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Best Famous Marx Poems

Here is a collection of the all-time best famous Marx poems. This is a select list of the best famous Marx poetry. Reading, writing, and enjoying famous Marx poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of marx poems.

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Written by Allen Ginsberg | Create an image from this poem

America

 America I've given you all and now I'm nothing.
America two dollars and twentyseven cents January 17, 1956.
I can't stand my own mind.
America when will we end the human war? Go **** yourself with your atom bomb.
I don't feel good don't bother me.
I won't write my poem till I'm in my right mind.
America when will you be angelic? When will you take off your clothes? When will you look at yourself through the grave? When will you be worthy of your million Trotskyites? America why are your libraries full of tears? America when will you send your eggs to India? I'm sick of your insane demands.
When can I go into the supermarket and buy what I need with my good looks? America after all it is you and I who are perfect not the next world.
Your machinery is too much for me.
You made me want to be a saint.
There must be some other way to settle this argument.
Burroughs is in Tangiers I don't think he'll come back it's sinister.
Are you being sinister or is this some form of practical joke? I'm trying to come to the point.
I refuse to give up my obsession.
America stop pushing I know what I'm doing.
America the plum blossoms are falling.
I haven't read the newspapers for months, everyday somebody goes on trial for murder.
America I feel sentimental about the Wobblies.
America I used to be a communist when I was a kid I'm not sorry.
I smoke marijuana every chance I get.
I sit in my house for days on end and stare at the roses in the closet.
When I go to Chinatown I get drunk and never get laid.
My mind is made up there's going to be trouble.
You should have seen me reading Marx.
My psychoanalyst thinks I'm perfectly right.
I won't say the Lord's Prayer.
I have mystical visions and cosmic vibrations.
America I still haven't told you what you did to Uncle Max after he came over from Russia.
I'm addressing you.
Are you going to let your emotional life be run by Time Magazine? I'm obsessed by Time Magazine.
I read it every week.
Its cover stares at me every time I slink past the corner candystore.
I read it in the basement of the Berkeley Public Library.
It's always telling me about responsibility.
Business- men are serious.
Movie producers are serious.
Everybody's serious but me.
It occurs to me that I am America.
I am talking to myself again.
Asia is rising against me.
I haven't got a chinaman's chance.
I'd better consider my national resources.
My national resources consist of two joints of marijuana millions of genitals an unpublishable private literature that goes 1400 miles an hour and twenty-five-thousand mental institutions.
I say nothing about my prisons nor the millions of underprivileged who live in my flowerpots under the light of five hundred suns.
I have abolished the whorehouses of France, Tangiers is the next to go.
My ambition is to be President despite the fact that I'm a Catholic.
America how can I write a holy litany in your silly mood? I will continue like Henry Ford my strophes are as individual as his automobiles more so they're all different sexes.
America I will sell you strophes $2500 apiece $500 down on your old strophe America free Tom Mooney America save the Spanish Loyalists America Sacco & Vanzetti must not die America I am the Scottsboro boys.
America when I was seven momma took me to Com- munist Cell meetings they sold us garbanzos a handful per ticket a ticket costs a nickel and the speeches were free everybody was angelic and sentimental about the workers it was all so sin- cere you have no idea what a good thing the party was in 1835 Scott Nearing was a grand old man a real mensch Mother Bloor made me cry I once saw Israel Amter plain.
Everybody must have been a spy.
America you don't really want to go to war.
America it's them bad Russians.
Them Russians them Russians and them Chinamen.
And them Russians.
The Russia wants to eat us alive.
The Russia's power mad.
She wants to take our cars from out our garages.
Her wants to grab Chicago.
Her needs a Red Readers' Digest.
Her wants our auto plants in Siberia.
Him big bureaucracy running our fillingsta- tions.
That no good.
Ugh.
Him make Indians learn read.
Him need big black niggers.
Hah.
Her make us all work sixteen hours a day.
Help.
America this is quite serious.
America this is the impression I get from looking in the television set.
America is this correct? I'd better get right down to the job.
It's true I don't want to join the Army or turn lathes in precision parts factories, I'm nearsighted and psychopathic anyway.
America I'm putting my ***** shoulder to the wheel.
Berkeley, January 17, 1956


