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Best Famous Mote Poems

Here is a collection of the all-time best famous Mote poems. This is a select list of the best famous Mote poetry. Reading, writing, and enjoying famous Mote poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of mote poems.

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Written by Edgar Allan Poe | Create an image from this poem

Tamerlane

 Kind solace in a dying hour!
Such, father, is not (now) my theme-
I will not madly deem that power
Of Earth may shrive me of the sin
Unearthly pride hath revell'd in-
I have no time to dote or dream:
You call it hope- that fire of fire!
It is but agony of desire:
If I can hope- Oh God! I can-
Its fount is holier- more divine-
I would not call thee fool, old man,
But such is not a gift of thine.
Know thou the secret of a spirit Bow'd from its wild pride into shame.
O yearning heart! I did inherit Thy withering portion with the fame, The searing glory which hath shone Amid the jewels of my throne, Halo of Hell! and with a pain Not Hell shall make me fear again- O craving heart, for the lost flowers And sunshine of my summer hours! The undying voice of that dead time, With its interminable chime, Rings, in the spirit of a spell, Upon thy emptiness- a knell.
I have not always been as now: The fever'd diadem on my brow I claim'd and won usurpingly- Hath not the same fierce heirdom given Rome to the Caesar- this to me? The heritage of a kingly mind, And a proud spirit which hath striven Triumphantly with human kind.
On mountain soil I first drew life: The mists of the Taglay have shed Nightly their dews upon my head, And, I believe, the winged strife And tumult of the headlong air Have nestled in my very hair.
So late from Heaven- that dew- it fell (Mid dreams of an unholy night) Upon me with the touch of Hell, While the red flashing of the light From clouds that hung, like banners, o'er, Appeared to my half-closing eye The pageantry of monarchy, And the deep trumpet-thunder's roar Came hurriedly upon me, telling Of human battle, where my voice, My own voice, silly child!- was swelling (O! how my spirit would rejoice, And leap within me at the cry) The battle-cry of Victory! The rain came down upon my head Unshelter'd- and the heavy wind Rendered me mad and deaf and blind.
It was but man, I thought, who shed Laurels upon me: and the rush- The torrent of the chilly air Gurgled within my ear the crush Of empires- with the captive's prayer- The hum of suitors- and the tone Of flattery 'round a sovereign's throne.
My passions, from that hapless hour, Usurp'd a tyranny which men Have deem'd, since I have reach'd to power, My innate nature- be it so: But father, there liv'd one who, then, Then- in my boyhood- when their fire Burn'd with a still intenser glow, (For passion must, with youth, expire) E'en then who knew this iron heart In woman's weakness had a part.
I have no words- alas!- to tell The loveliness of loving well! Nor would I now attempt to trace The more than beauty of a face Whose lineaments, upon my mind, Are- shadows on th' unstable wind: Thus I remember having dwelt Some page of early lore upon, With loitering eye, till I have felt The letters- with their meaning- melt To fantasies- with none.
O, she was worthy of all love! Love- as in infancy was mine- 'Twas such as angel minds above Might envy; her young heart the shrine On which my every hope and thought Were incense- then a goodly gift, For they were childish and upright- Pure- as her young example taught: Why did I leave it, and, adrift, Trust to the fire within, for light? We grew in age- and love- together, Roaming the forest, and the wild; My breast her shield in wintry weather- And when the friendly sunshine smil'd, And she would mark the opening skies, I saw no Heaven- but in her eyes.
Young Love's first lesson is- the heart: For 'mid that sunshine, and those smiles, When, from our little cares apart, And laughing at her girlish wiles, I'd throw me on her throbbing breast, And pour my spirit out in tears- There was no need to speak the rest- No need to quiet any fears Of her- who ask'd no reason why, But turn'd on me her quiet eye! Yet more than worthy of the love My spirit struggled with, and strove, When, on the mountain peak, alone, Ambition lent it a new tone- I had no being- but in thee: The world, and all it did contain In the earth- the air- the sea- Its joy- its little lot of pain That was new pleasure- the ideal, Dim vanities of dreams by night- And dimmer nothings which were real- (Shadows- and a more shadowy light!) Parted upon their misty wings, And, so, confusedly, became Thine image, and- a name- a name! Two separate- yet most intimate things.
