Written by
Robert Burns |
THE LADDIES by the banks o’ Nith
Wad trust his Grace 1 wi a’, Jamie;
But he’ll sair them, as he sair’d the King—
Turn tail and rin awa’, Jamie.
Chorus.—Up and waur them a’, Jamie,
Up and waur them a’;
The Johnstones hae the guidin o’t,
Ye turncoat Whigs, awa’!
The day he stude his country’s friend,
Or gied her faes a claw, Jamie,
Or frae puir man a blessin wan,
That day the Duke ne’er saw, Jamie.
Up and waur them, &c.
But wha is he, his country’s boast?
Like him there is na twa, Jamie;
There’s no a callent tents the kye,
But kens o’ Westerha’, Jamie.
Up and waur them, &c.
To end the wark, here’s Whistlebirk,
Lang may his whistle blaw, Jamie;
And Maxwell true, o’ sterling blue;
And we’ll be Johnstones a’, Jamie.
Up and waur them, &c.
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Written by
Barry Tebb |
You were the one I wanted most to know
So like yet unlike, like fire and snow,
The casual voice, the sharp invective,
The barbed wit, the lapsed Irish Protestant
Who never gave a ****, crossed the palms
Of the great and good with coins hot with contempt
For the fakers and the tricksters whose poetry
Deftly bent to fashion’s latest slant.
You wrote from the heart, feelings on your sleeve,
But feelings are all a master poet needs:
You broke all the taboos, whores and fags and booze,
While I sighed over books and began to snooze
Until your voice broke through the haze
Of a quarter century’s sleep. “Wake up you git
And bloody write!” I did and never stopped
And like you told the truth about how bad poetry
Rots the soul and slapped a New Gen face or two
And kicked some arses in painful places,
And so like you, got omitted from the posh anthologies
Where Penguin and Picador fill the pages
With the boring poetasters you went for in your rages,
Ex-friends like Harrison who missed you out.
You never could see the envy in their enmity.
Longley was the worst, a hypocrite to boot,
All you said about him never did come out;
I’ve tried myself to nail others of that ilk
Hither and thither they slide and slither
And crawl out of the muck white as brides’
Fat with OBE’s, sinecures and sighs
And Collected Poems no one buys.
Yet ‘Mainstrem’, your last but one collection,
I had to wait months for, the last borrower
Kept it for two years and likely I’ll do the same
Your poetry’s like no other, no one could tame
Your roaring fury or your searing pain.
You bared your soul in a most unfashionable way
But everything in me says your verse will stay,
Your love for your fourth and final wife,
The last chance marriage that went right
The children you loved so much but knew
You wouldn’t live to see grown up, so caught
Their growing pains and joys with a painter’s eye
And lyric skill as fine as Wordsworth’s best
they drank her welcome to his heritage
of grey, grey-green, wet earth and shapes of stone.
Who weds a landscape will not die alone.
Those you castigated never forgave.
Omitted you as casually as passing an unmarked grave,
Armitage, I name you, a blackguard and a knave,
Who knows no more of poetry than McGonagall the brave,
Yet tops the list of Faber’s ‘Best Poets of Our Age’.
Longley gave you just ten lines in ‘Irish Poets Now’
Most missed you out entirely for the troubles you gave
Accusing like Zola those poetic whores
Who sold themselves to fashion when time after time
Your passions brought you to your knees, lashing
At those poetasters when their puffed-up slime
Won the medals and the prizes time after time
And got them all the limelight while your books
Were quietly ignored, the better you wrote,
The fewer got bought.
Belatedly I found a poem of yours ‘Leeds 2’
In ‘Flashpoint’, a paint-stained worn out
School anthology from 1962. Out of the blue
I wrote to you but the letter came back ‘Gone away
N.F.A.’ then I tried again and had a marvellous letter back
Full of stories of the great and good and all their private sins,
You knew where the bodies were buried.
Who put the knife in, who slept with who
For what reward. They never could shut you up
Or put you in a pen or pay you off and then came
Morley, Hulse and Kennedy’s ‘New Poetry’
Which did more damage to the course of poetry
Than anything I’ve read - poets unembarrassed
By the need to know more than what’s politically
White as snow. Constantine and Jackie Kay
And Hoffman with the right connections.
Sweeney and O’Brien bleeding in all the politically
Sensitive places, Peter Reading lifting
Horror headlines from the Sun to make a splash.
Sansom and Maxwell, Jamie and Greenlaw.
Proving lack of talent is no barrier to fame
If you lick the right arses and say how nice they taste.
Crawling up the ladder, declaring **** is grace.
A talented drunken public servant
Has the world’s ear and hates me.
He ought to be in prison for misuse
Of public funds and bigotry;
But there’s some sparkle in his poetry.
