10 Best Famous Leapt Poems

Here is a collection of the top 10 all-time best famous Leapt poems. This is a select list of the best famous Leapt poetry. Reading, writing, and enjoying famous Leapt poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of leapt poems.

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A Childs Nightmare

by Robert Graves
 Through long nursery nights he stood
By my bed unwearying,
Loomed gigantic, formless, *****,
Purring in my haunted ear
That same hideous nightmare thing,
Talking, as he lapped my blood,
In a voice cruel and flat,
Saying for ever, "Cat! ... Cat! ... Cat!..."

That one word was all he said,
That one word through all my sleep,
In monotonous mock despair.
Nonsense may be light as air,
But there's Nonsense that can keep
Horror bristling round the head,
When a voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."

He had faded, he was gone
Years ago with Nursery Land,
When he leapt on me again
From the clank of a night train,
Overpowered me foot and head,
Lapped my blood, while on and on
The old voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."

Morphia drowsed, again I lay
In a crater by High Wood:
He was there with straddling legs,
Staring eyes as big as eggs,
Purring as he lapped my blood,
His black bulk darkening the day,
With a voice cruel and flat,
"Cat! ... Cat! ... Cat! ... Cat!..." he said, "Cat! ... Cat!..."

When I'm shot through heart and head,
And there's no choice but to die,
The last word I'll hear, no doubt,
Won't be "Charge!" or "Bomb them out!"
Nor the stretcher-bearer's cry,
"Let that body be, he's dead!"
But a voice cruel and flat
Saying for ever, "Cat! ... Cat! ... Cat!"

The Negatives

by Philip Levine
 On March 1, 1958, four deserters from the French Army of North Africa, 
August Rein, Henri Bruette, Jack Dauville, & Thomas Delain, robbed a 
government pay station at Orleansville. Because of the subsequent 
confession of Dauville the other three were captured or shot. Dauville 
was given his freedom and returned to the land of his birth, the U.S.A.

AUGUST REIN: 
from a last camp near St. Remy

 I dig in the soft earth all 
 afternoon, spacing the holes 
 a foot or so from the wall. 
 Tonight we eat potatoes, 
 tomorrow rice and carrots. 
 The earth here is like the earth 
 nowhere, ancient with wood rot. 
 How can anything come forth, 

 I wonder; and the days are 
 all alike, if there is more 
 than one day. If there is more 
 of this I will not endure. 
 I have grown so used to being 
 watched I can no longer sleep 
 without my watcher. The thing 
 I fought against, the dark cape, 

 crimsoned with terror that 
 I so hated comforts me now. 
 Thomas is dead; insanity, 
 prison, cowardice, or slow 
 inner capitulation 
 has found us all, and all men 
 turn from us, knowing our pain 
 is not theirs or caused by them.

HENRI BRUETTE: 
from a hospital in Algiers

 Dear Suzanne: this letter will 
 not reach you because I can't 
 write it; I have no pencil, 
 no paper, only the blunt 
 end of my anger. My dear, 
 if I had words how could I 
 report the imperfect failure 
 for which I began to die? 

 I might begin by saying 
 that it was for clarity, 
 though I did not find it in 
 terror: dubiously 
 entered each act, unsure 
 of who I was and what I 
 did, touching my face for fear 
 I was another inside 

 my head I played back pictures 
 of my childhood, of my wife 
 even, for it was in her 
 I found myself beaten, safe, 
 and furthest from the present. 
 It is her face I see now 
 though all I say is meant 
 for you, her face in the slow 

 agony of sexual 
 release. I cannot see you. 
 The dark wall ribbed with spittle 
 on which I play my childhood 
 brings me to this bed, mastered 
 by what I was, betrayed by 
 those I trusted. The one word 
 my mouth must open to is why.

JACK DAUVILLE: 
from a hotel in Tampa, Florida

 From Orleansville we drove 
 south until we reached the hills, 
 then east until 
 the road stopped. I was nervous 
 and couldn't eat. Thomas took 
 over, told us when to think 
 and when to ****. 
 We turned north and reached Blida 
 by first dawn and the City 

 by morning, having dumped our 
 weapons beside an empty 
 road. We were free. 
 We parted, and to this hour 
 I haven't seen them, except 
 in photographs: the black hair 
 and torn features 
 of Thomas Delain captured 
 a moment before his death 

 on the pages of the world, 
 smeared in the act. I tortured 
 myself with their 
 betrayal: alone I hurled 
 them into freedom, inner 
 freedom which I can't find 
 nor ever will 
 until they are dead. In my mind 
 Delain stands against the wall 

 precise in detail, steadied 
 for the betrayal. "La France 
 C'Est Moi," he cried, 
 but the irony was lost. Since 
 I returned to the U.S. 
 nothing goes well. I stay up 
 too late, don't sleep, 
 and am losing weight. Thomas, 
 I say, is dead, but what use 

 telling myself what I won't 
 believe. The hotel quiets 
 early at night, 
 the aged brace themselves for 
 another sleep, and offshore 
 the sea quickens its pace. I 
 am suddenly 
 old, caught in a strange country 
 for which no man would die.

THOMAS DELAIN: 
from a journal found on his person

 At night wakened by the freight 
 trains boring through the suburbs 
 of Lyon, I watched first light 
 corrode the darkness, disturb 
 what little wildlife was left 
 in the alleys: birds moved from 
 branch to branch, and the dogs leapt 
 at the garbage. Winter numbed 
 even the hearts of the young 
 who had only their hearts. We 
 heard the war coming; the long 
 wait was over, and we moved 
 along the crowded roads south 
 not looking for what lost loves 
 fell by the roadsides. To flee 
 at all cost, that was my youth. 

 Here in the African night 
 wakened by what I do not 
 know and shivering in the heat, 
 listen as the men fight 
 with sleep. Loosed from their weapons 
 they cry out, frightened and young, 
 who have never been children. 
 Once merely to be strong, 
 to live, was moral. Within 
 these uniforms we accept 
 the evil we were chosen 
 to deliver, and no act 
 human or benign can free 
 us from ourselves. Wait, sleep, blind 
 soldiers of a blind will, and 
 listen for that old command 
 dreaming of authority.

Heritage

by Countee Cullen
 What is Africa to me:
Copper sun or scarlet sea,
Jungle star or jungle track,
Strong bronzed men, or regal black
Women from whose loins I sprang
When the birds of Eden sang?
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?

So I lie, who all day long
Want no sound except the song
Sung by wild barbaric birds
Goading massive jungle herds,
Juggernauts of flesh that pass
Trampling tall defiant grass
Where young forest lovers lie,
Plighting troth beneath the sky.
So I lie, who always hear,
Though I cram against my ear
Both my thumbs, and keep them there,
Great drums throbbing through the air.
So I lie, whose fount of pride,
Dear distress, and joy allied,
Is my somber flesh and skin,
With the dark blood dammed within
Like great pulsing tides of wine
That, I fear, must burst the fine
Channels of the chafing net
Where they surge and foam and fret.

Africa?A book one thumbs
Listlessly, till slumber comes.
Unremembered are her bats
Circling through the night, her cats
Crouching in the river reeds,
Stalking gentle flesh that feeds
By the river brink; no more
Does the bugle-throated roar
Cry that monarch claws have leapt
From the scabbards where they slept.
Silver snakes that once a year
Doff the lovely coats you wear,
Seek no covert in your fear
Lest a mortal eye should see;
What's your nakedness to me?
Here no leprous flowers rear
Fierce corollas in the air;
Here no bodies sleek and wet,
Dripping mingled rain and sweat,
Tread the savage measures of 
Jungle boys and girls in love.
What is last year's snow to me,
Last year's anything?The tree
Budding yearly must forget
How its past arose or set­­
Bough and blossom, flower, fruit,
Even what shy bird with mute
Wonder at her travail there,
Meekly labored in its hair.
One three centuries removed
From the scenes his fathers loved,
Spicy grove, cinnamon tree,
What is Africa to me?

So I lie, who find no peace
Night or day, no slight release
From the unremittent beat
Made by cruel padded feet
Walking through my body's street.
Up and down they go, and back,
Treading out a jungle track.
So I lie, who never quite
Safely sleep from rain at night--
I can never rest at all
When the rain begins to fall;
Like a soul gone mad with pain
I must match its weird refrain;
Ever must I twist and squirm,
Writhing like a baited worm,
While its primal measures drip
Through my body, crying, "Strip!
Doff this new exuberance.
Come and dance the Lover's Dance!"
In an old remembered way
Rain works on me night and day.

