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Best Famous Misunderstood Poems

Here is a collection of the all-time best famous Misunderstood poems. This is a select list of the best famous Misunderstood poetry. Reading, writing, and enjoying famous Misunderstood poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of misunderstood poems.

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Written by Anne Sexton | Create an image from this poem

Her Kind

 I have gone out, a possessed witch,
haunting the black air, braver at night;
dreaming evil, I have done my hitch
over the plain houses, light by light:
lonely thing, twelve-fingered, out of mind.
A woman like that is not a woman, quite.
I have been her kind.
I have found the warm caves in the woods, filled them with skillets, carvings, shelves, closets, silks, innumerable goods; fixed the suppers for the worms and the elves: whining, rearranging the disaligned.
A woman like that is misunderstood.
I have been her kind.
I have ridden in your cart, driver, waved my nude arms at villages going by, learning the last bright routes, survivor where your flames still bite my thigh and my ribs crack where your wheels wind.
A woman like that is not ashamed to die.
I have been her kind.


Written by Rudyard Kipling | Create an image from this poem

The Broken Men

 For things we never mention,
 For Art misunderstood --
For excellent intention
 That did not turn to good;
From ancient tales' renewing,
 From clouds we would not clear --
Beyond the Law's pursuing
 We fled, and settled here.
We took no tearful leaving, We bade no long good-byes; Men talked of crime and thieving, Men wrote of fraud and lies.
To save our injured feelings 'T was time and time to go -- Behind was dock and Dartmoor, Ahead lay Callao! The widow and the orphan That pray for ten per cent, They clapped their trailers on us To spy the road we went.
They watched the foreign sailings (They scan the shipping still), And that's your Christian people Returning good for ill! God bless the thoughtfull islands Where never warrants come; God bless the just Republics That give a man a home, That ask no foolish questions, But set him on his feet; And save his wife and daughters From the workhouse and the street! On church and square and market The noonday silence falls; You'll hear the drowsy mutter Of the fountain in our halls.
Asleep amid the yuccas The city takes her ease -- Till twilight brings the land-wind To the clicking jalousies.
Day long the diamond weather, The high, unaltered blue -- The smell of goats and incense And the mule-bells tinkling through.
Day long the warder ocean That keeps us from our kin, And once a month our levee When the English mail comes in.
You'll find us up and waiting To treat you at the bar; You'll find us less exclusive Than the average English are.
We'll meet you with a carriage, Too glad to show you round, But -- we do not lunch on steamers, For they are English ground.
We sail o' nights to England And join our smiling Boards -- Our wives go in with Viscounts And our daughters dance with Lords, But behind our princely doings, And behind each coup we make, We feel there's Something Waiting, And -- we meet It when we wake.
Ah God! One sniff of England -- To greet our flesh and blood -- To hear the traffic slurring Once more through London mud! Our towns of wasted honour -- Our streets of lost delight! How stands the old Lord Warden? Are Dover's cliffs still white?
Written by Philip Levine | Create an image from this poem

The Mercy

 The ship that took my mother to Ellis Island 
Eighty-three years ago was named "The Mercy.
" She remembers trying to eat a banana without first peeling it and seeing her first orange in the hands of a young Scot, a seaman who gave her a bite and wiped her mouth for her with a red bandana and taught her the word, "orange," saying it patiently over and over.
A long autumn voyage, the days darkening with the black waters calming as night came on, then nothing as far as her eyes could see and space without limit rushing off to the corners of creation.
She prayed in Russian and Yiddish to find her family in New York, prayers unheard or misunderstood or perhaps ignored by all the powers that swept the waves of darkness before she woke, that kept "The Mercy" afloat while smallpox raged among the passengers and crew until the dead were buried at sea with strange prayers in a tongue she could not fathom.
"The Mercy," I read on the yellowing pages of a book I located in a windowless room of the library on 42nd Street, sat thirty-one days offshore in quarantine before the passengers disembarked.
There a story ends.
Other ships arrived, "Tancred" out of Glasgow, "The Neptune" registered as Danish, "Umberto IV," the list goes on for pages, November gives way to winter, the sea pounds this alien shore.
Italian miners from Piemonte dig under towns in western Pennsylvania only to rediscover the same nightmare they left at home.
A nine-year-old girl travels all night by train with one suitcase and an orange.
She learns that mercy is something you can eat again and again while the juice spills over your chin, you can wipe it away with the back of your hands and you can never get enough.
Written by Ogden Nash | Create an image from this poem

