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Best Famous Landlord Poems

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Written by Walt Whitman | Create an image from this poem

Faces

 1
SAUNTERING the pavement, or riding the country by-road—lo! such faces! 
Faces of friendship, precision, caution, suavity, ideality; 
The spiritual, prescient face—the always welcome, common, benevolent face, 
The face of the singing of music—the grand faces of natural lawyers and judges, broad
 at
 the
 back-top; 
The faces of hunters and fishers, bulged at the brows—the shaved blanch’d faces
 of
 orthodox citizens;
The pure, extravagant, yearning, questioning artist’s face; 
The ugly face of some beautiful Soul, the handsome detested or despised face; 
The sacred faces of infants, the illuminated face of the mother of many children; 
The face of an amour, the face of veneration; 
The face as of a dream, the face of an immobile rock;
The face withdrawn of its good and bad, a castrated face; 
A wild hawk, his wings clipp’d by the clipper; 
A stallion that yielded at last to the thongs and knife of the gelder. 

Sauntering the pavement, thus, or crossing the ceaseless ferry, faces, and faces, and
 faces: 
I see them, and complain not, and am content with all.

2
Do you suppose I could be content with all, if I thought them their own finale? 

This now is too lamentable a face for a man; 
Some abject louse, asking leave to be—cringing for it; 
Some milk-nosed maggot, blessing what lets it wrig to its hole. 

This face is a dog’s snout, sniffing for garbage;
Snakes nest in that mouth—I hear the sibilant threat. 

This face is a haze more chill than the arctic sea; 
Its sleepy and wobbling icebergs crunch as they go. 

This is a face of bitter herbs—this an emetic—they need no label; 
And more of the drug-shelf, laudanum, caoutchouc, or hog’s-lard.

This face is an epilepsy, its wordless tongue gives out the unearthly cry, 
Its veins down the neck distended, its eyes roll till they show nothing but their whites, 
Its teeth grit, the palms of the hands are cut by the turn’d-in nails, 
The man falls struggling and foaming to the ground while he speculates well. 

This face is bitten by vermin and worms,
And this is some murderer’s knife, with a half-pull’d scabbard. 

This face owes to the sexton his dismalest fee; 
An unceasing death-bell tolls there. 

3
Those then are really men—the bosses and tufts of the great round globe! 

Features of my equals, would you trick me with your creas’d and cadaverous march?
Well, you cannot trick me. 

I see your rounded, never-erased flow; 
I see neath the rims of your haggard and mean disguises. 

Splay and twist as you like—poke with the tangling fores of fishes or rats; 
You’ll be unmuzzled, you certainly will.

I saw the face of the most smear’d and slobbering idiot they had at the asylum; 
And I knew for my consolation what they knew not; 
I knew of the agents that emptied and broke my brother, 
The same wait to clear the rubbish from the fallen tenement; 
And I shall look again in a score or two of ages,
And I shall meet the real landlord, perfect and unharm’d, every inch as good as
 myself. 

4
The Lord advances, and yet advances; 
Always the shadow in front—always the reach’d hand bringing up the laggards. 

Out of this face emerge banners and horses—O superb! I see what is coming; 
I see the high pioneer-caps—I see the staves of runners clearing the way,
I hear victorious drums. 

This face is a life-boat; 
This is the face commanding and bearded, it asks no odds of the rest; 
This face is flavor’d fruit, ready for eating; 
This face of a healthy honest boy is the programme of all good.

These faces bear testimony, slumbering or awake; 
They show their descent from the Master himself. 

Off the word I have spoken, I except not one—red, white, black, are all deific; 
In each house is the ovum—it comes forth after a thousand years. 

Spots or cracks at the windows do not disturb me;
Tall and sufficient stand behind, and make signs to me; 
I read the promise, and patiently wait. 

This is a full-grown lily’s face, 
She speaks to the limber-hipp’d man near the garden pickets, 
Come here, she blushingly cries—Come nigh to me, limber-hipp’d
 man,
Stand at my side till I lean as high as I can upon you, 
Fill me with albescent honey, bend down to me, 
Rub to me with your chafing beard, rub to my breast and shoulders. 

5
The old face of the mother of many children! 
Whist! I am fully content.

Lull’d and late is the smoke of the First-day morning, 
It hangs low over the rows of trees by the fences, 
It hangs thin by the sassafras, the wild-cherry, and the cat-brier under them. 

I saw the rich ladies in full dress at the soiree, 
I heard what the singers were singing so long,
Heard who sprang in crimson youth from the white froth and the water-blue, 

Behold a woman! 
She looks out from her quaker cap—her face is clearer and more beautiful than the
 sky. 

She sits in an arm-chair, under the shaded porch of the farmhouse, 
The sun just shines on her old white head.

Her ample gown is of cream-hued linen, 
Her grandsons raised the flax, and her granddaughters spun it with the distaff and the
 wheel. 

