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Best Famous Mane Poems

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Written by Robert William Service | Create an image from this poem

The Ghosts

 Smith, great writer of stories, drank; found it immortalized his pen;
Fused in his brain-pan, else a blank, heavens of glory now and then;
Gave him the magical genius touch; God-given power to gouge out, fling
Flat in your face a soul-thought -- Bing!
Twiddle your heart-strings in his clutch.
"Bah!" said Smith, "let my body lie stripped to the buff in swinish shame, If I can blaze in the radiant sky out of adoring stars my name.
Sober am I nonentitized; drunk am I more than half a god.
Well, let the flesh be sacrificed; spirit shall speak and shame the clod.
Who would not gladly, gladly give Life to do one thing that will live?" Smith had a friend, we'll call him Brown; dearer than brothers were those two.
When in the wassail Smith would drown, Brown would rescue and pull him through.
When Brown was needful Smith would lend; so it fell as the years went by, Each on the other would depend: then at the last Smith came to die.
There Brown sat in the sick man's room, still as a stone in his despair; Smith bent on him his eyes of doom, shook back his lion mane of hair; Said: "Is there one in my chosen line, writer of forthright tales my peer? Look in that little desk of mine; there is a package, bring it here.
Story of stories, gem of all; essence and triumph, key and clue; Tale of a loving woman's fall; soul swept hell-ward, and God! it's true.
I was the man -- Oh, yes, I've paid, paid with mighty and mordant pain.
Look! here's the masterpiece I've made out of my sin, my manhood slain.
Art supreme! yet the world would stare, know my mistress and blaze my shame.
I have a wife and daughter -- there! take it and thrust it in the flame.
" Brown answered: "Master, you have dipped pen in your heart, your phrases sear.
Ruthless, unflinching, you have stripped naked your soul and set it here.
Have I not loved you well and true? See! between us the shadows drift; This bit of blood and tears means You -- oh, let me have it, a parting gift.
Sacred I'll hold it, a trust divine; sacred your honour, her dark despair; Never shall it see printed line: here, by the living God I swear.
" Brown on a Bible laid his hand; Smith, great writer of stories, sighed: "Comrade, I trust you, and understand.
Keep my secret!" And so he died.
Smith was buried -- up soared his sales; lured you his books in every store; Exquisite, whimsy, heart-wrung tales; men devoured them and craved for more.
So when it slyly got about Brown had a posthumous manuscript, Jones, the publisher, sought him out, into his pocket deep he dipped.
"A thousand dollars?" Brown shook his head.
"The story is not for sale, " he said.
Jones went away, then others came.
Tempted and taunted, Brown was true.
Guarded at friendship's shrine the fame of the unpublished story grew and grew.
It's a long, long lane that has no end, but some lanes end in the Potter's field; Smith to Brown had been more than friend: patron, protector, spur and shield.
Poor, loving-wistful, dreamy Brown, long and lean, with a smile askew, Friendless he wandered up and down, gaunt as a wolf, as hungry too.
Brown with his lilt of saucy rhyme, Brown with his tilt of tender mirth Garretless in the gloom and grime, singing his glad, mad songs of earth: So at last with a faith divine, down and down to the Hunger-line.
There as he stood in a woeful plight, tears a-freeze on his sharp cheek-bones, Who should chance to behold his plight, but the publisher, the plethoric Jones; Peered at him for a little while, held out a bill: "NOW, will you sell?" Brown scanned it with his twisted smile: "A thousand dollars! you go to hell!" Brown enrolled in the homeless host, sleeping anywhere, anywhen; Suffered, strove, became a ghost, slave of the lamp for other men; For What's-his-name and So-and-so in the abyss his soul he stripped, Yet in his want, his worst of woe, held he fast to the manuscript.
Then one day as he chewed his pen, half in hunger and half despair, Creaked the door of his garret den; Dick, his brother, was standing there.
Down on the pallet bed he sank, ashen his face, his voice a wail: "Save me, brother! I've robbed the bank; to-morrow it's ruin, capture, gaol.
Yet there's a chance: I could to-day pay back the money, save our name; You have a manuscript, they say, worth a thousand -- think, man! the shame.
.
.
.
" Brown with his heart pain-pierced the while, with his stern, starved face, and his lips stone-pale, Shuddered and smiled his twisted smile: "Brother, I guess you go to gaol.
" While poor Brown in the leer of dawn wrestled with God for the sacred fire, Came there a woman weak and wan, out of the mob, the murk, the mire; Frail as a reed, a fellow ghost, weary with woe, with sorrowing; Two pale souls in the legion lost; lo! Love bent with a tender wing, Taught them a joy so deep, so true, it seemed that the whole-world fabric shook, Thrilled and dissolved in radiant dew; then Brown made him a golden book, Full of the faith that Life is good, that the earth is a dream divinely fair, Lauding his gem of womanhood in many a lyric rich and rare; Took it to Jones, who shook his head: "I will consider it," he said.
While he considered, Brown's wife lay clutched in the tentacles of pain; Then came the doctor, grave and grey; spoke of decline, of nervous strain; Hinted Egypt, the South of France -- Brown with terror was tiger-gripped.
Where was the money? What the chance? Pitiful God! .
.
.
the manuscript! A thousand dollars! his only hope! he gazed and gazed at the garret wall.
.
.
.
Reached at last for the envelope, turned to his wife and told her all.
Told of his friend, his promise true; told like his very heart would break: "Oh, my dearest! what shall I do? shall I not sell it for your sake?" Ghostlike she lay, as still as doom; turned to the wall her weary head; Icy-cold in the pallid gloom, silent as death .
.
.
at last she said: "Do! my husband? Keep your vow! Guard his secret and let me die.
.
.
.
Oh, my dear, I must tell you now -- the women he loved and wronged was I; Darling! I haven't long to live: I never told you -- forgive, forgive!" For a long, long time Brown did not speak; sat bleak-browed in the wretched room; Slowly a tear stole down his cheek, and he kissed her hand in the dismal gloom.
To break his oath, to brand her shame; his well-loved friend, his worshipped wife; To keep his vow, to save her name, yet at the cost of what? Her life! A moment's space did he hesitate, a moment of pain and dread and doubt, Then he broke the seals, and, stern as fate, unfolded the sheets and spread them out.
.
.
.
On his knees by her side he limply sank, peering amazed -- each page was blank.
(For oh, the supremest of our art are the stories we do not dare to tell, Locked in the silence of the heart, for the awful records of Heav'n and Hell.
) Yet those two in the silence there, seemed less weariful than before.
Hark! a step on the garret stair, a postman knocks at the flimsy door.
"Registered letter!" Brown thrills with fear; opens, and reads, then bends above: "Glorious tidings! Egypt, dear! The book is accepted -- life and love.
"


