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Best Famous Leak Poems

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Written by Henry David Thoreau | Create an image from this poem

Friendship

 I think awhile of Love, and while I think, 
Love is to me a world, 
Sole meat and sweetest drink, 
And close connecting link 
Tween heaven and earth.
I only know it is, not how or why, My greatest happiness; However hard I try, Not if I were to die, Can I explain.
I fain would ask my friend how it can be, But when the time arrives, Then Love is more lovely Than anything to me, And so I'm dumb.
For if the truth were known, Love cannot speak, But only thinks and does; Though surely out 'twill leak Without the help of Greek, Or any tongue.
A man may love the truth and practise it, Beauty he may admire, And goodness not omit, As much as may befit To reverence.
But only when these three together meet, As they always incline, And make one soul the seat, And favorite retreat, Of loveliness; When under kindred shape, like loves and hates And a kindred nature, Proclaim us to be mates, Exposed to equal fates Eternally; And each may other help, and service do, Drawing Love's bands more tight, Service he ne'er shall rue While one and one make two, And two are one; In such case only doth man fully prove Fully as man can do, What power there is in Love His inmost soul to move Resistlessly.
________________________________ Two sturdy oaks I mean, which side by side, Withstand the winter's storm, And spite of wind and tide, Grow up the meadow's pride, For both are strong Above they barely touch, but undermined Down to their deepest source, Admiring you shall find Their roots are intertwined Insep'rably.


