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Best Famous Moustache Poems

Here is a collection of the all-time best famous Moustache poems. This is a select list of the best famous Moustache poetry. Reading, writing, and enjoying famous Moustache poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of moustache poems.

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Written by Pablo Neruda | Create an image from this poem

Cats Dream

 How neatly a cat sleeps,
Sleeps with its paws and its posture,
Sleeps with its wicked claws,
And with its unfeeling blood,
Sleeps with ALL the rings a series 
Of burnt circles which have formed 
The odd geology of its sand-colored tail.

I should like to sleep like a cat,
With all the fur of time,
With a tongue rough as flint,
With the dry sex of fire and 
After speaking to no one,
Stretch myself over the world,
Over roofs and landscapes,
With a passionate desire
To hunt the rats in my dreams.

I have seen how the cat asleep
Would undulate, how the night flowed 
Through it like dark water and at times, 
It was going to fall or possibly 
Plunge into the bare deserted snowdrifts.

Sometimes it grew so much in sleep
Like a tiger's great-grandfather,
And would leap in the darkness over
Rooftops, clouds and volcanoes.

Sleep, sleep cat of the night with 
Episcopal ceremony and your stone-carved moustache.
Take care of all our dreams
Control the obscurity
Of our slumbering prowess
With your relentless HEART
And the great ruff of your tail.


Written by Amy Lowell | Create an image from this poem

A Ballad of Footmen

 Now what in the name of the sun and the stars
Is the meaning of this most unholy of wars?
Do men find life so full of humour and joy
That for want of excitement they smash up the toy?
Fifteen millions of soldiers with popguns and horses
All bent upon killing, because their "of courses"
Are not quite the same. All these men by the ears,
And nine nations of women choking with tears.
It is folly to think that the will of a king
Can force men to make ducks and drakes of a thing
They value, and life is, at least one supposes,
Of some little interest, even if roses
Have not grown up between one foot and the other.
What a marvel bureaucracy is, which can smother
Such quite elementary feelings, and tag
A man with a number, and set him to wag
His legs and his arms at the word of command
Or the blow of a whistle! He's certainly damned,
Fit only for mince-meat, if a little gold lace
And an upturned moustache can set him to face
Bullets, and bayonets, and death, and diseases,
Because some one he calls his Emperor, pleases.
If each man were to lay down his weapon, and say,
With a click of his heels, "I wish you Good-day,"
Now what, may I ask, could the Emperor do?
A king and his minions are really so few.
Angry? Oh, of course, a most furious Emperor!
But the men are so many they need not mind his temper, or
The dire results which could not be inflicted.
With no one to execute sentence, convicted
Is just the weak wind from an old, broken bellows.
What lackeys men are, who might be such fine fellows!
To be killing each other, unmercifully,
At an order, as though one said, "Bring up the tea."
Or is it that tasting the blood on their jaws
They lap at it, drunk with its ferment, and laws
So patiently builded, are nothing to drinking
More blood, any blood. They don't notice its stinking.
I don't suppose tigers do, fighting cocks, sparrows,
And, as to men -- what are men, when their marrows
Are running with blood they have gulped; it is plain
Such excellent sport does not recollect pain.
Toll the bells in the steeples left standing. Half-mast
The flags which meant order, for order is past.
Take the dust of the streets and sprinkle your head,
The civilization we've worked for is dead.
Squeeze into this archway, the head of the line
Has just swung round the corner to `Die Wacht am Rhein'.
Written by Stanley Kunitz | Create an image from this poem

The Portrait

 My mother never forgave my father
for killing himself,
especially at such an awkward time
and in a public park,
that spring
when I was waiting to be born.
She locked his name 
in her deepest cabinet
and would not let him out,
though I could hear him thumping.
When I came down from the attic
with the pastel portrait in my hand 
of a long-lipped stranger
with a brave moustache
and deep brown level eyes,
she ripped it into shreds
without a single word
and slapped me hard.
In my sixty-fourth year
I can feel my cheek
still burning.
Written by Ellis Parker Butler | Create an image from this poem

Circumstantial Evidence

 She does not mind a good cigar
 (The kind, that is, I smoke);
She thinks all men quite stupid are,
 (But laughs whene’er I joke).

She says she does not care for verse
 (But praises all I write);
She says that punning is a curse,
 (But then mine are so bright!)