The melodious character of the earth, 
The finish beyond which philosophy cannot go, and does not wish to go, 
The justified mother of men.


Written by Bertolt Brecht | Create an image from this poem

What Has Happened?

 The industrialist is having his aeroplane serviced.
The priest is wondering what he said in his sermon eight weeks ago
about tithes.
The generals are putting on civvies and looking like bank clerks.
Public officials are getting friendly.
The policeman points out the way to the man in the cloth cap.
The landlord comes to see whether the water supply is working.
The journalists write the word People with capital letters.
The singers sing at the opera for nothing.
Ships' captains check the food in the crew's galley,
Car owners get in beside their chauffeurs.
Doctors sue the insurance companies.
Scholars show their discoveries and hide their decorations.
Farmers deliver potatoes to the barracks.
The revolution has won its first battle:
That's what has happened.
Written by Sir John Suckling | Create an image from this poem

A Ballad upon a Wedding

 I tell thee, Dick, where I have been, 
Where I the rarest things have seen, 
O, things without compare! 
Such sights again cannot be found 
In any place on English ground, 
Be it at wake or fair.

At Charing Cross, hard by the way 
Where we, thou know'st, do sell our hay, 
There is a house with stairs; 
And there did I see coming down 
Such folks as are not in our town, 
Forty at least, in pairs.

Amongst the rest, one pest'lent fine 
(His beard no bigger, though, than thine) 
Walked on before the rest: 
Our landlord looks like nothing to him; 
The King (God bless him!) 'twould undo him, 
Should he go still so dressed.

At course-a-park, without all doubt, 
He should have first been taken out 
By all the maids i' th' town: 
Though lusty Roger there had been, 
Or little George upon the Green, 
Or Vincent of the Crown.

But wot you what? the youth was going 
To make an end of all his wooing; 
The Parson for him stayed. 
Yet, by his leave, for all his haste, 
He did not so much wish all past, 
Perchance, as did the maid.

The maid (and thereby hangs a tale), 
For such a maid no Whitsun-ale 
Could ever yet produce; 
No grape that's kindly ripe could be 
So round, so plump, so soft, as she, 
Nor half so full of juice!

Her finger was so small the ring 
Would not stay on, which they did bring; 
It was too wide a peck: 
And to say truth (for out it must), 
It looked like a great collar (just) 
About our young colt's neck.

Her feet beneath her petticoat, 
Like little mice, stole in and out, 
As if they feared the light: 
But oh! she dances such a way, 
No sun upon an Easter Day 
Is half so fine a sight!

He would have kissed her once or twice, 
But she would not, she was so nice, 
She would not do 't in sight: 
And then she looked as who should say 
"I will do what I list today, 
And you shall do 't at night."

Her cheeks so rare a white was on, 
No daisy makes comparison, 
(Who sees them is undone), 
For streaks of red were mingled there, 
Such as are on a Catherine pear, 
(The side that's next the sun).

Her lips were red, and one was thin 
Compared to that was next her chin, - 
(Some bee had stung it newly); 
But, Dick, her eyes so guard her face, 
I durst no more upon them gaze 
Than on the sun in July.

Her mouth so small, when she does speak 
Thou'dst swear her teeth her words did break, 
That they might passage get; 
But she so handled still the matter, 
They came as good as ours, or better, 
And are not spent a whit.

If wishing should be any sin, 
The Parson himself had guilty been, 
(She looked that day so purely); 
And, did the youth so oft the feat 
At night, as some did in conceit, 
It would have spoiled him surely.

Just in the nick, the cook knocked thrice, 
And all the waiters in a trice 
His summons did obey. 
Each servingman, with dish in hand, 
Marched boldly up, like our trained band, 
Presented, and away.

When all the meat was on the table, 
What man of knife or teeth was able 
To stay to be entreated? 
And this the very reason was, 
Before the parson could say grace, 
The company was seated.

The business of the kitchen's great, 
For it is fit that man should eat; 
Nor was it there denied. 
Passion o' me, how I run on! 
There's that that would be thought upon, 
I trow, besides the bride.

Now hats fly off, and youths carouse, 
Healths first go round, and then the house: 
The bride's came thick and thick; 
And when 'twas named another's health, 
Perhaps he made it hers by stealth. 
And who could help it, Dick?

O' th' sudden, up they rise and dance; 
Then sit again and sigh and glance; 
Then dance again and kiss. 
Thus several ways the time did pass, 
Whilst every woman wished her place, 
And every man wished his!

By this time all were stolen aside 
To counsel and undress the bride; 
But that he must not know; 
And yet 'twas thought he guessed her mind, 
And did not mean to stay behind 
Above an hour or so.

When in he came, Dick, there she lay 
Like new-fallen snow melting away 
('Twas time, I trow, to part). 
Kisses were now the only stay, 
Which soon she gave, as one would say, 
"God-be-with-ye, with all my heart."