Written by Anne Sexton | Create an image from this poem

The Double Image

 1.
I am thirty this November.
You are still small, in your fourth year.
We stand watching the yellow leaves go *****, flapping in the winter rain.
falling flat and washed.
And I remember mostly the three autumns you did not live here.
They said I'd never get you back again.
I tell you what you'll never really know: all the medical hypothesis that explained my brain will never be as true as these struck leaves letting go.
I, who chose two times to kill myself, had said your nickname the mewling mouths when you first came; until a fever rattled in your throat and I moved like a pantomine above your head.
Ugly angels spoke to me.
The blame, I heard them say, was mine.
They tattled like green witches in my head, letting doom leak like a broken faucet; as if doom had flooded my belly and filled your bassinet, an old debt I must assume.
Death was simpler than I'd thought.
The day life made you well and whole I let the witches take away my guilty soul.
I pretended I was dead until the white men pumped the poison out, putting me armless and washed through the rigamarole of talking boxes and the electric bed.
I laughed to see the private iron in that hotel.
Today the yellow leaves go *****.
You ask me where they go I say today believed in itself, or else it fell.
Today, my small child, Joyce, love your self's self where it lives.
There is no special God to refer to; or if there is, why did I let you grow in another place.
You did not know my voice when I came back to call.
All the superlatives of tomorrow's white tree and mistletoe will not help you know the holidays you had to miss.
The time I did not love myself, I visited your shoveled walks; you held my glove.
There was new snow after this.
2.
They sent me letters with news of you and I made moccasins that I would never use.
When I grew well enough to tolerate myself, I lived with my mother, the witches said.
But I didn't leave.
I had my portrait done instead.
Part way back from Bedlam I came to my mother's house in Gloucester, Massachusetts.
And this is how I came to catch at her; and this is how I lost her.
I cannot forgive your suicide, my mother said.
And she never could.
She had my portrait done instead.
I lived like an angry guest, like a partly mended thing, an outgrown child.
I remember my mother did her best.
She took me to Boston and had my hair restyled.
Your smile is like your mother's, the artist said.
I didn't seem to care.
I had my portrait done instead.
There was a church where I grew up with its white cupboards where they locked us up, row by row, like puritans or shipmates singing together.
My father passed the plate.
Too late to be forgiven now, the witches said.
I wasn't exactly forgiven.
They had my portrait done instead.
3.
All that summer sprinklers arched over the seaside grass.
We talked of drought while the salt-parched field grew sweet again.
To help time pass I tried to mow the lawn and in the morning I had my portrait done, holding my smile in place, till it grew formal.
Once I mailed you a picture of a rabbit and a postcard of Motif number one, as if it were normal to be a mother and be gone.
They hung my portrait in the chill north light, matching me to keep me well.
Only my mother grew ill.
She turned from me, as if death were catching, as if death transferred, as if my dying had eaten inside of her.
That August you were two, by I timed my days with doubt.
On the first of September she looked at me and said I gave her cancer.
They carved her sweet hills out and still I couldn't answer.
4.
That winter she came part way back from her sterile suite of doctors, the seasick cruise of the X-ray, the cells' arithmetic gone wild.
Surgery incomplete, the fat arm, the prognosis poor, I heard them say.
During the sea blizzards she had here own portrait painted.
A cave of mirror placed on the south wall; matching smile, matching contour.
And you resembled me; unacquainted with my face, you wore it.
But you were mine after all.
I wintered in Boston, childless bride, nothing sweet to spare with witches at my side.
I missed your babyhood, tried a second suicide, tried the sealed hotel a second year.
On April Fool you fooled me.
We laughed and this was good.
5.
I checked out for the last time on the first of May; graduate of the mental cases, with my analysts's okay, my complete book of rhymes, my typewriter and my suitcases.
All that summer I learned life back into my own seven rooms, visited the swan boats, the market, answered the phone, served cocktails as a wife should, made love among my petticoats and August tan.
And you came each weekend.
But I lie.
You seldom came.
I just pretended you, small piglet, butterfly girl with jelly bean cheeks, disobedient three, my splendid stranger.
And I had to learn why I would rather die than love, how your innocence would hurt and how I gather guilt like a young intern his symptons, his certain evidence.
That October day we went to Gloucester the red hills reminded me of the dry red fur fox coat I played in as a child; stock still like a bear or a tent, like a great cave laughing or a red fur fox.
We drove past the hatchery, the hut that sells bait, past Pigeon Cove, past the Yacht Club, past Squall's Hill, to the house that waits still, on the top of the sea, and two portraits hung on the opposite walls.
6.
In north light, my smile is held in place, the shadow marks my bone.
What could I have been dreaming as I sat there, all of me waiting in the eyes, the zone of the smile, the young face, the foxes' snare.
In south light, her smile is held in place, her cheeks wilting like a dry orchid; my mocking mirror, my overthrown love, my first image.
She eyes me from that face that stony head of death I had outgrown.
The artist caught us at the turning; we smiled in our canvas home before we chose our foreknown separate ways.
The dry redfur fox coat was made for burning.
I rot on the wall, my own Dorian Gray.
And this was the cave of the mirror, that double woman who stares at herself, as if she were petrified in time -- two ladies sitting in umber chairs.
You kissed your grandmother and she cried.
7.
I could not get you back except for weekends.
You came each time, clutching the picture of a rabbit that I had sent you.
For the last time I unpack your things.
We touch from habit.
The first visit you asked my name.
Now you will stay for good.
I will forget how we bumped away from each other like marionettes on strings.
It wasn't the same as love, letting weekends contain us.
You scrape your knee.
You learn my name, wobbling up the sidewalk, calling and crying.
You can call me mother and I remember my mother again, somewhere in greater Boston, dying.
I remember we named you Joyce so we could call you Joy.
You came like an awkward guest that first time, all wrapped and moist and strange at my heavy breast.
I needed you.
I didn't want a boy, only a girl, a small milky mouse of a girl, already loved, already loud in the house of herself.
We named you Joy.
I, who was never quite sure about being a girl, needed another life, another image to remind me.
And this was my worst guilt; you could not cure or soothe it.
I made you to find me.
Written by Ogden Nash | Create an image from this poem