I was ambitious- have you known The passion, father? You have not: A cottager, I mark'd a throne Of half the world as all my own, And murmur'd at such lowly lot- But, just like any other dream, Upon the vapour of the dew My own had past, did not the beam Of beauty which did while it thro' The minute- the hour- the day- oppress My mind with double loveliness.
We walk'd together on the crown Of a high mountain which look'd down Afar from its proud natural towers Of rock and forest, on the hills- The dwindled hills! begirt with bowers, And shouting with a thousand rills.
I spoke to her of power and pride, But mystically- in such guise That she might deem it nought beside The moment's converse; in her eyes I read, perhaps too carelessly- A mingled feeling with my own- The flush on her bright cheek, to me Seem'd to become a queenly throne Too well that I should let it be Light in the wilderness alone.
I wrapp'd myself in grandeur then, And donn'd a visionary crown- Yet it was not that Fantasy Had thrown her mantle over me- But that, among the rabble- men, Lion ambition is chained down- And crouches to a keeper's hand- Not so in deserts where the grand- The wild- the terrible conspire With their own breath to fan his fire.
Look 'round thee now on Samarcand! Is not she queen of Earth? her pride Above all cities? in her hand Their destinies? in all beside Of glory which the world hath known Stands she not nobly and alone? Falling- her veriest stepping-stone Shall form the pedestal of a throne- And who her sovereign? Timour- he Whom the astonished people saw Striding o'er empires haughtily A diadem'd outlaw! O, human love! thou spirit given On Earth, of all we hope in Heaven! Which fall'st into the soul like rain Upon the Siroc-wither'd plain, And, failing in thy power to bless, But leav'st the heart a wilderness! Idea! which bindest life around With music of so strange a sound, And beauty of so wild a birth- Farewell! for I have won the Earth.
When Hope, the eagle that tower'd, could see No cliff beyond him in the sky, His pinions were bent droopingly- And homeward turn'd his soften'd eye.
'Twas sunset: when the sun will part There comes a sullenness of heart To him who still would look upon The glory of the summer sun.
That soul will hate the ev'ning mist, So often lovely, and will list To the sound of the coming darkness (known To those whose spirits hearken) as one Who, in a dream of night, would fly But cannot from a danger nigh.
What tho' the moon- the white moon Shed all the splendour of her noon, Her smile is chilly, and her beam, In that time of dreariness, will seem (So like you gather in your breath) A portrait taken after death.
And boyhood is a summer sun Whose waning is the dreariest one- For all we live to know is known, And all we seek to keep hath flown- Let life, then, as the day-flower, fall With the noon-day beauty- which is all.
I reach'd my home- my home no more For all had flown who made it so.
I pass'd from out its mossy door, And, tho' my tread was soft and low, A voice came from the threshold stone Of one whom I had earlier known- O, I defy thee, Hell, to show On beds of fire that burn below, A humbler heart- a deeper woe.
Father, I firmly do believe- I know- for Death, who comes for me From regions of the blest afar, Where there is nothing to deceive, Hath left his iron gate ajar, And rays of truth you cannot see Are flashing thro' Eternity- I do believe that Eblis hath A snare in every human path- Else how, when in the holy grove I wandered of the idol, Love, Who daily scents his snowy wings With incense of burnt offerings From the most unpolluted things, Whose pleasant bowers are yet so riven Above with trellis'd rays from Heaven, No mote may shun- no tiniest fly- The lightning of his eagle eye- How was it that Ambition crept, Unseen, amid the revels there, Till growing bold, he laughed and leapt In the tangles of Love's very hair?