But, just as Heavens would have, to cross it, 
In came the bridesmaids with the posset: 
The bridegroom ate in spite; 
For, had he left the women to 't, 
It would have cost two hours to do 't, 
Which were too much that night.

At length the candle's out, and now 
All that they had not done they do; 
What that is, who can tell? 
But I believe it was no more 
Than thou and I have done before 
With Bridget and with Nell.
Written by Robert Burns | Create an image from this poem

113. A Dedication to Gavin Hamilton Esq

 EXPECT na, sir, in this narration,
A fleechin, fleth’rin Dedication,
To roose you up, an’ ca’ you guid,
An’ sprung o’ great an’ noble bluid,
Because ye’re surnam’d like His Grace—
Perhaps related to the race:
Then, when I’m tir’d-and sae are ye,
Wi’ mony a fulsome, sinfu’ lie,
Set up a face how I stop short,
For fear your modesty be hurt.


 This may do—maun do, sir, wi’ them wha
Maun please the great folk for a wamefou;
For me! sae laigh I need na bow,
For, Lord be thankit, I can plough;
And when I downa yoke a naig,
Then, Lord be thankit, I can beg;
Sae I shall say—an’ that’s nae flatt’rin—
It’s just sic Poet an’ sic Patron.


 The Poet, some guid angel help him,
Or else, I fear, some ill ane skelp him!
He may do weel for a’ he’s done yet,
But only—he’s no just begun yet.


 The Patron (sir, ye maun forgie me;
I winna lie, come what will o’ me),
On ev’ry hand it will allow’d be,
He’s just—nae better than he should be.


 I readily and freely grant,
He downa see a poor man want;
What’s no his ain, he winna tak it;
What ance he says, he winna break it;
Ought he can lend he’ll no refus’t,
Till aft his guidness is abus’d;
And rascals whiles that do him wrang,
Ev’n that, he does na mind it lang;
As master, landlord, husband, father,
He does na fail his part in either.


 But then, nae thanks to him for a’that;
Nae godly symptom ye can ca’ that;
It’s naething but a milder feature
Of our poor, sinfu’ corrupt nature:
Ye’ll get the best o’ moral works,
’Mang black Gentoos, and pagan Turks,
Or hunters wild on Ponotaxi,
Wha never heard of orthodoxy.
That he’s the poor man’s friend in need,
The gentleman in word and deed,
It’s no thro’ terror of damnation;
It’s just a carnal inclination.


 Morality, thou deadly bane,
Thy tens o’ thousands thou hast slain!
Vain is his hope, whase stay an’ trust is
In moral mercy, truth, and justice!


 No—stretch a point to catch a plack:
Abuse a brother to his back;
Steal through the winnock frae a whore,
But point the rake that taks the door;
Be to the poor like ony whunstane,
And haud their noses to the grunstane;
Ply ev’ry art o’ legal thieving;
No matter—stick to sound believing.


 Learn three-mile pray’rs, an’ half-mile graces,
Wi’ weel-spread looves, an’ lang, wry faces;
Grunt up a solemn, lengthen’d groan,
And damn a’ parties but your own;
I’ll warrant they ye’re nae deceiver,
A steady, sturdy, staunch believer.


 O ye wha leave the springs o’ Calvin,
For gumlie dubs of your ain delvin!
Ye sons of Heresy and Error,
Ye’ll some day squeel in quaking terror,
When Vengeance draws the sword in wrath.
And in the fire throws the sheath;
When Ruin, with his sweeping besom,
Just frets till Heav’n commission gies him;
While o’er the harp pale Misery moans,
And strikes the ever-deep’ning tones,
Still louder shrieks, and heavier groans!


 Your pardon, sir, for this digression:
I maist forgat my Dedication;
But when divinity comes ’cross me,
My readers still are sure to lose me.


 So, sir, you see ’twas nae daft vapour;
But I maturely thought it proper,
When a’ my works I did review,
To dedicate them, sir, to you:
Because (ye need na tak it ill),
I thought them something like yoursel’.


 Then patronize them wi’ your favor,
And your petitioner shall ever——
I had amaist said, ever pray,
But that’s a word I need na say;
For prayin, I hae little skill o’t,
I’m baith dead-sweer, an’ wretched ill o’t;
But I’se repeat each poor man’s pray’r,
That kens or hears about you, sir.——


 “May ne’er Misfortune’s gowling bark,
Howl thro’ the dwelling o’ the clerk!
May ne’er his genrous, honest heart,
For that same gen’rous spirit smart!
May Kennedy’s far-honour’d name
Lang beet his hymeneal flame,
Till Hamiltons, at least a dizzen,
Are frae their nuptial labours risen:
Five bonie lasses round their table,
And sev’n braw fellows, stout an’ able,
To serve their king an’ country weel,
By word, or pen, or pointed steel!
May health and peace, with mutual rays,
Shine on the ev’ning o’ his days;
Till his wee, curlie John’s ier-oe,
When ebbing life nae mair shall flow,
The last, sad, mournful rites bestow!”