I Do I Will I Have

 How wise I am to have instructed the butler
to instruct the first footman to instruct the second
footman to instruct the doorman to order my carriage;
I am about to volunteer a definition of marriage.
Just as I know that there are two Hagens, Walter and Copen, I know that marriage is a legal and religious alliance entered into by a man who can't sleep with the window shut and a woman who can't sleep with the window open.
Moreover, just as I am unsure of the difference between flora and fauna and flotsam and jetsam, I am quite sure that marriage is the alliance of two people one of whom never remembers birthdays and the other never forgetsam, And he refuses to believe there is a leak in the water pipe or the gas pipe and she is convinced she is about to asphyxiate or drown, And she says Quick get up and get my hairbrushes off the windowsill, it's raining in, and he replies Oh they're all right, it's only raining straight down.
That is why marriage is so much more interesting than divorce, Because it's the only known example of the happy meeting of the immovable object and the irresistible force.
So I hope husbands and wives will continue to debate and combat over everything debatable and combatable, Because I believe a little incompatibility is the spice of life, particularly if he has income and she is pattable.
Written by Mark Twain | Create an image from this poem

The Aged Pilot Man

 On the Erie Canal, it was,
All on a summer's day,
I sailed forth with my parents
Far away to Albany.
From out the clouds at noon that day There came a dreadful storm, That piled the billows high about, And filled us with alarm.
A man came rushing from a house, Saying, "Snub up your boat I pray, Snub up your boat, snub up, alas, Snub up while yet you may.
" Our captain cast one glance astern, Then forward glanced he, And said, "My wife and little ones I never more shall see.
" Said Dollinger the pilot man, In noble words, but few,-- "Fear not, but lean on Dollinger, And he will fetch you through.
" The boat drove on, the frightened mules Tore through the rain and wind, And bravely still, in danger's post, The whip-boy strode behind.
"Come 'board, come 'board," the captain cried, "Nor tempt so wild a storm;" But still the raging mules advanced, And still the boy strode on.
Then said the captain to us all, "Alas, 'tis plain to me, The greater danger is not there, But here upon the sea.
So let us strive, while life remains, To save all souls on board, And then if die at last we must, Let .
.
.
.
I cannot speak the word!" Said Dollinger the pilot man, Tow'ring above the crew, "Fear not, but trust in Dollinger, And he will fetch you through.
" "Low bridge! low bridge!" all heads went down, The laboring bark sped on; A mill we passed, we passed church, Hamlets, and fields of corn; And all the world came out to see, And chased along the shore Crying, "Alas, alas, the sheeted rain, The wind, the tempest's roar! Alas, the gallant ship and crew, Can nothing help them more?" And from our deck sad eyes looked out Across the stormy scene: The tossing wake of billows aft, The bending forests green, The chickens sheltered under carts In lee of barn the cows, The skurrying swine with straw in mouth, The wild spray from our bows! "She balances! She wavers! Now let her go about! If she misses stays and broaches to, We're all"--then with a shout,] "Huray! huray! Avast! belay! Take in more sail! Lord, what a gale! Ho, boy, haul taut on the hind mule's tail!" "Ho! lighten ship! ho! man the pump! Ho, hostler, heave the lead! "A quarter-three!--'tis shoaling fast! Three feet large!--t-h-r-e-e feet!-- Three feet scant!" I cried in fright "Oh, is there no retreat?" Said Dollinger, the pilot man, As on the vessel flew, "Fear not, but trust in Dollinger, And he will fetch you through.
" A panic struck the bravest hearts, The boldest cheek turned pale; For plain to all, this shoaling said A leak had burst the ditch's bed! And, straight as bolt from crossbow sped, Our ship swept on, with shoaling lead, Before the fearful gale! "Sever the tow-line! Cripple the mules!" Too late! There comes a shock! Another length, and the fated craft Would have swum in the saving lock! Then gathered together the shipwrecked crew And took one last embrace, While sorrowful tears from despairing eyes Ran down each hopeless face; And some did think of their little ones Whom they never more might see, And others of waiting wives at home, And mothers that grieved would be.
But of all the children of misery there On that poor sinking frame, But one spake words of hope and faith, And I worshipped as they came: Said Dollinger the pilot man,-- (O brave heart, strong and true!)-- "Fear not, but trust in Dollinger, For he will fetch you through.
" Lo! scarce the words have passed his lips The dauntless prophet say'th, When every soul about him seeth A wonder crown his faith! And count ye all, both great and small, As numbered with the dead: For mariner for forty year, On Erie, boy and man, I never yet saw such a storm, Or one't with it began!" So overboard a keg of nails And anvils three we threw, Likewise four bales of gunny-sacks, Two hundred pounds of glue, Two sacks of corn, four ditto wheat, A box of books, a cow, A violin, Lord Byron's works, A rip-saw and a sow.
A curve! a curve! the dangers grow! "Labbord!--stabbord!--s-t-e-a-d-y!--so!-- Hard-a-port, Dol!--hellum-a-lee! Haw the head mule!--the aft one gee! Luff!--bring her to the wind!" For straight a farmer brought a plank,-- (Mysteriously inspired)-- And laying it unto the ship, In silent awe retired.
Then every sufferer stood amazed That pilot man before; A moment stood.
Then wondering turned, And speechless walked ashore.
Written by David Berman | Create an image from this poem