She does not like a big moustache
 (You see that mine is small);
She hates a man with too much “dash,”
 (I scarcely dash at all!)

She simply dotes on hazel eyes
 (And mine, you note, are that);
She likes a man of portly size;
 (Gad! I am getting fat!)

She says champagne is made to drink;
 (In this we quite agree!)
And all these symptoms make me think
 Sweet Kate’s in love with me.
Written by Elizabeth Bishop | Create an image from this poem

Manuelzinho

 Half squatter, half tenant (no rent)—
a sort of inheritance; white,
in your thirties now, and supposed
to supply me with vegetables,
but you don't; or you won't; or you can't
get the idea through your brain—
the world's worst gardener since Cain.
Titled above me, your gardens
ravish my eyes. You edge
the beds of silver cabbages
with red carnations, and lettuces
mix with alyssum. And then
umbrella ants arrive,
or it rains for a solid week
and the whole thing's ruined again
and I buy you more pounds of seeds,
imported, guaranteed,
and eventually you bring me
a mystic thee-legged carrot,
or a pumpkin "bigger than the baby."

I watch you through the rain,
trotting, light, on bare feet,
up the steep paths you have made—
or your father and grandfather made—
all over my property,
with your head and back inside
a sodden burlap bag,
and feel I can't endure it
another minute; then,
indoors, beside the stove,
keep on reading a book.

You steal my telephone wires,
or someone does. You starve
your horse and yourself
and your dogs and family.
among endless variety,
you eat boiled cabbage stalks.
And once I yelled at you
so loud to hurry up
and fetch me those potatoes
your holey hat flew off,
you jumped out of your clogs,
leaving three objects arranged 
in a triangle at my feet,
as if you'd been a gardener
in a fairy tale all this time
and at the word "potatoes"
had vanished to take up your work
of fairy prince somewhere.

The strangest things happen to you.
Your cows eats a "poison grass"
and drops dead on the spot.
Nobody else's does.
And then your father dies,
a superior old man
with a black plush hat, and a moustache
like a white spread-eagled sea gull.
The family gathers, but you,
no, you "don't think he's dead!
I look at him. He's cold.
They're burying him today.
But you know, I don't think he's dead."
I give you money for the funeral
and you go and hire a bus
for the delighted mourners,
so I have to hand over some more
and then have to hear you tell me
you pray for me every night!

And then you come again,
sniffing and shivering,
hat in hand, with that wistful
face, like a child's fistful
of bluets or white violets,
improvident as the dawn,
and once more I provide
for a shot of penicillin
down at the pharmacy, or 
one more bottle of
Electrical Baby Syrup.
Or, briskly, you come to settle
what we call our "accounts,"
with two old copybooks,
one with flowers on the cover,
the other with a camel.
immediate confusion.
You've left out decimal points.
Your columns stagger,
honeycombed with zeros.
You whisper conspiratorially;
the numbers mount to millions.
Account books? They are Dream Books.
in the kitchen we dream together
how the meek shall inherit the earth—
or several acres of mine.

With blue sugar bags on their heads,
carrying your lunch,
your children scuttle by me
like little moles aboveground,
or even crouch behind bushes
as if I were out to shoot them!
—Impossible to make friends,
though each will grab at once
for an orange or a piece of candy.

Twined in wisps of fog,
I see you all up there
along with Formoso, the donkey,
who brays like a pump gone dry,
then suddenly stops.
—All just standing, staring
off into fog and space.
Or coming down at night,
in silence, except for hoofs,
in dim moonlight, the horse
or Formoso stumbling after.
Between us float a few
big, soft, pale-blue,
sluggish fireflies,
the jellyfish of the air...

Patch upon patch upon patch,
your wife keeps all of you covered.
She has gone over and over
(forearmed is forewarned)
your pair of bright-blue pants
with white thread, and these days
your limbs are draped in blueprints.
You paint—heaven knows why—
the outside of the crown
and brim of your straw hat.
Perhaps to reflect the sun?
Or perhaps when you were small,
your mother said, "Manuelzinho,
one thing; be sure you always
paint your straw hat."
One was gold for a while,
but the gold wore off, like plate.
One was bright green. Unkindly,
I called you Klorophyll Kid.
My visitors thought it was funny.
I apologize here and now.
You helpless, foolish man,
I love you all I can,
I think. Or I do?
I take off my hat, unpainted
and figurative, to you.
Again I promise to try.