Written by Robert Browning | Create an image from this poem

The Glove

 (PETER RONSARD _loquitur_.
) ``Heigho!'' yawned one day King Francis, ``Distance all value enhances! ``When a man's busy, why, leisure ``Strikes him as wonderful pleasure: `` 'Faith, and at leisure once is he? ``Straightway he wants to be busy.
``Here we've got peace; and aghast I'm ``Caught thinking war the true pastime.
``Is there a reason in metre? ``Give us your speech, master Peter!'' I who, if mortal dare say so, Ne'er am at loss with my Naso, ``Sire,'' I replied, ``joys prove cloudlets: ``Men are the merest Ixions''--- Here the King whistled aloud, ``Let's ``---Heigho---go look at our lions!'' Such are the sorrowful chances If you talk fine to King Francis.
And so, to the courtyard proceeding, Our company, Francis was leading, Increased by new followers tenfold Before be arrived at the penfold; Lords, ladies, like clouds which bedizen At sunset the western horizon.
And Sir De Lorge pressed 'mid the foremost With the dame he professed to adore most.
Oh, what a face! One by fits eyed Her, and the horrible pitside; For the penfold surrounded a hollow Which led where the eye scarce dared follow, And shelved to the chamber secluded Where Bluebeard, the great lion, brooded.
The King bailed his keeper, an Arab As glossy and black as a scarab,*1 And bade him make sport and at once stir Up and out of his den the old monster.
They opened a hole in the wire-work Across it, and dropped there a firework, And fled: one's heart's beating redoubled; A pause, while the pit's mouth was troubled, The blackness and silence so utter, By the firework's slow sparkling and sputter; Then earth in a sudden contortion Gave out to our gaze her abortion.
Such a brute! Were I friend Clement Marot (Whose experience of nature's but narrow, And whose faculties move in no small mist When he versifies David the Psalmist) I should study that brute to describe you _Illim Juda Leonem de Tribu_.
One's whole blood grew curdling and creepy To see the black mane, vast and heapy, The tail in the air stiff and straining, The wide eyes, nor waxing nor waning, As over the barrier which bounded His platform, and us who surrounded The barrier, they reached and they rested On space that might stand him in best stead: For who knew, he thought, what the amazement, The eruption of clatter and blaze meant, And if, in this minute of wonder, No outlet, 'mid lightning and thunder, Lay broad, and, his shackles all shivered, The lion at last was delivered? Ay, that was the open sky o'erhead! And you saw by the flash on his forehead, By the hope in those eyes wide and steady, He was leagues in the desert already, Driving the flocks up the mountain, Or catlike couched hard by the fountain To waylay the date-gathering negress: So guarded he entrance or egress.
``How he stands!'' quoth the King: ``we may well swear, (``No novice, we've won our spurs elsewhere ``And so can afford the confession,) ``We exercise wholesome discretion ``In keeping aloof from his threshold; ``Once hold you, those jaws want no fresh hold, ``Their first would too pleasantly purloin ``The visitor's brisket or surloin: ``But who's he would prove so fool-hardy? ``Not the best man of Marignan, pardie!'' The sentence no sooner was uttered, Than over the rails a glove flattered, Fell close to the lion, and rested: The dame 'twas, who flung it and jested With life so, De Lorge had been wooing For months past; he sat there pursuing His suit, weighing out with nonchalance Fine speeches like gold from a balance.
Sound the trumpet, no true knight's a tarrier! De Lorge made one leap at the barrier, Walked straight to the glove,---while the lion Neer moved, kept his far-reaching eye on The palm-tree-edged desert-spring's sapphire, And the musky oiled skin of the Kaffir,--- Picked it up, and as calmly retreated, Leaped back where the lady was seated, And full in the face of its owner Flung the glove.