The Moon

 A web of sewer, pipe, and wire connects each house to the others.
In 206 a dog sleeps by the stove where a small gas leak causes him to have visions; visions that are rooted in nothing but gas.
Next door, a man who has decided to buy a car part by part excitedly unpacks a wheel and an ashtray.
He arranges them every which way.
It’s really beginning to take shape.
Out the garage window he sees a group of ugly children enter the forest.
Their mouths look like coin slots.
A neighbor plays keyboards in a local cover band.
Preparing for an engagement at the high school prom, they pack their equipment in silence.
Last night they played the Police Academy Ball and all the officers slow-danced with target range silhouettes.
This year the theme for the prom is the Tetragrammaton.
A yellow Corsair sails through the disco parking lot and swaying palms presage the lot of young libertines.
Inside the car a young lady wears a corsage of bullet-sized rodents.
Her date, the handsome cornerback, stretches his talons over the molded steering wheel.
They park and walk into the lush starlit gardens behind the disco just as the band is striking up.
Their keen eyes and ears twitch.
The other couples look beautiful tonight.
They stroll around listening to the brilliant conversation.
The passionate speeches.
Clouds drift across the silverware.
There is red larkspur, blue gum, and ivy.
A boy kneels before his date.
And the moon, I forgot to mention the moon.


Written by Staceyann Chin | Create an image from this poem

If only out of vanity

If only out of vanity
I have wondered what kind of woman I will be
when I am well past the summer of my raging youth
Will I still be raising revolutionary flags
and making impassioned speeches
that stir up anger in the hearts of pseudo-liberals
dressed in navy-blue conservative wear

In those years when I am grateful
I still have a good sturdy bladder
that does not leak undigested prune juice
onto diapers—no longer adorable
will I be more grateful for that
than for any forward movement in any current political cause
and will it have been worth it then
Will it have been worth the long hours
of not sleeping
that produced little more than reams
of badly written verses that catapulted me into literary spasms
but did not even whet the appetite
of the three O’ clock crowd
in the least respected of the New York poetry cafes

Will I wish then that I had taken that job working at the bank
or the one to watch that old lady drool
all over her soft boiled eggs
as she tells me how she was a raving beauty in the sixties
how she could have had any man she wanted
but she chose the one least likely to succeed
and that’s why when the son of a ***** died
she had to move into this place
because it was government subsidized

Will I tell my young attendant
how slender I was then
and paint for her pictures
of the young me more beautiful than I ever was
if only to make her forget the shriveled paper skin
the stained but even dental plates
and the faint smell of urine that tends to linger
in places built especially for revolutionaries
whose causes have been won
or forgotten

Will I still be lesbian then
or will the church or family finally convince me
to marry some man with a smaller dick
than the one my woman uses to afford me
violent and multiple orgasms

Will the staff smile at me
humor my eccentricities to my face
but laugh at me in their private resting rooms
saying she must have been something in her day

Most days I don’t know what I will be like then
but everyday—I know what I want to be now
I want to be that voice that makes Guilani
so scared he hires two (butch) black bodyguards

I want to write the poem
that The New York Times cannot print
because it might start some kind of black or lesbian
or even a white revolution