Written by Nazim Hikmet | Create an image from this poem

On Living

 I

Living is no laughing matter:
 you must live with great seriousness
 like a squirrel, for example--
 I mean without looking for something beyond and above living,
 I mean living must be your whole occupation.
Living is no laughing matter: you must take it seriously, so much so and to such a degree that, for example, your hands tied behind your back, your back to the wall, or else in a laboratory in your white coat and safety glasses, you can die for people-- even for people whose faces you've never seen, even though you know living is the most real, the most beautiful thing.
I mean, you must take living so seriously that even at seventy, for example, you'll plant olive trees-- and not for your children, either, but because although you fear death you don't believe it, because living, I mean, weighs heavier.
II Let's say you're seriously ill, need surgery-- which is to say we might not get from the white table.
Even though it's impossible not to feel sad about going a little too soon, we'll still laugh at the jokes being told, we'll look out the window to see it's raining, or still wait anxiously for the latest newscast .
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Let's say we're at the front-- for something worth fighting for, say.
There, in the first offensive, on that very day, we might fall on our face, dead.
We'll know this with a curious anger, but we'll still worry ourselves to death about the outcome of the war, which could last years.
Let's say we're in prison and close to fifty, and we have eighteen more years, say, before the iron doors will open.
We'll still live with the outside, with its people and animals, struggle and wind-- I mean with the outside beyond the walls.
I mean, however and wherever we are, we must live as if we will never die.
III This earth will grow cold, a star among stars and one of the smallest, a gilded mote on blue velvet-- I mean this, our great earth.
This earth will grow cold one day, not like a block of ice or a dead cloud even but like an empty walnut it will roll along in pitch-black space .
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You must grieve for this right now --you have to feel this sorrow now-- for the world must be loved this much if you're going to say "I lived" .
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Written by Robert Browning | Create an image from this poem