``Your heart's queen, you dethrone her? ``So should I!''---cried the King---``'twas mere vanity, ``Not love, set that task to humanity!'' Lords and ladies alike turned with loathing From such a proved wolf in sheep's clothing.
Not so, I; for I caught an expression In her brow's undisturbed self-possession Amid the Court's scoffing and merriment,--- As if from no pleasing experiment She rose, yet of pain not much heedful So long as the process was needful,--- As if she had tried in a crucible, To what ``speeches like gold'' were reducible, And, finding the finest prove copper, Felt the smoke in her face was but proper; To know what she had _not_ to trust to, Was worth all the ashes and dust too.
She went out 'mid hooting and laughter; Clement Marot stayed; I followed after, And asked, as a grace, what it all meant? If she wished not the rash deed's recalment? ``For I''---so I spoke---``am a poet: ``Human nature,---behoves that I know it!'' She told me, ``Too long had I heard ``Of the deed proved alone by the word: ``For my love---what De Lorge would not dare! ``With my scorn---what De Lorge could compare! ``And the endless descriptions of death ``He would brave when my lip formed a breath, ``I must reckon as braved, or, of course, ``Doubt his word---and moreover, perforce, ``For such gifts as no lady could spurn, ``Must offer my love in return.
``When I looked on your lion, it brought ``All the dangers at once to my thought, ``Encountered by all sorts of men, ``Before he was lodged in his den,--- ``From the poor slave whose club or bare hands ``Dug the trap, set the snare on the sands, ``With no King and no Court to applaud, ``By no shame, should he shrink, overawed, ``Yet to capture the creature made shift, ``That his rude boys might laugh at the gift, ``---To the page who last leaped o'er the fence ``Of the pit, on no greater pretence ``Than to get back the bonnet he dropped, ``Lest his pay for a week should be stopped.
``So, wiser I judged it to make ``One trial what `death for my sake' ``Really meant, while the power was yet mine, ``Than to wait until time should define ``Such a phrase not so simply as I, ``Who took it to mean just `to die.
' ``The blow a glove gives is but weak: ``Does the mark yet discolour my cheek? ``But when the heart suffers a blow, ``Will the pain pass so soon, do you know?'' I looked, as away she was sweeping, And saw a youth eagerly keeping As close as he dared to the doorway.
No doubt that a noble should more weigh His life than befits a plebeian; And yet, had our brute been Nemean--- (I judge by a certain calm fervour The youth stepped with, forward to serve her) ---He'd have scarce thought you did him the worst turn If you whispered ``Friend, what you'd get, first earn!'' And when, shortly after, she carried Her shame from the Court, and they married, To that marriage some happiness, maugre The voice of the Court, I dared augur.
For De Lorge, he made women with men vie, Those in wonder and praise, these in envy; And in short stood so plain a head taller That he wooed and won .
.
.
how do you call her? The beauty, that rose in the sequel To the King's love, who loved her a week well.
And 'twas noticed he never would honour De Lorge (who looked daggers upon her) With the easy commission of stretching His legs in the service, and fetching His wife, from her chamber, those straying Sad gloves she was always mislaying, While the King took the closet to chat in,--- But of course this adventure came pat in.
And never the King told the story, How bringing a glove brought such glory, But the wife smiled---``His nerves are grown firmer: ``Mine he brings now and utters no murmur.
'' _Venienti occurrite morbo!_ With which moral I drop my theorbo.
*1 A beetle.
Written by William Blake | Create an image from this poem