I want to go to secret meetings and under the guise
of female friendship I want to bed the women
of those young and eager revolutionaries
with too much zeal for their cause
and too little passion for the women
who follow them from city to city
all the while waiting in separate rooms

I want to be forty years old
and weigh three hundred pounds
and ride a motorcycle in the wintertime
with four hell raising children
and a one hundred ten pound female lover
who writes poetry about my life
and my children and loves me
like no one has ever loved me before

I want to be the girl your parents will use
as a bad example of a lady

I want to be the dyke who likes to **** men

I want to be the politician who never lies

I want to be the girl who never cries

I want to go down in history
in a chapter marked miscellaneous
because the writers could find
no other way to categorize me
In this world where classification is key
I want to erase the straight lines
So I can be me
Written by Rudyard Kipling | Create an image from this poem

Natural Theology

  Primitive
I ate my fill of a whale that died
 And stranded after a month at sea.
.
.
.
There is a pain in my inside.
Why have the Gods afflicted me? Ow! I am purged till I am a wraith! Wow! I am sick till I cannot see! What is the sense of Religion and Faith : Look how the Gods have afflicted me! Pagan How can the skin of rat or mouse hold Anything more than a harmless flea?.
.
.
The burning plague has taken my household.
Why have my Gods afflicted me? All my kith and kin are deceased, Though they were as good as good could be, I will out and batter the family priest, Because my Gods have afflicted me! Medi/Eval My privy and well drain into each other After the custom of Christendie.
.
.
.
Fevers and fluxes are wasting my mother.
Why has the Lord afflicted me? The Saints are helpless for all I offer-- So are the clergy I used to fee.
Henceforward I keep my cash in my coffer, Because the Lord has afflicted me.
Material I run eight hundred hens to the acre They die by dozens mysteriously.
.
.
.
I am more than doubtful concerning my Maker, Why has the Lord afflicted me? What a return for all my endeavour-- Not to mention the L.
S.
D! I am an atheist now and for ever, Because this God has afflicted me! Progressive Money spent on an Army or Fleet Is homicidal lunacy.
.
.
.
My son has been killed in the Mons retreat, Why is the Lord afflicting me? Why are murder, pillage and arson And rape allowed by the Deity? I will write to the Times, deriding our parson Because my God has afflicted me.
Chorus We had a kettle: we let it leak: Our not repairing it made it worse.
We haven't had any tea for a week.
.
.
The bottom is out of the Universe! Conclusion This was none of the good Lord's pleasure, For the Spirit He breathed in Man is free; But what comes after is measure for measure, And not a God that afflicteth thee.
As was the sowing so the reaping Is now and evermore shall be.
Thou art delivered to thine own keeping.
Only Thyself hath afflicted thee!
Written by Robert Frost | Create an image from this poem