Written by Vladimir Mayakovsky | Create an image from this poem

At the Top of My voice

 My most respected
 comrades of posterity!
Rummaging among
 these days’ 
 petrified crap,
exploring the twilight of our times,
you,
 possibly,
 will inquire about me too.
And, possibly, your scholars will declare, with their erudition overwhelming a swarm of problems; once there lived a certain champion of boiled water, and inveterate enemy of raw water.
Professor, take off your bicycle glasses! I myself will expound those times and myself.
I, a latrine cleaner and water carrier, by the revolution mobilized and drafted, went off to the front from the aristocratic gardens of poetry - the capricious wench She planted a delicious garden, the daughter, cottage, pond and meadow.
Myself a garden I did plant, myself with water sprinkled it.
some pour their verse from water cans; others spit water from their mouth - the curly Macks, the clever jacks - but what the hell’s it all about! There’s no damming al this up - beneath the walls they mandoline: “Tara-tina, tara-tine, tw-a-n-g.
.
.
” It’s no great honor, then, for my monuments to rise from such roses above the public squares, where consumption coughs, where whores, hooligans and syphilis walk.
Agitprop sticks in my teeth too, and I’d rather compose romances for you - more profit in it and more charm.
But I subdued myself, setting my heel on the throat of my own song.
Listen, comrades of posterity, to the agitator the rabble-rouser.
Stifling the torrents of poetry, I’ll skip the volumes of lyrics; as one alive, I’ll address the living.
I’ll join you in the far communist future, I who am no Esenin super-hero.
My verse will reach you across the peaks of ages, over the heads of governments and poets.
My verse will reach you not as an arrow in a cupid-lyred chase, not as worn penny Reaches a numismatist, not as the light of dead stars reaches you.
My verse by labor will break the mountain chain of years, and will present itself ponderous, crude, tangible, as an aqueduct, by slaves of Rome constructed, enters into our days.
When in mounds of books, where verse lies buried, you discover by chance the iron filings of lines, touch them with respect, as you would some antique yet awesome weapon.
It’s no habit of mine to caress the ear with words; a maiden’s ear curly-ringed will not crimson when flicked by smut.
In parade deploying the armies of my pages, I shall inspect the regiments in line.
Heavy as lead, my verses at attention stand, ready for death and for immortal fame.
The poems are rigid, pressing muzzle to muzzle their gaping pointed titles.
The favorite of all the armed forces the cavalry of witticisms ready to launch a wild hallooing charge, reins its chargers still, raising the pointed lances of the rhymes.
and all these troops armed to the teeth, which have flashed by victoriously for twenty years, all these, to their very last page, I present to you, the planet’s proletarian.
The enemy of the massed working class is my enemy too inveterate and of long standing.
Years of trial and days of hunger ordered us to march under the red flag.
We opened each volume of Marx as we would open the shutters in our own house; but we did not have to read to make up our minds which side to join, which side to fight on.
Our dialectics were not learned from Hegel.
In the roar of battle it erupted into verse, when, under fire, the bourgeois decamped as once we ourselves had fled from them.
Let fame trudge after genius like an inconsolable widow to a funeral march - die then, my verse, die like a common soldier, like our men who nameless died attacking! I don’t care a spit for tons of bronze; I don’t care a spit for slimy marble.
We’re men of kind, we’ll come to terms about our fame; let our common monument be socialism built in battle.
Men of posterity examine the flotsam of dictionaries: out of Lethe will bob up the debris of such words as “prostitution,” “tuberculosis,” “blockade.
” For you, who are now healthy and agile, the poet with the rough tongue of his posters, has licked away consumptives’ spittle.
With the tail of my years behind me, I begin to resemble those monsters, excavated dinosaurs.
Comrade life, let us march faster, march faster through what’s left of the five-year plan.
My verse has brought me no rubles to spare: no craftsmen have made mahogany chairs for my house.
In all conscience, I need nothing except a freshly laundered shirt.
When I appear before the CCC of the coming bright years, by way of my Bolshevik party card, I’ll raise above the heads of a gang of self-seeking poets and rogues, all the hundred volumes of my communist-committed books.
Transcribed: by Mitch Abidor.
Written by Etheridge Knight | Create an image from this poem

Feeling Fucked Up

 Lord she's gone done left me done packed / up and split
and I with no way to make her
come back and everywhere the world is bare
bright bone white crystal sand glistens
dope death dead dying and jiving drove
her away made her take her laughter and her smiles
and her softness and her midnight sighs--

**** Coltrane and music and clouds drifting in the sky
**** the sea and trees and the sky and birds
and alligators and all the animals that roam the earth
**** marx and mao **** fidel and nkrumah and
democracy and communism **** smack and pot
and red ripe tomatoes **** joseph **** mary ****
god jesus and all the disciples **** fanon nixon
and malcom **** the revolution **** freedom ****
the whole muthafucking thing
all i want now is my woman back
so my soul can sing
Written by Gregory Corso | Create an image from this poem

