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Best Famous Leopard Poems

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Written by John Keats | Create an image from this poem

Song of the Indian Maid

Song of the Indian Maid 

O SORROW! 
Why dost borrow 
The natural hue of health, from vermeil lips?¡ª 
To give maiden blushes 
To the white rose bushes? 5 
Or is it thy dewy hand the daisy tips? 

O Sorrow! 
Why dost borrow 
The lustrous passion from a falcon-eye?¡ª 
To give the glow-worm light? 10 
Or, on a moonless night, 
To tinge, on siren shores, the salt sea-spry? 

O Sorrow! 
Why dost borrow 
The mellow ditties from a mourning tongue?¡ª 15 
To give at evening pale 
Unto the nightingale, 
That thou mayst listen the cold dews among? 

O Sorrow! 
Why dost borrow 20 
Heart's lightness from the merriment of May?¡ª 
A lover would not tread 
A cowslip on the head, 
Though he should dance from eve till peep of day¡ª 
Nor any drooping flower 25 
Held sacred for thy bower, 
Wherever he may sport himself and play.
To Sorrow I bade good morrow, And thought to leave her far away behind; 30 But cheerly, cheerly, She loves me dearly; She is so constant to me, and so kind: I would deceive her And so leave her, 35 But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side, I sat a-weeping: in the whole world wide There was no one to ask me why I wept,¡ª And so I kept 40 Brimming the water-lily cups with tears Cold as my fears.
Beneath my palm-trees, by the river side, I sat a-weeping: what enamour'd bride, Cheated by shadowy wooer from the clouds, 45 But hides and shrouds Beneath dark palm-trees by a river side? And as I sat, over the light blue hills There came a noise of revellers: the rills Into the wide stream came of purple hue¡ª 50 'Twas Bacchus and his crew! The earnest trumpet spake, and silver thrills From kissing cymbals made a merry din¡ª 'Twas Bacchus and his kin! Like to a moving vintage down they came, 55 Crown'd with green leaves, and faces all on flame; All madly dancing through the pleasant valley, To scare thee, Melancholy! O then, O then, thou wast a simple name! And I forgot thee, as the berried holly 60 By shepherds is forgotten, when in June Tall chestnuts keep away the sun and moon:¡ª I rush'd into the folly! Within his car, aloft, young Bacchus stood, Trifling his ivy-dart, in dancing mood, 65 With sidelong laughing; And little rills of crimson wine imbrued His plump white arms and shoulders, enough white For Venus' pearly bite; And near him rode Silenus on his ass, 70 Pelted with flowers as he on did pass Tipsily quaffing.
'Whence came ye, merry Damsels! whence came ye, So many, and so many, and such glee? Why have ye left your bowers desolate, 75 Your lutes, and gentler fate?'¡ª 'We follow Bacchus! Bacchus on the wing, A-conquering! Bacchus, young Bacchus! good or ill betide, We dance before him thorough kingdoms wide:¡ª 80 Come hither, lady fair, and join¨¨d be To our wild minstrelsy!' 'Whence came ye, jolly Satyrs! whence came ye, So many, and so many, and such glee? Why have ye left your forest haunts, why left 85 Your nuts in oak-tree cleft?'¡ª 'For wine, for wine we left our kernel tree; For wine we left our heath, and yellow brooms, And cold mushrooms; For wine we follow Bacchus through the earth; 90 Great god of breathless cups and chirping mirth! Come hither, lady fair, and join¨¨d be To our mad minstrelsy!' Over wide streams and mountains great we went, And, save when Bacchus kept his ivy tent, 95 Onward the tiger and the leopard pants, With Asian elephants: Onward these myriads¡ªwith song and dance, With zebras striped, and sleek Arabians' prance, Web-footed alligators, crocodiles, 100 Bearing upon their scaly backs, in files, Plump infant laughers mimicking the coil Of seamen, and stout galley-rowers' toil: With toying oars and silken sails they glide, Nor care for wind and tide.
105 Mounted on panthers' furs and lions' manes, From rear to van they scour about the plains; A three days' journey in a moment done; And always, at the rising of the sun, About the wilds they hunt with spear and horn, 110 On spleenful unicorn.
I saw Osirian Egypt kneel adown Before the vine-wreath crown! I saw parch'd Abyssinia rouse and sing To the silver cymbals' ring! 115 I saw the whelming vintage hotly pierce Old Tartary the fierce! The kings of Ind their jewel-sceptres vail, And from their treasures scatter pearl¨¨d hail; Great Brahma from his mystic heaven groans, 120 And all his priesthood moans, Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him, Sick-hearted, weary¡ªso I took a whim To stray away into these forests drear, 125 Alone, without a peer: And I have told thee all thou mayest hear.
Young Stranger! I've been a ranger In search of pleasure throughout every clime; 130 Alas! 'tis not for me! Bewitch'd I sure must be, To lose in grieving all my maiden prime.
Come then, Sorrow, Sweetest Sorrow! 135 Like an own babe I nurse thee on my breast: I thought to leave thee, And deceive thee, But now of all the world I love thee best.
There is not one, 140 No, no, not one But thee to comfort a poor lonely maid; Thou art her mother, And her brother, Her playmate, and her wooer in the shade.
145