A Fountain a Bottle a Donkeys Ears and Some Books

 Old Davis owned a solid mica mountain
In Dalton that would someday make his fortune.
There'd been some Boston people out to see it: And experts said that deep down in the mountain The mica sheets were big as plate-glass windows.
He'd like to take me there and show it to me.
"I'll tell you what you show me.
You remember You said you knew the place where once, on Kinsman, The early Mormons made a settlement And built a stone baptismal font outdoors— But Smith, or someone, called them off the mountain To go West to a worse fight with the desert.
You said you'd seen the stone baptismal font.
Well, take me there.
" Someday I will.
" "Today.
" "Huh, that old bathtub, what is that to see? Let's talk about it.
" "Let's go see the place.
" 'To shut you up I'll tell you what I'll do: I'll find that fountain if it takes all summer, And both of our united strengths, to do it.
" "You've lost it, then?" "Not so but I can find it.
No doubt it's grown up some to woods around it.
The mountain may have shifted since I saw it In eighty-five.
" "As long ago as that?" "If I remember rightly, it had sprung A leak and emptied then.
And forty years Can do a good deal to bad masonry.
You won't see any Mormon swimming in it.
But you have said it, and we're off to find it.
Old as I am, I'm going to let myself Be dragged by you all over everywhere——" "I thought you were a guide.
” "I am a guide, And that's why I can't decently refuse you.
" We made a day of it out of the world, Ascending to descend to reascend.
The old man seriously took his bearings, And spoke his doubts in every open place.
We came out on a look-off where we faced A cliff, and on the cliff a bottle painted, Or stained by vegetation from above, A likeness to surprise the thrilly tourist.
"Well, if I haven't brought you to the fountain, At least I've brought you to the famous Bottle.
" "I won't accept the substitute.
It's empty.
” "So's everything.
" "I want my fountain.
" "I guess you'd find the fountain just as empty.
And anyway this tells me where I am.
” "Hadn't you long suspected where you were?" "You mean miles from that Mormon settlement? Look here, you treat your guide with due respect If you don't want to spend the night outdoors.
I vow we must be near the place from where The two converging slides, the avalanches, On Marshall, look like donkey's ears.
We may as well see that and save the day.
" "Don't donkey's ears suggest we shake our own?" "For God's sake, aren't you fond of viewing nature? You don't like nature.
All you like is books.
What signify a donkey's cars and bottle, However natural? Give you your books! Well then, right here is where I show you books.
Come straight down off this mountain just as fast As we can fall and keep a-bouncing on our feet.
It's hell for knees unless done hell-for-leather.
" Be ready, I thought, for almost anything.
We struck a road I didn't recognize, But welcomed for the chance to lave my shoes In dust once more.
We followed this a mile, Perhaps, to where it ended at a house I didn't know was there.
It was the kind To bring me to for broad-board paneling.
I never saw so good a house deserted.
"Excuse me if I ask you in a window That happens to be broken, Davis said.
"The outside doors as yet have held against us.
I want to introduce you to the people Who used to live here.
They were Robinsons.
You must have heard of Clara Robinson, The poetess who wrote the book of verses And had it published.
It was all about The posies on her inner windowsill, And the birds on her outer windowsill, And how she tended both, or had them tended: She never tended anything herself.
She was 'shut in' for life.
She lived her whole Life long in bed, and wrote her things in bed.
I'll show You how she had her sills extended To entertain the birds and hold the flowers.
Our business first's up attic with her books.
" We trod uncomfortably on crunching glass Through a house stripped of everything Except, it seemed, the poetess's poems.
Books, I should say!—-if books are what is needed.
A whole edition in a packing case That, overflowing like a horn of plenty, Or like the poetess's heart of love, Had spilled them near the window, toward the light Where driven rain had wet and swollen them.
Enough to stock a village library— Unfortunately all of one kind, though.
They bad been brought home from some publisher And taken thus into the family.
Boys and bad hunters had known what to do With stone and lead to unprotected glass: Shatter it inward on the unswept floors.
How had the tender verse escaped their outrage? By being invisible for what it was, Or else by some remoteness that defied them To find out what to do to hurt a poem.
Yet oh! the tempting flatness of a book, To send it sailing out the attic window Till it caught wind and, opening out its covers, Tried to improve on sailing like a tile By flying like a bird (silent in flight, But all the burden of its body song), Only to tumble like a stricken bird, And lie in stones and bushes unretrieved.
Books were not thrown irreverently about.
They simply lay where someone now and then, Having tried one, had dropped it at his feet And left it lying where it fell rejected.
Here were all those the poetess's life Had been too short to sell or give away.
"Take one," Old Davis bade me graciously.
"Why not take two or three?" "Take all you want.
" Good-looking books like that.
" He picked one fresh In virgin wrapper from deep in the box, And stroked it with a horny-handed kindness.
He read in one and I read in another, Both either looking for or finding something.
The attic wasps went missing by like bullets.
I was soon satisfied for the time being.
All the way home I kept remembering The small book in my pocket.
It was there.
The poetess had sighed, I knew, in heaven At having eased her heart of one more copy— Legitimately.
My demand upon her, Though slight, was a demand.
She felt the tug.
In time she would be rid of all her books.
Written by Andrew Marvell | Create an image from this poem