 I will not wind a lang conclusion,
With complimentary effusion;
But, whilst your wishes and endeavours
Are blest with Fortune’s smiles and favours,
I am, dear sir, with zeal most fervent,
Your much indebted, humble servant.


 But if (which Pow’rs above prevent)
That iron-hearted carl, Want,
Attended, in his grim advances,
By sad mistakes, and black mischances,
While hopes, and joys, and pleasures fly him,
Make you as poor a dog as I am,
Your humble servant then no more;
For who would humbly serve the poor?
But, by a poor man’s hopes in Heav’n!
While recollection’s pow’r is giv’n—
If, in the vale of humble life,
The victim sad of fortune’s strife,
I, thro’ the tender-gushing tear,
Should recognise my master dear;
If friendless, low, we meet together,
Then, sir, your hand—my Friend and Brother!
Written by Carolyn Kizer | Create an image from this poem

Mud Soup

 1.

Had the ham bone, had the lentils,
Got to meat store for the salt pork,
Got to grocery for the celery.
Had the onions, had the garlic,
Borrowed carrots from the neighbor.
Had the spices, had the parsley.
One big kettle I had not got;
Borrowed pot and lid from landlord.

2.

Dice the pork and chop the celery,
Chop the onions, chop the carrots,
Chop the tender index finger.
Put the kettle on the burner,
Drop the lentils into kettle:
Two quarts water, two cups lentils.
Afternoon is wearing on.

3. 

Sauté pork and add the veggies,
Add the garlic, cook ten minutes,
Add to lentils, add to ham bone;
Add the bayleaf, cloves in cheesecloth,
Add the cayenne! Got no cayenne!
Got paprika, salt and pepper.
Bring to boil, reduce heat, simmer.
Did I say that this is summer?
Simmer, summer, summer, simmer.
Mop the floor and suck the finger.
Mop the brow with old potholder.

4. 

Time is up! Discard the cheesecloth.
Force the mixture thru the foodmill
(having first discarded ham bone).
Add the lean meat from the ham bone;
Reheat soup and chop the parsley.
Now that sweating night has fallen,
Try at last the finished product:

5.

Tastes like mud, the finished product.
Looks like mud, the finished product.
Consistency of mud the dinner.
(Was it lentils, Claiborne, me?)
Flush the dinner down disposall,
Say to hell with ham bone, lentils,
New York Times's recipe.
Purchase Campbell's. Just add water.
Concentrate on poetry:
By the shores of Gitche Gumee
You can bet the banks were muddy,
Not like Isle of Innisfree.


Written by Matthew Prior | Create an image from this poem

Jinny the Just

 Releas'd from the noise of the butcher and baker 
Who, my old friends be thanked, did seldom forsake her, 
And from the soft duns of my landlord the Quaker, 

From chiding the footmen and watching the lasses, 
From Nell that burn'd milk, and Tom that broke glasses 
(Sad mischiefs thro' which a good housekeeper passes!) 

From some real care but more fancied vexation, 
From a life parti-colour'd half reason half passion, 
Here lies after all the best wench in the nation. 

From the Rhine to the Po, from the Thames to the Rhone, 
Joanna or Janneton, Jinny or Joan, 
'Twas all one to her by what name she was known. 

For the idiom of words very little she heeded, 
Provided the matter she drove at succeeded, 
She took and gave languages just as she needed. 

So for kitchen and market, for bargain and sale, 
She paid English or Dutch or French down on the nail, 
But in telling a story she sometimes did fail; 

Then begging excuse as she happen'd to stammer, 
With respect to her betters but none to her grammar, 
Her blush helped her out and her jargon became her. 

Her habit and mien she endeavor'd to frame 
To the different gout of the place where she came; 
Her outside still chang'd, but her inside the same: 

At the Hague in her slippers and hair as the mode is, 
At Paris all falbalow'd fine as a goddess, 
And at censuring London in smock sleeves and bodice. 

She order'd affairs that few people could tell 
In what part about her that mixture did dwell 
Of Frow, or Mistress, or Mademoiselle. 

For her surname and race let the herald's e'en answer; 
Her own proper worth was enough to advance her, 
And he who liked her, little value her grandsire. 

But from what house so ever her lineage may come 
I wish my own Jinny but out of her tomb, 
Tho' all her relations were there in her room. 

Of such terrible beauty she never could boast 
As with absolute sway o'er all hearts rules the roast 
When J___ bawls out to the chair for a toast; 

But of good household features her person was made, 
Nor by faction cried up nor of censure afraid, 
And her beauty was rather for use than parade. 

Her blood so well mix't and flesh so well pasted 
That, tho' her youth faded, her comeliness lasted; 
The blue was wore off, but the plum was well tasted. 