Quaint, outlandish heathen gods
Black men fashion out of rods,
Clay, and brittle bits of stone,
In a likeness like their own,
My conversion came high-priced;
I belong to Jesus Christ,
Preacher of humility;
Heathen gods are naught to me.

Father, Son, and Holy Ghost,
So I make an idle boast;
Jesus of the twice-turned cheek,
Lamb of God, although I speak
With my mouth thus, in my heart
Do I play a double part.
Ever at Thy glowing altar
Must my heart grow sick and falter,
Wishing He I served were black,
Thinking then it would not lack
Precedent of pain to guide it,
Let who would or might deride it;
Surely then this flesh would know
Yours had borne a kindred woe.
Lord, I fashion dark gods, too,
Daring even to give You
Dark despairing features where,
Crowned with dark rebellious hair,
Patience wavers just so much as
Mortal grief compels, while touches
Quick and hot, of anger, rise
To smitten cheek and weary eyes.
Lord, forgive me if my need
Sometimes shapes a human creed.

All day long and all night through,
One thing only must I do:
Quench my pride and cool my blood,
Lest I perish in the flood.
Lest a hidden ember set
Timber that I thought was wet
Burning like the dryest flax,
Melting like the merest wax,
Lest the grave restore its dead.
Not yet has my heart or head
In the least way realized
They and I are civilized.

Tamerlane

by Edgar Allan Poe
 Kind solace in a dying hour!
Such, father, is not (now) my theme-
I will not madly deem that power
Of Earth may shrive me of the sin
Unearthly pride hath revell'd in-
I have no time to dote or dream:
You call it hope- that fire of fire!
It is but agony of desire:
If I can hope- Oh God! I can-
Its fount is holier- more divine-
I would not call thee fool, old man,
But such is not a gift of thine.

Know thou the secret of a spirit
Bow'd from its wild pride into shame.
O yearning heart! I did inherit
Thy withering portion with the fame,
The searing glory which hath shone
Amid the jewels of my throne,
Halo of Hell! and with a pain
Not Hell shall make me fear again-
O craving heart, for the lost flowers
And sunshine of my summer hours!
The undying voice of that dead time,
With its interminable chime,
Rings, in the spirit of a spell,
Upon thy emptiness- a knell.

I have not always been as now:
The fever'd diadem on my brow
I claim'd and won usurpingly-
Hath not the same fierce heirdom given
Rome to the Caesar- this to me?
The heritage of a kingly mind,
And a proud spirit which hath striven
Triumphantly with human kind.

On mountain soil I first drew life:
The mists of the Taglay have shed
Nightly their dews upon my head,
And, I believe, the winged strife
And tumult of the headlong air
Have nestled in my very hair.

So late from Heaven- that dew- it fell
(Mid dreams of an unholy night)
Upon me with the touch of Hell,
While the red flashing of the light
From clouds that hung, like banners, o'er,
Appeared to my half-closing eye
The pageantry of monarchy,
And the deep trumpet-thunder's roar
Came hurriedly upon me, telling
Of human battle, where my voice,
My own voice, silly child!- was swelling
(O! how my spirit would rejoice,
And leap within me at the cry)
The battle-cry of Victory!

The rain came down upon my head
Unshelter'd- and the heavy wind
Rendered me mad and deaf and blind.
It was but man, I thought, who shed
Laurels upon me: and the rush-
The torrent of the chilly air
Gurgled within my ear the crush
Of empires- with the captive's prayer-
The hum of suitors- and the tone
Of flattery 'round a sovereign's throne.

My passions, from that hapless hour,
Usurp'd a tyranny which men
Have deem'd, since I have reach'd to power,
My innate nature- be it so:
But father, there liv'd one who, then,
Then- in my boyhood- when their fire
Burn'd with a still intenser glow,
(For passion must, with youth, expire)
E'en then who knew this iron heart
In woman's weakness had a part.

I have no words- alas!- to tell
The loveliness of loving well!
Nor would I now attempt to trace
The more than beauty of a face
Whose lineaments, upon my mind,
Are- shadows on th' unstable wind:
Thus I remember having dwelt
Some page of early lore upon,
With loitering eye, till I have felt
The letters- with their meaning- melt
To fantasies- with none.

O, she was worthy of all love!
Love- as in infancy was mine-
'Twas such as angel minds above
Might envy; her young heart the shrine
On which my every hope and thought
Were incense- then a goodly gift,
For they were childish and upright-
Pure- as her young example taught:
Why did I leave it, and, adrift,
Trust to the fire within, for light?

We grew in age- and love- together,
Roaming the forest, and the wild;
My breast her shield in wintry weather-
And when the friendly sunshine smil'd,
And she would mark the opening skies,
I saw no Heaven- but in her eyes.

Young Love's first lesson is- the heart:
For 'mid that sunshine, and those smiles,
When, from our little cares apart,
And laughing at her girlish wiles,
I'd throw me on her throbbing breast,
And pour my spirit out in tears-
There was no need to speak the rest-
No need to quiet any fears
Of her- who ask'd no reason why,
But turn'd on me her quiet eye!

Yet more than worthy of the love
My spirit struggled with, and strove,
When, on the mountain peak, alone,
Ambition lent it a new tone-
I had no being- but in thee:
The world, and all it did contain
In the earth- the air- the sea-
Its joy- its little lot of pain
That was new pleasure- the ideal,
Dim vanities of dreams by night-

And dimmer nothings which were real-
(Shadows- and a more shadowy light!)
Parted upon their misty wings,
And, so, confusedly, became
Thine image, and- a name- a name!
Two separate- yet most intimate things.

I was ambitious- have you known
The passion, father? You have not:
A cottager, I mark'd a throne
Of half the world as all my own,
And murmur'd at such lowly lot-
But, just like any other dream,
Upon the vapour of the dew
My own had past, did not the beam
Of beauty which did while it thro'
The minute- the hour- the day- oppress
My mind with double loveliness.

We walk'd together on the crown
Of a high mountain which look'd down
Afar from its proud natural towers
Of rock and forest, on the hills-
The dwindled hills! begirt with bowers,
And shouting with a thousand rills.

I spoke to her of power and pride,
But mystically- in such guise
That she might deem it nought beside
The moment's converse; in her eyes
I read, perhaps too carelessly-
A mingled feeling with my own-
The flush on her bright cheek, to me
Seem'd to become a queenly throne
Too well that I should let it be
Light in the wilderness alone.

I wrapp'd myself in grandeur then,
And donn'd a visionary crown-
Yet it was not that Fantasy
Had thrown her mantle over me-
But that, among the rabble- men,
Lion ambition is chained down-
And crouches to a keeper's hand-
Not so in deserts where the grand-
The wild- the terrible conspire
With their own breath to fan his fire.

Look 'round thee now on Samarcand!
Is not she queen of Earth? her pride
Above all cities? in her hand
Their destinies? in all beside
Of glory which the world hath known
Stands she not nobly and alone?
Falling- her veriest stepping-stone
Shall form the pedestal of a throne-
And who her sovereign? Timour- he
Whom the astonished people saw
Striding o'er empires haughtily
A diadem'd outlaw!

O, human love! thou spirit given
On Earth, of all we hope in Heaven!
Which fall'st into the soul like rain
Upon the Siroc-wither'd plain,
And, failing in thy power to bless,
But leav'st the heart a wilderness!
Idea! which bindest life around
With music of so strange a sound,
And beauty of so wild a birth-
Farewell! for I have won the Earth.

When Hope, the eagle that tower'd, could see
No cliff beyond him in the sky,
His pinions were bent droopingly-
And homeward turn'd his soften'd eye.
'Twas sunset: when the sun will part
There comes a sullenness of heart
To him who still would look upon
The glory of the summer sun.
That soul will hate the ev'ning mist,
So often lovely, and will list
To the sound of the coming darkness (known
To those whose spirits hearken) as one
Who, in a dream of night, would fly
But cannot from a danger nigh.

What tho' the moon- the white moon
Shed all the splendour of her noon,
Her smile is chilly, and her beam,
In that time of dreariness, will seem
(So like you gather in your breath)
A portrait taken after death.
And boyhood is a summer sun
Whose waning is the dreariest one-
For all we live to know is known,
And all we seek to keep hath flown-
Let life, then, as the day-flower, fall
With the noon-day beauty- which is all.

