Written by
John Milton |
VI
Giovane piano, e semplicetto amante
Poi che fuggir me stesso in dubbio sono,
Madonna a voi del mio cuor l'humil dono
Faro divoto; io certo a prove tante
L'hebbi fedele, intrepido, costante,
De pensieri leggiadro, accorto, e buono;
Quando rugge il gran mondo, e scocca il tuono,
S 'arma di se, e d' intero diamante,
Tanto del forse, e d' invidia sicuro,
Di timori, e speranze al popol use
Quanto d'ingegno, e d' alto valor vago,
E di cetra sonora, e delle muse:
Sol troverete in tal parte men duro
Ove amor mise l 'insanabil ago.
|
Written by
Amy Lowell |
I
The Trumpet-Vine Arbour
The throats of the little red trumpet-flowers are
wide open,
And the clangour of brass beats against the hot sunlight.
They bray and blare at the burning sky.
Red! Red! Coarse notes of red,
Trumpeted at the blue sky.
In long streaks of sound, molten metal,
The vine declares itself.
Clang! -- from its red and yellow trumpets.
Clang! -- from its long, nasal trumpets,
Splitting the sunlight into ribbons, tattered and shot with noise.
I sit in the cool arbour, in a green-and-gold twilight.
It is very still, for I cannot hear the trumpets,
I only know that they are red and open,
And that the sun above the arbour shakes with heat.
My quill is newly mended,
And makes fine-drawn lines with its point.
Down the long, white paper it makes little lines,
Just lines -- up -- down -- criss-cross.
My heart is strained out at the pin-point of my quill;
It is thin and writhing like the marks of the pen.
My hand marches to a squeaky tune,
It marches down the paper to a squealing of fifes.
My pen and the trumpet-flowers,
And Washington's armies away over the smoke-tree to the Southwest.
"Yankee Doodle," my Darling! It is you against the British,
Marching in your ragged shoes to batter down King George.
What have you got in your hat? Not a feather, I wager.
Just a hay-straw, for it is the harvest you are fighting for.
Hay in your hat, and the whites of their eyes for a target!
Like Bunker Hill, two years ago, when I watched all day from the
house-top
Through Father's spy-glass.
The red city, and the blue, bright water,
And puffs of smoke which you made.
Twenty miles away,
Round by Cambridge, or over the Neck,
But the smoke was white -- white!
To-day the trumpet-flowers are red -- red --
And I cannot see you fighting,
But old Mr. Dimond has fled to Canada,
And Myra sings "Yankee Doodle" at her milking.
The red throats of the trumpets bray and clang in the sunshine,
And the smoke-tree puffs dun blossoms into the blue air.
II
The City of Falling Leaves
Leaves fall,
Brown leaves,
Yellow leaves streaked with brown.
They fall,
Flutter,
Fall again.
The brown leaves,
And the streaked yellow leaves,
Loosen on their branches
And drift slowly downwards.
One,
One, two, three,
One, two, five.
All Venice is a falling of Autumn leaves --
Brown,
And yellow streaked with brown.
"That sonnet, Abate,
Beautiful,
I am quite exhausted by it.
Your phrases turn about my heart
And stifle me to swooning.
Open the window, I beg.
Lord! What a strumming of fiddles and mandolins!
'Tis really a shame to stop indoors.
Call my maid, or I will make you lace me yourself.
Fie, how hot it is, not a breath of air!
See how straight the leaves are falling.
Marianna, I will have the yellow satin caught up with silver fringe,
It peeps out delightfully from under a mantle.
Am I well painted to-day, `caro Abate mio'?
You will be proud of me at the `Ridotto', hey?
Proud of being `Cavalier Servente' to such a lady?"
"Can you doubt it, `Bellissima Contessa'?
A pinch more rouge on the right cheek,
And Venus herself shines less . . ."
"You bore me, Abate,
I vow I must change you!
A letter, Achmet?
Run and look out of the window, Abate.
I will read my letter in peace."