Night

THE sun descending in the west  
The evening star does shine; 
The birds are silent in their nest.
And I must seek for mine.
The moon like a flower 5 In heaven's high bower With silent delight Sits and smiles on the night.
Farewell green fields and happy grove Where flocks have took delight: 10 Where lambs have nibbled silent move The feet of angels bright; Unseen they pour blessing And joy without ceasing On each bud and blossom 15 And each sleeping bosom.
They look in every thoughtless nest Where birds are cover'd warm; They visit caves of every beast To keep them all from harm: 20 If they see any weeping That should have been sleeping They pour sleep on their head And sit down by their bed.
When wolves and tigers howl for prey 25 They pitying stand and weep Seeking to drive their thirst away And keep them from the sheep.
But if they rush dreadful The angels most heedful 30 Receive each mild spirit New worlds to inherit.
And there the lion's ruddy eyes Shall flow with tears of gold: And pitying the tender cries 35 And walking round the fold: Saying 'Wrath by His meekness And by His health sickness Are driven away From our immortal day.
40 'And now beside thee bleating lamb I can lie down and sleep Or think on Him who bore thy name Graze after thee and weep.
For wash'd in life's river 45 My bright mane for ever Shall shine like the gold As I guard o'er the fold.
'
Written by Marge Piercy | Create an image from this poem

What Are Big Girls Made Of?