Gregory Corso

 Budger of history Brake of time You Bomb
 Toy of universe Grandest of all snatched sky I cannot hate you
 Do I hate the mischievous thunderbolt the jawbone of an ass
 The bumpy club of One Million B.
C.
the mace the flail the axe Catapult Da Vinci tomahawk Cochise flintlock Kidd dagger Rathbone Ah and the sad desparate gun of Verlaine Pushkin Dillinger Bogart And hath not St.
Michael a burning sword St.
George a lance David a sling Bomb you are as cruel as man makes you and you're no crueller than cancer All Man hates you they'd rather die by car-crash lightning drowning Falling off a roof electric-chair heart-attack old age old age O Bomb They'd rather die by anything but you Death's finger is free-lance Not up to man whether you boom or not Death has long since distributed its categorical blue I sing thee Bomb Death's extravagance Death's jubilee Gem of Death's supremest blue The flyer will crash his death will differ with the climbor who'll fall to die by cobra is not to die by bad pork Some die by swamp some by sea and some by the bushy-haired man in the night O there are deaths like witches of Arc Scarey deaths like Boris Karloff No-feeling deaths like birth-death sadless deaths like old pain Bowery Abandoned deaths like Capital Punishment stately deaths like senators And unthinkable deaths like Harpo Marx girls on Vogue covers my own I do not know just how horrible Bombdeath is I can only imagine Yet no other death I know has so laughable a preview I scope a city New York City streaming starkeyed subway shelter Scores and scores A fumble of humanity High heels bend Hats whelming away Youth forgetting their combs Ladies not knowing what to do with their shopping bags Unperturbed gum machines Yet dangerous 3rd rail Ritz Brothers from the Bronx caught in the A train The smiling Schenley poster will always smile Impish death Satyr Bomb Bombdeath Turtles exploding over Istanbul The jaguar's flying foot soon to sink in arctic snow Penguins plunged against the Sphinx The top of the Empire state arrowed in a broccoli field in Sicily Eiffel shaped like a C in Magnolia Gardens St.
Sophia peeling over Sudan O athletic Death Sportive Bomb the temples of ancient times their grand ruin ceased Electrons Protons Neutrons gathering Hersperean hair walking the dolorous gulf of Arcady joining marble helmsmen entering the final ampitheater with a hymnody feeling of all Troys heralding cypressean torches racing plumes and banners and yet knowing Homer with a step of grace Lo the visiting team of Present the home team of Past Lyre and tube together joined Hark the hotdog soda olive grape gala galaxy robed and uniformed commissary O the happy stands Ethereal root and cheer and boo The billioned all-time attendance The Zeusian pandemonium Hermes racing Owens The Spitball of Buddha Christ striking out Luther stealing third Planeterium Death Hosannah Bomb Gush the final rose O Spring Bomb Come with thy gown of dynamite green unmenace Nature's inviolate eye Before you the wimpled Past behind you the hallooing Future O Bomb Bound in the grassy clarion air like the fox of the tally-ho thy field the universe thy hedge the geo Leap Bomb bound Bomb frolic zig and zag The stars a swarm of bees in thy binging bag Stick angels on your jubilee feet wheels of rainlight on your bunky seat You are due and behold you are due and the heavens are with you hosanna incalescent glorious liaison BOMB O havoc antiphony molten cleft BOOM Bomb mark infinity a sudden furnace spread thy multitudinous encompassed Sweep set forth awful agenda Carrion stars charnel planets carcass elements Corpse the universe tee-hee finger-in-the-mouth hop over its long long dead Nor From thy nimbled matted