I reach'd my home- my home no more
For all had flown who made it so.
I pass'd from out its mossy door,
And, tho' my tread was soft and low,
A voice came from the threshold stone
Of one whom I had earlier known-
O, I defy thee, Hell, to show
On beds of fire that burn below,
A humbler heart- a deeper woe.

Father, I firmly do believe-
I know- for Death, who comes for me
From regions of the blest afar,
Where there is nothing to deceive,
Hath left his iron gate ajar,
And rays of truth you cannot see
Are flashing thro' Eternity-
I do believe that Eblis hath
A snare in every human path-
Else how, when in the holy grove
I wandered of the idol, Love,
Who daily scents his snowy wings
With incense of burnt offerings
From the most unpolluted things,
Whose pleasant bowers are yet so riven
Above with trellis'd rays from Heaven,
No mote may shun- no tiniest fly-
The lightning of his eagle eye-
How was it that Ambition crept,
Unseen, amid the revels there,
Till growing bold, he laughed and leapt
In the tangles of Love's very hair?

The Suicide

by Edna St. Vincent Millay
 "Curse thee, Life, I will live with thee no more!
Thou hast mocked me, starved me, beat my body sore!
And all for a pledge that was not pledged by me,
I have kissed thy crust and eaten sparingly
That I might eat again, and met thy sneers
With deprecations, and thy blows with tears,—
Aye, from thy glutted lash, glad, crawled away,
As if spent passion were a holiday!
And now I go. Nor threat, nor easy vow
Of tardy kindness can avail thee now
With me, whence fear and faith alike are flown;
Lonely I came, and I depart alone,
And know not where nor unto whom I go;
But that thou canst not follow me I know."

Thus I to Life, and ceased; but through my brain
My thought ran still, until I spake again:

"Ah, but I go not as I came,—no trace
Is mine to bear away of that old grace
I brought! I have been heated in thy fires,
Bent by thy hands, fashioned to thy desires,
Thy mark is on me! I am not the same
Nor ever more shall be, as when I came.
Ashes am I of all that once I seemed.
In me all's sunk that leapt, and all that dreamed
Is wakeful for alarm,—oh, shame to thee,
For the ill change that thou hast wrought in me,
Who laugh no more nor lift my throat to sing
Ah, Life, I would have been a pleasant thing
To have about the house when I was grown
If thou hadst left my little joys alone!
I asked of thee no favor save this one:
That thou wouldst leave me playing in the sun!
And this thou didst deny, calling my name
Insistently, until I rose and came.
I saw the sun no more.—It were not well
So long on these unpleasant thoughts to dwell,
Need I arise to-morrow and renew
Again my hated tasks, but I am through
With all things save my thoughts and this one night,
So that in truth I seem already quite
Free,and remote from thee,—I feel no haste
And no reluctance to depart; I taste
Merely, with thoughtful mien, an unknown draught,
That in a little while I shall have quaffed."

Thus I to Life, and ceased, and slightly smiled,
Looking at nothing; and my thin dreams filed
Before me one by one till once again
I set new words unto an old refrain:

"Treasures thou hast that never have been mine!
Warm lights in many a secret chamber shine
Of thy gaunt house, and gusts of song have blown
Like blossoms out to me that sat alone!
And I have waited well for thee to show
If any share were mine,—and now I go
Nothing I leave, and if I naught attain
I shall but come into mine own again!"

Thus I to Life, and ceased, and spake no more,
But turning, straightway, sought a certain door
In the rear wall. Heavy it was, and low
And dark,—a way by which none e'er would go
That other exit had, and never knock
Was heard thereat,—bearing a curious lock
Some chance had shown me fashioned faultily,
Whereof Life held content the useless key,
And great coarse hinges, thick and rough with rust,
Whose sudden voice across a silence must,
I knew, be harsh and horrible to hear,—
A strange door, ugly like a dwarf.—So near
I came I felt upon my feet the chill
Of acid wind creeping across the sill.
So stood longtime, till over me at last
Came weariness, and all things other passed
To make it room; the still night drifted deep
Like snow about me, and I longed for sleep.

But, suddenly, marking the morning hour,
Bayed the deep-throated bell within the tower!
Startled, I raised my head,—and with a shout
Laid hold upon the latch,—and was without.

* * * *

Ah, long-forgotten, well-remembered road, 
Leading me back unto my old abode, 
My father's house! There in the night I came, 
And found them feasting, and all things the same 
As they had been before. A splendour hung 
Upon the walls, and such sweet songs were sung 
As, echoing out of very long ago, 
Had called me from the house of Life, I know.
So fair their raiment shone I looked in shame
On the unlovely garb in which I came;
Then straightway at my hesitancy mocked:
"It is my father's house!" I said and knocked;
And the door opened. To the shining crowd
Tattered and dark I entered, like a cloud,
Seeing no face but his; to him I crept,
And "Father!" I cried, and clasped his knees, and wept.

* * * *

Ah, days of joy that followed! All alone
I wandered through the house. My own, my own,
My own to touch, my own to taste and smell,
All I had lacked so long and loved so well!
None shook me out of sleep, nor hushed my song,
Nor called me in from the sunlight all day long.

I know not when the wonder came to me
Of what my father's business might be,
And whither fared and on what errands bent
The tall and gracious messengers he sent.
Yet one day with no song from dawn till night
Wondering, I sat, and watched them out of sight.
And the next day I called; and on the third
Asked them if I might go,—but no one heard.
Then, sick with longing, I arose at last
And went unto my father,—in that vast
Chamber wherein he for so many years
Has sat, surrounded by his charts and spheres.
"Father," I said, "Father, I cannot play
The harp that thou didst give me, and all day
I sit in idleness, while to and fro
About me thy serene, grave servants go;
And I am weary of my lonely ease.
Better a perilous journey overseas
Away from thee, than this, the life I lead,
To sit all day in the sunshine like a weed
That grows to naught,—I love thee more than they
Who serve thee most; yet serve thee in no way.
Father, I beg of thee a little task
To dignify my days,—'tis all I ask
Forever, but forever, this denied,
I perish."
 "Child," my father's voice replied,
"All things thy fancy hath desired of me
Thou hast received. I have prepared for thee
Within my house a spacious chamber, where
Are delicate things to handle and to wear,
And all these things are thine. Dost thou love song?
My minstrels shall attend thee all day long.
Or sigh for flowers? My fairest gardens stand
Open as fields to thee on every hand.
And all thy days this word shall hold the same:
No pleasure shalt thou lack that thou shalt name.
But as for tasks—" he smiled, and shook his head;
"Thou hadst thy task, and laidst it by," he said.

The Epic Of The Lion

by Victor Hugo
 ("Un lion avait pris un enfant.") 
 
 {XIII.} 


 A Lion in his jaws caught up a child— 
 Not harming it—and to the woodland, wild 
 With secret streams and lairs, bore off his prey— 
 The beast, as one might cull a bud in May. 
 It was a rosy boy, a king's own pride, 
 A ten-year lad, with bright eyes shining wide, 
 And save this son his majesty beside 
 Had but one girl, two years of age, and so 
 The monarch suffered, being old, much woe; 
 His heir the monster's prey, while the whole land 
 In dread both of the beast and king did stand; 
 Sore terrified were all. 
 
 By came a knight 
 That road, who halted, asking, "What's the fright?" 
 They told him, and he spurred straight for the site! 
 The beast was seen to smile ere joined they fight, 
 The man and monster, in most desperate duel, 
 Like warring giants, angry, huge, and cruel. Beneath his shield, all blood and mud and mess: 
 Whereat the lion feasted: then it went 
 Back to its rocky couch and slept content. 
 Sudden, loud cries and clamors! striking out 
 Qualm to the heart of the quiet, horn and shout 
 Causing the solemn wood to reel with rout. 
 Terrific was this noise that rolled before; 
 It seemed a squadron; nay, 'twas something more— 
 A whole battalion, sent by that sad king 
 With force of arms his little prince to bring, 
 Together with the lion's bleeding hide. 
 