 The construction of a woman:
a woman is not made of flesh 
of bone and sinew 
belly and breasts, elbows and liver and toe.
She is manufactured like a sports sedan.
She is retooled, refitted and redesigned every decade.
Cecile had been seduction itself in college.
She wriggled through bars like a satin eel, her hips and ass promising, her mouth pursed in the dark red lipstick of desire.
She visited in '68 still wearing skirts tight to the knees, dark red lipstick, while I danced through Manhattan in mini skirt, lipstick pale as apricot milk, hair loose as a horse's mane.
Oh dear, I thought in my superiority of the moment, whatever has happened to poor Cecile? She was out of fashion, out of the game, disqualified, disdained, dis- membered from the club of desire.
Look at pictures in French fashion magazines of the 18th century: century of the ultimate lady fantasy wrought of silk and corseting.
Paniers bring her hips out three feet each way, while the waist is pinched and the belly flattened under wood.
The breasts are stuffed up and out offered like apples in a bowl.
The tiny foot is encased in a slipper never meant for walking.
On top is a grandiose headache: hair like a museum piece, daily ornamented with ribbons, vases, grottoes, mountains, frigates in full sail, balloons, baboons, the fancy of a hairdresser turned loose.
The hats were rococo wedding cakes that would dim the Las Vegas strip.
Here is a woman forced into shape rigid exoskeleton torturing flesh: a woman made of pain.
How superior we are now: see the modern woman thin as a blade of scissors.
She runs on a treadmill every morning, fits herself into machines of weights and pulleys to heave and grunt, an image in her mind she can never approximate, a body of rosy glass that never wrinkles, never grows, never fades.
She sits at the table closing her eyes to food hungry, always hungry: a woman made of pain.
A cat or dog approaches another, they sniff noses.
They sniff asses.
They bristle or lick.
They fall in love as often as we do, as passionately.
But they fall in love or lust with furry flesh, not hoop skirts or push up bras rib removal or liposuction.
It is not for male or female dogs that poodles are clipped to topiary hedges.
If only we could like each other raw.
If only we could love ourselves like healthy babies burbling in our arms.
If only we were not programmed and reprogrammed to need what is sold us.
Why should we want to live inside ads? Why should we want to scourge our softness to straight lines like a Mondrian painting? Why should we punish each other with scorn as if to have a large ass were worse than being greedy or mean? When will women not be compelled to view their bodies as science projects, gardens to be weeded, dogs to be trained? When will a woman cease to be made of pain?
Written by Francis Thompson | Create an image from this poem

