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Best Famous Lambs Poems

Here is a collection of the all-time best famous Lambs poems. This is a select list of the best famous Lambs poetry. Reading, writing, and enjoying famous Lambs poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of lambs poems.

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Written by William Wordsworth | Create an image from this poem

WE ARE SEVEN

  A simple child, dear brother Jim,
  That lightly draws its breath,
  And feels its life in every limb,
  What should it know of death?

  I met a little cottage girl,
  She was eight years old, she said;
  Her hair was thick with many a curl
  That cluster'd round her head.

  She had a rustic, woodland air,
  And she was wildly clad;
  Her eyes were fair, and very fair,
  —Her beauty made me glad.

  "Sisters and brothers, little maid,
  How many may you be?"
  "How many? seven in all," she said,
  And wondering looked at me.

  "And where are they, I pray you tell?"
  She answered, "Seven are we,
  And two of us at Conway dwell,
  And two are gone to sea.
"

  "Two of us in the church-yard lie,
  My sister and my brother,
  And in the church-yard cottage, I
  Dwell near them with my mother.
"

  "You say that two at Conway dwell,
  And two are gone to sea,
  Yet you are seven; I pray you tell
  Sweet Maid, how this may be?"

  Then did the little Maid reply,
  "Seven boys and girls are we;
  Two of us in the church-yard lie,
  Beneath the church-yard tree.
"

  "You run about, my little maid,
  Your limbs they are alive;
  If two are in the church-yard laid,
  Then ye are only five.
"

  "Their graves are green, they may be seen,"
  The little Maid replied,
  "Twelve steps or more from my mother's door,
  And they are side by side.
"

  "My stockings there I often knit,
  My 'kerchief there I hem;
  And there upon the ground I sit—
  I sit and sing to them.
"

  "And often after sunset, Sir,
  When it is light and fair,
  I take my little porringer,
  And eat my supper there.
"

  "The first that died was little Jane;
  In bed she moaning lay,
  Till God released her of her pain,
  And then she went away.
"

  "So in the church-yard she was laid,
  And all the summer dry,
  Together round her grave we played,
  My brother John and I.
"

  "And when the ground was white with snow,
  And I could run and slide,
  My brother John was forced to go,
  And he lies by her side.
"

  "How many are you then," said I,
  "If they two are in Heaven?"
  The little Maiden did reply,
  "O Master! we are seven.
"

  "But they are dead; those two are dead!
  Their spirits are in heaven!"
  'Twas throwing words away; for still
  The little Maid would have her will,
  And said, "Nay, we are seven!"

ANECDOTE for FATHERS,
   Shewing how the practice of Lying may be taught.

  I have a boy of five years old,
  His face is fair and fresh to see;
  His limbs are cast in beauty's mould,
  And dearly he loves me.

  One morn we stroll'd on our dry walk,
  Our quiet house all full in view,
  And held such intermitted talk
  As we are wont to do.

  My thoughts on former pleasures ran;
  I thought of Kilve's delightful shore,
  My pleasant home, when Spring began,
  A long, long year before.

  A day it was when I could bear
  To think, and think, and think again;
  With so much happiness to spare,
  I could not feel a pain.

  My boy was by my side, so slim
  And graceful in his rustic dress!
  And oftentimes I talked to him
  In very idleness.

  The young lambs ran a pretty race;
  The morning sun shone bright and warm;
  "Kilve," said I, "was a pleasant place,
  And so is Liswyn farm.
"

  "My little boy, which like you more,"
  I said and took him by the arm—
  "Our home by Kilve's delightful shore,
  Or here at Liswyn farm?"

  "And tell me, had you rather be,"
  I said and held-him by the arm,
  "At Kilve's smooth shore by the green sea,
  Or here at Liswyn farm?"

  In careless mood he looked at me,
  While still I held him by the arm,
  And said, "At Kilve I'd rather be
  Than here at Liswyn farm.
"

  "Now, little Edward, say why so;
  My little Edward, tell me why;"
  "I cannot tell, I do not know.
"
  "Why this is strange," said I.

  "For, here are woods and green hills warm:
  There surely must some reason be
  Why you would change sweet Liswyn farm,
  For Kilve by the green sea.
"

  At this, my boy hung down his head,
  He blush'd with shame, nor made reply;
  And five times to the child I said,
  "Why, Edward, tell me, why?"

  His head he raised—there was in sight,
  It caught his eye, he saw it plain—
  Upon the house-top, glittering bright,
  A broad and gilded vane.