A Lovers Quarrel

 I.
Oh, what a dawn of day! How the March sun feels like May! All is blue again After last night's rain, And the South dries the hawthorn-spray.
Only, my Love's away! I'd as lief that the blue were grey, II.
Runnels, which rillets swell, Must be dancing down the dell, With a foaming head On the beryl bed Paven smooth as a hermit's cell; Each with a tale to tell, Could my Love but attend as well.
III.
Dearest, three months ago! When we lived blocked-up with snow,--- When the wind would edge In and in his wedge, In, as far as the point could go--- Not to our ingle, though, Where we loved each the other so! IV.
Laughs with so little cause! We devised games out of straws.
We would try and trace One another's face In the ash, as an artist draws; Free on each other's flaws, How we chattered like two church daws! V.
What's in the `Times''?---a scold At the Emperor deep and cold; He has taken a bride To his gruesome side, That's as fair as himself is bold: There they sit ermine-stoled, And she powders her hair with gold.
VI.
Fancy the Pampas' sheen! Miles and miles of gold and green Where the sunflowers blow In a solid glow, And---to break now and then the screen--- Black neck and eyeballs keen, Up a wild horse leaps between! VII.
Try, will our table turn? Lay your hands there light, and yearn Till the yearning slips Thro' the finger-tips In a fire which a few discern, And a very few feel burn, And the rest, they may live and learn! VIII.
Then we would up and pace, For a change, about the place, Each with arm o'er neck: 'Tis our quarter-deck, We are seamen in woeful case.
Help in the ocean-space! Or, if no help, we'll embrace.
IX.
See, how she looks now, dressed In a sledging-cap and vest! 'Tis a huge fur cloak--- Like a reindeer's yoke Falls the lappet along the breast: Sleeves for her arms to rest, Or to hang, as my Love likes best.
X.
Teach me to flirt a fan As the Spanish ladies can, Or I tint your lip With a burnt stick's tip And you turn into such a man! Just the two spots that span Half the bill of the young male swan.
XI.
Dearest, three months ago When the mesmerizer Snow With his hand's first sweep Put the earth to sleep: 'Twas a time when the heart could show All---how was earth to know, 'Neath the mute hand's to-and-fro? XII.
Dearest, three months ago When we loved each other so, Lived and loved the same Till an evening came When a shaft from the devil's bow Pierced to our ingle-glow, And the friends were friend and foe! XIII.
Not from the heart beneath--- 'Twas a bubble born of breath, Neither sneer nor vaunt, Nor reproach nor taunt.
See a word, how it severeth! Oh, power of life and death In the tongue, as the Preacher saith! XIV.
Woman, and will you cast For a word, quite off at last Me, your own, your You,--- Since, as truth is true, I was You all the happy past--- Me do you leave aghast With the memories We amassed? XV.
Love, if you knew the light That your soul casts in my sight, How I look to you For the pure and true And the beauteous and the right,--- Bear with a moment's spite When a mere mote threats the white! XVI.
What of a hasty word? Is the fleshly heart not stirred By a worm's pin-prick Where its roots are quick? See the eye, by a fly's foot blurred--- Ear, when a straw is heard Scratch the brain's coat of curd! XVII.
Foul be the world or fair More or less, how can I care? 'Tis the world the same For my praise or blame, And endurance is easy there.
Wrong in the one thing rare--- Oh, it is hard to bear! XVIII.
Here's the spring back or close, When the almond-blossom blows: We shall have the word In a minor third There is none but the cuckoo knows: Heaps of the guelder-rose! I must bear with it, I suppose.
XIX.
Could but November come, Were the noisy birds struck dumb At the warning slash Of his driver's-lash--- I would laugh like the valiant Thumb Facing the castle glum And the giant's fee-faw-fum! XX.
Then, were the world well stripped Of the gear wherein equipped We can stand apart, Heart dispense with heart In the sun, with the flowers unnipped,--- Oh, the world's hangings ripped, We were both in a bare-walled crypt! XXI.
Each in the crypt would cry ``But one freezes here! and why? ``When a heart, as chill, ``At my own would thrill ``Back to life, and its fires out-fly? ``Heart, shall we live or die? ``The rest.
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settle by-and-by!'' XXII.
So, she'd efface the score, And forgive me as before.
It is twelve o'clock: I shall hear her knock In the worst of a storm's uproar, I shall pull her through the door, I shall have her for evermore!
Written by Robinson Jeffers | Create an image from this poem