spastic eye exhaust deluges of celestial ghouls From thy appellational womb spew birth-gusts of of great worms Rip open your belly Bomb from your belly outflock vulturic salutations Battle forth your spangled hyena finger stumps along the brink of Paradise O Bomb O final Pied Piper both sun and firefly behind your shock waltz God abandoned mock-nude beneath His thin false-talc's apocalypse He cannot hear thy flute's happy-the-day profanations He is spilled deaf into the Silencer's warty ear His Kingdom an eternity of crude wax Clogged clarions untrumpet Him Sealed angels unsing Him A thunderless God A dead God O Bomb thy BOOM His tomb That I lean forward on a desk of science an astrologer dabbling in dragon prose half-smart about wars bombs especially bombs That I am unable to hate what is necessary to love That I can't exist in a world that consents a child in a park a man dying in an electric-chair That I am able to laugh at all things all that I know and do not know thus to conceal my pain That I say I am a poet and therefore love all man knowing my words to be the acquainted prophecy of all men and my unwords no less an acquaintanceship That I am manifold a man pursuing the big lies of gold or a poet roaming in bright ashes or that which I imagine myself to be a shark-toothed sleep a man-eater of dreams I need not then be all-smart about bombs Happily so for if I felt bombs were caterpillars I'd doubt not they'd become butterflies There is a hell for bombs They're there I see them there They sit in bits and sing songs mostly German songs And two very long American songs and they wish there were more songs especially Russian and Chinese songs and some more very long American songs Poor little Bomb that'll never be an Eskimo song I love thee I want to put a lollipop in thy furcal mouth A wig of Goldilocks on thy baldy bean and have you skip with me Hansel and Gretel along the Hollywoodian screen O Bomb in which all lovely things moral and physical anxiously participate O fairylike plucked from the grandest universe tree O piece of heaven which gives both mountain and anthill a sun I am standing before your fantastic lily door I bring you Midgardian roses Arcadian musk Reputed cosmetics from the girls of heaven Welcome me fear not thy opened door nor thy cold ghost's grey memory nor the pimps of indefinite weather their cruel terrestial thaw Oppenheimer is seated in the dark pocket of Light Fermi is dry in Death's Mozambique Einstein his mythmouth a barnacled wreath on the moon-squid's head Let me in Bomb rise from that pregnant-rat corner nor fear the raised-broom nations of the world O Bomb I love you I want to kiss your clank eat your boom You are a paean an acme of scream a lyric hat of Mister Thunder O resound thy tanky knees BOOM BOOM BOOM BOOM BOOM BOOM ye skies and BOOM ye suns BOOM BOOM ye moons ye stars BOOM nights ye BOOM ye days ye BOOM BOOM BOOM ye winds ye clouds ye rains go BANG ye lakes ye oceans BING Barracuda BOOM and cougar BOOM Ubangi BOOM orangutang BING BANG BONG BOOM bee bear baboon ye BANG ye BONG ye BING the tail the fin the wing Yes Yes into our midst a bomb will fall Flowers will leap in joy their roots aching Fields will kneel proud beneath the halleluyahs of the wind Pinkbombs will blossom Elkbombs will perk their ears Ah many a bomb that day will awe the bird a gentle look Yet not enough to say a bomb will fall or even contend celestial fire goes out Know that the earth will madonna the Bomb that in the hearts of men to come more bombs will be born magisterial bombs wrapped in ermine all beautiful and they'll sit plunk on earth's grumpy empires fierce with moustaches of gold
Written by Delmore Schwartz | Create an image from this poem