  Then did the boy his tongue unlock,
  And thus to me he made reply;
  "At Kilve there was no weather-cock,
  And that's the reason why.
"

  Oh dearest, dearest boy! my heart
  For better lore would seldom yearn
  Could I but teach the hundredth part
  Of what from thee I learn.

LINES
  Written at a small distance from my House, and sent by
  my little boy to the person to whom they are addressed.

  It is the first mild day of March:
  Each minute sweeter than before,
  The red-breast sings from the tall larch
  That stands beside our door.

  There is a blessing in the air,
  Which seems a sense of joy to yield
  To the bare trees, and mountains bare,
  And grass in the green field.

  My Sister! ('tis a wish of mine)
  Now that our morning meal is done,
  Make haste, your morning task resign;
  Come forth and feel the sun.

  Edward will come with you, and pray,
  Put on with speed your woodland dress,
  And bring no book, for this one day
  We'll give to idleness.

  No joyless forms shall regulate
  Our living Calendar:
  We from to-day, my friend, will date
  The opening of the year.

  Love, now an universal birth,
  From heart to heart is stealing,
  From earth to man, from man to earth,
  —It is the hour of feeling.

  One moment now may give us more
  Than fifty years of reason;
  Our minds shall drink at every pore
  The spirit of the season.

  Some silent laws our hearts may make,
  Which they shall long obey;
  We for the year to come may take
  Our temper from to-day.

  And from the blessed power that rolls
  About, below, above;
  We'll frame the measure of our souls,
  They shall be tuned to love.

  Then come, my sister I come, I pray,
  With speed put on your woodland dress,
  And bring no book; for this one day
  We'll give to idleness.



Written by John Keats | Create an image from this poem

To Autumn

SEASON of mists and mellow fruitfulness! 
Close bosom-friend of the maturing sun; 
Conspiring with him how to load and bless 
With fruit the vines that round the thatch-eaves run; 
To bend with apples the moss'd cottage-trees 5 
And fill all fruit with ripeness to the core; 
To swell the gourd and plump the hazel shells 
With a sweet kernel; to set budding more  
And still more later flowers for the bees  
Until they think warm days will never cease 10 
For Summer has o'er-brimm'd their clammy cells.
Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor Thy hair soft-lifted by the winnowing wind; 15 Or on a half-reap'd furrow sound asleep Drowsed with the fume of poppies while thy hook Spares the next swath and all its twin¨¨d flowers; And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; 20 Or by a cider-press with patient look Thou watchest the last oozings hours by hours.
Where are the songs of Spring? Ay where are they? Think not of them thou hast thy music too ¡ª While barr¨¨d clouds bloom the soft-dying day 25 And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; 30 Hedge-crickets sing; and now with treble soft The redbreast whistles from a garden-croft; And gathering swallows twitter in the skies.
Written by Christopher Marlowe | Create an image from this poem

The Passionate Shepherd to His Love

COME live with me and be my Love,
And we will all the pleasures prove
That hills and valleys, dale and field,
And all the craggy mountains yield.
There will we sit upon the rocks And see the shepherds feed their flocks, By shallow rivers, to whose falls Melodious birds sing madrigals.
There will I make thee beds of roses And a thousand fragrant posies, A cap of flowers, and a kirtle Embroider'd all with leaves of myrtle.
A gown made of the finest wool Which from our pretty lambs we pull, Fair linèd slippers for the cold, With buckles of the purest gold.
A belt of straw and ivy buds With coral clasps and amber studs: And if these pleasures may thee move, Come live with me and be my Love.
Thy silver dishes for thy meat As precious as the gods do eat, Shall on an ivory table be Prepared each day for thee and me.
The shepherd swains shall dance and sing For thy delight each May-morning: If these delights thy mind may move, Then live with me and be my Love.
Written by William Blake | Create an image from this poem

Night

THE sun descending in the west  
The evening star does shine; 
The birds are silent in their nest.
And I must seek for mine.
The moon like a flower 5 In heaven's high bower With silent delight Sits and smiles on the night.
Farewell green fields and happy grove Where flocks have took delight: 10 Where lambs have nibbled silent move The feet of angels bright; Unseen they pour blessing And joy without ceasing On each bud and blossom 15 And each sleeping bosom.
They look in every thoughtless nest Where birds are cover'd warm; They visit caves of every beast To keep them all from harm: 20 If they see any weeping That should have been sleeping They pour sleep on their head And sit down by their bed.
When wolves and tigers howl for prey 25 They pitying stand and weep Seeking to drive their thirst away And keep them from the sheep.
But if they rush dreadful The angels most heedful 30 Receive each mild spirit New worlds to inherit.
And there the lion's ruddy eyes Shall flow with tears of gold: And pitying the tender cries 35 And walking round the fold: Saying 'Wrath by His meekness And by His health sickness Are driven away From our immortal day.
40 'And now beside thee bleating lamb I can lie down and sleep Or think on Him who bore thy name Graze after thee and weep.
For wash'd in life's river 45 My bright mane for ever Shall shine like the gold As I guard o'er the fold.
'
Written by Gabriela Mistral | Create an image from this poem