Meditation On Saviors

 I
When I considered it too closely, when I wore it like an element
 and smelt it like water,
Life is become less lovely, the net nearer than the skin, a
 little troublesome, a little terrible.
I pledged myself awhile ago not to seek refuge, neither in death nor in a walled garden, In lies nor gated loyalties, nor in the gates of contempt, that easily lock the world out of doors.
Here on the rock it is great and beautiful, here on the foam-wet granite sea-fang it is easy to praise Life and water and the shining stones: but whose cattle are the herds of the people that one should love them? If they were yours, then you might take a cattle-breeder's delight in the herds of the future.
Not yours.
Where the power ends let love, before it sours to jealousy.
Leave the joys of government to Caesar.
Who is born when the world wanes, when the brave soul of the world falls on decay in the flesh increasing Comes one with a great level mind, sufficient vision, sufficient blindness, and clemency for love.
This is the breath of rottenness I smelt; from the world waiting, stalled between storms, decaying a little, Bitterly afraid to be hurt, but knowing it cannot draw the savior Caesar but out of the blood-bath.
The apes of Christ lift up their hands to praise love: but wisdom without love is the present savior, Power without hatred, mind like a many-bladed machine subduing the world with deep indifference.
The apes of Christ itch for a sickness they have never known; words and the little envies will hardly Measure against that blinding fire behind the tragic eyes they have never dared to confront.
II Point Lobos lies over the hollowed water like a humped whale swimming to shoal; Point Lobos Was wounded with that fire; the hills at Point Sur endured it; the palace at Thebes; the hill Calvary.
Out of incestuous love power and then ruin.
A man forcing the imaginations of men, Possessing with love and power the people: a man defiling his own household with impious desire.
King Oedipus reeling blinded from the palace doorway, red tears pouring from the torn pits Under the forehead; and the young Jew writhing on the domed hill in the earthquake, against the eclipse Frightfully uplifted for having turned inward to love the people: -that root was so sweet O dreadful agonist? - I saw the same pierced feet, that walked in the same crime to its expiation; I heard the same cry.
A bad mountain to build your world on.
Am I another keeper of the people, that on my own shore, On the gray rock, by the grooved mass of the ocean, the sicknesses I left behind me concern me? Here where the surf has come incredible ways out of the splendid west, over the deeps Light nor life sounds forever; here where enormous sundowns flower and burn through color to quietness; Then the ecstasy of the stars is present? As for the people, I have found my rock, let them find theirs.
Let them lie down at Caesar's feet and be saved; and he in his time reap their daggers of gratitude.
III Yet I am the one made pledges against the refuge contempt, that easily locks the world out of doors.
This people as much as the sea-granite is part of the God from whom I desire not to be fugitive.
I see them: they are always crying.
The shored Pacific makes perpetual music, and the stone mountains Their music of silence, the stars blow long pipings of light: the people are always crying in their hearts.
One need not pity; certainly one must not love.
But who has seen peace, if he should tell them where peace Lives in the world.
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they would be powerless to understand; and he is not willing to be reinvolved.
IV How should one caught in the stone of his own person dare tell the people anything but relative to that? But if a man could hold in his mind all the conditions at once, of man and woman, of civilized And barbarous, of sick and well, of happy and under torture, of living and dead, of human and not Human, and dimly all the human future: -what should persuade him to speak? And what could his words change? The mountain ahead of the world is not forming but fixed.
But the man's words would be fixed also, Part of that mountain, under equal compulsion; under the same present compulsion in the iron consistency.
And nobody sees good or evil but out of a brain a hundred centuries quieted, some desert Prophet's, a man humped like a camel, gone mad between the mud- walled village and the mountain sepulchres.
V Broad wagons before sunrise bring food into the city from the open farms, and the people are fed.
They import and they consume reality.
Before sunrise a hawk in the desert made them their thoughts.
VI Here is an anxious people, rank with suppressed bloodthirstiness.
Among the mild and unwarlike Gautama needed but live greatly and be heard, Confucius needed but live greatly and be heard: This people has not outgrown blood-sacrifice, one must writhe on the high cross to catch at their memories; The price is known.
I have quieted love; for love of the people I would not do it.
For power I would do it.
--But that stands against reason: what is power to a dead man, dead under torture? --What is power to a man Living, after the flesh is content? Reason is never a root, neither of act nor desire.
For power living I would never do it; they'are not delightful to touch, one wants to be separate.
For power After the nerves are put away underground, to lighten the abstract unborn children toward peace.
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A man might have paid anguish indeed.
Except he had found the standing sea-rock that even this last Temptation breaks on; quieter than death but lovelier; peace that quiets the desire even of praising it.
VII Yet look: are they not pitiable? No: if they lived forever they would be pitiable: But a huge gift reserved quite overwhelms them at the end; they are able then to be still and not cry.
And having touched a little of the beauty and seen a little of the beauty of things, magically grow Across the funeral fire or the hidden stench of burial themselves into the beauty they admired, Themselves into the God, themselves into the sacred steep unconsciousness they used to mimic Asleep between lamp's death and dawn, while the last drunkard stumbled homeward down the dark street.
They are not to be pitied but very fortunate; they need no savior, salvation comes and takes them by force, It gathers them into the great kingdoms of dust and stone, the blown storms, the stream's-end ocean.
With this advantage over their granite grave-marks, of having realized the petulant human consciousness Before, and then the greatness, the peace: drunk from both pitchers: these to be pitied? These not fortunate But while he lives let each man make his health in his mind, to love the coast opposite humanity And so be freed of love, laying it like bread on the waters; it is worst turned inward, it is best shot farthest.
Love, the mad wine of good and evil, the saint's and murderer's, the mote in the eye that makes its object Shine the sun black; the trap in which it is better to catch the inhuman God than the hunter's own image.
Written by Amy Lowell | Create an image from this poem