 Which here was right or wrong? Who can decide? 
 Have beasts or men most claim to live? God wots! 
 He is the unit, we the cipher-dots. 
 Ranged in the order a great hunt should have, 
 They soon between the trunks espy the cave. 
 "Yes, that is it! the very mouth of the den!" 
 The trees all round it muttered, warning men; 
 Still they kept step and neared it. Look you now, 
 Company's pleasant, and there were a thou— 
 Good Lord! all in a moment, there's its face! 
 Frightful! they saw the lion! Not one pace 
 Further stirred any man; but bolt and dart 
 Made target of the beast. He, on his part, 
 As calm as Pelion in the rain or hail, 
 Bristled majestic from the teeth to tail, 
 And shook full fifty missiles from his hide, 
 But no heed took he; steadfastly he eyed, 
 And roared a roar, hoarse, vibrant, vengeful, dread, 
 A rolling, raging peal of wrath, which spread, 
 Making the half-awakened thunder cry, 
 "Who thunders there?" from its black bed of sky. 
 This ended all! Sheer horror cleared the coast; 
 As fogs are driven by the wind, that valorous host 
 Melted, dispersed to all the quarters four, 
 Clean panic-stricken by that monstrous roar. 
 Then quoth the lion, "Woods and mountains, see, 
 A thousand men, enslaved, fear one beast free!" 
 He followed towards the hill, climbed high above, 
 Lifted his voice, and, as the sowers sow 
 The seed down wind, thus did that lion throw 
 His message far enough the town to reach: 
 "King! your behavior really passes speech! 
 Thus far no harm I've wrought to him your son; 
 But now I give you notice—when night's done, 
 I will make entry at your city-gate, 
 Bringing the prince alive; and those who wait 
 To see him in my jaws—your lackey-crew— 
 Shall see me eat him in your palace, too!" 
 Next morning, this is what was viewed in town: 
 Dawn coming—people going—some adown 
 Praying, some crying; pallid cheeks, swift feet, 
 And a huge lion stalking through the street. 
 It seemed scarce short of rash impiety 
 To cross its path as the fierce beast went by. 
 So to the palace and its gilded dome 
 With stately steps unchallenged did he roam; 
 He enters it—within those walls he leapt! 
 No man! 
 
 For certes, though he raged and wept, 
 His majesty, like all, close shelter kept, 
 Solicitous to live, holding his breath 
 Specially precious to the realm. Now death 
 Is not thus viewed by honest beasts of prey; 
 And when the lion found him fled away, 
 Ashamed to be so grand, man being so base, 
 He muttered to himself, "A wretched king! 
 'Tis well; I'll eat his boy!" Then, wandering, 
 Lordly he traversed courts and corridors, 
 Paced beneath vaults of gold on shining floors, 
 Glanced at the throne deserted, stalked from hall 
 To hall—green, yellow, crimson—empty all! 
 Rich couches void, soft seats unoccupied! 
 And as he walked he looked from side to side 
 To find some pleasant nook for his repast, 
 Since appetite was come to munch at last 
 The princely morsel!—Ah! what sight astounds 
 That grisly lounger? 
 
 In the palace grounds 
 An alcove on a garden gives, and there 
 A tiny thing—forgot in the general fear, 
 Lulled in the flower-sweet dreams of infancy, 
 Bathed with soft sunlight falling brokenly 
 Through leaf and lattice—was at that moment waking; 
 A little lovely maid, most dear and taking, 
 The prince's sister—all alone, undressed— 
 She sat up singing: children sing so best. 
 Charming this beauteous baby-maid; and so 
 The beast caught sight of her and stopped— 
 
 And then 
 Entered—the floor creaked as he stalked straight in. 
 Above the playthings by the little bed 
 The lion put his shaggy, massive head, 
 Dreadful with savage might and lordly scorn, 
 More dreadful with that princely prey so borne; 
 Which she, quick spying, "Brother, brother!" cried, 
 "Oh, my own brother!" and, unterrified, 
 She gazed upon that monster of the wood, 
 Whose yellow balls not Typhon had withstood, 
 And—well! who knows what thoughts these small heads hold? 
 She rose up in her cot—full height, and bold, 
 And shook her pink fist angrily at him. 
 Whereon—close to the little bed's white rim, 
 All dainty silk and laces—this huge brute 
 Set down her brother gently at her foot, 
 Just as a mother might, and said to her, 
 "Don't be put out, now! There he is, dear, there!" 
 
 EDWIN ARNOLD, C.S.I. 


 




The Child and the Mariner

by William Henry Davies
 A dear old couple my grandparents were, 
And kind to all dumb things; they saw in Heaven 
The lamb that Jesus petted when a child; 
Their faith was never draped by Doubt: to them 
Death was a rainbow in Eternity, 
That promised everlasting brightness soon. 
An old seafaring man was he; a rough 
Old man, but kind; and hairy, like the nut 
Full of sweet milk. All day on shore he watched 
The winds for sailors' wives, and told what ships 
Enjoyed fair weather, and what ships had storms; 
He watched the sky, and he could tell for sure 
What afternoons would follow stormy morns, 
If quiet nights would end wild afternoons. 
He leapt away from scandal with a roar, 
And if a whisper still possessed his mind, 
He walked about and cursed it for a plague. 
He took offence at Heaven when beggars passed, 
And sternly called them back to give them help. 
In this old captain's house I lived, and things 
That house contained were in ships' cabins once: 
Sea-shells and charts and pebbles, model ships; 
Green weeds, dried fishes stuffed, and coral stalks; 
Old wooden trunks with handles of spliced rope, 
With copper saucers full of monies strange, 
That seemed the savings of dead men, not touched 
To keep them warm since their real owners died; 
Strings of red beads, methought were dipped in blood, 
And swinging lamps, as though the house might move; 
An ivory lighthouse built on ivory rocks, 
The bones of fishes and three bottled ships. 
And many a thing was there which sailors make 
In idle hours, when on long voyages, 
Of marvellous patience, to no lovely end. 
And on those charts I saw the small black dots 
That were called islands, and I knew they had 
Turtles and palms, and pirates' buried gold. 
There came a stranger to my granddad's house, 
The old man's nephew, a seafarer too; 
A big, strong able man who could have walked 
Twm Barlum's hill all clad in iron mail 
So strong he could have made one man his club 
To knock down others -- Henry was his name, 
No other name was uttered by his kin. 
And here he was, sooth illclad, but oh, 
Thought I, what secrets of the sea are his! 
This man knows coral islands in the sea, 
And dusky girls heartbroken for white men; 
More rich than Spain, when the Phoenicians shipped 
Silver for common ballast, and they saw 
Horses at silver mangers eating grain; 
This man has seen the wind blow up a mermaid's hair 
Which, like a golden serpent, reared and stretched 
To feel the air away beyond her head. 
He begged my pennies, which I gave with joy -- 
He will most certainly return some time 
A self-made king of some new land, and rich. 
Alas that he, the hero of my dreams, 
Should be his people's scorn; for they had rose 
To proud command of ships, whilst he had toiled 
Before the mast for years, and well content; 
Him they despised, and only Death could bring 
A likeness in his face to show like them. 
For he drank all his pay, nor went to sea 
As long as ale was easy got on shore. 
Now, in his last long voyage he had sailed 
From Plymouth Sound to where sweet odours fan 
The Cingalese at work, and then back home -- 
But came not near my kin till pay was spent. 
He was not old, yet seemed so; for his face 
Looked like the drowned man's in the morgue, when it 
Has struck the wooden wharves and keels of ships. 
And all his flesh was pricked with Indian ink, 
His body marked as rare and delicate 
As dead men struck by lightning under trees 
And pictured with fine twigs and curlèd ferns; 
Chains on his neck and anchors on his arms; 
Rings on his fingers, bracelets on his wrist; 
And on his breast the Jane of Appledore 
Was schooner rigged, and in full sail at sea. 
He could not whisper with his strong hoarse voice, 
No more than could a horse creep quietly; 
He laughed to scorn the men that muffled close 
For fear of wind, till all their neck was hid, 
Like Indian corn wrapped up in long green leaves; 
He knew no flowers but seaweeds brown and green, 
He knew no birds but those that followed ships. 
Full well he knew the water-world; he heard 
A grander music there than we on land, 
When organ shakes a church; swore he would make 
The sea his home, though it was always roused 
By such wild storms as never leave Cape Horn; 
Happy to hear the tempest grunt and squeal 
Like pigs heard dying in a slaughterhouse. 
A true-born mariner, and this his hope -- 
His coffin would be what his cradle was, 
A boat to drown in and be sunk at sea; 
Salted and iced in Neptune's larder deep. 
This man despised small coasters, fishing-smacks; 
He scorned those sailors who at night and morn 
Can see the coast, when in their little boats 
They go a six days' voyage and are back 
Home with their wives for every Sabbath day. 
Much did he talk of tankards of old beer, 
And bottled stuff he drank in other lands, 
Which was a liquid fire like Hell to gulp, 
But Paradise to sip. 