Less smooth than her skin and less white than her breast 
Was this polished stone beneath which she lies pressed: 
Stop, reader, and sigh while thou thinkst on the rest. 

With a just trim of virtue her soul was endued, 
Not affectedly pious nor secretly lewd 
She cut even between the coquette and the prude. 

Her will with her duty so equally stood 
That, seldom oppos'd, she was commonly good, 
And did pretty well, doing just what she would. 

Declining all power she found means to persuade, 
Was then most regarded when most she obey'd, 
The mistress in truth when she seem'd but the maid. 

Such care of her own proper actions she took 
That on other folk's lives she had not time to look, 
So censure and praise were struck out of her book. 

Her thought still confin'd to its own little sphere, 
She minded not who did excel or did err 
But just as the matter related to her. 

Then too when her private tribunal was rear'd 
Her mercy so mix'd with her judgment appear'd 
That her foes were condemn'd and her friends always clear'd. 

Her religion so well with her learning did suit 
That in practice sincere, and in controverse mute, 
She showed she knew better to live than dispute. 

Some parts of the Bible by heart she recited, 
And much in historical chapters delighted, 
But in points about Faith she was something short sighted; 

So notions and modes she refer'd to the schools, 
And in matters of conscience adher'd to two rules, 
To advise with no bigots, and jest with no fools. 

And scrupling but little, enough she believ'd, 
By charity ample small sins she retriev'd, 
And when she had new clothes she always receiv'd. 

Thus still whilst her morning unseen fled away 
In ord'ring the linen and making the tea 
That scarce could have time for the psalms of the day; 

And while after dinner the night came so soon 
That half she propos'd very seldom was done; 
With twenty God bless me's, how this day is gone! -- 

While she read and accounted and paid and abated, 
Eat and drank, play'd and work'd, laugh'd and cried, lov'd and hated, 
As answer'd the end of her being created: 

In the midst of her age came a cruel disease 
Which neither her juleps nor receipts could appease; 
So down dropp'd her clay -- may her Soul be at peace! 

Retire from this sepulchre all the profane, 
You that love for debauch, or that marry for gain, 
Retire lest ye trouble the Manes of J___. 

But thou that know'st love above int'rest or lust, 
Strew the myrle and rose on this once belov'd dust, 
And shed one pious tear upon Jinny the Just. 

Tread soft on her grave, and do right to her honor, 
Let neither rude hand nor ill tongue light upon her, 
Do all the small favors that now can be done her. 

And when what thou lik'd shall return to her clay, 
For so I'm persuaded she must do one day 
-- Whatever fantastic John Asgill may say -- 

When as I have done now, thou shalt set up a stone 
For something however distinguished or known, 
May some pious friend the misfortune bemoan, 
And make thy concern by reflexion his own.
Written by Henry Lawson | Create an image from this poem

Peter Anderson And Co

 He had offices in Sydney, not so many years ago, 
And his shingle bore the legend `Peter Anderson and Co.', 
But his real name was Careless, as the fellows understood -- 
And his relatives decided that he wasn't any good. 
'Twas their gentle tongues that blasted any `character' he had -- 
He was fond of beer and leisure -- and the Co. was just as bad. 
It was limited in number to a unit, was the Co. -- 
'Twas a bosom chum of Peter and his Christian name was Joe. 

'Tis a class of men belonging to these soul-forsaken years: 
Third-rate canvassers, collectors, journalists and auctioneers. 
They are never very shabby, they are never very spruce -- 
Going cheerfully and carelessly and smoothly to the deuce. 
Some are wanderers by profession, `turning up' and gone as soon, 
Travelling second-class, or steerage (when it's cheap they go saloon); 
Free from `ists' and `isms', troubled little by belief or doubt -- 
Lazy, purposeless, and useless -- knocking round and hanging out. 
They will take what they can get, and they will give what they can give, 
God alone knows how they manage -- God alone knows how they live! 
They are nearly always hard-up, but are cheerful all the while -- 
Men whose energy and trousers wear out sooner than their smile! 
They, no doubt, like us, are haunted by the boresome `if' or `might', 
But their ghosts are ghosts of daylight -- they are men who live at night! 

Peter met you with the comic smile of one who knows you well, 
And is mighty glad to see you, and has got a joke to tell; 
He could laugh when all was gloomy, he could grin when all was blue, 
Sing a comic song and act it, and appreciate it, too. 
Only cynical in cases where his own self was the jest, 
And the humour of his good yarns made atonement for the rest. 
Seldom serious -- doing business just as 'twere a friendly game -- 
Cards or billiards -- nothing graver. And the Co. was much the same. 

They tried everything and nothing 'twixt the shovel and the press, 
And were more or less successful in their ventures -- mostly less. 
Once they ran a country paper till the plant was seized for debt, 
And the local sinners chuckle over dingy copies yet. 