Prothalamion

 "little soul, little flirting,
 little perverse one
 where are you off to now?
 little wan one, firm one
 little exposed one.
.
.
and never make fun of me again.
" Now I must betray myself.
The feast of bondage and unity is near, And none engaged in that great piety When each bows to the other, kneels, and takes Hand in hand, glance and glance, care and care, None may wear masks or enigmatic clothes, For weakness blinds the wounded face enough.
In sense, see my shocking nakedness.
I gave a girl an apple when five years old, Saying, Will you be sorry when I am gone? Ravenous for such courtesies, my name Is fed like a raving fire, insatiate still.
But do not be afraid.
For I forget myself.
I do indeed Before each genuine beauty, and I will Forget myself before your unknown heart.
I will forget the speech my mother made In a restaurant, trapping my father there At dinner with his whore.
Her spoken rage Struck down the child of seven years With shame for all three, with pity for The helpless harried waiter, with anger for The diners gazing, avid, and contempt And great disgust for every human being.
I will remember this.
My mother's rhetoric Has charmed my various tongue, but now I know Love's metric seeks a rhyme more pure and sure.
For thus it is that I betray myself, Passing the terror of childhood at second hand Through nervous, learned fingertips.
At thirteen when a little girl died, I walked for three weeks neither alive nor dead, And could not understand and still cannot The adult blind to the nearness of the dead, Or carefully ignorant of their own death.
--This sense could shadow all the time's curving fruits, But we will taste of them the whole night long, Forgetting no twelfth night, no fete of June, But in the daylight knowing our nothingness.
Let Freud and Marx be wedding guests indeed! Let them mark out masks that face us there, For of all anguish, weakness, loss and failure, No form is cruel as self-deception, none Shows day-by-day a bad dream long lived And unbroken like the lies We tell each other because we are rich or poor.
Though from the general guilt not free We can keep honor by being poor.
The waste, the evil, the abomination Is interrupted.
the perfect stars persist Small in the guilty night, and Mozart shows The irreducible incorruptible good Risen past birth and death, though he is dead.
Hope, like a face reflected on the windowpane, Remote and dim, fosters a myth or dream, And in that dream, I speak, I summon all Who are our friends somehow and thus I say: "Bid the jewellers come with monocles, Exclaiming, Pure! Intrinsic! Final! Summon the children eating ice cream To speak the chill thrill of immediacy.
Call for the acrobats who tumble The ecstasy of the somersault.
Bid the self-sufficient stars be piercing In the sublime and inexhaustible blue.
"Bring a mathematician, there is much to count, The unending continuum of my attention: Infinity will hurry his multiplied voice! Bring the poised impeccable diver, Summon the skater, precise in figure, He knows the peril of circumstance, The risk of movement and the hard ground.
Summon the florist! And the tobacconist! All who have known a plant-like beauty: Summon the charming bird for ignorant song.
"You, Athena, with your tired beauty, Will you give me away? For you must come In a bathing suit with that white owl Whom, as I walk, I will hold in my hand.
You too, Crusoe, to utter the emotion Of finding Friday, no longer alone; You too, Chaplin, muse of the curbstone, Mummer of hope, you understand!" But this is fantastic and pitiful, And no one comes, none will, we are alone, And what is possible is my own voice, Speaking its wish, despite its lasting fear; Speaking of its hope, its promise and its fear, The voice drunk with itself and rapt in fear, Exaggeration, braggadocio, Rhetoric and hope, and always fear: "For fifty-six or for a thousand years, I will live with you and be your friend, And what your body and what your spirit bears I will like my own body cure and tend.
But you are heavy and my body's weight Is great and heavy: when I carry you I lift upon my back time like a fate Near as my heart, dark when I marry you.
"The voice's promise is easy, and hope Is drunk, and wanton, and unwilled; In time's quicksilver, where our desires grope, The dream is warped or monstrously fulfilled, In this sense, listen, listen, and draw near: Love is inexhaustible and full of fear.
" This life is endless and my eyes are tired, So that, again and again, I touch a chair, Or go to the window, press my face Against it, hoping with substantial touch, Colorful sight, or turning things to gain once more The look of actuality, the certainty Of those who run down stairs and drive a car.
Then let us be each other's truth, let us Affirm the other's self, and be The other's audience, the other's state, Each to the other his sonorous fame.
Now you will be afraid, when, waking up, Before familiar morning, by my mute side Wan and abandoned then, when, waking up, You see the lion or lamb upon my face Or see the daemon breathing heavily His sense of ignorance, his wish to die, For I am nothing because my circus self Divides its love a million times.
I am the octopus in love with God, For thus is my desire inconclusible, Until my mind, deranged in swimming tubes, Issues its own darkness, clutching seas ---O God of my perfect ignorance, Bring the New Year to my only sister soon, Take from me strength and power to bless her head, Give her the magnitude of secular trust, Until she turns to me in her troubled sleep, Seeing me in my wish, free from self-wrongs.


Written by Robert William Service | Create an image from this poem

Spats

 When young I was a Socialist
 Despite my tender years;
No blessed chance I ever missed
 To slam the profiteers.
Yet though a fanatic I was, And cursed aristocrats, The Party chucked me out because I sported Spats.
Aye, though on soap boxes I stood, And spouted in the parks, They grizzled that my foot-wear would Be disavowed my Marx.
It's buttons of a pearly sheen Bourgois they deemed and thus They told me; 'You must choose between Your spats and us.
' Alas! I loved my gaitered feet Of smoothly fitting fawn; They were so snappy and so neat, A gift from Uncle John Who had a fortune in the Bank That one day might be mine: 'Give up my spats!' said I, 'I thank You--but resign.
' Today when red or pink I see In stripy pants of state, I think of how they lost in me A demon of debate.
I muse as leaders strut about In frock-coats and high hats .
.
.
The bloody party chucked me out Because of Spats.
Written by Robert William Service | Create an image from this poem