The little black slave with the yellow satin turban
Gazes at his mistress with strained eyes.
His yellow turban and black skin
Are gorgeous -- barbaric.
The yellow satin dress with its silver flashings
Lies on a chair
Beside a black mantle and a black mask.
Yellow and black,
Gorgeous -- barbaric.
The lady reads her letter,
And the leaves drift slowly
Past the long windows.
"How silly you look, my dear Abate,
With that great brown leaf in your wig.
Pluck it off, I beg you,
Or I shall die of laughing."
A yellow wall
Aflare in the sunlight,
Chequered with shadows,
Shadows of vine leaves,
Shadows of masks.
Masks coming, printing themselves for an instant,
Then passing on,
More masks always replacing them.
Masks with tricorns and rapiers sticking out behind
Pursuing masks with plumes and high heels,
The sunlight shining under their insteps.
One,
One, two,
One, two, three,
There is a thronging of shadows on the hot wall,
Filigreed at the top with moving leaves.
Yellow sunlight and black shadows,
Yellow and black,
Gorgeous -- barbaric.
Two masks stand together,
And the shadow of a leaf falls through them,
Marking the wall where they are not.
From hat-tip to shoulder-tip,
From elbow to sword-hilt,
The leaf falls.
The shadows mingle,
Blur together,
Slide along the wall and disappear.
Gold of mosaics and candles,
And night blackness lurking in the ceiling beams.
Saint Mark's glitters with flames and reflections.
A cloak brushes aside,
And the yellow of satin
Licks out over the coloured inlays of the pavement.
Under the gold crucifixes
There is a meeting of hands
Reaching from black mantles.
Sighing embraces, bold investigations,
Hide in confessionals,
Sheltered by the shuffling of feet.
Gorgeous -- barbaric
In its mail of jewels and gold,
Saint Mark's looks down at the swarm of black masks;
And outside in the palace gardens brown leaves fall,
Flutter,
Fall.
Brown,
And yellow streaked with brown.
Blue-black, the sky over Venice,
With a pricking of yellow stars.
There is no moon,
And the waves push darkly against the prow
Of the gondola,
Coming from Malamocco
And streaming toward Venice.
It is black under the gondola hood,
But the yellow of a satin dress
Glares out like the eye of a watching tiger.
Yellow compassed about with darkness,
Yellow and black,
Gorgeous -- barbaric.
The boatman sings,
It is Tasso that he sings;
The lovers seek each other beneath their mantles,
And the gondola drifts over the lagoon, aslant to the coming dawn.
But at Malamocco in front,
In Venice behind,
Fall the leaves,
Brown,
And yellow streaked with brown.
They fall,
Flutter,
Fall.
|
Written by
Elizabeth Barrett Browning |
The cypress stood up like a church
That night we felt our love would hold,
And saintly moonlight seemed to search
And wash the whole world clean as gold;
The olives crystallized the vales'
Broad slopes until the hills grew strong:
The fireflies and the nightingales
Throbbed each to either, flame and song.
The nightingales, the nightingales.
Upon the angle of its shade
The cypress stood, self-balanced high;
Half up, half down, as double-made,
Along the ground, against the sky.
And we, too! from such soul-height went
Such leaps of blood, so blindly driven,
We scarce knew if our nature meant
Most passionate earth or intense heaven.
The nightingales, the nightingales.
We paled with love, we shook with love,
We kissed so close we could not vow;
Till Giulio whispered, 'Sweet, above
God's Ever guarantees this Now.'
And through his words the nightingales
Drove straight and full their long clear call,
Like arrows through heroic mails,
And love was awful in it all.
The nightingales, the nightingales.
O cold white moonlight of the north,
Refresh these pulses, quench this hell!
O coverture of death drawn forth
Across this garden-chamber... well!
But what have nightingales to do
In gloomy England, called the free.
(Yes, free to die in!...) when we two
Are sundered, singing still to me?
And still they sing, the nightingales.