They'd been through it all and knew it in the land of Bills and Jims -- 
Using Peter's own expression, they had been in `various swims'. 
Now and then they'd take an office, as they called it, -- make a dash 
Into business life as `agents' -- something not requiring cash. 
(You can always furnish cheaply, when your cash or credit fails, 
With a packing-case, a hammer, and a pound of two-inch nails -- 
And, maybe, a drop of varnish and sienna, too, for tints, 
And a scrap or two of oilcloth, and a yard or two of chintz). 
They would pull themselves together, pay a week's rent in advance, 
But it never lasted longer than a month by any chance. 

The office was their haven, for they lived there when hard-up -- 
A `daily' for a table cloth -- a jam tin for a cup; 
And if the landlord's bailiff happened round in times like these 
And seized the office-fittings -- well, there wasn't much to seize -- 
They would leave him in possession. But at other times they shot 
The moon, and took an office where the landlord knew them not. 
And when morning brought the bailiff there'd be nothing to be seen 
Save a piece of bevelled cedar where the tenant's plate had been; 
There would be no sign of Peter -- there would be no sign of Joe 
Till another portal boasted `Peter Anderson and Co.' 

And when times were locomotive, billiard-rooms and private bars -- 
Spicy parties at the cafe -- long cab-drives beneath the stars; 
Private picnics down the Harbour -- shady campings-out, you know -- 
No one would have dreamed 'twas Peter -- 
no one would have thought 'twas Joe! 
Free-and-easies in their `diggings', when the funds began to fail, 
Bosom chums, cigars, tobacco, and a case of English ale -- 
Gloriously drunk and happy, till they heard the roosters crow -- 
And the landlady and neighbours made complaints about the Co. 
But that life! it might be likened to a reckless drinking-song, 
For it can't go on for ever, and it never lasted long. 

. . . . . 

Debt-collecting ruined Peter -- people talked him round too oft, 
For his heart was soft as butter (and the Co.'s was just as soft); 
He would cheer the haggard missus, and he'd tell her not to fret, 
And he'd ask the worried debtor round with him to have a wet; 
He would ask him round the corner, and it seemed to him and her, 
After each of Peter's visits, things were brighter than they were. 
But, of course, it wasn't business -- only Peter's careless way; 
And perhaps it pays in heaven, but on earth it doesn't pay. 
They got harder up than ever, and, to make it worse, the Co. 
Went more often round the corner than was good for him to go. 

`I might live,' he said to Peter, `but I haven't got the nerve -- 
I am going, Peter, going -- going, going -- no reserve. 
Eat and drink and love they tell us, for to-morrow we may die, 
Buy experience -- and we bought it -- we're experienced, you and I.' 
Then, with a weary movement of his hand across his brow: 
`The death of such philosophy's the death I'm dying now. 
Pull yourself together, Peter; 'tis the dying wish of Joe 
That the business world shall honour Peter Anderson and Co. 

`When you feel your life is sinking in a dull and useless course, 
And begin to find in drinking keener pleasure and remorse -- 
When you feel the love of leisure on your careless heart take holt, 
Break away from friends and pleasure, though it give your heart a jolt. 
Shun the poison breath of cities -- billiard-rooms and private bars, 
Go where you can breathe God's air and see the grandeur of the stars! 
Find again and follow up the old ambitions that you had -- 
See if you can raise a drink, old man, I'm feelin' mighty bad -- 
Hot and sweetened, nip o' butter -- squeeze o' lemon, Pete,' he sighed. 
And, while Peter went to fetch it, Joseph went to sleep -- and died 
With a smile -- anticipation, maybe, of the peace to come, 
Or a joke to try on Peter -- or, perhaps, it was the rum. 

. . . . . 

Peter staggered, gripped the table, swerved as some old drunkard swerves -- 
At a gulp he drank the toddy, just to brace his shattered nerves. 
It was awful, if you like. But then he hadn't time to think -- 
All is nothing! Nothing matters! Fill your glasses -- dead man's drink. 

. . . . . 

Yet, to show his heart was not of human decency bereft, 
Peter paid the undertaker. He got drunk on what was left; 
Then he shed some tears, half-maudlin, on the grave where lay the Co., 
And he drifted to a township where the city failures go. 
Where, though haunted by the man he was, the wreck he yet might be, 
Or the man he might have been, or by each spectre of the three, 
And the dying words of Joseph, ringing through his own despair, 
Peter `pulled himself together' and he started business there. 

