Written by
George Herbert |
When my devotions could not pierce
Thy silent ears;
Then was my heart broken, as was my verse:
My breast was full of fears
And disorder:
My bent thoughts, like a brittle bow,
Did fly asunder:
Each took his way; some would to pleasures go,
Some to the wars and thunder
Of alarms.
As good go any where, they say,
As to benumb
Both knees and heart, in crying night and day,
Come, come, my God, O come,
But no hearing.
O that thou shouldst give dust a tongue
To cry to thee,
And then not hear it crying! all day long
My heart was in my knee,
But no hearing.
Therefore my soul lay out of sight,
Untuned, unstrung:
My feeble spirit, unable to look right,
Like a nipped blossom, hung
Discontented.
O cheer and tune my heartless breast,
Defer no time;
That so thy favors granting my request,
They and my mind may chime,
And mend my rime.
|
Written by
Henry Lawson |
From Woolwich and Brentford and Stamford Hill, from Richmond into the Strand,
Oh, the Cockney soul is a silent soul – as it is in every land!
But out on the sand with a broken band it's sarcasm spurs them through;
And, with never a laugh, in a gale and a half, 'tis the Cockney cheers the crew.
Oh, send them a tune from the music-halls with a chorus to shake the sky!
Oh, give them a deep-sea chanty now – and a star to steer them by!
Now this is a song of the great untrained, a song of the Unprepared,
Who had never the brains to plead unfit, or think of the things they dared;
Of the grocer-souled and the draper-souled, and the clerks of the four o'clock,
Who stood for London and died for home in the nineteen-fourteen shock.
Oh, this is a pork-shop warrior's chant – come back from it, maimed and blind,
To a little old counter in Grey's Inn-road and a tiny parlour behind;
And the bedroom above, where the wife and he go silently mourning yet
For a son-in-law who shall never come back and a dead son's room "To Let".
(But they have a boy "in the fried-fish line" in a shop across the "wye",
Who will take them "aht" and "abaht" to-night and cheer their old eyes dry.
)
And this is a song of the draper's clerk (what have you all to say?) –
He'd a tall top-hat and a walking-coat in the city every day –
He wears no flesh on his broken bones that lie in the shell-churned loam;
For he went over the top and struck with his cheating yard-wand – home.
(Oh, touch your hat to the tailor-made before you are aware,
And lilt us a lay of Bank-holiday and the lights of Leicester-square!)
Hats off to the dowager lady at home in her house in Russell-square!
Like the pork-shop back and the Brixton flat, they are silently mourning there;
For one lay out ahead of the rest in the slush 'neath a darkening sky,
With the blood of a hundred earls congealed and his eye-glass to his eye.
(He gave me a cheque in an envelope on a distant gloomy day;
He gave me his hand at the mansion door and he said: "Good-luck! Good-bai!")
|
Written by
Galway Kinnell |
1
In late winter
I sometimes glimpse bits of steam
coming up from
some fault in the old snow
and bend close and see it is lung-colored
and put down my nose
and know
the chilly, enduring odor of bear.
2
I take a wolf's rib and whittle
it sharp at both ends
and coil it up
and freeze it in blubber and place it out
on the fairway of the bears.
And when it has vanished
I move out on the bear tracks,
roaming in circles
until I come to the first, tentative, dark
splash on the earth.
And I set out
running, following the splashes
of blood wandering over the world.
At the cut, gashed resting places
I stop and rest,
at the crawl-marks
where he lay out on his belly
to overpass some stretch of bauchy ice
I lie out
dragging myself forward with bear-knives in my fists.
3
On the third day I begin to starve,
at nightfall I bend down as I knew I would
at a turd sopped in blood,
and hesitate, and pick it up,
and thrust it in my mouth, and gnash it down,
and rise
and go on running.
4
On the seventh day,
living by now on bear blood alone,
I can see his upturned carcass far out ahead, a scraggled,
steamy hulk,
the heavy fur riffling in the wind.
I come up to him
and stare at the narrow-spaced, petty eyes,
the dismayed
face laid back on the shoulder, the nostrils
flared, catching
perhaps the first taint of me as he
died.
I hack
a ravine in his thigh, and eat and drink,
and tear him down his whole length
and open him and climb in
and close him up after me, against the wind,
and sleep.
5
And dream
of lumbering flatfooted
over the tundra,
stabbed twice from within,
splattering a trail behind me,
splattering it out no matter which way I lurch,
no matter which parabola of bear-transcendence,
which dance of solitude I attempt,
which gravity-clutched leap,
which trudge, which groan.
6
Until one day I totter and fall --
fall on this
stomach that has tried so hard to keep up,
to digest the blood as it leaked in,
to break up
and digest the bone itself: and now the breeze
blows over me, blows off
the hideous belches of ill-digested bear blood
and rotted stomach
and the ordinary, wretched odor of bear,
blows across
my sore, lolled tongue a song
or screech, until I think I must rise up
and dance.