Columbus

 Once upon a time there was an Italian,
And some people thought he was a rapscallion,
But he wasn't offended,
Because other people thought he was splendid,
And he said the world was round,
And everybody made an uncomplimentary sound,
But he went and tried to borrow some money from Ferdinand
But Ferdinand said America was a bird in the bush and he'd rather have a berdinand,
But Columbus' brain was fertile, it wasn't arid,
And he remembered that Ferdinand was married,
And he thought, there is no wife like a misunderstood one,
Because if her husband thinks something is a terrible idea she is bound to think it a good one,
So he perfumed his handkerchief with bay rum and citronella,
And he went to see Isabella,
And he looked wonderful but he had never felt sillier,
And she said, I can't place the face but the aroma is familiar,
And Columbus didn't say a word,
All he said was, I am Columbus, the fifteenth-century Admiral Byrd,
And, just as he thought, her disposition was very malleable,
And she said, Here are my jewels, and she wasn't penurious like Cornelia the mother of the Gracchi, she wasn't referring to her children, no, she was referring to her jewels, which were very very valuable,
So Columbus said, Somebody show me the sunset and somebody did and he set sail for it,
And he discovered America and they put him in jail for it,
And the fetters gave him welts,
And they named America after somebody else,
So the sad fate of Columbus ought to be pointed out to every child and every voter,
Because it has a very important moral, which is, Don't be a discoverer, be a promoter.
Written by Elizabeth Barrett Browning | Create an image from this poem

De Profundis

 I

The face, which, duly as the sun, 
Rose up for me with life begun, 
To mark all bright hours of the day 
With hourly love, is dimmed away—
And yet my days go on, go on.
II The tongue which, like a stream, could run Smooth music from the roughest stone, And every morning with ' Good day' Make each day good, is hushed away, And yet my days go on, go on.
III The heart which, like a staff, was one For mine to lean and rest upon, The strongest on the longest day With steadfast love, is caught away, And yet my days go on, go on.
IV And cold before my summer's done, And deaf in Nature's general tune, And fallen too low for special fear, And here, with hope no longer here, While the tears drop, my days go on.
V The world goes whispering to its own, ‘This anguish pierces to the bone;’ And tender friends go sighing round, ‘What love can ever cure this wound ?' My days go on, my days go on.
VI The past rolls forward on the sun And makes all night.
O dreams begun, Not to be ended! Ended bliss, And life that will not end in this! My days go on, my days go on.
VII Breath freezes on my lips to moan: As one alone, once not alone, I sit and knock at Nature's door, Heart-bare, heart-hungry, very poor, Whose desolated days go on.
VIII I knock and cry, —Undone, undone! Is there no help, no comfort, —none? No gleaning in the wide wheat plains Where others drive their loaded wains? My vacant days go on, go on.
IX This Nature, though the snows be down, Thinks kindly of the bird of June: The little red hip on the tree Is ripe for such.
What is for me, Whose days so winterly go on? X No bird am I, to sing in June, And dare not ask an equal boon.
Good nests and berries red are Nature's To give away to better creatures, — And yet my days go on, go on.
XI I ask less kindness to be done, — Only to loose these pilgrim shoon, (Too early worn and grimed) with sweet Cool deadly touch to these tired feet.
Till days go out which now go on.
XII Only to lift the turf unmown From off the earth where it has grown, Some cubit-space, and say ‘Behold, Creep in, poor Heart, beneath that fold, Forgetting how the days go on.
’ XIII What harm would that do? Green anon The sward would quicken, overshone By skies as blue; and crickets might Have leave to chirp there day and night While my new rest went on, went on.
XIV From gracious Nature have I won Such liberal bounty? may I run So, lizard-like, within her side, And there be safe, who now am tried By days that painfully go on? XV —A Voice reproves me thereupon, More sweet than Nature's when the drone Of bees is sweetest, and more deep Than when the rivers overleap The shuddering pines, and thunder on.
XVI God's Voice, not Nature's! Night and noon He sits upon the great white throne And listens for the creatures' praise.
What babble we of days and days? The Day-spring He, whose days go on.
XVII He reigns above, He reigns alone; Systems burn out and have his throne; Fair mists of seraphs melt and fall Around Him, changeless amid all, Ancient of Days, whose days go on.
XVIII He reigns below, He reigns alone, And, having life in love forgone Beneath the crown of sovran thorns, He reigns the Jealous God.
Who mourns Or rules with Him, while days go on? XIX By anguish which made pale the sun, I hear Him charge his saints that none Among his creatures anywhere Blaspheme against Him with despair, However darkly days go on.
XX Take from my head the thorn-wreath brown! No mortal grief deserves that crown.
O supreme Love, chief misery, The sharp regalia are for Thee Whose days eternally go on! XXI For us, —whatever's undergone, Thou knowest, willest what is done, Grief may be joy misunderstood; Only the Good discerns the good.
I trust Thee while my days go on.
XXII Whatever's lost, it first was won; We will not struggle nor impugn.
Perhaps the cup was broken here, That Heaven's new wine might show more clear.
I praise Thee while my days go on.
XXIII I praise Thee while my days go on; I love Thee while my days go on: Through dark and dearth, through fire and frost, With emptied arms and treasure lost, I thank Thee while my days go on.
XXIV And having in thy life-depth thrown Being and suffering (which are one), As a child drops his pebble small Down some deep well, and hears it fall Smiling—so I.
THY DAYS GO ON.


Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Sweeney Erect

 And the trees about me,
Let them be dry and leafless; let the rocks
Groan with continual surges; and behind me
Make all a desolation.
Look, look, wenches! PAINT me a cavernous waste shore Cast in the unstilled Cyclades, Paint me the bold anfractuous rocks Faced by the snarled and yelping seas.
Display me Aeolus above Reviewing the insurgent gales Which tangle Ariadne’s hair And swell with haste the perjured sails.
Morning stirs the feet and hands (Nausicaa and Polypheme).
Gesture of orang-outang Rises from the sheets in steam.
This withered root of knots of hair Slitted below and gashed with eyes, This oval O cropped out with teeth: The sickle motion from the thighs Jackknifes upward at the knees Then straightens out from heel to hip Pushing the framework of the bed And clawing at the pillow slip.
Sweeney addressed full length to shave Broadbottomed, pink from nape to base, Knows the female temperament And wipes the suds around his face.
(The lengthened shadow of a man Is history, said Emerson Who had not seen the silhouette Of Sweeney straddled in the sun.
) Tests the razor on his leg Waiting until the shriek subsides.
The epileptic on the bed Curves backward, clutching at her sides.
The ladies of the corridor Find themselves involved, disgraced, Call witness to their principles And deprecate the lack of taste Observing that hysteria Might easily be misunderstood; Mrs.
Turner intimates It does the house no sort of good.
But Doris, towelled from the bath, Enters padding on broad feet, Bringing sal volatile And a glass of brandy neat.
Written by Rg Gregory | Create an image from this poem

understanding lemons

 lemons don’t let you admire yourself too much
they stick from their tree like awkward thoughts
demanding a truth be told even if the tongue
would prefer a far more sickly explanation

lemons are perfect though for the need to jump
straight out of bed on the eagerest of mornings
into the task that must have no nonsense about it
they have no truck with laziness or the idle hope

they can be easily misunderstood - their sourness
their association in sayings with the poorest of the lot
their way of squirting you in the eye when being cut
they don’t have much emollience in their nature

you can’t get that close to lemons - they stand firm
in their separate place asking to be respected - then
they will give what they’ve got like waxed nurses
offer you their own prim recipes for a healthy life
Written by Rudyard Kipling | Create an image from this poem

