Written by
Amy Lowell |
A music-stand of crimson lacquer, long since brought
In some fast clipper-ship from China, quaintly wrought
With bossed and carven flowers and fruits in blackening gold,
The slender shaft all twined about and thickly scrolled
With vine leaves and young twisted tendrils, whirling, curling,
Flinging their new shoots over the four wings, and swirling
Out on the three wide feet in golden lumps and streams;
Petals and apples in high relief, and where the seams
Are worn with handling, through the polished crimson sheen,
Long streaks of black, the under lacquer, shine out clean.
Four desks, adjustable, to suit the heights of players
Sitting to viols or standing up to sing, four layers
Of music to serve every instrument, are there,
And on the apex a large flat-topped golden pear.
It burns in red and yellow, dusty, smouldering lights,
When the sun flares the old barn-chamber with its flights
And skips upon the crystal knobs of dim sideboards,
Legless and mouldy, and hops, glint to glint, on hoards
Of scythes, and spades, and dinner-horns, so the old tools
Are little candles throwing brightness round in pools.
With Oriental splendour, red and gold, the dust
Covering its flames like smoke and thinning as a gust
Of brighter sunshine makes the colours leap and range,
The strange old music-stand seems to strike out and change;
To stroke and tear the darkness with sharp golden claws;
To dart a forked, vermilion tongue from open jaws;
To puff out bitter smoke which chokes the sun; and fade
Back to a still, faint outline obliterate in shade.
Creeping up the ladder into the loft, the Boy
Stands watching, very still, prickly and hot with joy.
He sees the dusty sun-mote slit by streaks of red,
He sees it split and stream, and all about his head
Spikes and spears of gold are licking, pricking, flicking,
Scratching against the walls and furniture, and nicking
The darkness into sparks, chipping away the gloom.
The Boy's nose smarts with the pungence in the room.
The wind pushes an elm branch from before the door
And the sun widens out all along the floor,
Filling the barn-chamber with white, straightforward light,
So not one blurred outline can tease the mind to fright.
"O All ye Works of the Lord, Bless
ye the Lord; Praise Him, and Magnify Him
for ever.
O let the Earth Bless the Lord; Yea, let it Praise Him,
and Magnify Him
for ever.
O ye Mountains and Hills, Bless ye the Lord; Praise
Him, and Magnify Him
for ever.
O All ye Green Things upon the Earth, Bless ye the Lord;
Praise Him,
and Magnify Him for ever.
"
The Boy will praise his God on an altar builded
fair,
Will heap it with the Works of the Lord.
In the morning
air,
Spices shall burn on it, and by their pale smoke curled,
Like shoots of all the Green Things, the God of this bright World
Shall see the Boy's desire to pay his debt of praise.
The Boy turns round about, seeking with careful gaze
An altar meet and worthy, but each table and chair
Has some defect, each piece is needing some repair
To perfect it; the chairs have broken legs and backs,
The tables are uneven, and every highboy lacks
A handle or a drawer, the desks are bruised and worn,
And even a wide sofa has its cane seat torn.
Only in the gloom far in the corner there
The lacquer music-stand is elegant and rare,
Clear and slim of line, with its four wings outspread,
The sound of old quartets, a tenuous, faint thread,
Hanging and floating over it, it stands supreme --
Black, and gold, and crimson, in one twisted scheme!
A candle on the bookcase feels a draught and wavers,
Stippling the white-washed walls with dancing shades and quavers.
A bed-post, grown colossal, jigs about the ceiling,
And shadows, strangely altered, stain the walls, revealing
Eagles, and rabbits, and weird faces pulled awry,
And hands which fetch and carry things incessantly.
Under the Eastern window, where the morning sun
Must touch it, stands the music-stand, and on each one
Of its broad platforms is a pyramid of stones,
And metals, and dried flowers, and pine and hemlock cones,
An oriole's nest with the four eggs neatly blown,
The rattle of a rattlesnake, and three large brown
Butternuts uncracked, six butterflies impaled
With a green luna moth, a snake-skin freshly scaled,
Some sunflower seeds, wampum, and a bloody-tooth shell,
A blue jay feather, all together piled pell-mell
The stand will hold no more.
The Boy with humming head
Looks once again, blows out the light, and creeps to bed.
The Boy keeps solemn vigil, while outside the wind
Blows gustily and clear, and slaps against the blind.
He hardly tries to sleep, so sharp his ecstasy
It burns his soul to emptiness, and sets it free
For adoration only, for worship.
Dedicate,
His unsheathed soul is naked in its novitiate.
The hours strike below from the clock on the stair.
The Boy is a white flame suspiring in prayer.
Morning will bring the sun, the Golden Eye of Him
Whose splendour must be veiled by starry cherubim,
Whose Feet shimmer like crystal in the streets of Heaven.