The Ballad Of Lenins Tomb

 This is the yarn he told me
 As we sat in Casey's Bar,
 That Rooshun mug who scammed from the jug
 In the Land of the Crimson Star;
 That Soviet guy with the single eye,
 And the face like a flaming scar.
Where Lenin lies the red flag flies, and the rat-grey workers wait To tread the gloom of Lenin's Tomb, where the Comrade lies in state.
With lagging pace they scan his face, so weary yet so firm; For years a score they've laboured sore to save him from the worm.
The Kremlin walls are grimly grey, but Lenin's Tomb is red, And pilgrims from the Sour Lands say: "He sleeps and is not dead.
" Before their eyes in peace he lies, a symbol and a sign, And as they pass that dome of glass they see - a God Divine.
So Doctors plug him full of dope, for if he drops to dust, So will collapse their faith and hope, the whole combine will bust.
But say, Tovarich; hark to me .
.
.
a secret I'll disclose, For I did see what none did see; I know what no one knows.
I was a Cheko terrorist - Oh I served the Soviets well, Till they put me down on the bone-yard list, for the fear that I might tell; That I might tell the thing I saw, and that only I did see, They held me in quod with a firing squad to make a corpse of me.
But I got away, and here today I'm telling my tale to you; Though it may sound weird, by Lenin's beard, so help me God it's true.
I slouched across that great Red Square, and watched the waiting line.
The mongrel sons of Marx were there, convened to Lenin's shrine; Ten thousand men of Muscovy, Mongol and Turkoman, Black-bonnets of the Aral Sea and Tatars of Kazan.
Kalmuck and Bashkir, Lett and Finn, Georgian, Jew and Lapp, Kirghiz and Kazakh, crowding in to gaze at Lenin's map.
Aye, though a score of years had run I saw them pause and pray, As mourners at the Tomb of one who died but yesterday.
I watched them in a bleary daze of bitterness and pain, For oh, I missed the cheery blaze of vodka in my brain.
I stared, my eyes were hypnotized by that saturnine host, When with a start that shook my heart I saw - I saw a ghost.
As in foggèd glass I saw him pass, and peer at me and grin - A man I knew, a man I slew, Prince Boris Mazarin.
Now do not think because I drink I love the flowing bowl; But liquor kills remorse and stills the anguish of the soul.
And there's so much I would forget, stark horrors I have seen, Faces and forms that haunt me yet, like shadows on a screen.
And of these sights that mar my nights the ghastliest by far Is the death of Boris Mazarin, that soldier of the Czar.
A mighty nobleman was he; we took him by surprise; His mother, son and daughters three we slew before his eyes.
We tortured him, with jibes and threats; then mad for glut of gore, Upon our reeking bayonets we nailed him to the door.
But he defied us to the last, crying: "O carrion crew! I'd die with joy could I destroy a hundred dogs like you.
" I thrust my sword into his throat; the blade was gay with blood; We flung him to his castle moat, and stamped him in its mud.
That mighty Cossack of the Don was dead with all his race.
.
.
.
And now I saw him coming on, dire vengeance in his face.
(Or was it some fantastic dream of my besotted brain?) He looked at me with eyes a-gleam, the man whom I had slain.
He looked and bade me follow him; I could not help but go; I joined the throng that passed along, so sorrowful and slow.
I followed with a sense of doom that shadow gaunt and grim; Into the bowels of the Tomb I followed, followed him.
The light within was weird and dim, and icy cold the air; My brow was wet with bitter sweat, I stumbled on the stair.
I tried to cry; my throat was dry; I sought to grip his arm; For well I knew this man I slew was there to do us harm.
Lo! he was walking by my side, his fingers clutched my own, This man I knew so well had died, his hand was naked bone.
His face was like a skull, his eyes were caverns of decay .
.
.
And so we came to the crystal frame where lonely Lenin lay.
Without a sound we shuffled round> I sought to make a sign, But like a vice his hand of ice was biting into mine.
With leaden pace around the place where Lenin lies at rest, We slouched, I saw his bony claw go fumbling to his breast.
With ghastly grin he groped within, and tore his robe apart, And from the hollow of his ribs he drew his blackened heart.
.
.
.
Ah no! Oh God! A bomb, a BOMB! And as I shrieked with dread, With fiendish cry he raised it high, and .
.
.
swung at Lenin's head.
Oh I was blinded by the flash and deafened by the roar, And in a mess of bloody mash I wallowed on the floor.
Then Alps of darkness on me fell, and when I saw again The leprous light 'twas in a cell, and I was racked with pain; And ringèd around by shapes of gloom, who hoped that I would die; For of the crowd that crammed the Tomb the sole to live was I.
They told me I had dreamed a dream that must not be revealed, But by their eyes of evil gleam I knew my doom was sealed.
I need not tell how from my cell in Lubianka gaol, I broke away, but listen, here's the point of all my tale.
.
.
.
Outside the "Gay Pay Oo" none knew of that grim scene of gore; They closed the Tomb, and then they threw it open as before.
And there was Lenin, stiff and still, a symbol and a sign, And rancid races come to thrill and wonder at his Shrine; And hold the thought: if Lenin rot the Soviets will decay; And there he sleeps and calm he keeps his watch and ward for aye.
Yet if you pass that frame of glass, peer closely at his phiz, So stern and firm it mocks the worm, it looks like wax .
.
.
and is.
They tell you he's a mummy - don't you make that bright mistake: I tell you - he's a dummy; aye, a fiction and a fake.
This eye beheld the bloody bomb that bashed him on the bean.
I heard the crash, I saw the flash, yet .
.
.
there he lies serene.
And by the roar that rocked the Tomb I ask: how could that be? But if you doubt that deed of doom, just go yourself and see.
You think I'm mad, or drunk, or both .
.
.
Well, I don't care a damn: I tell you this: their Lenin is a waxen, show-case SHAM.
Such was the yarn he handed me, Down there in Casey's Bar, That Rooshun bug with the scrambled mug From the land of the Commissar.
It may be true, I leave it you To figger out how far.
Written by Vachel Lindsay | Create an image from this poem