Written by Rudyard Kipling | Create an image from this poem

The English Flag

 Above the portico a flag-staff, bearing the Union Jack,
remained fluttering in the flames for some time, but ultimately
when it fell the crowds rent the air with shouts,
and seemed to see significance in the incident.
-- DAILY PAPERS.
Winds of the World, give answer! They are whimpering to and fro -- And what should they know of England who only England know? -- The poor little street-bred people that vapour and fume and brag, They are lifting their heads in the stillness to yelp at the English Flag! Must we borrow a clout from the Boer -- to plaster anew with dirt? An Irish liar's bandage, or an English coward's shirt? We may not speak of England; her Flag's to sell or share.
What is the Flag of England? Winds of the World, declare! The North Wind blew: -- "From Bergen my steel-shod vanguards go; I chase your lazy whalers home from the Disko floe; By the great North Lights above me I work the will of God, And the liner splits on the ice-field or the Dogger fills with cod.
"I barred my gates with iron, I shuttered my doors with flame, Because to force my ramparts your nutshell navies came; I took the sun from their presence, I cut them down with my blast, And they died, but the Flag of England blew free ere the spirit passed.
"The lean white bear hath seen it in the long, long Arctic night, The musk-ox knows the standard that flouts the Northern Light: What is the Flag of England? Ye have but my bergs to dare, Ye have but my drifts to conquer.
Go forth, for it is there!" The South Wind sighed: -- "From the Virgins my mid-sea course was ta'en Over a thousand islands lost in an idle main, Where the sea-egg flames on the coral and the long-backed breakers croon Their endless ocean legends to the lazy, locked lagoon.
"Strayed amid lonely islets, mazed amid outer keys, I waked the palms to laughter -- I tossed the scud in the breeze -- Never was isle so little, never was sea so lone, But over the scud and the palm-trees an English flag was flown.
"I have wrenched it free from the halliard to hang for a wisp on the Horn; I have chased it north to the Lizard -- ribboned and rolled and torn; I have spread its fold o'er the dying, adrift in a hopeless sea; I have hurled it swift on the slaver, and seen the slave set free.
"My basking sunfish know it, and wheeling albatross, Where the lone wave fills with fire beneath the Southern Cross.
What is the Flag of England? Ye have but my reefs to dare, Ye have but my seas to furrow.
Go forth, for it is there!" The East Wind roared: -- "From the Kuriles, the Bitter Seas, I come, And me men call the Home-Wind, for I bring the English home.
Look -- look well to your shipping! By the breath of my mad typhoon I swept your close-packed Praya and beached your best at Kowloon! "The reeling junks behind me and the racing seas before, I raped your richest roadstead -- I plundered Singapore! I set my hand on the Hoogli; as a hooded snake she rose, And I flung your stoutest steamers to roost with the startled crows.
"Never the lotus closes, never the wild-fowl wake, But a soul goes out on the East Wind that died for England's sake -- Man or woman or suckling, mother or bride or maid -- Because on the bones of the English the English Flag is stayed.
"The desert-dust hath dimmed it, the flying wild-ass knows, The scared white leopard winds it across the taintless snows.
What is the Flag of England? Ye have but my sun to dare, Ye have but my sands to travel.
Go forth, for it is there!" The West Wind called: -- "In squadrons the thoughtless galleons fly That bear the wheat and cattle lest street-bred people die.
They make my might their porter, they make my house their path, Till I loose my neck from their rudder and whelm them all in my wrath.
"I draw the gliding fog-bank as a snake is drawn from the hole, They bellow one to the other, the frighted ship-bells toll, For day is a drifting terror till I raise the shroud with my breath, And they see strange bows above them and the two go locked to death.
"But whether in calm or wrack-wreath, whether by dark or day, I heave them whole to the conger or rip their plates away, First of the scattered legions, under a shrieking sky, Dipping between the rollers, the English Flag goes by.
"The dead dumb fog hath wrapped it -- the frozen dews have kissed -- The naked stars have seen it, a fellow-star in the mist.
What is the Flag of England? Ye have but my breath to dare, Ye have but my waves to conquer.
Go forth, for it is there!"
Written by John Keats | Create an image from this poem