The Red Lacquer Music-Stand

 A music-stand of crimson lacquer, long since brought
In some fast clipper-ship from China, quaintly wrought
With bossed and carven flowers and fruits in blackening gold,
The slender shaft all twined about and thickly scrolled
With vine leaves and young twisted tendrils, whirling, curling,
Flinging their new shoots over the four wings, and swirling
Out on the three wide feet in golden lumps and streams;
Petals and apples in high relief, and where the seams
Are worn with handling, through the polished crimson sheen,
Long streaks of black, the under lacquer, shine out clean.
Four desks, adjustable, to suit the heights of players Sitting to viols or standing up to sing, four layers Of music to serve every instrument, are there, And on the apex a large flat-topped golden pear.
It burns in red and yellow, dusty, smouldering lights, When the sun flares the old barn-chamber with its flights And skips upon the crystal knobs of dim sideboards, Legless and mouldy, and hops, glint to glint, on hoards Of scythes, and spades, and dinner-horns, so the old tools Are little candles throwing brightness round in pools.
With Oriental splendour, red and gold, the dust Covering its flames like smoke and thinning as a gust Of brighter sunshine makes the colours leap and range, The strange old music-stand seems to strike out and change; To stroke and tear the darkness with sharp golden claws; To dart a forked, vermilion tongue from open jaws; To puff out bitter smoke which chokes the sun; and fade Back to a still, faint outline obliterate in shade.
Creeping up the ladder into the loft, the Boy Stands watching, very still, prickly and hot with joy.
He sees the dusty sun-mote slit by streaks of red, He sees it split and stream, and all about his head Spikes and spears of gold are licking, pricking, flicking, Scratching against the walls and furniture, and nicking The darkness into sparks, chipping away the gloom.
The Boy's nose smarts with the pungence in the room.
The wind pushes an elm branch from before the door And the sun widens out all along the floor, Filling the barn-chamber with white, straightforward light, So not one blurred outline can tease the mind to fright.
"O All ye Works of the Lord, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O let the Earth Bless the Lord; Yea, let it Praise Him, and Magnify Him for ever.
O ye Mountains and Hills, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O All ye Green Things upon the Earth, Bless ye the Lord; Praise Him, and Magnify Him for ever.
" The Boy will praise his God on an altar builded fair, Will heap it with the Works of the Lord.
In the morning air, Spices shall burn on it, and by their pale smoke curled, Like shoots of all the Green Things, the God of this bright World Shall see the Boy's desire to pay his debt of praise.
The Boy turns round about, seeking with careful gaze An altar meet and worthy, but each table and chair Has some defect, each piece is needing some repair To perfect it; the chairs have broken legs and backs, The tables are uneven, and every highboy lacks A handle or a drawer, the desks are bruised and worn, And even a wide sofa has its cane seat torn.
Only in the gloom far in the corner there The lacquer music-stand is elegant and rare, Clear and slim of line, with its four wings outspread, The sound of old quartets, a tenuous, faint thread, Hanging and floating over it, it stands supreme -- Black, and gold, and crimson, in one twisted scheme! A candle on the bookcase feels a draught and wavers, Stippling the white-washed walls with dancing shades and quavers.
A bed-post, grown colossal, jigs about the ceiling, And shadows, strangely altered, stain the walls, revealing Eagles, and rabbits, and weird faces pulled awry, And hands which fetch and carry things incessantly.
Under the Eastern window, where the morning sun Must touch it, stands the music-stand, and on each one Of its broad platforms is a pyramid of stones, And metals, and dried flowers, and pine and hemlock cones, An oriole's nest with the four eggs neatly blown, The rattle of a rattlesnake, and three large brown Butternuts uncracked, six butterflies impaled With a green luna moth, a snake-skin freshly scaled, Some sunflower seeds, wampum, and a bloody-tooth shell, A blue jay feather, all together piled pell-mell The stand will hold no more.
The Boy with humming head Looks once again, blows out the light, and creeps to bed.
The Boy keeps solemn vigil, while outside the wind Blows gustily and clear, and slaps against the blind.
He hardly tries to sleep, so sharp his ecstasy It burns his soul to emptiness, and sets it free For adoration only, for worship.
Dedicate, His unsheathed soul is naked in its novitiate.
The hours strike below from the clock on the stair.
The Boy is a white flame suspiring in prayer.
Morning will bring the sun, the Golden Eye of Him Whose splendour must be veiled by starry cherubim, Whose Feet shimmer like crystal in the streets of Heaven.
Like an open rose the sun will stand up even, Fronting the window-sill, and when the casement glows Rose-red with the new-blown morning, then the fire which flows From the sun will fall upon the altar and ignite The spices, and his sacrifice will burn in perfumed light.
Over the music-stand the ghosts of sounds will swim, `Viols d'amore' and `hautbois' accorded to a hymn.
The Boy will see the faintest breath of angels' wings Fanning the smoke, and voices will flower through the strings.
He dares no farther vision, and with scalding eyes Waits upon the daylight and his great emprise.
The cold, grey light of dawn was whitening the wall When the Boy, fine-drawn by sleeplessness, started his ritual.
He washed, all shivering and pointed like a flame.
He threw the shutters open, and in the window-frame The morning glimmered like a tarnished Venice glass.
He took his Chinese pastilles and put them in a mass Upon the mantelpiece till he could seek a plate Worthy to hold them burning.
Alas! He had been late In thinking of this need, and now he could not find Platter or saucer rare enough to ease his mind.
The house was not astir, and he dared not go down Into the barn-chamber, lest some door should be blown And slam before the draught he made as he went out.
The light was growing yellower, and still he looked about.
A flash of almost crimson from the gilded pear Upon the music-stand, startled him waiting there.
The sun would rise and he would meet it unprepared, Labelled a fool in having missed what he had dared.
He ran across the room, took his pastilles and laid Them on the flat-topped pear, most carefully displayed To light with ease, then stood a little to one side, Focussed a burning-glass and painstakingly tried To hold it angled so the bunched and prismed rays Should leap upon each other and spring into a blaze.
Sharp as a wheeling edge of disked, carnation flame, Gem-hard and cutting upward, slowly the round sun came.
The arrowed fire caught the burning-glass and glanced, Split to a multitude of pointed spears, and lanced, A deeper, hotter flame, it took the incense pile Which welcomed it and broke into a little smile Of yellow flamelets, creeping, crackling, thrusting up, A golden, red-slashed lily in a lacquer cup.
"O ye Fire and Heat, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O ye Winter and Summer, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O ye Nights and Days, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O ye Lightnings and Clouds, Bless ye the Lord; Praise Him, and Magnify Him for ever.
" A moment so it hung, wide-curved, bright-petalled, seeming A chalice foamed with sunrise.
The Boy woke from his dreaming.
A spike of flame had caught the card of butterflies, The oriole's nest took fire, soon all four galleries Where he had spread his treasures were become one tongue Of gleaming, brutal fire.
The Boy instantly swung His pitcher off the wash-stand and turned it upside down.
The flames drooped back and sizzled, and all his senses grown Acute by fear, the Boy grabbed the quilt from his bed And flung it over all, and then with aching head He watched the early sunshine glint on the remains Of his holy offering.
The lacquer stand had stains Ugly and charred all over, and where the golden pear Had been, a deep, black hole gaped miserably.
His dear Treasures were puffs of ashes; only the stones were there, Winking in the brightness.
The clock upon the stair Struck five, and in the kitchen someone shook a grate.
The Boy began to dress, for it was getting late.