I think I hear him, how he cried
'My own soul's life' between their notes.
Each man has but one soul supplied,
And that's immortal. Though his throat's
On fire with passion now, to her
He can't say what to me he said!
And yet he moves her, they aver.
The nightingales sing through my head.
The nightingales, the nightingales.
He says to her what moves her most.
He would not name his soul within
Her hearing,—rather pays her cost
With praises to her lips and chin.
Man has but one soul, 'tis ordained,
And each soul but one love, I add;
Yet souls are damned and love's profaned.
These nightingales will sing me mad!
The nightingales, the nightingales.
I marvel how the birds can sing.
There's little difference, in their view,
Betwixt our Tuscan trees that spring
As vital flames into the blue,
And dull round blots of foliage meant
Like saturated sponges here
To suck the fogs up. As content
Is he too in this land, 'tis clear.
And still they sing, the nightingales.
My native Florence! dear, forgone!
I see across the Alpine ridge
How the last feast-day of Saint John
Shot rockets from Carraia bridge.
The luminous city, tall with fire,
Trod deep down in that river of ours,
While many a boat with lamp and choir
Skimmed birdlike over glittering towers.
I will not hear these nightingales.
I seem to float, we seem to float
Down Arno's stream in festive guise;
A boat strikes flame into our boat,
And up that lady seems to rise
As then she rose. The shock had flashed
A vision on us! What a head,
What leaping eyeballs!—beauty dashed
To splendour by a sudden dread.
And still they sing, the nightingales.
Too bold to sin, too weak to die;
Such women are so. As for me,
I would we had drowned there, he and I,
That moment, loving perfectly.
He had not caught her with her loosed
Gold ringlets... rarer in the south...
Nor heard the 'Grazie tanto' bruised
To sweetness by her English mouth.
And still they sing, the nightingales.
She had not reached him at my heart
With her fine tongue, as snakes indeed
Kill flies; nor had I, for my part,
Yearned after, in my desperate need,
And followed him as he did her
To coasts left bitter by the tide,
Whose very nightingales, elsewhere
Delighting, torture and deride!
For still they sing, the nightingales.
A worthless woman! mere cold clay
As all false things are! but so fair,
She takes the breath of men away
Who gaze upon her unaware.
I would not play her larcenous tricks
To have her looks! She lied and stole,
And spat into my love's pure pyx
The rank saliva of her soul.
And still they sing, the nightingales.
I would not for her white and pink,
Though such he likes—her grace of limb,
Though such he has praised—nor yet, I think,
For life itself, though spent with him,
Commit such sacrilege, affront
God's nature which is love, intrude
'Twixt two affianced souls, and hunt
Like spiders, in the altar's wood.
I cannot bear these nightingales.
If she chose sin, some gentler guise
She might have sinned in, so it seems:
She might have pricked out both my eyes,
And I still seen him in my dreams!
- Or drugged me in my soup or wine,
Nor left me angry afterward:
To die here with his hand in mine
His breath upon me, were not hard.
(Our Lady hush these nightingales!)
But set a springe for him, 'mio ben',
My only good, my first last love!—
Though Christ knows well what sin is, when
He sees some things done they must move
Himself to wonder. Let her pass.
I think of her by night and day.
Must I too join her... out, alas!...
With Giulio, in each word I say!
And evermore the nightingales!
Giulio, my Giulio!—sing they so,
And you be silent? Do I speak,
And you not hear? An arm you throw
Round some one, and I feel so weak?
- Oh, owl-like birds! They sing for spite,
They sing for hate, they sing for doom!