And I lie still.
7
I awaken I think.
Marshlights
reappear, geese
come trailing again up the flyway.
In her ravine under old snow the dam-bear
lies, licking
lumps of smeared fur
and drizzly eyes into shapes
with her tongue.
And one
hairy-soled trudge stuck out before me,
the next groaned out,
the next,
the next,
the rest of my days I spend
wandering: wondering
what, anyway,
was that sticky infusion, that rank flavor of blood, that
poetry, by which I lived?
from Body Rags, Galway Kinnell (Boston: Houghton Mifflin, 1967).
|
Written by
James Whitcomb Riley |
Tell you what I like the best --
'Long about knee-deep in June,
'Bout the time strawberries melts
On the vine, -- some afternoon
Like to jes' git out and rest,
And not work at nothin' else!
Orchard's where I'd ruther be --
Needn't fence it in fer me! --
Jes' the whole sky overhead,
And the whole airth underneath --
Sort o' so's a man kin breathe
Like he ort, and kind o' has
Elbow-room to keerlessly
Sprawl out len'thways on the grass
Where the shadders thick and soft
As the kivvers on the bed
Mother fixes in the loft
Allus, when they's company!
Jes' a-sort o' lazin there -
S'lazy, 'at you peek and peer
Through the wavin' leaves above,
Like a feller 'ats in love
And don't know it, ner don't keer!
Ever'thing you hear and see
Got some sort o' interest -
Maybe find a bluebird's nest
Tucked up there conveenently
Fer the boy 'at's ap' to be
Up some other apple tree!
Watch the swallers skootin' past
Bout as peert as you could ast;
Er the Bob-white raise and whiz
Where some other's whistle is.
Ketch a shadder down below,
And look up to find the crow --
Er a hawk, - away up there,
'Pearantly froze in the air! --
Hear the old hen squawk, and squat
Over ever' chick she's got,
Suddent-like! - and she knows where
That-air hawk is, well as you! --
You jes' bet yer life she do! --
Eyes a-glitterin' like glass,
Waitin' till he makes a pass!
Pee-wees wingin', to express
My opinion, 's second-class,
Yit you'll hear 'em more er less;
Sapsucks gittin' down to biz,
Weedin' out the lonesomeness;
Mr.
Bluejay, full o' sass,
In them baseball clothes o' his,
Sportin' round the orchad jes'
Like he owned the premises!
Sun out in the fields kin sizz,
But flat on yer back, I guess,
In the shade's where glory is!
That's jes' what I'd like to do
Stiddy fer a year er two!
Plague! Ef they ain't somepin' in
Work 'at kind o' goes ag'in'
My convictions! - 'long about
Here in June especially! --
Under some ole apple tree,
Jes' a-restin through and through,
I could git along without
Nothin' else at all to do
Only jes' a-wishin' you
Wuz a-gittin' there like me,
And June wuz eternity!
Lay out there and try to see
Jes' how lazy you kin be! --
Tumble round and souse yer head
In the clover-bloom, er pull
Yer straw hat acrost yer eyes
And peek through it at the skies,
Thinkin' of old chums 'ats dead,
Maybe, smilin' back at you
In betwixt the beautiful
Clouds o'gold and white and blue! --
Month a man kin railly love --
June, you know, I'm talkin' of!
March ain't never nothin' new! --
April's altogether too
Brash fer me! and May -- I jes'
'Bominate its promises, --
Little hints o' sunshine and
Green around the timber-land --
A few blossoms, and a few
Chip-birds, and a sprout er two, --
Drap asleep, and it turns in
Fore daylight and snows ag'in! --
But when June comes - Clear my th'oat
With wild honey! -- Rench my hair
In the dew! And hold my coat!
Whoop out loud! And th'ow my hat! --
June wants me, and I'm to spare!
Spread them shadders anywhere,
I'll get down and waller there,
And obleeged to you at that!
|
Written by
Charles Kingsley |
1 Three fishers went sailing away to the west,
2 Away to the west as the sun went down;
3 Each thought on the woman who loved him the best,
4 And the children stood watching them out of the town;
5 For men must work, and women must weep,
6 And there's little to earn, and many to keep,
7 Though the harbour bar be moaning.
8 Three wives sat up in the lighthouse tower,
9 And they trimmed the lamps as the sun went down;
10 They looked at the squall, and they looked at the shower,
11 And the night-rack came rolling up ragged and brown.
12 But men must work, and women must weep,
13 Though storms be sudden, and waters deep,
14 And the harbour bar be moaning.
15 Three corpses lay out on the shining sands
16 In the morning gleam as the tide went down,
17 And the women are weeping and wringing their hands
18 For those who will never come home to the town;
19 For men must work, and women must weep,
20 And the sooner it's over, the sooner to sleep;
21 And good-bye to the bar and its moaning.
|
Written by
Rudyard Kipling |
Peace is declared, and I return
To 'Ackneystadt, but not the same;
Things 'ave transpired which made me learn
The size and meanin' of the game.