Certain Maxims Of Hafiz

  I.
If It be pleasant to look on, stalled in the packed serai, Does not the Young Man try Its temper and pace ere he buy? If She be pleasant to look on, what does the Young Man say? "Lo! She is pleasant to look on, give Her to me to-day!" II.
Yea, though a Kafir die, to him is remitted Jehannum If he borrowed in life from a native at sixty per cent.
per anuum.
III.
Blister we not for bursati? So when the heart is vexed, The pain of one maiden's refusal is drowned in the pain of the next.
IV.
The temper of chums, the love of your wife, and a new piano's tune -- Which of the three will you trust at the end of an Indian June? V.
Who are the rulers of Ind -- to whom shall we bow the knee? Make your peace with the women, and men will make you L.
G.
VI.
Does the woodpecker flit round the young ferash? Does grass clothe a new-built wall? Is she under thirty, the woman who holds a boy in her thrall? VII.
If She grow suddenly gracious -- reflect.
Is it all for thee? The black-buck is stalked through the bullock, and Man through jealousy.
VIII.
Seek not for favor of women.
So shall you find it indeed.
Does not the boar break cover just when you're lighting a weed? IX.
If He play, being young and unskilful, for shekels of silver and gold, Take his money, my son, praising Allah.
The kid was ordained to be sold.
X.
With a "weed" amoung men or horses verily this is the best, That you work him in office or dog-cart lightly -- but give him no rest.
XI.
Pleasant the snaffle of Courtship, improving the manners and carriage; But the colt who is wise will abstain from the terrible thorn-bit of Marriage.
XII.
As the thriless gold of the babul, so is the gold that we spend On a derby Sweep, or our neighbor's wife, or the horse that we buy from a friend.
XIII.
The ways of man with a maid be strange, yet simple and tame To the ways of a man with a horse, when selling or racing that same.
XIV.
In public Her face turneth to thee, and pleasant Her smile when ye meet.
It is ill.
The cold rocks of El-Gidar smile thus on the waves at their feet.
In public Her face is averted, with anger She nameth thy name.
It is well.
Was there ever a loser content with the loss of the game? XV.
If She have spoken a word, remember thy lips are sealed, And the Brand of the Dog is upon him by whom is the secret revealed.
If She have written a letter, delay not an instant, but burn it.
Tear it to pieces, O Fool, and the wind to her mate shall return it! If there be trouble to Herward, and a lie of the blackest can clear, Lie, while thy lips can move or a man is alive to hear.
XVI.
My Son, if a maiden deny thee and scufflingly bid thee give o'er, Yet lip meets with lip at the last word -- get out! She has been there before.
They are pecked on the ear and the chin and the nose who are lacking in lore.
XVII.
If we fall in the race, though we win, the hoff-slide is scarred on the course.
Though Allah and Earth pardon Sin, remaineth forever Remorse.
XVIII.
"By all I am misunderstood!" if the Matron shall say, or the Maid: "Alas! I do not understand," my son, be thou nowise afraid.
In vain in the sight of the Bird is the net of the Fowler displayed.
XIX.
My son, if I, Hafiz, the father, take hold of thy knees in my pain, Demanding thy name on stamped paper, one day or one hour -- refrain.
Are the links of thy fetters so light that thou cravest another man's chain?
Written by Rg Gregory | Create an image from this poem

understanding lemons

 lemons don’t let you admire yourself too much
they stick from their tree like awkward thoughts
demanding a truth be told even if the tongue
would prefer a far more sickly explanation

lemons are perfect though for the need to jump
straight out of bed on the eagerest of mornings
into the task that must have no nonsense about it
they have no truck with laziness or the idle hope

they can be easily misunderstood - their sourness
their association in sayings with the poorest of the lot
their way of squirting you in the eye when being cut
they don’t have much emollience in their nature

you can’t get that close to lemons - they stand firm
in their separate place asking to be respected - then
they will give what they’ve got like waxed nurses
offer you their own prim recipes for a healthy life
Written by George William Russell | Create an image from this poem

The Iron Age

 HOW came this pigmy rabble spun,
After the gods and kings of old,
Upon a tapestry begun
With threads of silver and of gold?
In heaven began the heroic tale
What meaner destinies prevail!


They wove about the antique brow
A circlet of the heavenly air.
To whom is due such reverence now, The thought “What deity is there”? We choose the chieftains of our race From hucksters in the market place.
When in their councils over all Men set the power that sells and buys, Be sure the price of life will fall, Death be more precious in our eyes.
Have all the gods their cycles run? Has devil worship now begun? O whether devil planned or no, Life here is ambushed, this our fate, That road to anarchy doth go, This to the grim mechanic state.
The gates of hell are open wide, But lead to other hells outside.
How has the fire Promethean paled? Who is there now who wills or dares Follow the fearless chiefs who sailed, Celestial adventurers, Who charted in undreamt of skies The magic zones of paradise? Mankind that sought to be god-kind, To wield the sceptre, wear the crown, What made it wormlike in its mind? Who bade it lay the sceptre down? Was it through any speech of thee, Misunderstood of Galilee? The whip was cracked in Babylon That slaves unto the gods might raise The golden turrets nigh the sun.
Yet beggars from the dust might gaze Upon the mighty builders’ art And be of proud uplifted heart.
We now are servile to the mean Who once were slaves unto the proud.
No lordlier life on earth has been Although the heart be lowlier bowed.
Is there an iron age to be With beauty but a memory? Send forth, who promised long ago, “I will not leave thee or forsake,” Someone to whom our hearts may flow With adoration, though we make The crucifixion be the sign, The meed of all the kingly line.
The morning stars were heard to sing When man towered golden in the prime.
One equal memory let us bring Before we face our night in time.
Grant us one only evening star, The iron age’s avatar.

Book: Reflection on the Important Things