They'll sing through death who sing through night,
They'll sing and stun me in the tomb—
The nightingales, the nightingales!
|
Written by
Francesco Petrarch |
[Pg 76] CANZONE X. Poichè per mio destino. IN PRAISE OF LAURA'S EYES: IN THEM HE FINDS EVERY GOOD, AND HE CAN NEVER CEASE TO PRAISE THEM. Since then by destinyI am compell'd to sing the strong desire,Which here condemns me ceaselessly to sigh,May Love, whose quenchless fireExcites me, be my guide and point the way,And in the sweet task modulate my lay:But gently be it, lest th' o'erpowering themeInflame and sting me, lest my fond heart mayDissolve in too much softness, which I deem,From its sad state, may be:For in me—hence my terror and distress!Not now as erst I seeJudgment to keep my mind's great passion less:Nay, rather from mine own thoughts melt I so,As melts before the summer sun the snow. At first I fondly thoughtCommuning with mine ardent flame to winSome brief repose, some time of truce within:This was the hope which broughtMe courage what I suffer'd to explain,Now, now it leaves me martyr to my pain:But still, continuing mine amorous song,Must I the lofty enterprise maintain;So powerful is the wish that in me glows,That Reason, which so longRestrain'd it, now no longer can oppose.Then teach me, Love, to singIn such frank guise, that ever if the earOf my sweet foe should chance the notes to hear,Pity, I ask no more, may in her spring. If, as in other times,When kindled to true virtue was mankind,The genius, energy of man could findEntrance in divers climes,Mountains and seas o'erpassing, seeking thereHonour, and culling oft its garland fair,[Pg 77]Mine were such wish, not mine such need would be.From shore to shore my weary course to trace,Since God, and Love, and Nature deign for meEach virtue and each graceIn those dear eyes where I rejoice to place.In life to them must ITurn as to founts whence peace and safety swell:And e'en were death, which else I fear not, nigh,Their sight alone would teach me to be well. As, vex'd by the fierce wind,The weary sailor lifts at night his gazeTo the twin lights which still our pole displays,So, in the storms unkindOf Love which I sustain, in those bright eyesMy guiding light and only solace lies:But e'en in this far more is due to theft,Which, taught by Love, from time to time, I makeOf secret glances than their gracious gift:Yet that, though rare and slight,Makes me from them perpetual model take;Since first they blest my sightNothing of good without them have I tried,Placing them over me to guard and guide,Because mine own worth held itself but light. Never the full effectCan I imagine, and describe it lessWhich o'er my heart those soft eyes still possess!As worthless I rejectAnd mean all other joys that life confers,E'en as all other beauties yield to hers.A tranquil peace, alloy'd by no distress,Such as in heaven eternally abides,Moves from their lovely and bewitching smile.So could I gaze, the whileLove, at his sweet will, governs them and guides,—E'en though the sun were nigh,Resting above us on his onward wheel—On her, intensely with undazzled eye,Nor of myself nor others think or feel. Ah! that I should desireThings that can never in this world be won,[Pg 78]Living on wishes hopeless to acquire.Yet, were the knot undone,Wherewith my weak tongue Love is wont to bind,Checking its speech, when her sweet face puts onAll its great charms, then would I courage find,Words on that point so apt and new to use,As should make weep whoe'er might hear the tale.But the old wounds I bear,Stamp'd on my tortured heart, such power refuse;Then grow I weak and pale,And my blood hides itself I know not where;Nor as I was remain I: hence I knowLove dooms my death and this the fatal blow. Farewell, my song! already do I seeHeavily in my hand the tired pen moveFrom its long dear discourse with her I love;Not so my thoughts from communing with me. Macgregor.