You never flinched in the attack
But gave the devils their due:
The ‘Honest Ulsterman’ you founded
Lost its honesty the day you withdrew
But floundered on, publicly sighed and
Ungraciously expired as soon as you died.
You went with fallen women, smoked and sang and boozed,
Loved your many children, wrote poetry
As good as Yeats but the ignominy you had to bear
Bred an immortality impossible to share.
You showed us your own peccadilloes,
Your early lust for fame, but you learned
The cost of suffering, love and talent winning through,
Your best books your last, just two, like the letters
You wrote before your life was through.
The meeting you wanted could never happen:
I didn’t know about the stroke
That stilled your tongue and pen
But if you passed your mantle on to me
I’ll try and take up where you left off,
Give praise where praise is due
And blast the living daylights from those writers who
Betray the sacred art of making poetry true
To suffering and love, to passion and remorse
And try to steer a flimsy world upon a saner course.
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Written by
Robert Burns |
MAXWELL, if merit here you crave,
That merit I deny;
You save fair Jessie from the grave!—
An Angel could not die!
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Written by
Barry Tebb |
To Simon Jenner
NO ARMITAGE (I’d like to see his rage)
NO DUHIG (one dig long overdue)
NO GREENLAW (M & S might sue)
NO IMLAH (ditto the TLS)
NO CRICHTON SMITH or JAMIE
(Tuma’s not haggis-crazy)
NO CONSTANTINE (who’ll miss his donnish whine?)
NO LONGLEY (the QMP tick didn’t do the trick)
NO PORTER (long overdue for slaughter)
NO MAXWELL, MORRISON or MOTION
(to miss that lot I’d swim an ocean)
NO PATERSON, NO BURNSIDE,
NO SWEENEY or O’BRIEN
(triumphs of criticism by omission),
BUT WHY DID PRYNNE REFUSE TO BE IN?
-wilful obscurity, hidden grandiosity-
-what is this Prynne idolatry?
All those New Gen poets
Thwacked by omission
NOT EVEN PAULIN IS IN
NO DUNMORE OR DURCAN
O’DONOGHUE or BHATT
-you can hardly do better than that!
It really made my day
Pity it was too late for you
To review in ERATICA TWO
Note: QMP- Queen’s Medal for Poetry
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Written by
Anthony Hecht |
For William and Emily Maxwell
At this time of day
One could hear the caulking irons sound
Against the hulls in the dockyard.
Tar smoke rose between trees
And large oily patches floated on the water,
Undulating unevenly
In the purple sunlight
Like the surfaces of Florentine bronze.
At this time of day
Sounds carried clearly
Through hot silences of fading daylight.
The weedy fields lay drowned
In odors of creosote and salt.
Richer than double-colored taffeta,
Oil floated in the harbor,
Amoeboid, iridescent, limp.
It called to mind the slender limbs
Of Donatello's David.
It was lovely and she was in love.
They had taken a covered boat to one of the islands.
The city sounds were faint in the distance:
Rattling of carriages, tumult of voices,
Yelping of dogs on the decks of barges.
At this time of day
Sunlight empurpled the world.
The poplars darkened in ranks
Like imperial servants.
Water lapped and lisped
In its native and quiet tongue.
Oakum was in the air and the scent of grasses.
There would be fried smelts and cherries and cream.
Nothing designed by Italian artisans
Would match this evening's perfection.
The puddled oil was a miracle of colors.
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Written by
Carl Sandburg |
I KNOW a Jew fish crier down on Maxwell Street with a
voice like a north wind blowing over corn stubble
in January.
He dangles herring before prospective customers evincing
a joy identical with that of Pavlowa dancing.
His face is that of a man terribly glad to be selling fish,
terribly glad that God made fish, and customers to
whom he may call his wares, from a pushcart.
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Written by
Robert Burns |
HEALTH to the Maxwell’s veteran Chief!
Health, aye unsour’d by care or grief:
Inspir’d, I turn’d Fate’s sibyl leaf,
This natal morn,
I see thy life is stuff o’ prief,
Scarce quite half-worn.
This day thou metes threescore eleven,
And I can tell that bounteous Heaven
(The second-sight, ye ken, is given
To ilka Poet)
On thee a tack o’ seven times seven
Will yet bestow it.
If envious buckies view wi’ sorrow
Thy lengthen’d days on this blest morrow,
May Desolation’s lang-teeth’d harrow,
Nine miles an hour,
Rake them, like Sodom and Gomorrah,
In brunstane stour.
But for thy friends, and they are mony,
Baith honest men, and lassies bonie,
May couthie Fortune, kind and cannie,
In social glee,
Wi’ mornings blythe, and e’enings funny,
Bless them and thee!
Fareweel, auld birkie! Lord be near ye,
And then the deil, he daurna steer ye:
Your friends aye love, your faes aye fear ye;
For me, shame fa’ me,
If neist my heart I dinna wear ye,
While Burns they ca’ me.
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