The Hound of Heaven

 I fled Him down the nights and down the days
I fled Him down the arches of the years
I fled Him down the labyrinthine ways
Of my own mind, and in the midst of tears
I hid from him, and under running laughter.
Up vistaed hopes I sped and shot precipitated Adown titanic glooms of chasme d hears From those strong feet that followed, followed after But with unhurrying chase and unperturbe d pace, Deliberate speed, majestic instancy, They beat, and a Voice beat, More instant than the feet: All things betray thee who betrayest me.
I pleaded, outlaw--wise by many a hearted casement, curtained red, trellised with inter-twining charities, For though I knew His love who followe d, Yet was I sore adread, lest having Him, I should have nought beside.
But if one little casement parted wide, The gust of his approach would clash it to.
Fear wist not to evade as Love wist to pursue.
Across the margent of the world I fled, And troubled the gold gateways of the stars, Smiting for shelter on their clange d bars, Fretted to dulcet jars and silvern chatter The pale ports of the moon.
I said to Dawn --- be sudden, to Eve --- be soon, With thy young skiey blossoms heap me over From this tremendous Lover.
Float thy vague veil about me lest He see.
I tempted all His servitors but to find My own betrayal in their constancy, In faith to Him, their fickleness to me, Their traitorous trueness and their loyal deceit.
To all swift things for swiftness did I sue, Clung to the whistling mane of every wind, But whether they swept, smoothly fleet, The long savannahs of the blue, Or whether, thunder-driven, They clanged His chariot thwart a heaven, Plashy with flying lightnings round the spurn of their feet, Fear wist not to evade as Love wist to pursue.
Still with unhurrying chase and unperturbed pace Deliberate speed, majestic instancy, Came on the following feet, and a Voice above their beat: Nought shelters thee who wilt not shelter Me.
I sought no more that after which I strayed In face of Man or Maid.
But still within the little childrens' eyes Seems something, something that replies, They at least are for me, surely for me.
But just as their young eyes grew sudden fair, With dawning answers there, Their angel plucked them from me by the hair.
Come then, ye other children, Nature's Share with me, said I, your delicate fellowship.
Let me greet you lip to lip, Let me twine with you caresses, Wantoning with our Lady Mother's vagrant tresses, Banqueting with her in her wind walled palace, Underneath her azured dai:s, Quaffing, as your taintless way is, From a chalice, lucent weeping out of the dayspring.
So it was done.
I in their delicate fellowship was one.
Drew the bolt of Nature's secrecies, I knew all the swift importings on the wilful face of skies, I knew how the clouds arise, Spume d of the wild sea-snortings.
All that's born or dies, Rose and drooped with, Made them shapers of mine own moods, or wailful, or Divine.
With them joyed and was bereaven.
I was heavy with the Even, when she lit her glimmering tapers round the day's dead sanctities.
I laughed in the morning's eyes.
I triumphed and I saddened with all weather, Heaven and I wept together, and its sweet tears were salt with mortal mine.
Against the red throb of its sunset heart, I laid my own to beat And share commingling heat.
But not by that, by that was eased my human smart.
In vain my tears were wet on Heaven's grey cheek.
For ah! we know what each other says, these things and I; In sound I speak, Their sound is but their stir, they speak by silences.
Nature, poor step-dame, cannot slake my drouth.
Let her, if she would owe me Drop yon blue-bosomed veil of sky And show me the breasts o' her tenderness.
Never did any milk of hers once bless my thirsting mouth.
Nigh and nigh draws the chase, with unperturbe d pace Deliberate speed, majestic instancy, And past those noise d feet, a Voice comes yet more fleet: Lo, nought contentst thee who content'st nought Me.
Naked, I wait thy Love's uplifted stroke.
My harness, piece by piece, thou'st hewn from me And smitten me to my knee, I am defenceless, utterly.
I slept methinks, and awoke.
And slowly gazing, find me stripped in sleep.
In the rash lustihead of my young powers, I shook the pillaring hours, and pulled my life upon me.
Grimed with smears, I stand amidst the dust o' the mounded years-- My mangled youth lies dead beneath the heap.
My days have crackled and gone up in smoke, Have puffed and burst like sunstarts on a stream.
Yeah, faileth now even dream the dreamer and the lute, the lutanist.
Even the linked fantasies in whose blossomy twist, I swung the Earth, a trinket at my wrist, Have yielded, cords of all too weak account, For Earth, with heavy grief so overplussed.
Ah! is thy Love indeed a weed, albeit an Amaranthine weed, Suffering no flowers except its own to mount? Ah! must, Designer Infinite, Ah! must thou char the wood 'ere thou canst limn with it ? My freshness spent its wavering shower i' the dust.
And now my heart is as a broken fount, Wherein tear-drippings stagnate, spilt down ever From the dank thoughts that shiver upon the sighful branches of my mind.
Such is.
What is to be ? The pulp so bitter, how shall taste the rind ? I dimly guess what Time in mists confounds, Yet ever and anon, a trumpet sounds From the hid battlements of Eternity.
Those shaken mists a space unsettle, Then round the half-glimpse d turrets, slowly wash again.
But not 'ere Him who summoneth I first have seen, enwound With glooming robes purpureal; Cypress crowned.
His name I know, and what his trumpet saith.
Whether Man's Heart or Life it be that yield thee harvest, Must thy harvest fields be dunged with rotten death ? Now of that long pursuit, Comes at hand the bruit.
That Voice is round me like a bursting Sea: And is thy Earth so marred, Shattered in shard on shard? Lo, all things fly thee, for thou fliest me.
Strange, piteous, futile thing; Wherefore should any set thee love apart? Seeing none but I makes much of Naught (He said).
And human love needs human meriting --- How hast thou merited, Of all Man's clotted clay, the dingiest clot.
Alack! Thou knowest not How little worthy of any love thou art.
Whom wilt thou find to love ignoble thee, Save me, save only me? All which I took from thee, I did'st but take, Not for thy harms, But just that thou might'st seek it in my arms.
All which thy childs mistake fancies as lost, I have stored for thee at Home.
Rise, clasp my hand, and come.
Halts by me that Footfall.
Is my gloom, after all, Shade of His hand, outstretched caressingly? Ah, Fondest, Blindest, Weakest, I am He whom thou seekest.
Thou dravest Love from thee who dravest Me.