|
Written by
Francesco Petrarch |
CANZONE XX. Ben mi credea passar mio tempo omai. HE CANNOT LIVE WITHOUT SEEING HER, BUT WOULD NOT DIE THAT HE MAY STILL LOVE HER. As pass'd the years which I have left behind,To pass my future years I fondly thought,Amid old studies, with desires the same;But, from my lady since I fail to findThe accustom'd aid, the work himself has wroughtLet Love regard my tempter who became;Yet scarce I feel the shameThat, at my age, he makes me thus a thiefOf that bewitching lightFor which my life is steep'd in cureless grief;In youth I better mightHave ta'en the part which now I needs must take,For less dishonour boyish errors make. [Pg 187]Those sweet eyes whence alone my life had healthWere ever of their high and heavenly charmsSo kind to me when first my thrall begun,That, as a man whom not his proper wealth,But some extern yet secret succour arms,I lived, with them at ease, offending none:Me now their glances shunAs one injurious and importunate,Who, poor and hungry, didMyself the very act, in better stateWhich I, in others, chid.From mercy thus if envy bar me, beMy amorous thirst and helplessness my plea. In divers ways how often have I triedIf, reft of these, aught mortal could retainE'en for a single day in life my frame:But, ah! my soul, which has no rest beside,Speeds back to those angelic lights again;And I, though but of wax, turn to their flame,Planting my mind's best aimWhere less the watch o'er what I love is sure:As birds i' th' wild wood green,Where less they fear, will sooner take the lure,So on her lovely mien,Now one and now another look I turn,Wherewith at once I nourish me and burn. Strange sustenance! upon my death I feed,And live in flames, a salamander rare!And yet no marvel, as from love it flows.A blithe lamb 'mid the harass'd fleecy breed.Whilom I lay, whom now to worst despairFortune and Love, as is their wont, expose.Winter with cold and snows,With violets and roses spring is rife,And thus if I obtainSome few poor aliments of else weak life,Who can of theft complain?So rich a fair should be content with this,Though others live on hers, if nought she miss. [Pg 188]Who knows not what I am and still have been,From the first day I saw those beauteous eyes,Which alter'd of my life the natural mood?Traverse all lands, explore each sea between,Who can acquire all human qualities?There some on odours live by Ind's vast flood;Here light and fire are foodMy frail and famish'd spirit to appease!Love! more or nought bestow;With lordly state low thrift but ill agrees;Thou hast thy darts and bow,Take with thy hands my not unwilling breath,Life were well closed with honourable death. Pent flames are strongest, and, if left to swell,Not long by any means can rest unknown,This own I, Love, and at your hands was taught.When I thus silent burn'd, you knew it well;Now e'en to me my cries are weary grown,Annoy to far and near so long that wrought.O false world! O vain thought!O my hard fate! where now to follow thee?Ah! from what meteor lightSprung in my heart the constant hope which she,Who, armour'd with your might,Drags me to death, binds o'er it as a chain?Yours is the fault, though mine the loss and pain. Thus bear I of true love the pains along,Asking forgiveness of another's debt,And for mine own; whose eyes should rather shunThat too great light, and to the siren's songMy ears be closed: though scarce can I regretThat so sweet poison should my heart o'errun.Yet would that all were done,That who the first wound gave my last would deal;For, if I right divine,It were best mercy soon my fate to seal;Since not a chance is mineThat he may treat me better than before,'Tis well to die if death shut sorrow's door. [Pg 189]My song! with fearless feetThe field I keep, for death in flight were shame.Myself I needs must blameFor these laments; tears, sighs, and death to meet,Such fate for her is sweet.Own, slave of Love, whose eyes these rhymes may catch,Earth has no good that with my grief can match.