Like an open rose the sun will stand up even,
Fronting the window-sill, and when the casement glows
Rose-red with the new-blown morning, then the fire which flows
From the sun will fall upon the altar and ignite
The spices, and his sacrifice will burn in perfumed light.
Over the music-stand the ghosts of sounds will swim,
`Viols d'amore' and `hautbois' accorded to a hymn.
The Boy will see the faintest breath of angels' wings
Fanning the smoke, and voices will flower through the strings.
He dares no farther vision, and with scalding eyes
Waits upon the daylight and his great emprise.
The cold, grey light of dawn was whitening the
wall
When the Boy, fine-drawn by sleeplessness, started his ritual.
He washed, all shivering and pointed like a flame.
He threw the shutters open, and in the window-frame
The morning glimmered like a tarnished Venice glass.
He took his Chinese pastilles and put them in a mass
Upon the mantelpiece till he could seek a plate
Worthy to hold them burning.
Alas! He had
been late
In thinking of this need, and now he could not find
Platter or saucer rare enough to ease his mind.
The house was not astir, and he dared not go down
Into the barn-chamber, lest some door should be blown
And slam before the draught he made as he went out.
The light was growing yellower, and still he looked about.
A flash of almost crimson from the gilded pear
Upon the music-stand, startled him waiting there.
The sun would rise and he would meet it unprepared,
Labelled a fool in having missed what he had dared.
He ran across the room, took his pastilles and laid
Them on the flat-topped pear, most carefully displayed
To light with ease, then stood a little to one side,
Focussed a burning-glass and painstakingly tried
To hold it angled so the bunched and prismed rays
Should leap upon each other and spring into a blaze.
Sharp as a wheeling edge of disked, carnation flame,
Gem-hard and cutting upward, slowly the round sun came.
The arrowed fire caught the burning-glass and glanced,
Split to a multitude of pointed spears, and lanced,
A deeper, hotter flame, it took the incense pile
Which welcomed it and broke into a little smile
Of yellow flamelets, creeping, crackling, thrusting up,
A golden, red-slashed lily in a lacquer cup.
"O ye Fire and Heat, Bless ye the Lord;
Praise Him, and Magnify Him
for ever.
O ye Winter and Summer, Bless ye the Lord; Praise Him,
and Magnify Him
for ever.
O ye Nights and Days, Bless ye the Lord; Praise Him,
and Magnify Him
for ever.
O ye Lightnings and Clouds, Bless ye the Lord; Praise
Him, and Magnify Him
for ever.
"
A moment so it hung, wide-curved, bright-petalled,
seeming
A chalice foamed with sunrise.
The Boy woke from his
dreaming.
A spike of flame had caught the card of butterflies,
The oriole's nest took fire, soon all four galleries
Where he had spread his treasures were become one tongue
Of gleaming, brutal fire.
The Boy instantly swung
His pitcher off the wash-stand and turned it upside down.
The flames drooped back and sizzled, and all his senses grown
Acute by fear, the Boy grabbed the quilt from his bed
And flung it over all, and then with aching head
He watched the early sunshine glint on the remains
Of his holy offering.
The lacquer stand had stains
Ugly and charred all over, and where the golden pear
Had been, a deep, black hole gaped miserably.
His dear
Treasures were puffs of ashes; only the stones were there,
Winking in the brightness.
The clock upon the stair
Struck five, and in the kitchen someone shook a grate.
The Boy began to dress, for it was getting late.
|
Written by
Vachel Lindsay |
[To be sung to the tune of The Blood of the Lamb with indicated instrument]
I
[Bass drum beaten loudly.
]
Booth led boldly with his big bass drum --
(Are you washed in the blood of the Lamb?)
The Saints smiled gravely and they said: "He's come.
"
(Are you washed in the blood of the Lamb?)
Walking lepers followed, rank on rank,
Lurching bravoes from the ditches dank,
Drabs from the alleyways and drug fiends pale --
Minds still passion-ridden, soul-powers frail: --
Vermin-eaten saints with mouldy breath,
Unwashed legions with the ways of Death --
(Are you washed in the blood of the Lamb?)
[Banjos.
]
Every slum had sent its half-a-score
The round world over.
(Booth had groaned for more.
)
Every banner that the wide world flies
Bloomed with glory and transcendent dyes.
Big-voiced lasses made their banjos bang,
Tranced, fanatical they shrieked and sang: --
"Are you washed in the blood of the Lamb?"
Hallelujah! It was ***** to see
Bull-necked convicts with that land make free.
Loons with trumpets blowed a blare, blare, blare
On, on upward thro' the golden air!
(Are you washed in the blood of the Lamb?)
II
[Bass drum slower and softer.
]
Booth died blind and still by Faith he trod,
Eyes still dazzled by the ways of God.
Booth led boldly, and he looked the chief
Eagle countenance in sharp relief,
Beard a-flying, air of high command
Unabated in that holy land.