But his life was very lonely, and his heart was very sad, 
And no help to reformation was the company he had -- 
Men who might have been, who had been, but who were not in the swim -- 
'Twas a town of wrecks and failures -- they appreciated him. 
They would ask him who the Co. was -- that ***** company he kept -- 
And he'd always answer vaguely -- he would say his partner slept; 
That he had a `sleeping partner' -- jesting while his spirit broke -- 
And they grinned above their glasses, for they took it as a joke. 
He would shout while he had money, he would joke while he had breath -- 
No one seemed to care or notice how he drank himself to death; 
Till at last there came a morning when his smile was seen no more -- 
He was gone from out the office, and his shingle from the door, 
And a boundary-rider jogging out across the neighb'ring run 
Was attracted by a something that was blazing in the sun; 
And he found that it was Peter, lying peacefully at rest, 
With a bottle close beside him and the shingle on his breast. 
Well, they analysed the liquor, and it would appear that he 
Qualified his drink with something good for setting spirits free. 
Though 'twas plainly self-destruction -- `'twas his own affair,' they said; 
And the jury viewed him sadly, and they found -- that he was dead.
Written by Alfred Noyes | Create an image from this poem

The Highwayman

 PART ONE

The wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight over the purple moor,
 And the highwayman came riding--
 Riding--riding--
The highwayman came riding, up to the old inndoor.

He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of claret velvet, and breeches of brown doeskin;
They fitted with never a wrinkle: his boots were up to the thigh!
 And he rode with a jewelled twinkle,
 His pistol butts a-twinkle
His rapier hilt a-twinkle, under the jewelled sky.

Over the cobbles he clattered and clashed in the dard inn-yard,
And he tapped with his whip on the shutters, but all was locked and barred; 
He whistled a tune to the window, and who should be waiting there
 But the landlord's black-eyed daughter,
 Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like moldy hay,
 But he loved the landlord's daughter,
 The landlord's red-lipped daughter,
Dumb as a dog he listened, and heard the robber say--

"One kiss, my bonny sweetheart, I'm after a prize tonight,
But I shall be back with the yellow gold before morning light;
Yet, if they press me sharply, and harry me through the day,
 Then look for me by moonlight,
 Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way."

He rose upright in the stirrups; he scarce could reach her hand,
But she loosened her hair i' the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
 And he kissed its waves in the moonlight,
 (Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the West.


PART TWO

He did not come in the dawning; he did not come at noon;
And out o' the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
 A red coat troop came marching--
 marching--marching--
King George's men came marching, up to the old inn-door.

They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two fo them knelt at her casement, with muskets at their side!
 There was death at every window;
 And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.

They had tied her up to attention, with many a sniggering jest;
They had bound a musket beside her, with the barrel beneath her breast!
"Now keep good watch!" and they kissed her. She heard the dead man say--
 Look for me by moonlight;
 Watch for me by moonlight;
I'll come to thee by moonlight, though hell should bar the way!

She twisted her hands behind her; but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
 Till, now, on the stroke of midnight,
 Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!

The tip of one finger touched it; she strove no more for rest!
Up, she stood to attention, with the barrel beneath her breast,
She would not risk their hearing; she would not strive again;
 For the road lay bare in the moonlight;
 Blank and bare in the moonlight;
And the blood of her veins in the moonlight throbbed to her love's refrain

Tlot-tlot; tlot-tlot! Had they heard it? This horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
 The highwayman came riding,
 Riding, riding!
The red-coats looked to their priming! She stood up, straight and still!

Tlot-tlot, in the frosty silence! Tlot-tlot in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
 Then her finger moved in the moonlight,
 Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him - with her death.

He turned; he spurred to the West; he did not know who stood
Bowed, with her head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it, his face grew gray to hear
 How Bess, the landlord's daughter,
 The landlords black-eyed daughter,
Had watched her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shreiking a curse to the sky,
with the white road smoking behind him, and his rapier brain dished high!
Blood-red were his spurs i' the golden noon; wine-red was his velvet coat.
 When they shot him down in the highway,
 Down like a dog on the highway,
And he lay his blood on the highway, with a bunch of lace at his throat.

And still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cluody seas,
When the road is a ribbon of moonlight over the purple moor,
 A highwayman comes riding--
 Riding--riding--
A highwayman comes riding, up to the old inn-door.

Over the cobbles he clatters and clangs in the dark inn-yard;
He taps with his whip on the shutters, but all is locked and barred;
He whistles a tune to the window, and who should be waiting there
 But the landlord's daughter,
 Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.
Written by Vachel Lindsay | Create an image from this poem

The Raft

 The whole world on a raft! A King is here,
The record of his grandeur but a smear.
Is it his deacon-beard, or old bald pate
That makes the band upon his whims to wait?
Loot and mud-honey have his soul defiled.
Quack, pig, and priest, he drives camp-meetings wild
Until they shower their pennies like spring rain
That he may preach upon the Spanish main.
What landlord, lawyer, voodoo-man has yet
A better native right to make men sweat?

The whole world on a raft! A Duke is here
At sight of whose lank jaw the muses leer.
Journeyman-printer, lamb with ferret eyes,
In life's skullduggery he takes the prize —
Yet stands at twilight wrapped in Hamlet dreams.
Into his eyes the Mississippi gleams.
The sandbar sings in moonlit veils of foam.
A candle shines from one lone cabin home.
The waves reflect it like a drunken star.