And so he talked; 
Nor did those people listen with more awe 
To Lazurus -- whom they had seen stone dead -- 
Than did we urchins to that seaman's voice. 
He many a tale of wonder told: of where, 
At Argostoli, Cephalonia's sea 
Ran over the earth's lip in heavy floods; 
And then again of how the strange Chinese 
Conversed much as our homely Blackbirds sing. 
He told us how he sailed in one old ship 
Near that volcano Martinique, whose power 
Shook like dry leaves the whole Caribbean seas; 
And made the sun set in a sea of fire 
Which only half was his; and dust was thick 
On deck, and stones were pelted at the mast. 
Into my greedy ears such words that sleep 
Stood at my pillow half the night perplexed. 
He told how isles sprang up and sank again, 
Between short voyages, to his amaze; 
How they did come and go, and cheated charts; 
Told how a crew was cursed when one man killed 
A bird that perched upon a moving barque; 
And how the sea's sharp needles, firm and strong, 
Ripped open the bellies of big, iron ships; 
Of mighty icebergs in the Northern seas, 
That haunt the far hirizon like white ghosts. 
He told of waves that lift a ship so high 
That birds could pass from starboard unto port 
Under her dripping keel. 

Oh, it was sweet 
To hear that seaman tell such wondrous tales: 
How deep the sea in parts, that drownèd men 
Must go a long way to their graves and sink 
Day after day, and wander with the tides. 
He spake of his own deeds; of how he sailed 
One summer's night along the Bosphorus, 
And he -- who knew no music like the wash 
Of waves against a ship, or wind in shrouds -- 
Heard then the music on that woody shore 
Of nightingales,and feared to leave the deck, 
He thought 'twas sailing into Paradise. 
To hear these stories all we urchins placed 
Our pennies in that seaman's ready hand; 
Until one morn he signed on for a long cruise, 
And sailed away -- we never saw him more. 
Could such a man sink in the sea unknown? 
Nay, he had found a land with something rich, 
That kept his eyes turned inland for his life. 
'A damn bad sailor and a landshark too, 
No good in port or out' -- my granddad said.

Aunt Imogen

by Edwin Arlington Robinson
 Aunt Imogen was coming, and therefore 
The children—Jane, Sylvester, and Young George— 
Were eyes and ears; for there was only one 
Aunt Imogen to them in the whole world, 
And she was in it only for four weeks
In fifty-two. But those great bites of time 
Made all September a Queen’s Festival; 
And they would strive, informally, to make 
The most of them.—The mother understood, 
And wisely stepped away. Aunt Imogen
Was there for only one month in the year, 
While she, the mother,—she was always there; 
And that was what made all the difference. 
She knew it must be so, for Jane had once 
Expounded it to her so learnedly
That she had looked away from the child’s eyes 
And thought; and she had thought of many things. 

There was a demonstration every time 
Aunt Imogen appeared, and there was more 
Than one this time. And she was at a loss
Just how to name the meaning of it all: 
It puzzled her to think that she could be 
So much to any crazy thing alive— 
Even to her sister’s little savages 
Who knew no better than to be themselves;
But in the midst of her glad wonderment 
She found herself besieged and overcome 
By two tight arms and one tumultuous head, 
And therewith half bewildered and half pained 
By the joy she felt and by the sudden love
That proved itself in childhood’s honest noise. 
Jane, by the wings of sex, had reached her first; 
And while she strangled her, approvingly, 
Sylvester thumped his drum and Young George howled. 
But finally, when all was rectified,
And she had stilled the clamor of Young George 
By giving him a long ride on her shoulders, 
They went together into the old room 
That looked across the fields; and Imogen 
Gazed out with a girl’s gladness in her eyes,
Happy to know that she was back once more 
Where there were those who knew her, and at last 
Had gloriously got away again 
From cabs and clattered asphalt for a while; 
And there she sat and talked and looked and laughed
And made the mother and the children laugh. 
Aunt Imogen made everybody laugh. 

There was the feminine paradox—that she 
Who had so little sunshine for herself 
Should have so much for others. How it was
That she could make, and feel for making it, 
So much of joy for them, and all along 
Be covering, like a scar, and while she smiled, 
That hungering incompleteness and regret— 
That passionate ache for something of her own,
For something of herself—she never knew. 
She knew that she could seem to make them all 
Believe there was no other part of her 
Than her persistent happiness; but the why 
And how she did not know. Still none of them
Could have a thought that she was living down— 
Almost as if regret were criminal, 
So proud it was and yet so profitless— 
The penance of a dream, and that was good. 
Her sister Jane—the mother of little Jane,
Sylvester, and Young George—might make herself 
Believe she knew, for she—well, she was Jane. 

Young George, however, did not yield himself 
To nourish the false hunger of a ghost 
That made no good return. He saw too much:
The accumulated wisdom of his years 
Had so conclusively made plain to him 
The permanent profusion of a world 
Where everybody might have everything 
To do, and almost everything to eat,
That he was jubilantly satisfied 
And all unthwarted by adversity. 
Young George knew things. The world, he had found out, 
Was a good place, and life was a good game— 
Particularly when Aunt Imogen
Was in it. And one day it came to pass— 
One rainy day when she was holding him 
And rocking him—that he, in his own right, 
Took it upon himself to tell her so; 
And something in his way of telling it—
The language, or the tone, or something else— 
Gripped like insidious fingers on her throat, 
And then went foraging as if to make 
A plaything of her heart. Such undeserved 
And unsophisticated confidence
Went mercilessly home; and had she sat 
Before a looking glass, the deeps of it 
Could not have shown more clearly to her then 
Than one thought-mirrored little glimpse had shown, 
The pang that wrenched her face and filled her eyes
With anguish and intolerable mist. 
The blow that she had vaguely thrust aside 
Like fright so many times had found her now: 
Clean-thrust and final it had come to her 
From a child’s lips at last, as it had come
Never before, and as it might be felt 
Never again. Some grief, like some delight, 
Stings hard but once: to custom after that 
The rapture or the pain submits itself, 
And we are wiser than we were before.
And Imogen was wiser; though at first 
Her dream-defeating wisdom was indeed 
A thankless heritage: there was no sweet, 
No bitter now; nor was there anything 
To make a daily meaning for her life—
Till truth, like Harlequin, leapt out somehow 
From ambush and threw sudden savor to it— 
But the blank taste of time. There were no dreams, 
No phantoms in her future any more: 
One clinching revelation of what was
One by-flash of irrevocable chance, 
Had acridly but honestly foretold 
The mystical fulfilment of a life 
That might have once … But that was all gone by: 
There was no need of reaching back for that:
The triumph was not hers: there was no love 
Save borrowed love: there was no might have been. 

But there was yet Young George—and he had gone 
Conveniently to sleep, like a good boy; 
And there was yet Sylvester with his drum,
And there was frowzle-headed little Jane; 
And there was Jane the sister, and the mother,— 
Her sister, and the mother of them all. 
They were not hers, not even one of them: 
She was not born to be so much as that,
For she was born to be Aunt Imogen. 
Now she could see the truth and look at it; 
Now she could make stars out where once had palled 
A future’s emptiness; now she could share 
With others—ah, the others!—to the end
The largess of a woman who could smile; 
Now it was hers to dance the folly down, 
And all the murmuring; now it was hers 
To be Aunt Imogen.—So, when Young George 
Woke up and blinked at her with his big eyes,
And smiled to see the way she blinked at him, 
’T was only in old concord with the stars 
That she took hold of him and held him close, 
Close to herself, and crushed him till he laughed.