[Sweet flute music.
]
Jesus came from out the court-house door,
Stretched his hands above the passing poor.
Booth saw not, but led his ***** ones there
Round and round the mighty court-house square.
Then in an instant all that blear review
Marched on spotless, clad in raiment new.
The lame were straightened, withered limbs uncurled
And blind eyes opened on a new, sweet world.
[Bass drum louder.
]
Drabs and vixens in a flash made whole!
Gone was the weasel-head, the snout, the jowl!
Sages and sibyls now, and athletes clean,
Rulers of empires, and of forests green!
[Grand chorus of all instruments.
Tambourines to the foreground.
]
The hosts were sandalled, and their wings were fire!
(Are you washed in the blood of the Lamb?)
But their noise played havoc with the angel-choir.
(Are you washed in the blood of the Lamb?)
O shout Salvation! It was good to see
Kings and Princes by the Lamb set free.
The banjos rattled and the tambourines
Jing-jing-jingled in the hands of Queens.
[Reverently sung, no instruments.
]
And when Booth halted by the curb for prayer
He saw his Master thro' the flag-filled air.
Christ came gently with a robe and crown
For Booth the soldier, while the throng knelt down.
He saw King Jesus.
They were face to face,
And he knelt a-weeping in that holy place.
Are you washed in the blood of the Lamb?
|
Written by
Henry Van Dyke |
When Stiivoren town was in its prime
And queened the Zuyder Zee,
Its ships went out to every clime
With costly merchantry.
A lady dwelt in that rich town,
The fairest in all the land;
She walked abroad in a velvet gown,
With many rings on her hand.
Her hair was bright as the beaten gold,
Her lips as coral red,
Her roving eyes were blue and bold,
And her heart with pride was fed.
For she was proud of her father's ships,
As she watched them gayly pass;
And pride looked out of her eyes and lips
When she saw herself in the glass.
"Now come," she said to the captains ten,
Who were ready to put to sea,
"Ye are all my men and my father's men,
And what will ye do for me?"
"Go north and south, go east and west,
And get me gifts," she said.
"And he who bringeth me home the best,
With that man will I wed.
"
So they all fared forth, and sought with care
In many a famous mart,
For satins and silks and jewels rare,
To win that lady's heart.
She looked at them all with never a thought,
And careless put them by;
"I am not fain of the things ye brought,
Enough of these have I.
"
The last that came was the head of the fleet,
His name was Jan Borel;
He bent his knee at the lady's feet,--
In truth he loved her well.
"I've brought thee home the best i' the world,
A shipful of Danzig corn!"
She stared at him long; her red lips curled,
Her blue eyes filled with scorn.
"Now out on thee, thou feckless kerl,
A loon thou art," she said.
"Am I a starving beggar girl?
Shall I ever lack for bread?"
"Go empty all thy sacks of grain
Into the nearest sea,
And never show thy face again
To make a mock of me.
"
Then Jan Borel, he hoisted sail,
And out to sea he bore;
He passed the Helder in a gale
And came again no more.
But the grains of corn went drifting down
Like devil-scattered seed,
To sow the harbor of the town
With a wicked growth of weed.
The roots were thick and the silt and sand
Were gathered day by day,
Till not a furlong out from land
A shoal had barred the way.
Then Stavoren town saw evil years,
No ships could out or in,
The boats lay rotting at the piers,
And the mouldy grain in the bin.
The grass-grown streets were all forlorn,
The town in ruin stood,
The lady's velvet gown was torn,
Her rings were sold for food.
Her father had perished long ago,
But the lady held her pride,
She walked with a scornful step and slow,
Till at last in her rags she died.
Yet still on the crumbling piers of the town,
When the midnight moon shines free,
woman walks in a velvet gown
And scatters corn in the sea.
|
Written by
Robert William Service |
'Twas on an iron, icy day
I saw a pirate gull down-plane,
And hover in a wistful way
Nigh where my chickens picked their grain.
An outcast gull, so grey and old,
Withered of leg I watched it hop,
By hunger goaded and by cold,
To where each fowl full-filled its crop.
They hospitably welcomed it,
And at the food rack gave it place;
It ate and ate, it preened a bit,
By way way of gratitude and grace.
It parleyed with my barnyard cock,
Then resolutely winged away;
But I am fey in feather talk,
And this is what I heard it say:
"I know that you and all your tribe
Are shielded warm and fenced from fear;
With food and comfort you would bribe
My weary wings to linger here.
An outlaw scarred and leather-lean,
I battle with the winds of woe:
You think me scaly and unclean.
.
.
And yet my soul you do not know,
"I storm the golden gates of day,
I wing the silver lanes of night;
I plumb the deep for finny prey,
On wave I sleep in tempest height.
Conceived was I by sea and sky,
Their elements are fused in me;
Of brigand birds that float and fly
I am the freest of the free.