A banjo and a hymn are heard afar.
No solace on the lazy shore excels
The Duke's blue castle with its steamer-bells.
The floor is running water, and the roof
The stars' brocade with cloudy warp and woof.

And on past sorghum fields the current swings.
To Christian Jim the Mississippi sings.
This prankish wave-swept barque has won its place,
A ship of jesting for the human race.
But do you laugh when Jim bows down forlorn
His babe, his deaf Elizabeth to mourn?
And do you laugh, when Jim, from Huck apart
Gropes through the rain and night with breaking heart?

But now that imp is here and we can smile,
Jim's child and guardian this long-drawn while.
With knife and heavy gun, a hunter keen,
He stops for squirrel-meat in islands green.
The eternal gamin, sleeping half the day,
Then stripped and sleek, a river-fish at play.
And then well-dressed, ashore, he sees life spilt.
The river-bank is one bright crazy-quilt
Of patch-work dream, of wrath more red than lust,
Where long-haired feudist Hotspurs bite the dust...

This Huckleberry Finn is but the race,
America, still lovely in disgrace,
New childhood of the world, that blunders on
And wonders at the darkness and the dawn,
The poor damned human race, still unimpressed
With its damnation, all its gamin breast
Chorteling at dukes and kings with ****** Jim,
Then plotting for their fall, with jestings grim.

Behold a Republic
Where a river speaks to men
And cries to those that love its ways,
Answering again
When in the heart's extravagance
The rascals bend to say
"O singing Mississippi
Shine, sing for us today."

But who is this in sweeping Oxford gown
Who steers the raft, or ambles up and down,
Or throws his gown aside, and there in white
Stands gleaming like a pillar of the night?
The lion of high courts, with hoary mane,
Fierce jester that this boyish court will gain —
Mark Twain!
The bad world's idol:
Old Mark Twain!

He takes his turn as watchman with the rest,
With secret transports to the stars addressed,
With nightlong broodings upon cosmic law,
With daylong laughter at this world so raw.

All praise to Emerson and Whitman, yet
The best they have to say, their sons forget.
But who can dodge this genius of the stream,
The Mississippi Valley's laughing dream?
He is the artery that finds the sea
In this the land of slaves, and boys still free.
He is the river, and they one and all
Sail on his breast, and to each other call.

Come let us disgrace ourselves,
Knock the stuffed gods from their shelves,
And cinders at the schoolhouse fling.
Come let us disgrace ourselves,
And live on a raft with gray Mark Twain
And Huck and Jim
And the Duke and the King.
Written by J R R Tolkien | Create an image from this poem

The Man in the Moon Came Down Too Soon

 There is an inn, a merry old inn
beneath an old grey hill,
And there they brew a beer so brown
That the Man in the Moon himself came down
one night to drink his fill.

The ostler has a tipsy cat
that plays a five-stringed fiddle;
And up and down he saws his bow
Now squeaking high, now purring low,
now sawing in the middle.

The landlord keeps a little dog
that is mighty fond of jokes;
When there's good cheer among the guests,
He cocks an ear at all the jests
and laughs until he chokes.

They also keep a hornéd cow
as proud as any queen;
But music turns her head like ale,
And makes her wave her tufted tail
and dance upon the green.

And O! the rows of silver dishes
and the store of silver spoons!
For Sunday there's a special pair,
And these they polish up with care
on Saturday afternoons.

The Man in the Moon was drinking deep,
and the cat began to wail;
A dish and a spoon on the table danced,
The cow in the garden madly pranced
and the little dog chased his tail.

The Man in the Moon took another mug,
and then rolled beneath his chair;
And there he dozed and dreamed of ale,
Till in the sky the stars were pale,
and dawn was in the air.

Then the ostler said to his tipsy cat:
'The white horses of the Moon,
They neigh and champ their silver bits;
But their master's been and drowned his wits,
and the Sun'll be rising soon!'

So the cat on the fiddle played hey-diddle-diddle,
a jig that would wake the dead:
He squeaked and sawed and quickened the tune,
While the landlord shook the Man in the Moon:
'It's after three!' he said.

They rolled the Man slowly up the hill
and bundled him into the Moon,
While his horses galloped up in rear,
And the cow came capering like a deer,
and a dish ran up with the spoon.

Now quicker the fiddle went deedle-dum-diddle;
the dog began to roar,
The cow and the horses stood on their heads;
The guests all bounded from their beds
and danced upon the floor.

With a ping and a pang the fiddle-strings broke!
the cow jumped over the Moon,
And the little dog laughed to see such fun,
And the Saturday dish went off at a run
with the silver Sunday spoon.

The round Moon rolled behind the hill,
as the Sun raised up her head.
She* hardly believed her fiery eyes;
For though it was day, to her surprise
they all went back to bed!

Book: Reflection on the Important Things