Song of the Indian Maid from Endymion

 O SORROW! 
 Why dost borrow 
 The natural hue of health, from vermeil lips?-- 
 To give maiden blushes 
 To the white rose bushes? 
 Or is it thy dewy hand the daisy tips? 

 O Sorrow! 
 Why dost borrow 
 The lustrous passion from a falcon-eye?-- 
 To give the glow-worm light? 
 Or, on a moonless night, 
 To tinge, on siren shores, the salt sea-spry? 

 O Sorrow! 
 Why dost borrow 
 The mellow ditties from a mourning tongue?-- 
 To give at evening pale 
 Unto the nightingale, 
 That thou mayst listen the cold dews among? 

 O Sorrow! 
 Why dost borrow 
 Heart's lightness from the merriment of May?-- 
 A lover would not tread 
 A cowslip on the head, 
 Though he should dance from eve till peep of day-- 
 Nor any drooping flower 
 Held sacred for thy bower, 
 Wherever he may sport himself and play.
To Sorrow I bade good morrow, And thought to leave her far away behind; But cheerly, cheerly, She loves me dearly; She is so constant to me, and so kind: I would deceive her And so leave her, But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side, I sat a-weeping: in the whole world wide There was no one to ask me why I wept,-- And so I kept Brimming the water-lily cups with tears Cold as my fears.
Beneath my palm-trees, by the river side, I sat a-weeping: what enamour'd bride, Cheated by shadowy wooer from the clouds, But hides and shrouds Beneath dark palm-trees by a river side? And as I sat, over the light blue hills There came a noise of revellers: the rills Into the wide stream came of purple hue-- 'Twas Bacchus and his crew! The earnest trumpet spake, and silver thrills From kissing cymbals made a merry din-- 'Twas Bacchus and his kin! Like to a moving vintage down they came, Crown'd with green leaves, and faces all on flame; All madly dancing through the pleasant valley, To scare thee, Melancholy! O then, O then, thou wast a simple name! And I forgot thee, as the berried holly By shepherds is forgotten, when in June Tall chestnuts keep away the sun and moon:-- I rush'd into the folly! Within his car, aloft, young Bacchus stood, Trifling his ivy-dart, in dancing mood, With sidelong laughing; And little rills of crimson wine imbrued His plump white arms and shoulders, enough white For Venus' pearly bite; And near him rode Silenus on his ass, Pelted with flowers as he on did pass Tipsily quaffing.
'Whence came ye, merry Damsels! whence came ye, So many, and so many, and such glee? Why have ye left your bowers desolate, Your lutes, and gentler fate?'-- 'We follow Bacchus! Bacchus on the wing, A-conquering! Bacchus, young Bacchus! good or ill betide, We dance before him thorough kingdoms wide:-- Come hither, lady fair, and joined be To our wild minstrelsy!' 'Whence came ye, jolly Satyrs! whence came ye, So many, and so many, and such glee? Why have ye left your forest haunts, why left Your nuts in oak-tree cleft?'-- 'For wine, for wine we left our kernel tree; For wine we left our heath, and yellow brooms, And cold mushrooms; For wine we follow Bacchus through the earth; Great god of breathless cups and chirping mirth! Come hither, lady fair, and joined be To our mad minstrelsy!' Over wide streams and mountains great we went, And, save when Bacchus kept his ivy tent, Onward the tiger and the leopard pants, With Asian elephants: Onward these myriads--with song and dance, With zebras striped, and sleek Arabians' prance, Web-footed alligators, crocodiles, Bearing upon their scaly backs, in files, Plump infant laughers mimicking the coil Of seamen, and stout galley-rowers' toil: With toying oars and silken sails they glide, Nor care for wind and tide.
Mounted on panthers' furs and lions' manes, From rear to van they scour about the plains; A three days' journey in a moment done; And always, at the rising of the sun, About the wilds they hunt with spear and horn, On spleenful unicorn.
I saw Osirian Egypt kneel adown Before the vine-wreath crown! I saw parch'd Abyssinia rouse and sing To the silver cymbals' ring! I saw the whelming vintage hotly pierce Old Tartary the fierce! The kings of Ind their jewel-sceptres vail, And from their treasures scatter pearled hail; Great Brahma from his mystic heaven groans, And all his priesthood moans, Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him, Sick-hearted, weary--so I took a whim To stray away into these forests drear, Alone, without a peer: And I have told thee all thou mayest hear.
Young Stranger! I've been a ranger In search of pleasure throughout every clime; Alas! 'tis not for me! Bewitch'd I sure must be, To lose in grieving all my maiden prime.
Come then, Sorrow, Sweetest Sorrow! Like an own babe I nurse thee on my breast: I thought to leave thee, And deceive thee, But now of all the world I love thee best.
There is not one, No, no, not one But thee to comfort a poor lonely maid; Thou art her mother, And her brother, Her playmate, and her wooer in the shade.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