"From peak to plain, from palm to pine
I coast creation at my will;
The chartless solitudes are mine,
And no one seeks to do me ill.
Until some cauldron of the sea
Shall gulp for me and I shall cease.
.
.
Oh I have lived enormously
And I shall have prodigious peace.
"
With yellow bill and beady eye
This spoke, I think, that old grey gull;
And as I watched it Southward fly
Life seemed to be a-sudden dull.
For I have often held this thought -
If I could change this mouldy me,
By heaven! I would choose the lot,
Of all the gypsy birds, to be
A gull that spans the spacious sea.
|
Written by
Ben Jonson |
Come, leave the loathed stage,
And the more loathsome age;
Where pride and impudence, in faction knit,
Usurp the chair of wit!
Indicting and arraigning every day
Something they call a play.
Let their fastidious, vain
Commission of the brain
Run on and rage, sweat, censure, and condemn;
They were not made for thee, less thou for them.
Say that thou pour'st them wheat,
And they will acorns eat;
'Twere simple fury still thyself to waste
On such as have no taste!
To offer them a surfeit of pure bread
Whose appetites are dead!
No, give them grains their fill,
Husks, draff to drink and swill:
If they love lees, and leave the lusty wine,
Envy them not, their palate's with the swine.
No doubt some mouldy tale,
Like Pericles, and stale
As the shrieve's crusts, and nasty as his fish--
Scraps out of every dish
Thrown forth, and rak'd into the common tub,
May keep up the Play-club:
There, sweepings do as well
As the best-order'd meal;
For who the relish of these guests will fit,
Needs set them but the alms-basket of wit.
And much good do't you then:
Brave plush-and-velvet-men
Can feed on orts; and, safe in your stage-clothes,
Dare quit, upon your oaths,
The stagers, and the stage-wrights too (your peers)
Of larding your large ears
With their foul comic socks,
Wrought upon twenty blocks;
Which if they are torn, and turn'd, and patch'd enough,
The gamesters share your gilt, and you their stuff.
Leave things so prostitute,
And take the Alcaic lute;
Or thine own Horace, or Anacreon's lyre;
Warm thee by Pindar's fire:
And though thy nerves be shrunk, and blood be cold,
Ere years have made thee old,
Strike that disdainful heat
Throughout, to their defeat,
As curious fools, and envious of thy strain,
May blushing swear, no palsy's in thy brain.
But when they hear thee sing
The glories of thy king,
His zeal to God, and his just awe o'er men:
They may, blood-shaken then,
Feel such a flesh-quake to possess their powers,
As they shall cry: "Like ours
In sound of peace or wars,
No harp e'er hit the stars,
In tuning forth the acts of his sweet reign,
And raising Charles his chariot 'bove his Wain.
"
|
Written by
William Vaughn Moody |
This, then, is she,
My mother as she looked at seventeen,
When she first met my father.
Young incredibly,
Younger than spring, without the faintest trace
Of disappointment, weariness, or tean
Upon the childlike earnestness and grace
Of the waiting face.
Those close-wound ropes of pearl
(Or common beads made precious by their use)
Seem heavy for so slight a throat to wear;
But the low bodice leaves the shoulders bare
And half the glad swell of the breast, for news
That now the woman stirs within the girl.
And yet,
Even so, the loops and globes
Of beaten gold
And jet
Hung, in the stately way of old,
From the ears' drooping lobes
On festivals and Lord's-day of the week,
Show all too matron-sober for the cheek, --
Which, now I look again, is perfect child,
Or no -- or no -- 't is girlhood's very self,
Moulded by some deep, mischief-ridden elf
So meek, so maiden mild,
But startling the close gazer with the sense
Of passions forest-shy and forest-wild,
And delicate delirious merriments.
As a moth beats sidewise
And up and over, and tries
To skirt the irresistible lure
Of the flame that has him sure,
My spirit, that is none too strong to-day,
Flutters and makes delay, --
Pausing to wonder on the perfect lips,
Lifting to muse upon the low-drawn hair
And each hid radiance there,
But powerless to stem the tide-race bright,
The vehement peace which drifts it toward the light
Where soon -- ah, now, with cries
Of grief and giving-up unto its gain
It shrinks no longer nor denies,
But dips
Hurriedly home to the exquisite heart of pain, --
And all is well, for I have seen them plain,
The unforgettable, the unforgotten eyes!
Across the blinding gush of these good tears
They shine as in the sweet and heavy years
When by her bed and chair
We children gathered jealously to share
The sunlit aura breathing myrrh and thyme,
Where the sore-stricken body made a clime
Gentler than May and pleasanter than rhyme,
Holier and more mystical than prayer.
God, how thy ways are strange!
That this should be, even this,
The patient head
Which suffered years ago the dreary change!