The Sad Mother

 Sleep, sleep, my beloved,
without worry, without fear,
although my soul does not sleep,
although I do not rest.
Sleep, sleep, and in the night may your whispers be softer than a leaf of grass, or the silken fleece of lambs.
May my flesh slumber in you, my worry, my trembling.
In you, may my eyes close and my heart sleep.


Written by Marge Piercy | Create an image from this poem

Visiting a Dead Man on a Summer Day

 In flat America, in Chicago, 
Graceland cemetery on the German North Side.
Forty feet of Corinthian candle celebrate Pullman embedded lonely raisin in a cake of concrete.
The Potter Palmers float in an island parthenon.
Barons of hogfat, railroads and wheat are postmarked with angels and lambs.
But the Getty tomb: white, snow patterned in a triangle of trees swims dappled with leaf shadow, sketched light arch within arch delicate as fingernail moons.
The green doors should not be locked.
Doors of fern and flower should not be shut.
Louis Sullivan, I sit on your grave.
It is not now good weather for prophets.
Sun eddies on the steelsmoke air like sinking honey.
On the inner green door of the Getty tomb (a thighbone's throw from your stone) a marvel of growing, blooming, thrusting into seed: how all living wreathe and insinuate in the circlet of repetition that never repeats: ever new birth never rebirth.
Each tide pool microcosm spiraling from your hand.
Sullivan, you had another five years when your society would give you work.
Thirty years with want crackling in your hands.
Thirty after years with cities flowering and turning grey in your beard.
All poets are unemployed nowadays.
My country marches in its sleep.
The past structures a heavy mausoleum hiding its iron frame in masonry.
Men burn like grass while armies grow.
Thirty years in the vast rumbling gut of this society you stormed to be used, screamed no louder than any other breaking voice.
The waste of a good man bleeds the future that's come in Chicago, in flat America, where the poor still bleed from the teeth, housed in sewers and filing cabinets, where prophets may spit into the wind till anger sleets their eyes shut, where this house that dances the seasons and the braid of all living and the joy of a man making his new good thing is strange, irrelevant as a meteor, in Chicago, in flat America in this year of our burning.
Written by Vachel Lindsay | Create an image from this poem