The Character Of Holland

 Holland, that scarce deserves the name of Land,
As but th'Off-scouring of the Brittish Sand;
And so much Earth as was contributed
By English Pilots when they heav'd the Lead;
Or what by th' Oceans slow alluvion fell,
Of shipwrackt Cockle and the Muscle-shell;
This indigested vomit of the Sea
Fell to the Dutch by just Propriety.
Glad then, as Miners that have found the Oar, They with mad labour fish'd the Land to Shoar; And div'd as desperately for each piece Of Earth, as if't had been of Ambergreece; Collecting anxiously small Loads of Clay, Less then what building Swallows bear away; Transfursing into them their Dunghil Soul.
How did they rivet, with Gigantick Piles, Thorough the Center their new-catched Miles; And to the stake a strugling Country bound, Where barking Waves still bait the forced Ground; Building their watry Babel far more high To reach the Sea, then those to scale the Sky.
Yet still his claim the Injur'd Ocean laid, And oft at Leap-frog ore their Steeples plaid: As if on purpose it on Land had come To shew them what's their Mare Liberum.
A daily deluge over them does boyl; The Earth and Water play at Level-coyl; The Fish oft-times the Burger dispossest, And sat not as a Meat but as a Guest; And oft the Tritons and the Sea-Nymphs saw Whole sholes of Dutch serv'd up for Cabillan; Or as they over the new Level rang'd For pickled Herring, pickled Heeren chang'd.
Nature, it seem'd, asham'd of her mistake, Would throw their land away at Duck and Drake.
Therefore Necessity, that first made Kings, Something like Government among them brings.
For as with Pygmees who best kills the Crane, Among the hungry he that treasures Grain, Among the blind the one-ey'd blinkard reigns, So rules among the drowned he that draines.
Not who first see the rising Sun commands, But who could first discern the rising Lands.
Who best could know to pump an Earth so leak Him they their Lord and Country's Father speak.
To make a Bank was a great Plot of State; Invent a Shov'l and be a Magistrate.
Hence some small Dyke-grave unperceiv'd invades The Pow'r, and grows as 'twere a King of Spades.
But for less envy some Joynt States endures, Who look like a Commission of the Sewers.
For these Half-anders, half wet, and half dry, Nor bear strict service, nor pure Liberty.
'Tis probable Religion after this Came next in order; which they could not miss.
How could the Dutch but be converted, when Th' Apostles were so many Fishermen? Besides the Waters of themselves did rise, And, as their Land, so them did re-baptise.
Though Herring for their God few voices mist, And Poor-John to have been th' Evangelist.
Faith, that could never Twins conceive before, Never so fertile, spawn'd upon this shore: More pregnant then their Marg'ret, that laid down For Hans-in-Kelder of a whole Hans-Town.
Sure when Religion did it self imbark, And from the east would Westward steer its Ark, It struck, and splitting on this unknown ground, Each one thence pillag'd the first piece he found: Hence Amsterdam, Turk-Christian-Pagan-Jew, Staple of Sects and Mint of Schisme grew; That Bank of Conscience, where not one so strange Opinion but finds Credit, and Exchange.
In vain for Catholicks our selves we bear; The Universal Church is onely there.
Nor can Civility there want for Tillage, Where wisely for their Court they chose a Village.
How fit a Title clothes their Governours, Themselves the Hogs as all their Subjects Bores Let it suffice to give their Country Fame That it had one Civilis call'd by Name, Some Fifteen hundred and more years ago, But surely never any that was so.
See but their Mairmaids with their Tails of Fish, Reeking at Church over the Chafing-Dish.
A vestal Turf enshrin'd in Earthen Ware Fumes through the loop-holes of wooden Square.
Each to the Temple with these Altars tend, But still does place it at her Western End: While the fat steam of Female Sacrifice Fills the Priests Nostrils and puts out his Eyes.
Or what a Spectacle the Skipper gross, A Water-Hercules Butter-Coloss, Tunn'd up with all their sev'ral Towns of Beer; When Stagg'ring upon some Land, Snick and Sneer, They try, like Statuaries, if they can, Cut out each others Athos to a Man: And carve in their large Bodies, where they please, The Armes of the United Provinces.
But when such Amity at home is show'd; What then are their confederacies abroad? Let this one court'sie witness all the rest; When their hole Navy they together prest, Not Christian Captives to redeem from Bands: Or intercept the Western golden Sands: No, but all ancient Rights and Leagues must vail, Rather then to the English strike their sail; to whom their weather-beaten Province ows It self, when as some greater Vessal tows A Cock-boat tost with the same wind and fate; We buoy'd so often up their Sinking State.
Was this Jus Belli & Pacis; could this be Cause why their Burgomaster of the Sea Ram'd with Gun-powder, flaming with Brand wine, Should raging hold his Linstock to the Mine? While, with feign'd Treaties, they invade by stealth Our sore new circumcised Common wealth.
Yet of his vain Attempt no more he sees Then of Case-Butter shot and Bullet-Cheese.
And the torn Navy stagger'd with him home, While the Sea laught it self into a foam, 'Tis true since that (as fortune kindly sports,) A wholesome Danger drove us to our ports.
While half their banish'd keels the Tempest tost, Half bound at home in Prison to the frost: That ours mean time at leisure might careen, In a calm Winter, under Skies Serene.
As the obsequious Air and waters rest, Till the dear Halcyon hatch out all its nest.
The Common wealth doth by its losses grow; And, like its own Seas, only Ebbs to flow.
Besides that very Agitation laves, And purges out the corruptible waves.
And now again our armed Bucentore Doth yearly their Sea-Nuptials restore.
And how the Hydra of seaven Provinces Is strangled by our Infant Hercules.
Their Tortoise wants its vainly stretched neck; Their Navy all our Conquest or our Wreck: Or, what is left, their Carthage overcome Would render fain unto our better Rome.
Unless our Senate, lest their Youth disuse, The War, (but who would) Peace if begg'd refuse.
For now of nothing may our State despair, Darling of Heaven, and of Men the Care; Provided that they be what they have been, Watchful abroad, and honest still within.
For while our Neptune doth a Trident shake, Blake, Steel'd with those piercing Heads, Dean, Monck and And while Jove governs in the highest Sphere, Vainly in Hell let Pluto domineer.
Written by Judith Wright | Create an image from this poem