Written by Louise Gluck | Create an image from this poem

Horse

 What does the horse give you
That I cannot give you?

I watch you when you are alone,
When you ride into the field behind the dairy,
Your hands buried in the mare's
Dark mane.
Then I know what lies behind your silence: Scorn, hatred of me, of marriage.
Still, You want me to touch you; you cry out As brides cry, but when I look at you I see There are no children in your body.
Then what is there? Nothing, I think.
Only haste To die before I die.
In a dream, I watched you ride the horse Over the dry fields and then Dismount: you two walked together; In the dark, you had no shadows.
But I felt them coming toward me Since at night they go anywhere, They are their own masters.
Look at me.
You think I don't understand? What is the animal If not passage out of this life?
Written by William Shakespeare | Create an image from this poem

from Venus and Adonis

 But, lo! from forth a copse that neighbours by,
A breeding jennet, lusty, young, and proud,
Adonis' trampling courser doth espy,
And forth she rushes, snorts and neighs aloud;
The strong-neck'd steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.
Imperiously he leaps, he neighs, he bounds, And now his woven girths he breaks asunder; The bearing earth with his hard hoof he wounds, Whose hollow womb resounds like heaven's thunder; The iron bit he crushes 'tween his teeth Controlling what he was controlled with.
His ears up-prick'd; his braided hanging mane Upon his compass'd crest now stand on end; His nostrils drink the air, and forth again, As from a furnace, vapours doth he send: His eye, which scornfully glisters like fire, Shows his hot courage and his high desire.
Sometime her trots, as if he told the steps, With gentle majesty and modest pride; Anon he rears upright, curvets and leaps, As who should say, 'Lo! thus my strength is tried; And this I do to captivate the eye Of the fair breeder that is standing by.
' What recketh he his rider's angry stir, His flattering 'Holla,' or his 'Stand, I say?' What cares he now for curb of pricking spur? For rich caparisons or trapping gay? He sees his love, and nothing else he sees, Nor nothing else with his proud sight agrees.
Look, when a painter would surpass the life, In limning out a well-proportion'd steed, His art with nature's workmanship at strife, As if the dead the living should exceed; So did this horse excel a common one, In shape, in courage, colour, pace and bone Round-hoof'd, short-jointed, fetlocks shag and long, Broad breast, full eye, small head, and nostril wide, High crest, short ears, straight legs and passing strong, Thin mane, thick tail, broad buttock, tender hide: Look, what a horse should have he did not lack, Save a proud rider on so proud a back.
Sometimes he scuds far off, and there he stares; Anon he starts at stirring of a feather; To bid the wind a race he now prepares, And whe'r he run or fly they know not whether; For through his mane and tail the high wind sings, Fanning the hairs, who wave like feather'd wings.
He looks upon his love, and neighs unto her; She answers him as if she knew his mind; Being proud, as females are, to see him woo her, She puts on outward strangeness, seems unkind, Spurns at his love and scorns the heat he feels, Beating his kind embracements with her heels.
Then, like a melancholy malcontent, He vails his tail that, like a falling plume Cool shadow to his melting buttock lent: He stamps, and bites the poor flies in his fume.
His love, perceiving how he is enrag'd, Grew kinder, and his fury was assuag'd.
His testy master goeth about to take him; When lo! the unback'd breeder, full of fear, Jealous of catching, swiftly doth forsake him, With her the horse, and left Adonis there.
As they were mad, unto the wood they hie them, Out-stripping crows that strive to over-fly them.
I prophesy they death, my living sorrow, If thou encounter with the boar to-morrow.
"But if thou needs wilt hunt, be rul'd by me; Uncouple at the timorous flying hare, Or at the fox which lives by subtlety, Or at the roe which no encounter dare: Pursue these fearful creatures o'er the downs, And on they well-breath'd horse keep with they hounds.
"And when thou hast on food the purblind hare, Mark the poor wretch, to overshoot his troubles How he outruns with winds, and with what care He cranks and crosses with a thousand doubles: The many musits through the which he goes Are like a labyrinth to amaze his foes.
"Sometime he runs among a flock of sheep, To make the cunning hounds mistake their smell, And sometime where earth-delving conies keep, To stop the loud pursuers in their yell, And sometime sorteth with a herd of deer; Danger deviseth shifts; wit waits on fear: "For there his smell with other being mingled, The hot scent-snuffing hounds are driven to doubt, Ceasing their clamorous cry till they have singled With much ado the cold fault cleanly out; Then do they spend their mouths: Echo replies, As if another chase were in the skies.
"By this, poor Wat, far off upon a hill, Stands on his hinder legs with listening ear, To hearken if his foes pursue him still: Anon their loud alarums he doth hear; And now his grief may be compared well To one sore sick that hears the passing-bell.
"Then shalt thou see the dew-bedabbled wretch Turn, and return, indenting with the way; Each envious briar his weary legs doth scratch, Each shadow makes him stop, each murmur stay: For misery is trodden on by many, And being low never reliev'd by any.
"Lie quietly, and hear a little more; Nay, do not struggle, for thou shalt not rise: To make thee hate the hunting of the boar, Unlike myself thou hear'st me moralize, Applying this to that, and so to so; For love can comment upon every woe.
"
Written by Robert Bly | Create an image from this poem