The Old Gumbie Cat

 I have a Gumbie Cat in mind, her name is Jennyanydots;
Her coat is of the tabby kind, with tiger stripes and leopard spots.
All day she sits upon the stair or on the steps or on the mat; She sits and sits and sits and sits--and that's what makes a Gumbie Cat! But when the day's hustle and bustle is done, Then the Gumbie Cat's work is but hardly begun.
And when all the family's in bed and asleep, She tucks up her skirts to the basement to creep.
She is deeply concerned with the ways of the mice-- Their behaviour's not good and their manners not nice; So when she has got them lined up on the matting, She teachs them music, crocheting and tatting.
I have a Gumbie Cat in mind, her name is Jennyanydots; Her equal would be hard to find, she likes the warm and sunny spots.
All day she sits beside the hearth or on the bed or on my hat: She sits and sits and sits and sits--and that's what makes a Gumbie Cat! But when the day's hustle and bustle is done, Then the Gumbie Cat's work is but hardly begun.
As she finds that the mice will not ever keep quiet, She is sure it is due to irregular diet; And believing that nothing is done without trying, She sets right to work with her baking and frying.
She makes them a mouse--cake of bread and dried peas, And a beautiful fry of lean bacon and cheese.
I have a Gumbie Cat in mind, her name is Jennyanydots; The curtain-cord she likes to wind, and tie it into sailor-knots.
She sits upon the window-sill, or anything that's smooth and flat: She sits and sits and sits and sits--and that's what makes a Gumbie Cat! But when the day's hustle and bustle is done, Then the Gumbie Cat's work is but hardly begun.
She thinks that the cockroaches just need employment To prevent them from idle and wanton destroyment.
So she's formed, from that lot of disorderly louts, A troop of well-disciplined helpful boy-scouts, With a purpose in life and a good deed to do-- And she's even created a Beetles' Tattoo.
So for Old Gumbie Cats let us now give three cheers-- On whom well-ordered households depend, it appears.
Written by Ruth Padel | Create an image from this poem