That these so dewy lips should be the same
As those I stooped to kiss
And heard my harrowing half-spoken name,
A little ere the one who bowed above her,
Our father and her very constant lover,
Rose stoical, and we knew that she was dead.
Then I, who could not understand or share
His antique nobleness,
Being unapt to bear
The insults which time flings us for our proof,
Fled from the horrible roof
Into the alien sunshine merciless,
The shrill satiric fields ghastly with day,
Raging to front God in his pride of sway
And hurl across the lifted swords of fate
That ringed Him where He sat
My puny gage of scorn and desolate hate
Which somehow should undo Him, after all!
That this girl face, expectant, virginal,
Which gazes out at me
Boon as a sweetheart, as if nothing loth
(Save for the eyes, with other presage stored)
To pledge me troth,
And in the kingdom where the heart is lord
Take sail on the terrible gladness of the deep
Whose winds the gray Norns keep, --
That this should be indeed
The flesh which caught my soul, a flying seed,
Out of the to and fro
Of scattering hands where the seedsman Mage,
Stooping from star to star and age to age
Sings as he sows!
That underneath this breast
Nine moons I fed
Deep of divine unrest,
While over and over in the dark she said,
"Blessed! but not as happier children blessed" --
That this should be
Even she .
.
.
God, how with time and change
Thou makest thy footsteps strange!
Ah, now I know
They play upon me, and it is not so.
Why, 't is a girl I never saw before,
A little thing to flatter and make weep,
To tease until her heart is sore,
Then kiss and clear the score;
A gypsy run-the-fields,
A little liberal daughter of the earth,
Good for what hour of truancy and mirth
The careless season yields
Hither-side the flood of the year and yonder of the neap;
Then thank you, thanks again, and twenty light good-byes.
--
O shrined above the skies,
Frown not, clear brow,
Darken not, holy eyes!
Thou knowest well I know that it is thou
Only to save me from such memories
As would unman me quite,
Here in this web of strangeness caught
And prey to troubled thought
Do I devise
These foolish shifts and slight;
Only to shield me from the afflicting sense
Of some waste influence
Which from this morning face and lustrous hair
Breathes on me sudden ruin and despair.
In any other guise,
With any but this girlish depth of gaze,
Your coming had not so unsealed and poured
The dusty amphoras where I had stored
The drippings of the winepress of my days.
I think these eyes foresee,
Now in their unawakened virgin time,
Their mother's pride in me,
And dream even now, unconsciously,
Upon each soaring peak and sky-hung lea
You pictured I should climb.
Broken premonitions come,
Shapes, gestures visionary,
Not as once to maiden Mary
The manifest angel with fresh lilies came
Intelligibly calling her by name;
But vanishingly, dumb,
Thwarted and bright and wild,
As heralding a sin-defiled,
Earth-encumbered, blood-begotten, passionate man-child,
Who yet should be a trump of mighty call
Blown in the gates of evil kings
To make them fall;
Who yet should be a sword of flame before
The soul's inviolate door
To beat away the clang of hellish wings;
Who yet should be a lyre
Of high unquenchable desire
In the day of little things.
--
Look, where the amphoras,
The yield of many days,
Trod by my hot soul from the pulp of self,
And set upon the shelf
In sullen pride
The Vineyard-master's tasting to abide --
O mother mine!
Are these the bringings-in, the doings fine,
Of him you used to praise?
Emptied and overthrown
The jars lie strown.
These, for their flavor duly nursed,
Drip from the stopples vinegar accursed;
These, I thought honied to the very seal,
Dry, dry, -- a little acid meal,
A pinch of mouldy dust,
Sole leavings of the amber-mantling must;
These, rude to look upon,
But flasking up the liquor dearest won,
Through sacred hours and hard,
With watching and with wrestlings and with grief,
Even of these, of these in chief,
The stale breath sickens reeking from the shard.
Nothing is left.
Aye, how much less than naught!
What shall be said or thought
Of the slack hours and waste imaginings,
The cynic rending of the wings,
Known to that froward, that unreckoning heart
Whereof this brewage was the precious part,
Treasured and set away with furtive boast?
O dear and cruel ghost,
Be merciful, be just!
See, I was yours and I am in the dust.
Then look not so, as if all things were well!
Take your eyes from me, leave me to my shame,
Or else, if gaze they must,
Steel them with judgment, darken them with blame;
But by the ways of light ineffable
You bade me go and I have faltered from,
By the low waters moaning out of hell
Whereto my feet have come,
Lay not on me these intolerable
Looks of rejoicing love, of pride, of happy trust!
Nothing dismayed?
By all I say and all I hint not made
Afraid?
O then, stay by me! Let
These eyes afflict me, cleanse me, keep me yet,
Brave eyes and true!
See how the shrivelled heart, that long has lain
Dead to delight and pain,
Stirs, and begins again
To utter pleasant life, as if it knew
The wintry days were through;
As if in its awakening boughs it heard
The quick, sweet-spoken bird.