Written by Craig Raine | Create an image from this poem

In Modern Dress

 A pair of blackbirds
warring in the roses,
one or two poppies

losing their heads,
the trampled lawn
a battlefield of dolls.

Branch by pruned branch,
a child has climbed
the family tree

to queen it over us:
we groundlings search
the flowering cherry

till we find her face,
its pale prerogative
to rule our hearts.

Sir Walter Raleigh
trails his comforter
about the muddy garden,

a full-length Hilliard
in miniature hose
and padded pants.

How rakishly upturned
his fine moustache
of oxtail soup,

foreshadowing, perhaps,
some future time
of altered favour,

stuck in the high chair
like a pillory, features
pelted with food.

So many expeditions
to learn the history
of this little world:

I watch him grub
in the vegetable patch
and ponder the potato

in its natural state
for the very first time,
or found a settlement

of leaves and sticks,
cleverly protected
by a circle of stones.

But where on earth
did he manage to find
that cigarette end?

Rain and wind.
The day disintegrates.
I observe the lengthy

inquisition of a worm
then go indoors to face
a scattered armada

of picture hooks
on the dining room floor,
the remains of a ruff

on my glass of beer, 
Sylvia Plath's Ariel
drowned in the bath.

Washing hair, I kneel
to supervise a second rinse
and act the courtier:

tiny seed pearls,
tingling into sight,
confer a kind of majesty.

And I am author
of this toga'd tribune
on my aproned lap,

who plays his part
to an audience of two,
repeating my words.
Written by Henry Lawson | Create an image from this poem

Sweeney

 It was somewhere in September, and the sun was going down, 
When I came, in search of `copy', to a Darling-River town; 
`Come-and-have-a-drink' we'll call it -- 'tis a fitting name, I think -- 
And 'twas raining, for a wonder, up at Come-and-have-a-drink. 

'Neath the public-house verandah I was resting on a bunk 
When a stranger rose before me, and he said that he was drunk; 
He apologised for speaking; there was no offence, he swore; 
But he somehow seemed to fancy that he'd seen my face before. 

`No erfence,' he said. I told him that he needn't mention it, 
For I might have met him somewhere; I had travelled round a bit, 
And I knew a lot of fellows in the bush and in the streets -- 
But a fellow can't remember all the fellows that he meets. 

Very old and thin and dirty were the garments that he wore, 
Just a shirt and pair of trousers, and a boot, and nothing more; 
He was wringing-wet, and really in a sad and sinful plight, 
And his hat was in his left hand, and a bottle in his right. 

His brow was broad and roomy, but its lines were somewhat harsh, 
And a sensual mouth was hidden by a drooping, fair moustache; 
(His hairy chest was open to what poets call the `wined', 
And I would have bet a thousand that his pants were gone behind). 

He agreed: `Yer can't remember all the chaps yer chance to meet,' 
And he said his name was Sweeney -- people lived in Sussex-street. 
He was campin' in a stable, but he swore that he was right, 
`Only for the blanky horses walkin' over him all night.' 

He'd apparently been fighting, for his face was black-and-blue, 
And he looked as though the horses had been treading on him, too; 
But an honest, genial twinkle in the eye that wasn't hurt 
Seemed to hint of something better, spite of drink and rags and dirt. 

It appeared that he mistook me for a long-lost mate of his -- 
One of whom I was the image, both in figure and in phiz -- 
(He'd have had a letter from him if the chap were living still, 
For they'd carried swags together from the Gulf to Broken Hill.) 

Sweeney yarned awhile and hinted that his folks were doing well, 
And he told me that his father kept the Southern Cross Hotel; 
And I wondered if his absence was regarded as a loss 
When he left the elder Sweeney -- landlord of the Southern Cross. 

He was born in Parramatta, and he said, with humour grim, 
That he'd like to see the city ere the liquor finished him, 
But he couldn't raise the money. He was damned if he could think 
What the Government was doing. Here he offered me a drink. 

I declined -- 'TWAS self-denial -- and I lectured him on booze, 
Using all the hackneyed arguments that preachers mostly use; 
Things I'd heard in temperance lectures (I was young and rather green), 
And I ended by referring to the man he might have been. 