NIGHT

 (published on BLINKING EYE, http://www.
blinking-eye.
co.
uk/writer/padel2.
html ) Then spoke the thunder, shattering the looming blackness of our national life.
The rumble that breaks a spell of the dry season – Saro-Wiwa, "The Storm Breaks" Does a zebra foal dream? Head lower, lower under lenticular dark cloud, he drags harlequin fetlocks, porcelain quails' egg hooflets through pimpling dust, slower, slower through the silver rainbow night, this soot and fester cellar-lighting, electricity of the blue and evil eye.
Night ringed with eyes, gutter-glow of new-soused theatre, hyena, leopard, caracal (that caramel cat with ear tufts, anxious to feed her cubs) watching the lame foal weakened by drought.
All you know is, that you don't know, and are afraid.
Moonshadow where the big rocks laugh apart.
Predator-senses.
Cilia.
Heat detectors crowd this long auditorium, segment after segment of the midnight shuffle-plains.
They radar in on bodies, fluids, molecules of flesh that do not know they glow, they draw.
Let's give him one dream-memory, a zebra wish fulfilled in dazing plod, some sheer green wall of sugarcane.
And look - he's made it through into the bleach and blaze, rose curdling over indigo and lard, this granult scar of dawn.
One more dawn nearer the water.
Sky blood-taggled, blood-tufted, rushes over him like a white bowl at the end of things, the little safe horizon of a pilot's dial, an inventory of therapeutic gems.


Written by John Keats | Create an image from this poem

Song of the Indian Maid from Endymion

 O SORROW! 
 Why dost borrow 
 The natural hue of health, from vermeil lips?-- 
 To give maiden blushes 
 To the white rose bushes? 
 Or is it thy dewy hand the daisy tips? 

 O Sorrow! 
 Why dost borrow 
 The lustrous passion from a falcon-eye?-- 
 To give the glow-worm light? 
 Or, on a moonless night, 
 To tinge, on siren shores, the salt sea-spry? 

 O Sorrow! 
 Why dost borrow 
 The mellow ditties from a mourning tongue?-- 
 To give at evening pale 
 Unto the nightingale, 
 That thou mayst listen the cold dews among? 

 O Sorrow! 
 Why dost borrow 
 Heart's lightness from the merriment of May?-- 
 A lover would not tread 
 A cowslip on the head, 
 Though he should dance from eve till peep of day-- 
 Nor any drooping flower 
 Held sacred for thy bower, 
 Wherever he may sport himself and play.
To Sorrow I bade good morrow, And thought to leave her far away behind; But cheerly, cheerly, She loves me dearly; She is so constant to me, and so kind: I would deceive her And so leave her, But ah! she is so constant and so kind.
Beneath my palm-trees, by the river side, I sat a-weeping: in the whole world wide There was no one to ask me why I wept,-- And so I kept Brimming the water-lily cups with tears Cold as my fears.
Beneath my palm-trees, by the river side, I sat a-weeping: what enamour'd bride, Cheated by shadowy wooer from the clouds, But hides and shrouds Beneath dark palm-trees by a river side? And as I sat, over the light blue hills There came a noise of revellers: the rills Into the wide stream came of purple hue-- 'Twas Bacchus and his crew! The earnest trumpet spake, and silver thrills From kissing cymbals made a merry din-- 'Twas Bacchus and his kin! Like to a moving vintage down they came, Crown'd with green leaves, and faces all on flame; All madly dancing through the pleasant valley, To scare thee, Melancholy! O then, O then, thou wast a simple name! And I forgot thee, as the berried holly By shepherds is forgotten, when in June Tall chestnuts keep away the sun and moon:-- I rush'd into the folly! Within his car, aloft, young Bacchus stood, Trifling his ivy-dart, in dancing mood, With sidelong laughing; And little rills of crimson wine imbrued His plump white arms and shoulders, enough white For Venus' pearly bite; And near him rode Silenus on his ass, Pelted with flowers as he on did pass Tipsily quaffing.
'Whence came ye, merry Damsels! whence came ye, So many, and so many, and such glee? Why have ye left your bowers desolate, Your lutes, and gentler fate?'-- 'We follow Bacchus! Bacchus on the wing, A-conquering! Bacchus, young Bacchus! good or ill betide, We dance before him thorough kingdoms wide:-- Come hither, lady fair, and joined be To our wild minstrelsy!' 'Whence came ye, jolly Satyrs! whence came ye, So many, and so many, and such glee? Why have ye left your forest haunts, why left Your nuts in oak-tree cleft?'-- 'For wine, for wine we left our kernel tree; For wine we left our heath, and yellow brooms, And cold mushrooms; For wine we follow Bacchus through the earth; Great god of breathless cups and chirping mirth! Come hither, lady fair, and joined be To our mad minstrelsy!' Over wide streams and mountains great we went, And, save when Bacchus kept his ivy tent, Onward the tiger and the leopard pants, With Asian elephants: Onward these myriads--with song and dance, With zebras striped, and sleek Arabians' prance, Web-footed alligators, crocodiles, Bearing upon their scaly backs, in files, Plump infant laughers mimicking the coil Of seamen, and stout galley-rowers' toil: With toying oars and silken sails they glide, Nor care for wind and tide.
Mounted on panthers' furs and lions' manes, From rear to van they scour about the plains; A three days' journey in a moment done; And always, at the rising of the sun, About the wilds they hunt with spear and horn, On spleenful unicorn.
I saw Osirian Egypt kneel adown Before the vine-wreath crown! I saw parch'd Abyssinia rouse and sing To the silver cymbals' ring! I saw the whelming vintage hotly pierce Old Tartary the fierce! The kings of Ind their jewel-sceptres vail, And from their treasures scatter pearled hail; Great Brahma from his mystic heaven groans, And all his priesthood moans, Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him, Sick-hearted, weary--so I took a whim To stray away into these forests drear, Alone, without a peer: And I have told thee all thou mayest hear.
Young Stranger! I've been a ranger In search of pleasure throughout every clime; Alas! 'tis not for me! Bewitch'd I sure must be, To lose in grieving all my maiden prime.
Come then, Sorrow, Sweetest Sorrow! Like an own babe I nurse thee on my breast: I thought to leave thee, And deceive thee, But now of all the world I love thee best.
There is not one, No, no, not one But thee to comfort a poor lonely maid; Thou art her mother, And her brother, Her playmate, and her wooer in the shade.
Written by Ezra Pound | Create an image from this poem