This My Song Is Made For Kerensky

 (Being a Chant of the American Soap-Box and the Russian Revolution.
) O market square, O slattern place, Is glory in your slack disgrace? Plump quack doctors sell their pills, Gentle grafters sell brass watches, Silly anarchists yell their ills.
Shall we be as weird as these? In the breezes nod and wheeze? Heaven's mass is sung, Tomorrow's mass is sung In a spirit tongue By wind and dust and birds, The high mass of liberty, While wave the banners red: Sung round the soap-box, A mass for soldiers dead.
When you leave your faction in the once-loved hall, Like a true American tongue-lash them all, Stand then on the corner under starry skies And get you a gang of the worn and the wise.
The soldiers of the Lord may be squeaky when they rally, The soldiers of the Lord are a ***** little army, But the soldiers of the Lord, before the year is through, Will gather the whole nation, recruit all creation, To smite the hosts abhorred, and all the heavens renew — Enforcing with the bayonet the thing the ages teach — Free speech! Free speech! Down with the Prussians, and all their works.
Down with the Turks.
Down with every army that fights against the soap-box, The Pericles, Socrates, Diogenes soap-box, The old Elijah, Jeremiah, John-the-Baptist soap-box, The Rousseau, Mirabeau, Danton soap-box, The Karl Marx, Henry George, Woodrow Wilson soap-box.
We will make the wide earth safe for the soap-box, The everlasting foe of beastliness and tyranny, Platform of liberty: — Magna Charta liberty, Andrew Jackson liberty, bleeding Kansas liberty, New-born Russian liberty: — Battleship of thought, The round world over, Loved by the red-hearted, Loved by the broken-hearted, Fair young Amazon or proud tough rover, Loved by the lion, Loved by the lion, Loved by the lion, Feared by the fox.
The Russian Revolution is the world revolution.
Death at the bedstead of every Kaiser knocks.
The Hohenzollern army shall be felled like the ox.
The fatal hour is striking in all the doomsday clocks.
The while, by freedom's alchemy Beauty is born.
Ring every sleigh-bell, ring every church bell, Blow the clear trumpet, and listen for the answer: — The blast from the sky of the Gabriel horn.
Hail the Russian picture around the little box: — Exiles, Troops in files, Generals in uniform, Mujiks in their smocks, And holy maiden soldiers who have cut away their locks.
All the peoples and the nations in processions mad and great, Are rolling through the Russian Soul as through a city gate: — As though it were a street of stars that paves the shadowy deep.
And mighty Tolstoi leads the van along the stairway steep.
But now the people shout: "Hail to Kerensky, He hurled the tyrants out.
" And this my song is made for Kerensky, Prophet of the world-wide intolerable hope, There on the soap-box, seasoned, dauntless, There amid the Russian celestial kaleidoscope, Flags of liberty, rags and battlesmoke.
Moscow and Chicago! Come let us praise battling Kerensky, Bravo! Bravo! Comrade Kerensky the thunderstorm and rainbow! Comrade Kerensky, Bravo, Bravo!
Written by Carolyn Kizer | Create an image from this poem

Cultural Evolution

 When from his cave, young Mao in his youthful mind
A work to renew old China first designed,
Then he alone interpreted the law,
and from tradtional fountains scorned to draw:
But when to examine every part he came,
Marx and Confucius turned out much the same.
Written by Amy Lowell | Create an image from this poem