Symphonic Studies (After Schumann)

by Emma Lazarus
 Prelude 

Blue storm-clouds in hot heavens of mid-July 
Hung heavy, brooding over land and sea: 
Our hearts, a-tremble, throbbed in harmony 
With the wild, restless tone of air and sky. 
Shall we not call im Prospero who held 
In his enchanted hands the fateful key 
Of that tempestuous hour's mystery, 
And with controlling wand our spirits spelled, 
With him to wander by a sun-bright shore, 
To hear fine, fairy voices, and to fly 
With disembodied Ariel once more 
Above earth's wrack and ruin? Far and nigh 
The laughter of the thunder echoed loud, 
And harmless lightnings leapt from cloud to cloud. 


I

Floating upon a swelling wave of sound, 
We seemed to overlook an endless sea: 
Poised 'twixt clear heavens and glittering surf were we. 
We drank the air in flight: we knew no bound 
To the audacious ventures of desire. 
Nigh us the sun was dropping, drowned in gold; 
Deep, deep below the burning billows rolled; 
And all the sea sang like a smitten lyre. 
Oh, the wild voices of those chanting waves! 
The human faces glimpsed beneath the tide! 
Familiar eyes gazed from profound sea-caves, 
And we, exalted, were as we had died. 
We knew the sea was Life, the harmonious cry 
The blended discords of humanity. 


II

Look deeper yet: mark 'midst the wave-blurred mass, 
In lines distinct, in colors clear defined, 
The typic groups and figures of mankind. 
Behold within the cool and liquid glass 
Bright child-folk sporting with smooth yellow shells, 
Astride of dolphins, leaping up to kiss 
Fair mother-faces. From the vast abyss 
How joyously their thought-free laughter wells! 
Some slumber in grim caverns unafraid, 
Lulled by the overwhelming water's sound, 
And some make mouths at dragons, undismayed. 
Oh dauntless innocence! The gulfs profound 
Reëcho strangely with their ringing glee, 
And with wise mermaids' plaintive melody. 


III

What do the sea-nymphs in that coral cave? 
With wondering eyes their supple forms they bend 
O'er something rarely beautiful. They lend 
Their lithe white arms, and through the golden wave 
They lift it tenderly. Oh blinding sight! 
A naked, radiant goddess, tranced in sleep, 
Full-limbed, voluptuous, 'neath the mantling sweep 
Of auburn locks that kiss her ankles white! 
Upward they bear her, chanting low and sweet: 
The clinging waters part before their way, 
Jewels of flame are dancing 'neath their feet. 
Up in the sunshine, on soft foam, they lay 
Their precious burden, and return forlorn. 
Oh, bliss! oh, anguish! Mortals, Love is born! 


IV

Hark! from unfathomable deeps a dirge 
Swells sobbing through the melancholy air: 
Where love has entered, Death is also there. 
The wail outrings the chafed, tumultuous surge; 
Ocean and earth, the illimitable skies, 
Prolong one note, a mourning for the dead, 
The cry of souls not to be comforted. 
What piercing music! Funeral visions rise, 
And send the hot tears raining down our cheek. 
We see the silent grave upon the hill 
With its lone lilac-bush. O heart, be still! 
She will not rise, she will not stir nor speak. 
Surely, the unreturning dead are blest. 
Ring on, sweet dirge, and knell us to our rest! 


V

Upon the silver beach the undines dance 
With interlinking arms and flying hair; 
Like polished marble gleam their limbs left bare; 
Upon their virgin rites pale moonbeams glance. 
Softer the music! for their foam-bright feet 
Print not the moist floor where they trip their round: 
Affrighted they will scatter at a sound, 
Leap in their cool sea-chambers, nibly fleet, 
And we shall doubt that we have ever seen, 
While our sane eyes behold stray wreaths of mist, 
Shot with faint colors by the moon-rays kissed, 
Floating snow-soft, snow-white, where these had been. 
Already, look! the wave-washed sands are bare, 
And mocking laughter ripples through the air. 


VI

Divided 'twixt the dream-world and the real, 
We heard the waxing passion of the song 
Soar as to scale the heavens on pinions strong. 
Amidst the long-reverberant thunder-peal, 
Against the rain-blurred square of light, the head 
Of the pale poet at the lyric keys 
Stood boldly cut, absorbed in reveries, 
While over it keen-bladed lightnings played. 
"Rage on, wild storm!" the music seemed to sing: 
"Not all the thunders of thy wrath can move 
The soul that's dedicate to worshipping 
Eternal Beauty, everlasting Love." 
No more! the song was ended, and behold, 
A rainbow trembling on a sky of gold! 


Epilogue

Forth in the sunlit, rain-bathed air we stepped, 
Sweet with the dripping grass and flowering vine, 
And saw through irised clouds the pale sun shine. 
Back o'er the hills the rain-mist slowly crept 
Like a transparent curtain's silvery sheen; 
And fronting us the painted bow was arched, 
Whereunder the majestic cloud-shapes marched: 
In the wet, yellow light the dazzling green 
Of lawn and bush and tree seemed stained with blue. 
Our hearts o'erflowed with peace. With smiles we spake 
Of partings in the past, of courage new, 
Of high achievement, of the dreams that make 
A wonder and a glory of our days, 
And all life's music but a hymn of praise.

In Memoriam A. H. H.

by Alfred Lord Tennyson
Strong Son of God, immortal Love,
   Whom we, that have not seen thy face,
   By faith, and faith alone, embrace,
Believing where we cannot prove;
 
Thine are these orbs of light and shade;
   Thou madest Life in man and brute;
   Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.
 
Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.
 
Thou seemest human and divine,
   The highest, holiest manhood, thou.
   Our wills are ours, we know not how;
Our wills are ours, to make them thine.
 
Our little systems have their day;
   They have their day and cease to be:
   They are but broken lights of thee,
And thou, O Lord, art more than they.
 
We have but faith: we cannot know;
   For knowledge is of things we see
   And yet we trust it comes from thee,
A beam in darkness: let it grow.
 
Let knowledge grow from more to more,
   But more of reverence in us dwell;
   That mind and soul, according well,
May make one music as before,
 
But vaster. We are fools and slight;
   We mock thee when we do not fear:
   But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.
 
Forgive what seem'd my sin in me;
   What seem'd my worth since I began;
   For merit lives from man to man,
And not from man, O Lord, to thee.
 
Forgive my grief for one removed,
   Thy creature, whom I found so fair.
   I trust he lives in thee, and there
I find him worthier to be loved.
 
Forgive these wild and wandering cries,
   Confusions of a wasted youth;
   Forgive them where they fail in truth,
And in thy wisdom make me wise.
 
I
I held it truth, with him who sings
   To one clear harp in divers tones,
   That men may rise on stepping-stones
Of their dead selves to higher things.
 
But who shall so forecast the years
   And find in loss a gain to match?
   Or reach a hand thro' time to catch
The far-off interest of tears?
 
Let Love clasp Grief lest both be drown'd,
   Let darkness keep her raven gloss:
   Ah, sweeter to be drunk with loss,
To dance with death, to beat the ground,
 
Than that the victor Hours should scorn
   The long result of love, and boast,
   `Behold the man that loved and lost,
But all he was is overworn.'
 
II
Old Yew, which graspest at the stones
   That name the under-lying dead,
   Thy fibres net the dreamless head,
Thy roots are wrapt about the bones.
 
The seasons bring the flower again,
   And bring the firstling to the flock;
   And in the dusk of thee, the clock
Beats out the little lives of men.
 
O, not for thee the glow, the bloom,
   Who changest not in any gale,
   Nor branding summer suns avail
To touch thy thousand years of gloom:
 
And gazing on thee, sullen tree,
   Sick for thy stubborn hardihood,
   I seem to fail from out my blood
And grow incorporate into thee.
 
III
O Sorrow, cruel fellowship,
   O Priestess in the vaults of Death,
   O sweet and bitter in a breath,
What whispers from thy lying lip?
 
'The stars,' she whispers, `blindly run;
   A web is wov'n across the sky;
   From out waste places comes a cry,
And murmurs from the dying sun:
 
'And all the phantom, Nature, stands—
   With all the music in her tone,
   A hollow echo of my own,—
A hollow form with empty hands.'
 
And shall I take a thing so blind,
   Embrace her as my natural good;
   Or crush her, like a vice of blood,
Upon the threshold of the mind?
 
IV
To Sleep I give my powers away;
   My will is bondsman to the dark;
   I sit within a helmless bark,
And with my heart I muse and say:
 
O heart, how fares it with thee now,
   That thou should'st fail from thy desire,
   Who scarcely darest to inquire,
'What is it makes me beat so low?'
 