The Chinese Nightingale

 A Song in Chinese Tapestries


"How, how," he said.
"Friend Chang," I said, "San Francisco sleeps as the dead— Ended license, lust and play: Why do you iron the night away? Your big clock speaks with a deadly sound, With a tick and a wail till dawn comes round.
While the monster shadows glower and creep, What can be better for man than sleep?" "I will tell you a secret," Chang replied; "My breast with vision is satisfied, And I see green trees and fluttering wings, And my deathless bird from Shanghai sings.
" Then he lit five fire-crackers in a pan.
"Pop, pop," said the fire-crackers, "cra-cra-crack.
" He lit a joss stick long and black.
Then the proud gray joss in the corner stirred; On his wrist appeared a gray small bird, And this was the song of the gray small bird: "Where is the princess, loved forever, Who made Chang first of the kings of men?" And the joss in the corner stirred again; And the carved dog, curled in his arms, awoke, Barked forth a smoke-cloud that whirled and broke.
It piled in a maze round the ironing-place, And there on the snowy table wide Stood a Chinese lady of high degree, With a scornful, witching, tea-rose face.
.
.
.
Yet she put away all form and pride, And laid her glimmering veil aside With a childlike smile for Chang and for me.
The walls fell back, night was aflower, The table gleamed in a moonlit bower, While Chang, with a countenance carved of stone, Ironed and ironed, all alone.
And thus she sang to the busy man Chang: "Have you forgotten.
.
.
.
Deep in the ages, long, long ago, I was your sweetheart, there on the sand— Storm-worn beach of the Chinese land? We sold our grain in the peacock town Built on the edge of the sea-sands brown— Built on the edge of the sea-sands brown.
.
.
.
"When all the world was drinking blood From the skulls of men and bulls And all the world had swords and clubs of stone, We drank our tea in China beneath the sacred spice-trees, And heard the curled waves of the harbor moan.
And this gray bird, in Love's first spring, With a bright-bronze breast and a bronze-brown wing, Captured the world with his carolling.
Do you remember, ages after, At last the world we were born to own? You were the heir of the yellow throne— The world was the field of the Chinese man And we were the pride of the Sons of Han? We copied deep books and we carved in jade, And wove blue silks in the mulberry shade.
.
.
.
" "I remember, I remember That Spring came on forever, That Spring came on forever," Said the Chinese nightingale.
My heart was filled with marvel and dream, Though I saw the western street-lamps gleam, Though dawn was bringing the western day, Though Chang was a laundryman ironing away.
.
.
.
Mingled there with the streets and alleys, The railroad-yard and the clock-tower bright, Demon clouds crossed ancient valleys; Across wide lotus-ponds of light I marked a giant firefly's flight.
And the lady, rosy-red, Flourished her fan, her shimmering fan, Stretched her hand toward Chang, and said: "Do you remember, Ages after, Our palace of heart-red stone? Do you remember The little doll-faced children With their lanterns full of moon-fire, That came from all the empire Honoring the throne?— The loveliest fête and carnival Our world had ever known? The sages sat about us With their heads bowed in their beards, With proper meditation on the sight.
Confucius was not born; We lived in those great days Confucius later said were lived aright.
.
.
.
And this gray bird, on that day of spring, With a bright bronze breast, and a bronze-brown wing, Captured the world with his carolling.
Late at night his tune was spent.
Peasants, Sages, Children, Homeward went, And then the bronze bird sang for you and me.
We walked alone.
Our hearts were high and free.
I had a silvery name, I had a silvery name, I had a silvery name — do you remember The name you cried beside the tumbling sea?" Chang turned not to the lady slim— He bent to his work, ironing away; But she was arch, and knowing and glowing, And the bird on his shoulder spoke for him.
"Darling .
.
.
darling .
.
.
darling .
.
.
darling .
.
.
" Said the Chinese nightingale.
The great gray joss on a rustic shelf, Rakish and shrewd, with his collar awry, Sang impolitely, as though by himself, Drowning with his bellowing the nightingale's cry: "Back through a hundred, hundred years Hear the waves as they climb the piers, Hear the howl of the silver seas, Hear the thunder.
Hear the gongs of holy China How the waves and tunes combine In a rhythmic clashing wonder, Incantation old and fine: `Dragons, dragons, Chinese dragons, Red fire-crackers, and green fire-crackers, And dragons, dragons, Chinese dragons.
'" Then the lady, rosy-red, Turned to her lover Chang and said: "Dare you forget that turquoise dawn When we stood in our mist-hung velvet lawn, And worked a spell this great joss taught Till a God of the Dragons was charmed and caught? From the flag high over our palace home He flew to our feet in rainbow-foam — A king of beauty and tempest and thunder Panting to tear our sorrows asunder.
A dragon of fair adventure and wonder.
We mounted the back of that royal slave With thoughts of desire that were noble and grave.
We swam down the shore to the dragon-mountains, We whirled to the peaks and the fiery fountains.
To our secret ivory house we were bourne.
We looked down the wonderful wing-filled regions Where the dragons darted in glimmering legions.
Right by my breast the nightingale sang; The old rhymes rang in the sunlit mist That we this hour regain — Song-fire for the brain.
When my hands and my hair and my feet you kissed, When you cried for your heart's new pain, What was my name in the dragon-mist, In the rings of rainbowed rain?" "Sorrow and love, glory and love," Said the Chinese nightingale.
"Sorrow and love, glory and love," Said the Chinese nightingale.
And now the joss broke in with his song: "Dying ember, bird of Chang, Soul of Chang, do you remember? — Ere you returned to the shining harbor There were pirates by ten thousand Descended on the town In vessels mountain-high and red and brown, Moon-ships that climbed the storms and cut the skies.
On their prows were painted terrible bright eyes.
But I was then a wizard and a scholar and a priest; I stood upon the sand; With lifted hand I looked upon them And sunk their vessels with my wizard eyes, And the stately lacquer-gate made safe again.
Deep, deep below the bay, the sea-weed and the spray, Embalmed in amber every pirate lies, Embalmed in amber every pirate lies.
" Then this did the noble lady say: "Bird, do you dream of our home-coming day When you flew like a courier on before From the dragon-peak to our palace-door, And we drove the steed in your singing path— The ramping dragon of laughter and wrath: And found our city all aglow, And knighted this joss that decked it so? There were golden fishes in the purple river And silver fishes and rainbow fishes.
There were golden junks in the laughing river, And silver junks and rainbow junks: There were golden lilies by the bay and river, And silver lilies and tiger-lilies, And tinkling wind-bells in the gardens of the town By the black-lacquer gate Where walked in state The kind king Chang And his sweet-heart mate.
.
.
.
With his flag-born dragon And his crown of pearl.
.
.
and.
.
.
jade, And his nightingale reigning in the mulberry shade, And sailors and soldiers on the sea-sands brown, And priests who bowed them down to your song— By the city called Han, the peacock town, By the city called Han, the nightingale town, The nightingale town.
" Then sang the bird, so strangely gay, Fluttering, fluttering, ghostly and gray, A vague, unravelling, final tune, Like a long unwinding silk cocoon; Sang as though for the soul of him Who ironed away in that bower dim: — "I have forgotten Your dragons great, Merry and mad and friendly and bold.
Dim is your proud lost palace-gate.
I vaguely know There were heroes of old, Troubles more than the heart could hold, There were wolves in the woods Yet lambs in the fold, Nests in the top of the almond tree.
.
.
.
The evergreen tree.
.
.
and the mulberry tree.
.
.
Life and hurry and joy forgotten, Years on years I but half-remember.
.
.
Man is a torch, then ashes soon, May and June, then dead December, Dead December, then again June.
Who shall end my dream's confusion? Life is a loom, weaving illusion.
.
.
I remember, I remember There were ghostly veils and laces.
.
.
In the shadowy bowery places.
.
.
With lovers' ardent faces Bending to one another, Speaking each his part.
They infinitely echo In the red cave of my heart.
`Sweetheart, sweetheart, sweetheart.
' They said to one another.
They spoke, I think, of perils past.
They spoke, I think, of peace at last.
One thing I remember: Spring came on forever, Spring came on forever," Said the Chinese nightingale.
Written by John Keats | Create an image from this poem