|
Written by
Francesco Petrarch |
CANZONE VI. Quando il suave mio fido conforto. SHE APPEARS TO HIM, AND, WITH MORE THAN WONTED AFFECTION, ENDEAVOURS TO CONSOLE HIM. When she, the faithful soother of my pain,This life's long weary pilgrimage to cheer,Vouchsafes beside my nightly couch to appear,With her sweet speech attempering reason's strain;O'ercome by tenderness, and terror vain,I cry, "Whence comest thou, O spirit blest?"She from her beauteous breastA branch of laurel and of palm displays,And, answering, thus she says."From th' empyrean seat of holy loveAlone thy sorrows to console I move." In actions, and in words, in humble guiseI speak my thanks, and ask, "How may it beThat thou shouldst know my wretched state?" and she"Thy floods of tears perpetual, and thy sighsBreathed forth unceasing, to high heaven arise.And there disturb thy blissful state serene;So grievous hath it been,[Pg 306]That freed from this poor being, I at lastTo a better life have pass'd,Which should have joy'd thee hadst thou loved as wellAs thy sad brow, and sadder numbers tell." "Oh! not thy ills, I but deplore my own,In darkness, and in grief remaining here,Certain that thou hast reach'd the highest sphere,As of a thing that man hath seen and known.Would God and Nature to the world have shownSuch virtue in a young and gentle breast,Were not eternal restThe appointed guerdon of a life so fair?Thou! of the spirits rare,Who, from a course unspotted, pure and high,Are suddenly translated to the sky. "But I! how can I cease to weep? forlorn,Without thee nothing, wretched, desolate!Oh, in the cradle had I met my fate,Or at the breast! and not to love been born!"And she: "Why by consuming grief thus worn?Were it not better spread aloft thy wings,And now all mortal things,With these thy sweet and idle fantasies,At their just value prize,And follow me, if true thy tender vows,Gathering henceforth with me these honour'd boughs?" Then answering her:—"Fain would I thou shouldst sayWhat these two verdant branches signify.""Methinks," she says, "thou may'st thyself reply,Whose pen has graced the one by many a lay.The palm shows victory; and in youth's bright dayI overcame the world, and my weak heart:The triumph mine in part,Glory to Him who made my weakness strength!And thou, yet turn at length!'Gainst other powers his gracious aid implore,That we may be with Him thy trial o'er!" "Are these the crisped locks, and links of goldThat bind me still? And these the radiant eyes.To me the Sun?" "Err not with the unwise,[Pg 307]Nor think," she says, "as they are wont. BeholdIn me a spirit, among the blest enroll'd;Thou seek'st what hath long been earth again:Yet to relieve thy pain'Tis given me thus to appear, ere I resumeThat beauty from the tomb,More loved, that I, severe in pity, winThy soul with mine to Heaven, from death and sin." I weep; and she my cheek,Soft sighing, with her own fair hand will dry;And, gently chiding, speakIn tones of power to rive hard rocks in twain;Then vanishing, sleep follows in her train. Dacre.
|
Written by
John Milton |
III
Qual in colle aspro, al imbrunir di sera
L'avezza giovinetta pastorella
Va bagnando l'herbetta strana e bella
Che mal si spande a disusata spera
Fuor di sua natia alma primavera,
Cosi Amor meco insu la lingua snella
Desta il fior novo di strania favella,
Mentre io di te, vezzosamente altera,
Canto, dal mio buon popol non inteso
E'l bel Tamigi cangio col bel Arno
Amor lo volse, ed io a l'altrui peso
Seppi ch' Amor cosa mai volse indarno.
Deh! foss' il mio cuor lento e'l duro seno
A chi pianta dal ciel si buon terreno.
|
Written by
Francesco Petrarch |
BALLATA V. Volgendo gli occhi al mio novo colore. HER KIND SALUTE SAVED HIM FROM DEATH. Late as those eyes on my sunk cheek inclined,Whose paleness to the world seems of the grave,Compassion moved you to that greeting kind,Whose soft smile to my worn heart spirit gave.The poor frail life which yet to me is leftWas of your beauteous eyes the liberal gift,And of that voice angelical and mild;My present state derived from them I see;As the rod quickens the slow sullen child,So waken'd they the sleeping soul in me.Thus, Lady, of my true heart both the keysYou hold in hand, and yet your captive please:Ready to sail wherever winds may blow,By me most prized whate'er to you I owe. Macgregor.