Strong eyes and brave,
Inexorable to save!
|
Written by
Robert Browning |
Vanity, saith the preacher, vanity!
Draw round my bed: is Anselm keeping back?
Nephews -- sons mine -- ah God, I know not! Well --
She, men would have to be your mother once,
Old Gandolf envied me, so fair she was!
What's done is done, and she is dead beside,
Dead long ago, and I am Bishop since,
And as she died so must we die ourselves,
And thence ye may perceive the world's a dream.
Life, how and what is it? As here I lie
In this state-chamber, dying by degrees,
Hours and long hours in the dead night, I ask
"Do I live, am I dead?" Peace, peace seems all.
Saint Praxed's ever was the church for peace;
And so, about this tomb of mine.
I fought
With tooth and nail to save my niche, ye know:
-- Old Gandolf cozened me, despite my care;
Shrewd was that snatch from out the corner South
He graced his carrion with, God curse the same!
Yet still my niche is not so cramped but thence
One sees the pulpit o' the epistle-side,
And somewhat of the choir, those silent seats,
And up into the very dome where live
The angels, and a sunbeam's sure to lurk:
And I shall fill my slab of basalt there,
And 'neath my tabernacle take my rest,
With those nine columns round me, two and two,
The odd one at my feet where Anselm stands:
Peach-blossom marble all, the rare, the ripe
As fresh poured red wine of a mighty pulse
-- Old Gandolf with his paltry onion-stone,
Put me where I may look at him! True peach,
Rosy and flawless: how I earned the prize!
Draw close: that conflagration of my church
-- What then? So much was saved if aught were missed!
My sons, ye would not be my death? Go dig
The white-grape vineyard where the oil-press stood,
Drop water gently till the surface sink,
And if ye find -- Ah God, I know not, I! --
Bedded in store of rotten fig-leaves soft,
And corded up in a tight olive-frail,
Some lump, ah God, of lapis lazuli,
Big as a Jew's head cut off at the nape,
Blue as a vein o'er the Madonna's breast
Sons, all have I bequeathed you, villas, all,
That brave Frascati villa with its bath,
So, let the blue lump poise between my knees,
Like God the Father's globe on both his hands
Ye worship in the Jesu Church so gay,
For Gandolf shall not choose but see and burst!
Swift as a weaver's shuttle fleet our years:
Man goeth to the grave, and where is he?
Did I say basalt for my slab, sons? Black --
'Twas ever antique-black I meant! How else
Shall ye contrast my frieze to come beneath?
The bas-relief in bronze ye promised me.
Those Pans and Nymphs ye wot of, and perchance
Some tripod, thyrsus, with a vase or so,
The Saviour at his sermon on the mount,
Saint Praxed in a glory, and one Pan
Ready to twitch the Nymph's last garment off,
And Moses with the tables -- but I know
Ye mark me not! What do they whisper thee,
Child of my bowels, Anselm? Ah, ye hope
To revel down my villas while I gasp
Bricked o'er with beggar's mouldy travertine
Which Gandolf from his tomb-top chuckles at!
Nay, boys, ye love me -- all of jasper, then!
'Tis jasper ye stand pledged to, lest I grieve.
My bath must needs be left behind, alas!
One block, pure green as a pistachio-nut,
There's plenty jasper somewhere in the world --
And have I not Saint Praxed's ear to pray
Horses for ye, and brown Greek manuscripts,
And mistresses with great smooth marbly limbs?
-- That's if ye carve my epitaph aright,
Choice Latin, picked phrase, Tully's every word,
No gaudy ware like Gandolf's second line --
Tully, my masters? Ulpian serves his need!
And then how I shall lie through centuries,
And hear the blessed mutter of the mass,
And see God made and eaten all day long,
And feel the steady candle-flame, and taste
Good strong thick stupefying incense-smoke!
For as I lie here, hours of the dead night,
Dying in state and by such slow degrees,
I fold my arms as if they clasped a crook,
And stretch my feet forth straight as stone can point,
And let the bedclothes, for a mortcloth, drop
Into great laps and folds of sculptor's work:
And as yon tapers dwindle, and strange thoughts
Grow, with a certain humming in my ears,
About the life before I lived this life,
And this life too, popes, cardinals and priests,
Saint Praxed at his sermon on the mount,
Your tall pale mother with her talking eyes,
And new-found agate urns as fresh as day,
And marble's language, Latin pure, discreet,
-- Aha, ELUCESCEBAT quoth our friend?
No Tully, said I, Ulpian at the best!
Evil and brief hath been my pilgrimage.
All lapis, all, sons! Else I give the Pope
My villas! Will ye ever eat my heart?