Something it is which thou hast lost,
   Some pleasure from thine early years.
   Break, thou deep vase of chilling tears,
That grief hath shaken into frost!
 
Such clouds of nameless trouble cross
   All night below the darken'd eyes;
   With morning wakes the will, and cries, 
'Thou shalt not be the fool of loss.'
 
V
I sometimes hold it half a sin
   To put in words the grief I feel;
   For words, like Nature, half reveal
And half conceal the Soul within.
 
But, for the unquiet heart and brain,
   A use in measured language lies;
   The sad mechanic exercise,
Like dull narcotics, numbing pain.
 
In words, like weeds, I'll wrap me o'er,
   Like coarsest clothes against the cold:
   But that large grief which these enfold
Is given in outline and no more.
 
VI
One writes, that `Other friends remain,'
   That `Loss is common to the race'—
   And common is the commonplace,
And vacant chaff well meant for grain.
 
That loss is common would not make
   My own less bitter, rather more:
   Too common! Never morning wore
To evening, but some heart did break.
 
O father, wheresoe'er thou be,
   Who pledgest now thy gallant son;
   A shot, ere half thy draught be done,
Hath still'd the life that beat from thee.
 
O mother, praying God will save
   Thy sailor,—while thy head is bow'd,
   His heavy-shotted hammock-shroud
Drops in his vast and wandering grave.
 
Ye know no more than I who wrought
   At that last hour to please him well;
   Who mused on all I had to tell,
And something written, something thought;
 
Expecting still his advent home;
   And ever met him on his way
   With wishes, thinking, `here to-day,'
Or `here to-morrow will he come.'
 
O somewhere, meek, unconscious dove,
   That sittest ranging golden hair;
   And glad to find thyself so fair,
Poor child, that waitest for thy love!
 
For now her father's chimney glows
   In expectation of a guest;
   And thinking `this will please him best,'
She takes a riband or a rose;
 
For he will see them on to-night;
   And with the thought her colour burns;
   And, having left the glass, she turns
Once more to set a ringlet right;
 
And, even when she turn'd, the curse
   Had fallen, and her future Lord
   Was drown'd in passing thro' the ford,
Or kill'd in falling from his horse.
 
O what to her shall be the end?
   And what to me remains of good?
   To her, perpetual maidenhood,
And unto me no second friend.
 
VII
Dark house, by which once more I stand
   Here in the long unlovely street,
   Doors, where my heart was used to beat
So quickly, waiting for a hand,
 
A hand that can be clasp'd no more—
   Behold me, for I cannot sleep,
   And like a guilty thing I creep
At earliest morning to the door.
 
He is not here; but far away
   The noise of life begins again,
   And ghastly thro' the drizzling rain
On the bald street breaks the blank day.
 
VIII
A happy lover who has come
   To look on her that loves him well,
   Who 'lights and rings the gateway bell,
And learns her gone and far from home;
 
He saddens, all the magic light
   Dies off at once from bower and hall,
   And all the place is dark, and all
The chambers emptied of delight:
 
So find I every pleasant spot
   In which we two were wont to meet,
   The field, the chamber, and the street,
For all is dark where thou art not.
 
Yet as that other, wandering there
   In those deserted walks, may find
   A flower beat with rain and wind,
Which once she foster'd up with care;
 
So seems it in my deep regret,
   O my forsaken heart, with thee
   And this poor flower of poesy
Which little cared for fades not yet.
 
But since it pleased a vanish'd eye,
   I go to plant it on his tomb,
   That if it can it there may bloom,
Or, dying, there at least may die.
 
IX
Fair ship, that from the Italian shore
   Sailest the placid ocean-plains
   With my lost Arthur's loved remains,
Spread thy full wings, and waft him o'er.
 
So draw him home to those that mourn
   In vain; a favourable speed
   Ruffle thy mirror'd mast, and lead
Thro' prosperous floods his holy urn.
 
All night no ruder air perplex
   Thy sliding keel, till Phosphor, bright
   As our pure love, thro' early light
Shall glimmer on the dewy decks.
 
Sphere all your lights around, above;
   Sleep, gentle heavens, before the prow;
   Sleep, gentle winds, as he sleeps now,
My friend, the brother of my love;
 
My Arthur, whom I shall not see
   Till all my widow'd race be run;
   Dear as the mother to the son,
More than my brothers are to me.
 
X
I hear the noise about thy keel;
   I hear the bell struck in the night:
   I see the cabin-window bright;
I see the sailor at the wheel.
 
Thou bring'st the sailor to his wife,
   And travell'd men from foreign lands;
   And letters unto trembling hands;
And, thy dark freight, a vanish'd life.
 
So bring him; we have idle dreams:
   This look of quiet flatters thus
   Our home-bred fancies. O to us,
The fools of habit, sweeter seems
 
To rest beneath the clover sod,
   That takes the sunshine and the rains,
   Or where the kneeling hamlet drains
The chalice of the grapes of God;
 
Than if with thee the roaring wells
   Should gulf him fathom-deep in brine;
   And hands so often clasp'd in mine,
Should toss with tangle and with shells.
 
XI
Calm is the morn without a sound,
   Calm as to suit a calmer grief,
   And only thro' the faded leaf
The chestnut pattering to the ground:
 
Calm and deep peace on this high world,
   And on these dews that drench the furze,
   And all the silvery gossamers
That twinkle into green and gold:
 
Calm and still light on yon great plain
   That sweeps with all its autumn bowers,
   And crowded farms and lessening towers,
To mingle with the bounding main:
 
Calm and deep peace in this wide air,
   These leaves that redden to the fall;
   And in my heart, if calm at all,
If any calm, a calm despair:
 
Calm on the seas, and silver sleep,
   And waves that sway themselves in rest,
   And dead calm in that noble breast
Which heaves but with the heaving deep.
 
XII
Lo, as a dove when up she springs
   To bear thro' Heaven a tale of woe,
   Some dolorous message knit below
The wild pulsation of her wings;
 
Like her I go; I cannot stay;
   I leave this mortal ark behind,
   A weight of nerves without a mind,
And leave the cliffs, and haste away
 
O'er ocean-mirrors rounded large,
   And reach the glow of southern skies,
   And see the sails at distance rise,
And linger weeping on the marge,
 
And saying; `Comes he thus, my friend?
   Is this the end of all my care?'
   And circle moaning in the air:
'Is this the end? Is this the end?'
 
And forward dart again, and play
   About the prow, and back return
   To where the body sits, and learn
That I have been an hour away.
 
XIII
Tears of the widower, when he sees
   A late-lost form that sleep reveals,
   And moves his doubtful arms, and feels
Her place is empty, fall like these;
 
Which weep a loss for ever new,
   A void where heart on heart reposed;
   And, where warm hands have prest and closed,
Silence, till I be silent too.
 
Which weep the comrade of my choice,
   An awful thought, a life removed,
   The human-hearted man I loved,
A Spirit, not a breathing voice.
 
Come, Time, and teach me, many years,
   I do not suffer in a dream;
   For now so strange do these things seem,
Mine eyes have leisure for their tears;
 
My fancies time to rise on wing,
   And glance about the approaching sails,
   As tho' they brought but merchants' bales,
And not the burthen that they bring.
 
XIV
If one should bring me this report,
   That thou hadst touch'd the land to-day,
   And I went down unto the quay,
And found thee lying in the port;
 
And standing, muffled round with woe,
   Should see thy passengers in rank
   Come stepping lightly down the plank,
And beckoning unto those they know;
 
And if along with these should come
   The man I held as half-divine;
   Should strike a sudden hand in mine,
And ask a thousand things of home;
 
And I should tell him all my pain,
   And how my life had droop'd of late,
   And he should sorrow o'er my state
And marvel what possess'd my brain;
 
And I perceived no touch of change,
   No hint of death in all his frame,
   But found him all in all the same,
I should not feel it to be strange.
 
XV
To-night the winds begin to rise
   And roar from yonder dropping day:
   The last red leaf is whirl'd away,
The rooks are blown about the skies;
 
The forest crack'd, the waters curl'd,
   The cattle huddled on the lea;
   And wildly dash'd on tower and tree
The sunbeam strikes along the world:
 
And but for fancies, which aver
   That all thy motions gently pass
   Athwart a plane of molten glass,
I scarce could brook the strain and stir
 
That makes the barren branches loud;
   And but for fear it is not so,
   The wild unrest that lives in woe
Would dote and pore on yonder cloud
 
That rises upward always higher,
   And onward drags a labouring breast,
   And topples round the dreary west,
A looming bastion fringed with fire.
 