Written by Aleister Crowley | Create an image from this poem

Happy Dust

 For Margot


Snow that fallest from heaven, bear me aloft on thy wings
To the domes of the star-girdled Seven, the abode of
ineffable things,
Quintessence of joy and of strength, that, abolishing
future and past,
Mak'st the Present an infinite length, my soul all-One
with the Vast,
The Lone, the Unnameable God, that is ice of His
measureless cold,
Without being or form or abode, without motion or
matter, the fold
Where the shepherded Universe sleeps, with nor sense
nor delusion nor dream,
No spirit that wantons or weeps, no thought in its silence
supreme.
I sit, and am utterly still; in mine eyes is my fathomless lust Ablaze to annihilate Will, to crumble my being to dust, To calcine the dust to an ash, to burn up the ash to an air, To abolish the air with a flash of the final, the fulminant flare.
All this I have done, and dissolved the primordial germ of my thought; I have rolled myself up, and revolved the wheel of my being to Naught.
Is there even the memory left? That I was, that I am? It is lost.
As I utter the Word, I am cleft by the last swift spear of the frost.
Snow! I am nothing at last; I sit, and am utterly still; They are perished, the phantoms, and past; they were born of my weariness-will When I craved, craved being and form, when the con- sciousness-cloud was a mist Precurser of stupor and storm, when I and my shadow had kissed, And brought into life all the shapes that confused the clear space with their marks, Vain spectres whose vapour escapes, a whirlwind of ruinous sparks, No substance have any of these; I have dreamed them in sickness of lust, Delirium born of disease-ah, whence was the master, the "must" Imposed on the All? is it true, then, that something in me Is subject to fate? Are there two, after all, that can be? I have brought all that is to an end; for myself am suffic- ient and sole.
Do I trick myself now? Shall I rend once again this homologous Whole? I have stripped every garment from space; I have strangled the secre of Time, All being is fled from my face, with Motion's inhibited rime.
Stiller and stiller I sit, till even Infinity fades; 'Tis an idol-'tis weakness of wit that breeds, in inanity, shades! Yet the fullness of Naught I become, the deepest and steadiest Naught, Contains in its nature the sum of the functions of being and thought.
Still as I sit, and destroy all possible trace of the past, All germ of the future, nor joy nor knowledge alive at the last, It is vain, for the Silence is dowered with a nature, the seed of a name: Necessity, fearfully flowered with the blossom of possible Aim.
I am Necessity? Scry Necessity mother of Fate! And Fate determines me "I"; and I have the Will to create.
Vast is the sphere, but it turns on itself like the pettiest star.
And I am the looby that learns that all things equally are.
Inscrutable Nothing, the Gods, the cosmos of Fire and of Mist.
Suns,atoms, the clouds and the clouds ineluctably dare to exist- I have made the Voyage of Thought, the Voyage of Vision, I swam To the heart of the Ocean of Naught from the source of the Spring of I am: I know myself wholly the brother alike of the All and the One; I know that all things are each other, that their sum and their substance is None; But the knowledge itself can excel, its fulness hath broken its bond; All's Truth, and all's falsehood as well, and-what of the region beyond? So, still though I sit, as for ever, I stab to the heart of my spine; I destroy the last seed of endeavour to seal up my soul in the shrine Of Silence, Eternity, Peace; I abandon the Here and the Now; I cease from the effort to cease; I absolve the dead I from its Vow, I am wholly content to be dust, whether that be a mote or a star, To live and to love and to lust, acknowledge what seem for what are, Not to care what I am, if I be, whence I came, whither go, how I thrive, If my spirit be bound or be free, save as Nature contrive.
What I am, that I am, 'tis enough.
I am part of a glorious game.
Am I cast for madness or love? I am cast to esteem them the same.
Am I only a dream in the sleep of some butterfly? Phantom of fright Conceived, who knows how, or how deep, in the measure- less womb of the night? I imagine impossible thought, metaphysical voids that beget Ideas intagible wrought to things less conceivable yet.
It may be.
Little I reck -but, assume the existence of earth.
Am I born to be hanged by the neck, a curse from the hour of my birth? Am I born to abolish man's guilt? His horrible heritage, awe? Or a seed in his wantoness spilt by a jester? I care not a straw, For I understand Do what thou wilt; and that is the whole of the Law.
Written by Aleister Crowley | Create an image from this poem