Ever your eyes were as a lizard's quick,
They glitter like your mother's for my soul,
Or ye would heighten my impoverished frieze,
Piece out its starved design, and fill my vase
With grapes, and add a visor and a Term,
And to the tripod ye would tie a lynx
That in his struggle throws the thyrsus down,
To comfort me on my entablature
Whereon I am to lie till I must ask
"Do I live, am I dead?" There, leave me, there!
For ye have stabbed me with ingratitude
To death -- ye wish it -- God, ye wish it! Stone --
Gritstone, a crumble! Clammy squares which sweat
As if the corpse they keep were oozing through --
And no more lapis to delight the world!
Well, go! I bless ye.
Fewer tapers there,
But in a row: and, going, turn your backs
-- Ay, like departing altar-ministrants,
And leave me in my church, the church for peace,
That I may watch at leisure if he leers --
Old Gandolf -- at me, from his onion-stone,
As still he envied me, so fair she was!
|
Written by
John Crowe Ransom |
Conrad, Conrad, aren't you old
To sit so late in your mouldy garden?
And I think Conrad knows it well,
Nursing his knees, too rheumy and cold
To warm the wraith of a Forest of Arden.
Neuralgia in the back of his neck,
His lungs filling with such miasma,
His feet dipping in leafage and muck:
Conrad! you've forgotten asthma.
Conrad's house has thick red walls,
The log on Conrad's hearth is blazing,
Slippers and pipe and tea are served,
Butter and toast are meant for pleasing!
Still Conrad's back is not uncurved
And here's an autumn on him, teasing.
Autumn days in our section
Are the most used-up thing on earth
(Or in the waters under the earth)
Having no more color nor predilection
Than cornstalks too wet for the fire,
A ribbon rotting on the byre,
A man's face as weathered as straw
By the summer's flare and winter's flaw.
|
Written by
Robert William Service |
Me and Ed and a stretcher
Out on the nootral ground.
(If there's one dead corpse, I'll betcher
There's a 'undred smellin' around.
)
Me and Eddie O'Brian,
Both of the R.
A.
M.
C.
"It'as a 'ell of a night
For a soul to take flight,"
As Eddie remarks to me.
Me and Ed crawlin' 'omeward,
Thinkin' our job is done,
When sudden and clear,
Wot do we 'ear:
'Owl of a wounded 'Un.
"Got to take 'im," snaps Eddy;
"Got to take all we can.
'E may be a Germ
Wiv the 'eart of a worm,
But, blarst 'im! ain't 'e a man?"
So 'e sloshes out fixin' a dressin'
('E'd always a medical knack),
When that wounded 'Un
'E rolls to 'is gun,
And 'e plugs me pal in the back.
Now what would you do? I arst you.
There was me slaughtered mate.
There was that 'Un
(I'd collered 'is gun),
A-snarlin' 'is 'ymn of 'ate.
Wot did I do? 'Ere, whisper .
.
.
'E'd a shiny bald top to 'is 'ead,
But when I got through,
Between me and you,
It was 'orrid and jaggy and red.
"'Ang on like a limpet, Eddy.
Thank Gord! you ain't dead after all.
"
It's slow and it's sure and it's steady
(Which is 'ard, for 'e's big and I'm small).
The rockets are shootin' and shinin',
It's rainin' a perishin' flood,
The bullets are buzzin' and whinin',
And I'm up to me stern in the mud.
There's all kinds of 'owlin' and 'ootin';
It's black as a bucket of tar;
Oh, I'm doin' my bit,
But I'm 'avin' a fit,
And I wish I was 'ome wiv Mar.
"Stick on like a plaster, Eddy.
Old sport, you're a-slackin' your grip.
"
Gord! But I'm crocky already;
My feet, 'ow they slither and slip!
There goes the biff of a bullet.
The Boches have got us for fair.
Another one -- WHUT!
The son of a ****!
'E managed to miss by a 'air.
'Ow! Wot was it jabbed at me shoulder?
Gave it a dooce of a wrench.
Is it Eddy or me
Wot's a-bleedin' so free?
Crust! but it's long to the trench.
I ain't just as strong as a Sandow,
And Ed ain't a flapper by far;
I'm blamed if I understand 'ow
We've managed to get where we are.
But 'ere's for a bit of a breather.
"Steady there, Ed, 'arf a mo'.
Old pal, it's all right;
It's a 'ell of a fight,
But are we down-'earted? No-o-o.
"
Now war is a funny thing, ain't it?
It's the rummiest sort of a go.
For when it's most real,
It's then that you feel
You're a-watchin' a cinema show.
'Ere's me wot's a barber's assistant.
Hey, presto! It's somewheres in France,
And I'm 'ere in a pit
Where a coal-box 'as 'it,
And it's all like a giddy romance.
The ruddy quick-firers are spittin',
The 'eavies are bellowin' 'ate,
And 'ere I am cashooly sittin',
And 'oldin' the 'ead of me mate.