I did no more than others did,
I don't know where the change began;
I started as a average kid,
I finished as a thinkin' man.
If England was what England seems
An' not the England of our dreams,
But only putty, brass, an' paint,
'Ow quick we'd drop 'er! But she ain't!
Before my gappin' mouth could speak
I 'eard it in my comrade's tone;
I saw it on my neighbour's cheek
Before I felt it flush my own.
An' last it come to me--not pride,
Nor yet conceit, but on the 'ole
(If such a term may be applied),
The makin's of a bloomin' soul.
Rivers at night that cluck an' jeer,
Plains which the moonshine turns to sea,
Mountains that never let you near,
An' stars to all eternity;
An' the quick-breathin' dark that fills
The 'ollows of the wilderness,
When the wind worries through the 'ills--
These may 'ave taught me more or less.
Towns without people, ten times took,
An' ten times left an' burned at last;
An' starvin' dogs that come to look
For owners when a column passed;
An' quiet, 'omesick talks between
Men, met by night, you never knew
Until--'is face--by shellfire seen--
Once--an' struck off.
They taught me, too.
The day's lay-out--the mornin' sun
Beneath your 'at-brim as you sight;
The dinner-'ush from noon till one,
An' the full roar that lasts till night;
An' the pore dead that look so old
An' was so young an hour ago,
An' legs tied down before they're cold--
These are the things which make you know.
Also Time runnin' into years--
A thousand Places left be'ind--
An' Men from both two 'emispheres
Discussin' things of every kind;
So much more near than I 'ad known,
So much more great than I 'ad guessed--
An' me, like all the rest, alone--
But reachin' out to all the rest!
So 'ath it come to me--not pride,
Nor yet conceit, but on the 'ole
(If such a term may be applied),
The makin's of a bloomin' soul.
But now, discharged, I fall away
To do with little things again.
.
.
.
Gawd, 'oo knows all I cannot say,
Look after me in Thamesfontein!
If England was what England seems
An' not the England of our dreams,
But only putty, brass, an' paint,
'Ow quick we'd chuck 'er! But she ain't!
|
Written by
William Dunbar |
RORATE coeli desuper!
Hevins, distil your balmy schouris!
For now is risen the bricht day-ster,
Fro the rose Mary, flour of flouris:
The cleir Sone, quhom no cloud devouris,
Surmounting Phebus in the Est,
Is cumin of his hevinly touris:
Et nobis Puer natus est.
Archangellis, angellis, and dompnationis,
Tronis, potestatis, and marteiris seir,
And all ye hevinly operationis,
Ster, planeit, firmament, and spheir,
Fire, erd, air, and water cleir,
To Him gife loving, most and lest,
That come in to so meik maneir;
Et nobis Puer natus est.
Synnaris be glad, and penance do,
And thank your Maker hairtfully;
For he that ye micht nocht come to
To you is cumin full humbly
Your soulis with his blood to buy
And loose you of the fiendis arrest--
And only of his own mercy;
Pro nobis Puer natus est.
All clergy do to him inclyne,
And bow unto that bairn benyng,
And do your observance divyne
To him that is of kingis King:
Encense his altar, read and sing
In holy kirk, with mind degest,
Him honouring attour all thing
Qui nobis Puer natus est.
Celestial foulis in the air,
Sing with your nottis upon hicht,
In firthis and in forrestis fair
Be myrthful now at all your mycht;
For passit is your dully nicht,
Aurora has the cloudis perst,
The Sone is risen with glaidsum licht,
Et nobis Puer natus est.
Now spring up flouris fra the rute,
Revert you upward naturaly,
In honour of the blissit frute
That raiss up fro the rose Mary;
Lay out your levis lustily,
Fro deid take life now at the lest
In wirschip of that Prince worthy
Qui nobis Puer natus est.
Sing, hevin imperial, most of hicht!
Regions of air mak armony!
All fish in flud and fowl of flicht
Be mirthful and mak melody!
All Gloria in excelsis cry!
Heaven, erd, se, man, bird, and best,--
He that is crownit abone the sky
Pro nobis Puer natus est!
|
Written by
Paul Laurence Dunbar |
What's the use o' folks a-frownin'
When the way's a little rough?
Frowns lay out the road fur smilin'
You'll be wrinkled soon enough.
What's the use?
What's the use o' folks a-sighin'?
It's an awful waste o' breath,
An' a body can't stand wastin'
What he needs so bad in death.
What's the use?
What's the use o' even weepin'?
Might as well go long an' smile.
Life, our longest, strongest arrow,
Only lasts a little while.
What's the use?
|