XVI
What words are these have falle'n from me?
   Can calm despair and wild unrest
   Be tenants of a single breast,
Or sorrow such a changeling be?
 
Or cloth she only seem to take
   The touch of change in calm or storm;
   But knows no more of transient form
In her deep self, than some dead lake
 
That holds the shadow of a lark
   Hung in the shadow of a heaven?
   Or has the shock, so harshly given,
Confused me like the unhappy bark
 
That strikes by night a craggy shelf,
   And staggers blindly ere she sink?
   And stunn'd me from my power to think
And all my knowledge of myself;
 
And made me that delirious man
   Whose fancy fuses old and new,
   And flashes into false and true,
And mingles all without a plan?
 
XVII
Thou comest, much wept for: such a breeze
   Compell'd thy canvas, and my prayer
   Was as the whisper of an air
To breathe thee over lonely seas.
 
For I in spirit saw thee move
   Thro' circles of the bounding sky,
   Week after week: the days go by:
Come quick, thou bringest all I love.
 
Henceforth, wherever thou may'st roam,
   My blessing, like a line of light,
   Is on the waters day and night,
And like a beacon guards thee home.
 
So may whatever tempest mars
   Mid-ocean, spare thee, sacred bark;
   And balmy drops in summer dark
Slide from the bosom of the stars.
 
So kind an office hath been done,
   Such precious relics brought by thee;
   The dust of him I shall not see
Till all my widow'd race be run.
 
XVIII
'Tis well; 'tis something; we may stand
   Where he in English earth is laid,
   And from his ashes may be made
The violet of his native land.
 
'Tis little; but it looks in truth
   As if the quiet bones were blest
   Among familiar names to rest
And in the places of his youth.
 
Come then, pure hands, and bear the head
   That sleeps or wears the mask of sleep,
   And come, whatever loves to weep,
And hear the ritual of the dead.
 
Ah yet, ev'n yet, if this might be,
   I, falling on his faithful heart,
   Would breathing thro' his lips impart
The life that almost dies in me;
 
That dies not, but endures with pain,
   And slowly forms the firmer mind,
   Treasuring the look it cannot find,
The words that are not heard again.
 
XIX
The Danube to the Severn gave
   The darken'd heart that beat no more;
   They laid him by the pleasant shore,
And in the hearing of the wave.
 
There twice a day the Severn fills;
   The salt sea-water passes by,
   And hushes half the babbling Wye,
And makes a silence in the hills.
 
The Wye is hush'd nor moved along,
   And hush'd my deepest grief of all,
   When fill'd with tears that cannot fall,
I brim with sorrow drowning song.
 
The tide flows down, the wave again
   Is vocal in its wooded walls;
   My deeper anguish also falls,
And I can speak a little then.
 
XX
The lesser griefs that may be said,
   That breathe a thousand tender vows,
   Are but as servants in a house
Where lies the master newly dead;
 
Who speak their feeling as it is,
   And weep the fulness from the mind:
   `It will be hard,' they say, `to find
Another service such as this.'
 
My lighter moods are like to these,
   That out of words a comfort win;
   But there are other griefs within,
And tears that at their fountain freeze;
 
For by the hearth the children sit
   Cold in that atmosphere of Death,
   And scarce endure to draw the breath,
Or like to noiseless phantoms flit;
 
But open converse is there none,
   So much the vital spirits sink
   To see the vacant chair, and think,
'How good! how kind! and he is gone.'
 
XXI
I sing to him that rests below,
   And, since the grasses round me wave,
   I take the grasses of the grave,
And make them pipes whereon to blow.
 
The traveller hears me now and then,
   And sometimes harshly will he speak:
   `This fellow would make weakness weak,
And melt the waxen hearts of men.'
 
Another answers, `Let him be,
   He loves to make parade of pain
   That with his piping he may gain
The praise that comes to constancy.'
 
A third is wroth: `Is this an hour
   For private sorrow's barren song,
   When more and more the people throng
The chairs and thrones of civil power?
 
'A time to sicken and to swoon,
   When Science reaches forth her arms
   To feel from world to world, and charms
Her secret from the latest moon?'
 
Behold, ye speak an idle thing:
   Ye never knew the sacred dust:
   I do but sing because I must,
And pipe but as the linnets sing:
 
And one is glad; her note is gay,
   For now her little ones have ranged;
   And one is sad; her note is changed,
Because her brood is stol'n away.
 
XXII
The path by which we twain did go,
   Which led by tracts that pleased us well,
   Thro' four sweet years arose and fell,
From flower to flower, from snow to snow:
 
And we with singing cheer'd the way,
   And, crown'd with all the season lent,
   From April on to April went,
And glad at heart from May to May:
 
But where the path we walk'd began
   To slant the fifth autumnal slope,
   As we descended following Hope,
There sat the Shadow fear'd of man;
 
Who broke our fair companionship,
   And spread his mantle dark and cold,
   And wrapt thee formless in the fold,
And dull'd the murmur on thy lip,
 
And bore thee where I could not see
   Nor follow, tho' I walk in haste,
   And think, that somewhere in the waste
The Shadow sits and waits for me.
 
XXIII
Now, sometimes in my sorrow shut,
   Or breaking into song by fits,
   Alone, alone, to where he sits,
The Shadow cloak'd from head to foot,
 
Who keeps the keys of all the creeds,
   I wander, often falling lame,
   And looking back to whence I came,
Or on to where the pathway leads;
 
And crying, How changed from where it ran
   Thro' lands where not a leaf was dumb;
   But all the lavish hills would hum
The murmur of a happy Pan:
 
When each by turns was guide to each,
   And Fancy light from Fancy caught,
   And Thought leapt out to wed with Thought
Ere Thought could wed itself with Speech;
 
And all we met was fair and good,
   And all was good that Time could bring,
   And all the secret of the Spring
Moved in the chambers of the blood;
 
And many an old philosophy
   On Argive heights divinely sang,
   And round us all the thicket rang
To many a flute of Arcady.
 
XXIV
And was the day of my delight
   As pure and perfect as I say?
   The very source and fount of Day
Is dash'd with wandering isles of night.
 
If all was good and fair we met,
   This earth had been the Paradise
   It never look'd to human eyes
Since our first Sun arose and set.
 
And is it that the haze of grief
   Makes former gladness loom so great?
   The lowness of the present state,
That sets the past in this relief?
 
Or that the past will always win
   A glory from its being far;
   And orb into the perfect star
We saw not, when we moved therein?
 
XXV
I know that this was Life,—the track
   Whereon with equal feet we fared;
   And then, as now, the day prepared
The daily burden for the back.
 
But this it was that made me move
   As light as carrier-birds in air;
   I loved the weight I had to bear,
Because it needed help of Love:
 
Nor could I weary, heart or limb,
   When mighty Love would cleave in twain
   The lading of a single pain,
And part it, giving half to him.
 
XXVI
Still onward winds the dreary way;
   I with it; for I long to prove
   No lapse of moons can canker Love,
Whatever fickle tongues may say.
 
And if that eye which watches guilt
   And goodness, and hath power to see
   Within the green the moulder'd tree,
And towers fall'n as soon as built—
 
Oh, if indeed that eye foresee
   Or see (in Him is no before)
   In more of life true life no more
And Love the indifference to be,
 
Then might I find, ere yet the morn
   Breaks hither over Indian seas,
   That Shadow waiting with the keys,
To shroud me from my proper scorn.
 
XXVII
I envy not in any moods
   The captive void of noble rage,
   The linnet born within the cage,
That never knew the summer woods:
 
I envy not the beast that takes
   His license in the field of time,
   Unfetter'd by the sense of crime,
To whom a conscience never wakes;
 
Nor, what may count itself as blest,
   The heart that never plighted troth
   But stagnates in the weeds of sloth;
Nor any want-begotten rest.
 
I hold it true, whate'er befall;
   I feel it, when I sorrow most;
   'Tis better to have loved and lost
Than never to have loved at all.
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Book: Diverse Voices: The Poetry of Human Rights and the Pursuit of Peace