Them gharstly green star-shells is beamin',
'Ot shrapnel is poppin' like rain,
And I'm sayin': "Bert 'Iggins, you're dreamin',
And you'll wake up in 'Ampstead again.
You'll wake up and 'ear yourself sayin':
`Would you like, sir, to 'ave a shampoo?'
'Stead of sheddin' yer blood
In the rain and the mud,
Which is some'ow the right thing to do;
Which is some'ow yer 'oary-eyed dooty,
Wot you're doin' the best wot you can,
For 'Ampstead and 'ome and beauty,
And you've been and you've slaughtered a man.
A feller wot punctured your partner;
Oh, you 'ammered 'im 'ard on the 'ead,
And you still see 'is eyes
Starin' bang at the skies,
And you ain't even sorry 'e's dead.
But you wish you was back in your diggin's
Asleep on your mouldy old stror.
Oh, you're doin' yer bit, 'Erbert 'Iggins,
But you ain't just enjoyin' the war.
"
"'Ang on like a hoctopus, Eddy.
It's us for the bomb-belt again.
Except for the shrap
Which 'as 'it me a tap,
I'm feelin' as right as the rain.
It's my silly old feet wot are slippin',
It's as dark as a 'ogs'ead o' sin,
But don't be oneasy, my pippin,
I'm goin' to pilot you in.
It's my silly old 'ead wot is reelin'.
The bullets is buzzin' like bees.
Me shoulder's red-'ot,
And I'm bleedin' a lot,
And me legs is on'inged at the knees.
But we're staggerin' nearer and nearer.
Just stick it, old sport, play the game.
I make 'em out clearer and clearer,
Our trenches a-snappin' with flame.
Oh, we're stumblin' closer and closer.
'Ang on there, lad! Just one more try.
Did you say: Put you down? Damn it, no, sir!
I'll carry you in if I die.
By cracky! old feller, they've seen us.
They're sendin' out stretchers for two.
Let's give 'em the hoorah between us
('Anged lucky we aren't booked through).
My flipper is mashed to a jelly.
A bullet 'as tickled your spleen.
We've shed lots of gore
And we're leakin' some more,
But -- wot a hoccasion it's been!
Ho! 'Ere comes the rescuin' party.
They're crawlin' out cautious and slow.
Come! Buck up and greet 'em, my 'earty,
Shoulder to shoulder -- so.
They mustn't think we was down-'earted.
Old pal, we was never down-'earted.
If they arsts us if we was down-'earted
We'll 'owl in their fyces: 'No-o-o!'"
|
Written by
Eugene Field |
Prate, ye who will, of so-called charms you find across the sea--
The land of stoves and sunshine is good enough for me!
I've done the grand for fourteen months in every foreign clime,
And I've learned a heap of learning, but I've shivered all the time;
And the biggest bit of wisdom I've acquired--as I can see--
Is that which teaches that this land's the land of lands for me.
Now, I am of opinion that a person should get some
Warmth in this present life of ours, not all in that to come;
So when Boreas blows his blast, through country and through town,
Or when upon the muddy streets the stifling fog rolls down,
Go, guzzle in a pub, or plod some bleak malarious grove,
But let me toast my shrunken shanks beside some Yankee stove.
The British people say they "don't believe in stoves, y' know;"
Perchance because we warmed 'em so completely years ago!
They talk of "drahfts" and "stuffiness" and "ill effects of heat,"
As they chatter in their barny rooms or shiver 'round the street;
With sunshine such a rarity, and stoves esteemed a sin,
What wonder they are wedded to their fads--catarrh and gin?
In Germany are stoves galore, and yet you seldom find
A fire within the stoves, for German stoves are not that kind;
The Germans say that fires make dirt, and dirt's an odious thing,
But the truth is that the pfennig is the average Teuton's king,
And since the fire costs pfennigs, why, the thrifty soul denies
Himself all heat except what comes with beer and exercise.
The Frenchman builds a fire of cones, the Irishman of peat;
The frugal Dutchman buys a fire when he has need of heat--
That is to say, he pays so much each day to one who brings
The necessary living coals to warm his soup and things;
In Italy and Spain they have no need to heat the house--
'Neath balmy skies the native picks the mandolin and louse.
Now, we've no mouldy catacombs, no feudal castles grim,
No ruined monasteries, no abbeys ghostly dim;
Our ancient history is new, our future's all ahead,
And we've got a tariff bill that's made all Europe sick abed--
But what is best, though short on tombs and academic groves,
We double discount Christendom on sunshine and on stoves.
Dear land of mine! I come to you from months of chill and storm,
Blessing the honest people whose hearts and hearths are warm;
A fairer, sweeter song than this I mean to weave to you
When I've reached my lakeside 'dobe and once get heated through;
But, even then, the burthen of that fairer song shall be
That the land of stoves and sunshine is good enough for me.
|