The Grocery

 "Hullo, Alice!"
"Hullo, Leon!"
"Say, Alice, gi' me a couple
O' them two for five cigars,
Will yer?"
"Where's your nickel?"
"My! Ain't you close!
Can't trust a feller, can yer.
" "Trust you! Why What you owe this store Would set you up in business.
I can't think why Father 'lows it.
" "Yer Father's a sight more neighbourly Than you be.
That's a fact.
Besides, he knows I got a vote.
" "A vote! Oh, yes, you got a vote! A lot o' good the Senate'll be to Father When all his bank account Has run away in credits.
There's your cigars, If you can relish smokin' With all you owe us standin'.
" "I dunno as that makes 'em taste any diff'rent.
You ain't fair to me, Alice, 'deed you ain't.
I work when anythin's doin'.
I'll get a carpenterin' job next Summer sure.
Cleve was tellin' me to-day he'd take me on come Spring.
" "Come Spring, and this December! I've no patience with you, Leon, Shilly-shallyin' the way you do.
Here, lift over them crates o' oranges I wanter fix 'em in the winder.
" "It riles yer, don't it, me not havin' work.
You pepper up about it somethin' good.
You pick an' pick, and that don't help a mite.
Say, Alice, do come in out o' that winder.
Th' oranges c'n wait, An' I don't like talkin' to yer back.
" "Don't you! Well, you'd better make the best o' what you can git.
Maybe you won't have my back to talk to soon.
They look good in pyramids with the 'lectric light on 'em, Don't they? Now hand me them bananas An' I'll string 'em right acrost.
" "What do yer mean 'Bout me not havin' you to talk to? Are yer springin' somethin' on me?" "I don't know 'bout springin' When I'm tellin' you right out.
I'm goin' away, that's all.
" "Where? Why? What yer mean -- goin' away?" "I've took a place Down to Boston, in a candy store For the holidays.
" "Good Land, Alice, What in the Heavens fer!" "To earn some money, And to git away from here, I guess.
" "Ain't yer Father got enough? Don't he give yer proper pocket-money?" "He'd have a plenty, if you folks paid him.
" "He's rich I tell yer.
I never figured he'd be close with you.
" "Oh, he ain't.
Not close.
That ain't why.
But I must git away from here.
I must! I must!" "You got a lot o' reason in yer To-night.
How long d' you cal'late You'll be gone?" "Maybe for always.
" "What ails yer, Alice? Talkin' wild like that.
Ain't you an' me goin' to be married Some day.
" "Some day! Some day! I guess the sun'll never rise on some day.
" "So that's the trouble.
Same old story.
'Cause I ain't got the cash to settle right now.
You know I love yer, An' I'll marry yer as soon As I c'n raise the money.
" "You've said that any time these five year, But you don't do nothin'.
" "Wot could I do? Ther ain't no work here Winters.
Not fer a carpenter, ther ain't.
" "I guess you warn't born a carpenter.
Ther's ice-cuttin' a plenty.
" "I got a dret'ful tender throat; Dr.
Smiles he told me I mustn't resk ice-cuttin'.
" "Why haven't you gone to Boston, And hunted up a job?" "Have yer forgot the time I went expressin' In the American office, down ther?" "And come back two weeks later! No, I ain't.
" "You didn't want I should git hurted, Did yer? I'm a sight too light fer all that liftin' work.
My back was commencin' to strain, as 'twas.
Ef I was like yer brother now, I'd ha' be'n down to the city long ago.
But I'm too clumsy fer a dancer.
I ain't got Arthur's luck.
" "Do you call it luck to be a disgrace to your folks, And git locked up in jail!" "Oh, come now, Alice, `Disgrace' is a mite strong.
Why, the jail was a joke.
Art's all right.
" "All right! All right to dance, and smirk, and lie For a livin', And then in the end Lead a silly girl to give you What warn't hers to give By pretendin' you'd marry her -- And she a pupil.
" "He'd ha' married her right enough, Her folks was millionaires.
" "Yes, he'd ha' married her! Thank God, they saved her that.
" "Art's a fine feller.
I wish I had his luck.
Swellin' round in Hart, Schaffner & Marx fancy suits, And eatin' in rest'rants.
But somebody's got to stick to the old place, Else Foxfield'd have to shut up shop, Hey, Alice?" "You admire him! You admire Arthur! You'd be like him only you can't dance.
Oh, Shame! Shame! And I've been like that silly girl.
Fooled with your promises, And I give you all I had.
I knew it, oh, I knew it, But I wanted to git away 'fore I proved it.
You've shamed me through and through.
Why couldn't you hold your tongue, And spared me seein' you As you really are.
" "What the Devil's the row? I only said Art was lucky.
What you spitfirin' at me fer? Ferget it, Alice.
We've had good times, ain't we? I'll see Cleve 'bout that job agin to-morrer, And we'll be married 'fore hayin' time.
" "It's like you to remind me o' hayin' time.
I've good cause to love it, ain't I? Many's the night I've hid my face in the dark To shut out thinkin'!" "Why, that ain't nothin'.
You ain't be'n half so kind to me As lots o' fellers' girls.
Gi' me a kiss, Dear, And let's make up.
" "Make up! You poor fool.
Do you suppose I care a ten cent piece For you now.
You've killed yourself for me.
Done it out o' your own mouth.
You've took away my home, I hate the sight o' the place.
You're all over it, Every stick an' stone means you, An' I hate 'em all.
" "Alice, I say, Don't go on like that.
I can't marry yer Boardin' in one room, But I'll see Cleve to-morrer, I'll make him ----" "Oh, you fool! You terrible fool!" "Alice, don't go yit, Wait a minit, I'll see Cleve ----" "You terrible fool!" "Alice, don't go.
Alice ----" (Door slams)

Book: Reflection on the Important Things