|
Written by
Francesco Petrarch |
SONNET VI. Sì traviato è 'l folle mio desio. OF HIS FOOLISH PASSION FOR LAURA. So wayward now my will, and so unwise,To follow her who turns from me in flight,And, from love's fetters free herself and light,Before my slow and shackled motion flies,[Pg 6]That less it lists, the more my sighs and criesWould point where passes the safe path and right,Nor aught avails to check or to excite,For Love's own nature curb and spur defies.Thus, when perforce the bridle he has won,And helpless at his mercy I remain,Against my will he speeds me to mine end'Neath yon cold laurel, whose false boughs uponHangs the harsh fruit, which, tasted, spreads the painI sought to stay, and mars where it should mend. Macgregor. My tameless will doth recklessly pursueHer, who, unshackled by love's heavy chain,Flies swiftly from its chase, whilst I in vainMy fetter'd journey pantingly renew;The safer track I offer to its view,But hopeless is my power to restrain,It rides regardless of the spur or rein;Love makes it scorn the hand that would subdue.The triumph won, the bridle all its own,Without one curb I stand within its power,And my destruction helplessly presage:It guides me to that laurel, ever known,To all who seek the healing of its flower,To aggravate the wound it should assuage. Wollaston.
|
Written by
Ben Jonson |
A Vienna ci sono dieci ragazze,
una spalla dove piange la morte
e un bosco di colombe disseccate.
C'e' un frammento del mattino
nel museo della brina.
C'è un salone con mille vetrate.
Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer con la bocca chiusa.
Questo valzer, questo valzer, questo valzer,
di sì, di morte e di cognac
che si bagna la coda nel mare.
Io ti amo, io ti amo, io ti amo
con la poltrona e con il libro morto,
nel malinconico corridoio,
nell'oscura soffitta del giglio,
nel nostro letto della luna,
nella danza che sogna la tartaruga.
Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer dalla spezzata cintura.
A Vienna ci sono quattro specchi,
vi giocano la tua bocca e gli echi.
C'è una morte per pianoforte
che tinge d'azzurro i giovanotti.
Ci sono mendichi sui terrazzi. E
fresche ghirlande di pianto.
Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer che spira fra le mie braccia.
Perchè io ti amo, ti amo, amore mio,
nella soffitta dove giocano i bambini,
sognando vecchie luci d'Ungheria
nel mormorio di una sera mite,
vedendo agnelli e gigli di neve
nell'oscuro silenzio delle tue tempie.
Ahi! Ahi! Ahi! Ahi!
Prendi questo valzer del "Ti amo per sempre".
A Vienna ballerò con te
con un costume che abbia la testa di fiume.
Guarda queste mie rive di giacinti!
Lascerò la mia bocca tra le tue gambe,
la mia anima in foto e fiordalisi,
e nelle onde oscure del tuo passo io voglio,
amore mio, amore mio, lasciare,
violino e sepolcro, i nastri del valzer.
English Translation
Little Viennese Waltz
In Vienna there are ten little girls
a shoulder for death to cry on
and a forest of dried pigeons.
There is a fragment of tomorrow
in the museum of winter frost.
There is a thousand-windowed dance hall.
Ay, ay, ay, ay!
Take this close-mouthed waltz.
Little waltz, little waltz, little waltz,
of itself, of death, and of brandy
that dips its tail in the sea.
I love you, I love you, I love you,
with the armchair and the book of death
down the melancholy hallway,
in the iris's dark garret,
in our bed that was once the moon's bed,
and in that dance the turtle dreamed of.
Ay, ay, ay, ay!
Take this broken-waisted waltz
In Vienna there are four mirrors
in which your mouth and the echoes play.
There is a death for piano
that paints the little boys blue.
There are beggars on the roof.
There are fresh garlands of tears.
Aye, ay, ay, ay!
Take this waltz that dies in my arms.
Because I love you, I love you, my love,
in the attic where children play,
dreaming ancient lights of Hungary
through the noise, the balmy afternoon,
seeing sheep and irises of snow
through the dark silence of your forehead.
Ay, ay, ay ay!
Take this "I will always love you" waltz.
In Vienna I will dance with you
in a costume with a river's head.
See how the hyacinths line my banks!
I will leave my mouth between your legs,
my soul in photographs and lilies,
and in the dark wake of your footsteps,
my love, my love, I will have to leave
violin and grave, the waltzing ribbons.
|