Then a wise expression struggled with the bruises on his face, 
Though his argument had scarcely any bearing on the case: 
`What's the good o' keepin' sober? Fellers rise and fellers fall; 
What I might have been and wasn't doesn't trouble me at all.' 

But he couldn't stay to argue, for his beer was nearly gone. 
He was glad, he said, to meet me, and he'd see me later on; 
He guessed he'd have to go and get his bottle filled again, 
And he gave a lurch and vanished in the darkness and the rain. 

. . . . . 

And of afternoons in cities, when the rain is on the land, 
Visions come to me of Sweeney with his bottle in his hand, 
With the stormy night behind him, and the pub verandah-post -- 
And I wonder why he haunts me more than any other ghost. 

Still I see the shearers drinking at the township in the scrub, 
And the army praying nightly at the door of every pub, 
And the girls who flirt and giggle with the bushmen from the west -- 
But the memory of Sweeney overshadows all the rest. 

Well, perhaps, it isn't funny; there were links between us two -- 
He had memories of cities, he had been a jackeroo; 
And, perhaps, his face forewarned me of a face that I might see 
From a bitter cup reflected in the wretched days to be. 

. . . . . 

I suppose he's tramping somewhere where the bushmen carry swags, 
Cadging round the wretched stations with his empty tucker-bags; 
And I fancy that of evenings, when the track is growing dim, 
What he `might have been and wasn't' comes along and troubles him.
Written by Robert William Service | Create an image from this poem

Old Tom

 The harridan who holds the inn
 At which I toss a pot,
Is old and uglier than sin,--
 I'm glad she knows me not.
Indeed, for me it's hard to think,
 Although my pow's like snow,
She was the lass so fresh and pink
 I courted long ago.

I wronged her, yet it's sadly true
 She wanted to be wronged:
They mostly do, although 'tis you,
 The male bloke who is thonged.
Well, anyway I left her then
 To sail across the sea,
And no doubt she had other men,
 And soon lost sight of me.

So now she is a paunchy dame
 And mistress of the inn,
With temper tart and tounge to blame,
 Moustache and triple chin.
And though I have no proper home
 Contentedly I purr,
And from my whiskers wipe the foam,
 --Glad I did not wed her.

Yet it's so funny sitting here
 To stare into her face;
And as I raise my mug of beer
 I dream of our disgrace.
And so I come and come each day
 To more and more enjoy
The joke--that fifty years away
 I was her honey boy.
Written by Alec Derwent (A D) Hope | Create an image from this poem

Crossing the Frontier

 Crossing the frontier they were stopped in time, 
Told, quite politely, they would have to wait: 
Passports in order, nothing to declare 
And surely holding hands was not a crime 
Until they saw how, ranged across the gate, 
All their most formidable friends were there. 

Wearing his conscience like a crucifix, 
Her father, rampant, nursed the Family Shame; 
And, armed wlth their old-fashioned dinner-gong, 
His aunt, who even when they both were six, 
Had just to glance towards a childish game 
To make them feel that they were doing wrong. 

And both their mothers, simply weeping floods, 
Her head-mistress, his boss, the parish priest, 
And the bank manager who cashed their cheques; 
The man who sold him his first rubber-goods; 
Dog Fido, from whose love-life, shameless beast, 
She first observed the basic facts of sex. 

They looked as though they had stood there for hours; 
For years - perhaps for ever. In the trees 
Two furtive birds stopped courting and flew off; 
While in the grass beside the road the flowers 
Kept up their guilty traffic with the bees. 
Nobody stirred. Nobody risked a cough. 

Nobody spoke. The minutes ticked away; 
The dog scratched idly. Then, as parson bent 
And whispered to a guard who hurried in, 
The customs-house loudspeakers with a bray 
Of raucous and triumphant argument 
Broke out the wedding march from Lohengrin. 

He switched the engine off: "We must turn back." 
She heard his voice break, though he had to shout 
Against a din that made their senses reel, 
And felt his hand, so tense in hers, go slack. 
But suddenly she laughed and said: "Get out! 
Change seatsl Be quickl" and slid behind the wheel. 