At Sea

 As night hath stars, more rare than ships
In ocean, faint from pole to pole,
So all the wonder of her lips
Hints her innavigable soul.
Such lights she gives as guide my bark; But I am swallowed in the swell Of her heart's ocean, sagely dark, That holds my heaven and holds my hell.
In her I live, a mote minute Dancing a moment in the sun: In her I die, a sterile shoot Of nightshade in oblivion.
In her my elf dissolves, a grain Of salt cast careless in the sea; My passion purifies my pain To peace past personality.
Love of my life, God grant the years Confirm the chrism - rose to rood! Anointing loves, asperging tears In sanctifying solitude! Man is so infinitely small In all these stars, determinate.
Maker and moulder of them all, Man is so infinitely great!
Written by Aleister Crowley | Create an image from this poem

Long Odds

 How many million galaxies there are
Who knows? and each has countless stars in it,
And each rolls through eternities afar
Beneath the threshold of the Infinite.
How is it that will all that space to roam I should have found this mote that spins and leaps In what unutterable sunlight, foam Of what unfathomable starry deeps Who knows!? And how this thousand million souls And half a thousand million souls of earth That swarm, all bound for unimagined goals, All pioneers of death enrolled at birth, How were they swept away before my sight, That I might stand upon the single prick Of infinite space and time as infinite, Who knows? Yet here I stand, climacteric, Having found you.
Was it by fall of chance? Then what a stake against what odds I have won! Was it determined in God's ordinance? Then wondrous love and pity for His son! Or was it part of an eternal law? Then how ineffably beneficent! Each thought excites an ecstasy of awe, A rapture rending the mind's firmament.
Infinity -yet you and I have met.
Eternity -yet hand in hand we run.
All odds that I should lose you or forget, But, soul and spirit and body, we are one.
Is this the child of Chance, or Law, or Will? Is None or All or One to thank for this? It will not matter if thanksgiving fill The endless empyrean with a kiss.
Written by Sylvia Plath | Create an image from this poem

The Eye-Mote

 Blameless as daylight I stood looking
At a field of horses, necks bent, manes blown,
Tails streaming against the green
Backdrop of sycamores.
Sun was striking White chapel pinnacles over the roofs, Holding the horses, the clouds, the leaves Steadily rooted though they were all flowing Away to the left like reeds in a sea When the splinter flew in and stuck my eye, Needling it dark.
Then I was seeing A melding of shapes in a hot rain: Horses warped on the altering green, Outlandish as double-humped camels or unicorns, Grazing at the margins of a bad monochrome, Beasts of oasis, a better time.
Abrading my lid, the small grain burns: Red cinder around which I myself, Horses, planets and spires revolve.
Neither tears nor the easing flush Of eyebaths can unseat the speck: It sticks, and it has stuck a week.
I wear the present itch for flesh, Blind to what will be and what was.
I dream that I am Oedipus.
What I want back is what I was Before the bed, before the knife, Before the brooch-pin and the salve Fixed me in this parenthesis; Horses fluent in the wind, A place, a time gone out of mind.
Written by Rupert Brooke | Create an image from this poem

Dust

 When the white flame in us is gone,
And we that lost the world's delight
Stiffen in darkness, left alone
To crumble in our separate night;

When your swift hair is quiet in death,
And through the lips corruption thrust
Has stilled the labour of my breath --
When we are dust, when we are dust! --

Not dead, not undesirous yet,
Still sentient, still unsatisfied,
We'll ride the air, and shine, and flit,
Around the places where we died,

And dance as dust before the sun,
And light of foot, and unconfined,
Hurry from road to road, and run
About the errands of the wind.
And every mote, on earth or air, Will speed and gleam, down later days, And like a secret pilgrim fare By eager and invisible ways, Nor ever rest, nor ever lie, Till, beyond thinking, out of view, One mote of all the dust that's I Shall meet one atom that was you.
Then in some garden hushed from wind, Warm in a sunset's afterglow, The lovers in the flowers will find A sweet and strange unquiet grow Upon the peace; and, past desiring, So high a beauty in the air, And such a light, and such a quiring, And such a radiant ecstasy there, They'll know not if it's fire, or dew, Or out of earth, or in the height, Singing, or flame, or scent, or hue, Or two that pass, in light, to light, Out of the garden, higher, higher.
.
.
.
But in that instant they shall learn The shattering ecstasy of our fire, And the weak passionless hearts will burn And faint in that amazing glow, Until the darkness close above; And they will know -- poor fools, they'll know! -- One moment, what it is to love.

Book: Shattered Sighs