Watering the Horse

How strange to think of giving up all ambition!
Suddenly I see with such clear eyes
The white flake of snow
That has just fallen in the horse's mane!
Written by Oscar Wilde | Create an image from this poem

LA MER

 A white mist drifts across the shrouds,
A wild moon in this wintry sky
Gleams like an angry lion's eye
Out of a mane of tawny clouds.
The muffled steersman at the wheel Is but a shadow in the gloom; - And in the throbbing engine-room Leap the long rods of polished steel.
The shattered storm has left its trace Upon this huge and heaving dome, For the thin threads of yellow foam Float on the waves like ravelled lace.
Written by Rudyard Kipling | Create an image from this poem

Buddha at Kamakura

 1892
"And there is a Japanese idol at Kamakura"

Oye who treated the Narrow Way
By Tophet-flare to Judgment Day,
Be gentle when "the heathen" pray
 To Buddha at Kamakura!

To him the Way, the Law, apart,
Whom Maya held beneath her heart,
Ananda's Lord, the Bodhisat,
 The Buddha of Kamakura.
For though he neither burns nor sees, Nor hears ye thank your Deities, Ye have not sinned with such as these, His children at Kamakura, Yet spare us still the Western joke When joss-sticks turn to scented smoke The little sins of little folk That worship at Kamakura -- The grey-robed, gay-sashed butterflies That flit beneath the Master's eyes.
He is beyond the Mysteries But loves them at Kamakura.
And whoso will, from Pride released, Contemning neither creed nor priest, May feel the Soul of all the East About him at Kamakura.
Yea, every tale Ananda heard, Of birth as fish or beast or bird, While yet in lives the Master stirred, The warm wind brings Kamakura.
Till drowsy eyelids seem to see A-flower 'neath her golden htee The Shwe-Dagon flare easterly From Burmah to Kamakura, And down the loaded air there comes The thunder of Thibetan drums, And droned -- "Om mane padme hums" -- A world's-width from Kamakura.
Yet Brahmans rule Benares still, Buddh-Gaya's ruins pit the hill, And beef-fed zealots threaten ill To Buddha and Kamakura.
A tourist-show, a legend told, A rusting bulk of bronze and gold, S o much, and scarce so much, ye hold The meaning of Kamakura? But when the morning prayer is prayed, Think, ere ye pass to strife and trade, Is God in human image made No nearer than Kamakura?

Book: Shattered Sighs