And drove the car straight at them with a harsh, 
Dry crunch that showered both with scraps and chips, 
Drove through them; barriers rising let them pass 
Drove through and on and on, with Dad's moustache 
Beside her twitching still round waxen lips 
And Mother's tears still streaming down the glass.
Written by Henry Lawson | Create an image from this poem

Jack Dunn of Nevertire

 It chanced upon the very day we'd got the shearing done, 
A buggy brought a stranger to the West-o'-Sunday Run; 
He had a round and jolly face, and he was sleek and stout, 
He drove right up between the huts and called the super out. 
We chaps were smoking after tea, and heard the swell enquire 
For one as travelled by the name of `Dunn of Nevertire'. 
Jack Dunn of Nevertire, 
Poor Dunn of Nevertire; 
There wasn't one of us but knew Jack Dunn of Nevertire. 

`Jack Dunn of Nevertire,' he said; `I was a mate of his; 
And now it's twenty years since I set eyes upon his phiz. 
There is no whiter man than Jack -- no straighter south the line, 
There is no hand in all the land I'd sooner grip in mine; 
To help a mate in trouble Jack would go through flood and fire. 
Great Scott! and don't you know the name of Dunn of Nevertire? 
Big Dunn of Nevertire, 
Long Jack from Nevertire; 
He stuck to me through thick and thin, Jack Dunn of Nevertire. 

`I did a wild and foolish thing while Jack and I were mates, 
And I disgraced my guv'nor's name, an' wished to try the States. 
My lamps were turned to Yankee Land, for I'd some people there, 
And I was right when someone sent the money for my fare; 
I thought 'twas Dad until I took the trouble to enquire, 
And found that he who sent the stuff was Dunn of Nevertire, 
Jack Dunn of Nevertire, 
Soft Dunn of Nevertire; 
He'd won some money on a race -- Jack Dunn of Nevertire. 

`Now I've returned, by Liverpool, a swell of Yankee brand, 
To reckon, guess, and kalkilate, 'n' wake my native land; 
There is no better land, I swear, in all the wide world round -- 
I smelt the bush a month before we touched King George's Sound! 
And now I've come to settle down, the top of my desire 
Is just to meet a mate o' mine called `Dunn of Nevertire'. 
Was raised at Nevertire -- 
The town of Nevertire; 
He humped his bluey by the name of `Dunn of Nevertire'. 

`I've heard he's poor, and if he is, a proud old fool is he; 
But, spite of that, I'll find a way to fix the old gum-tree. 
I've bought a station in the North -- the best that could be had; 
I want a man to pick the stock -- I want a super bad; 
I want no bully-brute to boss -- no crawling, sneaking liar -- 
My station super's name shall be `Jack Dunn of Nevertire'! 
Straight Dunn of Nevertire, 
Old Dunn of Nevertire; 
I guess he's known up Queensland way -- Jack Dunn of Nevertire.' 

The super said, while to his face a strange expression came: 
`I THINK I've seen the man you want, I THINK I know the name; 
Had he a jolly kind of face, a free and careless way, 
Gray eyes that always seem'd to smile, and hair just turning gray -- 
Clean-shaved, except a light moustache, long-limbed, an' tough as wire?' 
`THAT'S HIM! THAT'S DUNN!' the stranger roared, `Jack Dunn of Nevertire! 
John Dunn of Nevertire, 
Jack D. from Nevertire, 
They said I'd find him here, the cuss! -- Jack Dunn of Nevertire. 

`I'd know his walk,' the stranger cried, `though sobered, I'll allow.' 
`I doubt it much,' the boss replied, `he don't walk that way now.' 
`Perhaps he don't!' the stranger said, `for years were hard on Jack; 
But, if he were a mile away, I swear I'd know his back.' 
`I doubt it much,' the super said, and sadly puffed his briar, 
`I guess he wears a pair of wings -- Jack Dunn of Nevertire; 
Jack Dunn of Nevertire, 
Brave Dunn of Nevertire, 
He caught a fever nursing me, Jack Dunn of Nevertire.' 

We took the stranger round to where a gum-tree stood alone, 
And in the grass beside the trunk he saw a granite stone; 
The names of Dunn and Nevertire were plainly written there -- 
`I'm all broke up,' the stranger said, in sorrow and despair, 
`I guess he has a wider run, the man that I require; 
He's got a river-frontage now, Jack Dunn of Nevertire; 
Straight Dunn of Nevertire, 
White Jack from Nevertire, 
I guess Saint Peter knew the name of `Dunn of Nevertire'.'

Book: Reflection on the Important Things