Ode To Autumn

 Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eaves run;
To bend with apples the mossed cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimmed their clammy cell.
Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reaped furrow sound asleep, Drowsed with the fume of poppies, while thy hook Spares the next swath and all its twined flowers; And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cider-press, with patient look, Thou watchest the last oozings, hours by hours.
Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too,--- While barred clouds bloom the soft-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir, the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The redbreast whistles from a garden-croft, And gathering swallows twitter in the skies.
Written by Ogden Nash | Create an image from this poem

The Clean Plater

 Some singers sing of ladies' eyes,
And some of ladies lips,
Refined ones praise their ladylike ways,
And course ones hymn their hips.
The Oxford Book of English Verse Is lush with lyrics tender; A poet, I guess, is more or less Preoccupied with gender.
Yet I, though custom call me crude, Prefer to sing in praise of food.
Food, Yes, food, Just any old kind of food.
Pheasant is pleasant, of course, And terrapin, too, is tasty, Lobster I freely endorse, In pate or patty or pasty.
But there's nothing the matter with butter, And nothing the matter with jam, And the warmest greetings I utter To the ham and the yam and the clam.
For they're food, All food, And I think very fondly of food.
Through I'm broody at times When bothered by rhymes, I brood On food.
Some painters paint the sapphire sea, And some the gathering storm.
Others portray young lambs at play, But most, the female form.
“Twas trite in that primeval dawn When painting got its start, That a lady with her garments on Is Life, but is she Art? By undraped nymphs I am not wooed; I'd rather painters painted food.
Food, Just food, Just any old kind of food.
Go purloin a sirloin, my pet, If you'd win a devotion incredible; And asparagus tips vinaigrette, Or anything else that is edible.
Bring salad or sausage or scrapple, A berry or even a beet.
Bring an oyster, an egg, or an apple, As long as it's something to eat.
If it's food, It's food; Never mind what kind of food.
When I ponder my mind I consistently find It is glued On food.
Written by William Henry Davies | Create an image from this poem

The Villain

 While joy gave clouds the light of stars, 
That beamed wher'er they looked; 
And calves and lambs had tottering knees, 
Excited, while they sucked; 
While every bird enjoyed his song, 
Without one thought of harm or wrong-- 
I turned my head and saw the wind, 
Not far from where I stood, 
Dragging the corn by her golden hair, 
Into a dark and lonely wood.

Book: Reflection on the Important Things