South of my Days

 South of my days' circle, part of my blood's country, 
rises that tableland, high delicate outline 
of bony slopes wincing under the winter, 
low trees, blue-leaved and olive, outcropping granite- 
clean, lean, hungry country.
The creek's leaf-silenced, willow choked, the slope a tangle of medlar and crabapple branching over and under, blotched with a green lichen; and the old cottage lurches in for shelter.
O cold the black-frost night.
the walls draw in to the warmth and the old roof cracks its joints; the slung kettle hisses a leak on the fire.
Hardly to be believed that summer will turn up again some day in a wave of rambler-roses, thrust it's hot face in here to tell another yarn- a story old Dan can spin into a blanket against the winter.
seventy years of stories he clutches round his bones, seventy years are hived in him like old honey.
During that year, Charleville to the Hunter, nineteen-one it was, and the drought beginning; sixty head left at the McIntyre, the mud round them hardened like iron; and the yellow boy died in the sulky ahead with the gear, but the horse went on, stopped at Sandy Camp and waited in the evening.
It was the flies we seen first, swarming like bees.
Came to the Hunter, three hundred head of a thousand- cruel to keep them alive - and the river was dust.
Or mustering up in the Bogongs in the autumn when the blizzards came early.
Brought them down; down, what aren't there yet.
Or driving for Cobb's on the run up from Tamworth-Thunderbolt at the top of Hungry Hill, and I give him a wink.
I wouoldn't wait long, Fred, not if I was you.
The troopers are just behind, coming for that job at the Hillgrove.
He went like a luny, him on his big black horse.
Oh, they slide and they vanish as he shuffles the years like a pack of conjuror's cards.
True or not, it's all the same; and the frost on the roof cracks like a whip, and the back-log break into ash.
Wake, old man.
this is winter, and the yarns are over.
No-one is listening South of my days' circle.
I know it dark against the stars, the high lean country full of old stories that still go walking in my sleep.

Book: Shattered Sighs