden, the sweet
potato of
Georgia and the Carolinas,
Clip the wool of California or Pennsylvania,
Cut the flax in the Middle States, or hemp, or tobacco in the Borders,
Pick the pea and the bean, or pull apples from the trees, or bunches of grapes from the
vines,
Or aught that ripens in all These States, or North or South,
Under the beaming sun, and under Thee.
|
Written by
Oliver Wendell Holmes |
YES, write, if you want to, there's nothing like trying;
Who knows what a treasure your casket may hold?
I'll show you that rhyming's as easy as lying,
If you'll listen to me while the art I unfold.
Here's a book full of words; one can choose as he fancies,
As a painter his tint, as a workman his tool;
Just think! all the poems and plays and romances
Were drawn out of this, like the fish from a pool!
You can wander at will through its syllabled mazes,
And take all you want, not a copper they cost,--
What is there to hinder your picking out phrases
For an epic as clever as "Paradise Lost"?
Don't mind if the index of sense is at zero,
Use words that run smoothly, whatever they mean;
Leander and Lilian and Lillibullero
Are much the same thing in the rhyming machine.
There are words so delicious their sweetness will smother
That boarding-school flavor of which we're afraid,
There is "lush"is a good one, and "swirl" is another,--
Put both in one stanza, its fortune is made.
With musical murmurs and rhythmical closes
You can cheat us of smiles when you've nothing to tell
You hand us a nosegay of milliner's roses,
And we cry with delight, "Oh, how sweet they do smell!"
Perhaps you will answer all needful conditions
For winning the laurels to which you aspire,
By docking the tails of the two prepositions
I' the style o' the bards you so greatly admire.
As for subjects of verse, they are only too plenty
For ringing the changes on metrical chimes;
A maiden, a moonbeam, a lover of twenty
Have filled that great basket with bushels of rhymes.
Let me show you a picture--'t is far from irrelevant--
By a famous old hand in the arts of design;
'T is only a photographed sketch of an elephant,--
The name of the draughtsman was Rembrandt of Rhine.
How easy! no troublesome colors to lay on,
It can't have fatigued him,-- no, not in the least,--
A dash here and there with a haphazard crayon,
And there stands the wrinkled-skinned, baggy-limbed beast.
Just so with your verse,-- 't is as easy as sketching,--
You can reel off a song without knitting your brow,
As lightly as Rembrandt a drawing or etching;
It is nothing at all, if you only know how.
Well; imagine you've printed your volume of verses:
Your forehead is wreathed with the garland of fame,
Your poems the eloquent school-boy rehearses,
Her album the school-girl presents for your name;
Each morning the post brings you autograph letters;
You'll answer them promptly,-- an hour isn't much
For the honor of sharing a page with your betters,
With magistrates, members of Congress, and such.
Of course you're delighted to serve the committees
That come with requests from the country all round,
You would grace the occasion with poems and ditties
When they've got a new schoolhouse, or poorhouse, or pound.
With a hymn for the saints and a song for the sinners,
You go and are welcome wherever you please;
You're a privileged guest at all manner of dinners,
You've a seat on the platform among the grandees.
At length your mere presence becomes a sensation,
Your cup of enjoyment is filled to its brim
With the pleasure Horatian of digitmonstration,
As the whisper runs round of "That's he!" or "That's him!"
But remember, O dealer in phrases sonorous,
So daintily chosen, so tunefully matched,
Though you soar with the wings of the cherubim o'er us,
The ovum was human from which you were hatched.
No will of your own with its puny compulsion
Can summon the spirit that quickens the lyre;
It comes, if at all, like the Sibyl's convulsion
And touches the brain with a finger of fire.
So perhaps, after all, it's as well to he quiet
If you've nothing you think is worth saying in prose,
As to furnish a meal of their cannibal diet
To the critics, by publishing, as you propose.
But it's all of no use, and I'm sorry I've written,--
I shall see your thin volume some day on my shelf;
For the rhyming tarantula surely has bitten,
And music must cure you, so pipe it yourself.
|