Sestina: Altaforte

 LOQUITUR: En Bertans de Born.
Dante Alighieri put this man in hell for that he was a stirrer up of strife.
Eccovi! Judge ye! Have I dug him up again? The scene is at his castle, Altaforte.
"Papiols" is his jongleur.
"The Leopard," the device of Richard Coeur de Lion.
I Damn it all! all this our South stinks peace.
You whoreson dog, Papiols, come! Let's to music! I have no life save when the swords clash.
But ah! when I see the standards gold, vair, purple, opposing And the broad fields beneath them turn crimson, Then howl I my heart nigh mad with rejoicing.
II In hot summer I have great rejoicing When the tempests kill the earth's foul peace, And the lightning from black heav'n flash crimson, And the fierce thunders roar me their music And the winds shriek through the clouds mad, opposing, And through all the riven skies God's swords clash.
III Hell grant soon we hear again the swords clash! And the shrill neighs of destriers in battle rejoicing, Spiked breast to spiked breat opposing! Better one hour's stour than a year's peace With fat boards, bawds, wine and frail music! Bah! there's no wine like the blood's crimson! IV And I love to see the sun rise blood-crimson.
And I watch his spears through the dark clash And it fills all my heart with rejoicing And pries wide my mouth with fast music When I see him so scorn and defy peace, His long might 'gainst all darkness opposing.
V The man who fears war and squats opposing My words for stour, hath no blood of crimson But is fit only to rot in womanish peace Far from where worth's won and the swords clash For the death of such sluts I go rejoicing; Yea, I fill all the air with my music.
VI Papiols, Papiols, to the music! There's no sound like to swords swords opposing, No cry like the battle's rejoicing When our elbows and swords drip the crimson And our charges 'gainst "The Leopard's" rush clash.
May God damn for ever all who cry "Peace!" VII And let the music of the swords make them crimson! Hell grant soon we hear again the swords clash! Hell blot black for always the thought "Peace!"
Written by Robert Browning | Create an image from this poem

Before

 I.
Let them fight it out, friend! things have gone too far.
God must judge the couple: leave them as they are ---Whichever one's the guiltless, to his glory, And whichever one the guilt's with, to my story! II.
Why, you would not bid men, sunk in such a slough, Strike no arm out further, stick and stink as now, Leaving right and wrong to settle the embroilment, Heaven with snaky hell, in torture and entoilment? III.
Who's the culprit of them? How must he conceive God---the queen he caps to, laughing in his sleeve, `` 'Tis but decent to profess oneself beneath her: ``Still, one must not be too much in earnest, either!'' IV.
Better sin the whole sin, sure that God observes; Then go live his life out! Life will try his nerves, When the sky, which noticed all, makes no disclosure, And the earth keeps up her terrible composure.
V.
Let him pace at pleasure, past the walls of rose, Pluck their fruits when grape-trees graze him as he goes! For he 'gins to guess the purpose of the garden, With the sly mute thing, beside there, for a warden.
VI.
What's the leopard-dog-thing, constant at his side, A leer and lie in every eye of its obsequious hide? When will come an end to all the mock obeisance, And the price appear that pays for the misfeasance? VII.
So much for the culprit.
Who's the martyred man? Let him bear one stroke more, for be sure he can! He that strove thus evil's lump with good to leaven, Let him give his blood at last and get his heaven! VIII.
All or nothing, stake it! Trust she God or no? Thus far and no farther? farther? be it so! Now, enough of your chicane of prudent pauses, Sage provisos, sub-intents and saving-clauses! IX.
Ah, ``forgive'' you bid him? While God's champion lives, Wrong shall be resisted: dead, why, he forgives.
But you must not end my friend ere you begin him; Evil stands not crowned on earth, while breath is in him.
X.
Once more---Will the wronger, at this last of all, Dare to say, ``I did wrong,'' rising in his fall? No?---Let go then! Both the fighters to their places! While I count three, step you back as many paces!
Written by Randall Jarrell | Create an image from this poem

The Woman At The Washington Zoo

 The saris go by me from the embassies.
Cloth from the moon.
Cloth from another planet.
They look back at the leopard like the leopard.
And I.
.
.
.
this print of mine, that has kept its color Alive through so many cleanings; this dull null Navy I wear to work, and wear from work, and so To my bed, so to my grave, with no Complaints, no comment: neither from my chief, The Deputy Chief Assistant, nor his chief-- Only I complain.
.
.
.
this serviceable Body that no sunlight dyes, no hand suffuses But, dome-shadowed, withering among columns, Wavy beneath fountains--small, far-off, shining In the eyes of animals, these beings trapped As I am trapped but not, themselves, the trap, Aging, but without knowledge of their age, Kept safe here, knowing not of death, for death-- Oh, bars of my own body, open, open! The world goes by my cage and never sees me.
And there come not to me, as come to these, The wild beasts, sparrows pecking the llamas' grain, Pigeons settling on the bears' bread, buzzards Tearing the meat the flies have clouded.
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Vulture, When you come for the white rat that the foxes left, Take off the red helmet of your head, the black Wings that have shadowed me, and step to me as man: The wild brother at whose feet the white wolves fawn, To whose hand of power the great lioness Stalks, purring.
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You know what I was, You see what I am: change me, change me!
Written by Nazim Hikmet | Create an image from this poem

Hymn To Life

 The hair falling on your forehead
 suddenly lifted.
Suddenly something stirred on the ground.
The trees are whispering in the dark.
Your bare arms will be cold.
Far off where we can't see, the moon must be rising.
It hasn't reached us yet, slipping through the leaves to light up your shoulder.
But I know a wind comes up with the moon.
The trees are whispering.
Your bare arms will be cold.
From above, from the branches lost in the dark, something dropped at your feet.
You moved closer to me.
Under my hand your bare flesh is like the fuzzy skin of a fruit.
Neither a song of the heart nor "common sense"-- before the trees, birds, and insects, my hand on my wife's flesh is thinking.
Tonight my hand can't read or write.
Neither loving nor unloving.
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It's the tongue of a leopard at a spring, a grape leaf, a wolf's paw.
To move, breathe, eat, drink.
My hand is like a seed splitting open underground.
Neither a song of the heart nor "common sense," neither loving nor unloving.
My hand thinking on my wife's flesh is the hand of the first man.
Like a root that finds water underground, it says to me: "To eat, drink, cold, hot, struggle, smell, color-- not to live in order to die but to die to live.
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" And now as red female hair blows across my face, as something stirs on the ground, as the trees whisper in the dark, and as the moon rises far off where we can't see, my hand on my wife's flesh before the trees, birds, and insects, I want the right of life, of the leopard at the spring, of the seed splitting open-- I want the right of the first man.

Book: Shattered Sighs