Written by
William Topaz McGonagall |
Beautiful silvery Tay,
With your landscapes, so lovely and gay,
Along each side of your waters, to Perth all the way;
No other river in the world has got scenery more fine,
Only I am told the beautiful Rhine,
Near to Wormit Bay, it seems very fine,
Where the Railway Bridge is towering above its waters sublime,
And the beautiful ship Mars,
With her Juvenile Tare,
Both lively and gay,
Does carelessly lie By night and by day,
In the beautiful Bay
Of the silvery Tay.
Beautiful, beautiful silvery Tay,
Thy scenery is enchanting on a fine summer day,
Near by Balnerino it is beautiful to behold,
When the trees are in full bloom and the cornfields seems like gold -
And nature's face seems gay,
And the lambkins they do play,
And the humming bee is on the wing,
It is enough to make one sing,
While they carelessly do stray,
Along the beautiful banks of the silvery Tay,
Beautiful silvery Tay,
Rolling smoothly on your way,
Near by Newport, as clear as the day,
Thy scenery around is charming I'll be bound...
And would make the heart of any one feel light and gay on a fine summer day,
To view the beautiful scenery along the banks of the silvery Tay.
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Written by
Thomas Hood |
Along the Woodford road there comes a noise
Of wheels, and Mr. Rounding's neat post-chaise
Struggles along, drawn by a pair of bays,
With Reverend Mr. Crow and six small boys,
Who ever and anon declare their joys
With trumping horns and juvenile huzzas,
At going home to spend their Christmas days,
And changing learning's pains for pleasure's toys.
Six weeks elapse, and down the Woodford way
A heavy coach drags six more heavy souls,
But no glad urchins shout, no trumpets bray,
The carriage makes a halt, the gate-bell tolls,
And little boys walk in as dull and mum
As six new scholars to the Deaf and Dumb!
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Written by
Ogden Nash |
Oh, "rorty" was a mid-Victorian word
Which meant "fine, splendid, jolly,"
And often to me it has reoccurred
In moments melancholy.
For instance, children, I think it rorty
To be with people over forty.
I can't say which, come eventide,
More tedious I find;
Competing with the juvenile stride,
Or meeting the juvenile mind.
So I think it rorty, yes, and nifty,
To be with people over fifty.
The pidgin talk the youthful use
Bypasses conversation.
I can't believe the code they choose
Is a means of communication.
Oh to be with people over sixty
Despite their tendency to prolixty!
The hours a working parent keeps
Mean less than Latin to them,
Wherefore they disappear in jeeps
Till three and four A.M.
Oh, to be with people you pour a cup for
Instead of people you have to wait up for!
I've tried to read young mumbling lips
Till I've developed a slant-eye,
And my hearing fails at the constant wails
Of, If I can't, why can't I?
Oh, to be beside a septuagenarian,
Silent upon a peak in Darien!
They don't know Hagen from Bobby Jones,
They never heard of Al Smith,
Even Red Grange is beyond their range,
And Dempsey is a myth.
Oh golly, to gabble upon the shoulder
Of someone my own age, or even older!
I'm tired of defining hadn't oughts.
To opposition mulish,
The thoughts of youth are long long thoughts,
And Jingo! Aren't they foolish!
All which is why, in case you've wondered
I'd like a companion aged one hundred.
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Written by
Elinor Wylie |
BARCAROLE ON THE STYX
Fair youth with the rose at your lips,
A riddle is hid in your eyes;
Discard conversational quips,
Give over elaborate disguise.
The rose's funeral breath
Confirms by intuitive fears;
To prove your devotion, Sir Death,
Avaunt for a dozen of years.
But do not forget to array
Your terror in juvenile charms;
I shall deeply regret my delay
If I sleep in a skeleton's arms.
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Written by
Robert William Service |
You've heard of Julot the apache, and Gigolette, his mome. . . .
Montmartre was their hunting-ground, but Belville was their home.
A little chap just like a boy, with smudgy black mustache, --
Yet there was nothing juvenile in Julot the apache.
From head to heel as tough as steel, as nimble as a cat,
With every trick of twist and kick, a master of savate.
And Gigolette was tall and fair, as stupid as a cow,
With three combs in the greasy hair she banged upon her brow.
You'd see her on the Place Pigalle on any afternoon,
A primitive and strapping wench as brazen as the moon.
And yet there is a tale that's told of Clichy after dark,
And two gendarmes who swung their arms with Julot for a mark.
And oh, but they'd have got him too; they banged and blazed away,
When like a flash a woman leapt between them and their prey.
She took the medicine meant for him; she came down with a crash . . .
"Quick now, and make your get-away, O Julot the apache!" . . .
But no! He turned, ran swiftly back, his arms around her met;
They nabbed him sobbing like a kid, and kissing Gigolette.
Now I'm a reckless painter chap who loves a jamboree,
And one night in Cyrano's bar I got upon a spree;
And there were trollops all about, and crooks of every kind,
But though the place was reeling round I didn't seem to mind.
Till down I sank, and all was blank when in the bleary dawn
I woke up in my studio to find -- my money gone;
Three hundred francs I'd scraped and squeezed to pay my quarter's rent.
"Some one has pinched my wad," I wailed; "it never has been spent."
And as I racked my brains to seek how I could raise some more,
Before my cruel landlord kicked me cowering from the door:
A knock . . . "Come in," I gruffly groaned; I did not raise my head,
Then lo! I heard a husky voice, a swift and silky tread:
"You got so blind, last night, mon vieux, I collared all your cash --
Three hundred francs. . . . There! Nom de Dieu," said Julot the apache.
And that was how I came to know Julot and Gigolette,
And we would talk and drink a bock, and smoke a cigarette.
And I would meditate upon the artistry of crime,
And he would tell of cracking cribs and cops and doing time;
Or else when he was flush of funds he'd carelessly explain
He'd biffed some bloated bourgeois on the border of the Seine.
So gentle and polite he was, just like a man of peace,
And not a desperado and the terror of the police.
Now one day in a bistro that's behind the Place Vendôme
I came on Julot the apache, and Gigolette his mome.
And as they looked so very grave, says I to them, says I,
"Come on and have a little glass, it's good to rinse the eye.
You both look mighty serious; you've something on the heart."
"Ah, yes," said Julot the apache, "we've something to impart.
When such things come to folks like us, it isn't very gay . . .
It's Gigolette -- she tells me that a gosse is on the way."
Then Gigolette, she looked at me with eyes like stones of gall:
"If we were honest folks," said she, "I wouldn't mind at all.
But then . . . you know the life we lead; well, anyway I mean
(That is, providing it's a girl) to call her Angeline."
"Cheer up," said I; "it's all in life. There's gold within the dross.
Come on, we'll drink another verre to Angeline the gosse."
And so the weary winter passed, and then one April morn
The worthy Julot came at last to say the babe was born.
"I'd like to chuck it in the Seine," he sourly snarled, "and yet
I guess I'll have to let it live, because of Gigolette."
I only laughed, for sure I saw his spite was all a bluff,
And he was prouder than a prince behind his manner gruff.
Yet every day he'd blast the brat with curses deep and grim,
And swear to me that Gigolette no longer thought of him.
And then one night he dropped the mask; his eyes were sick with dread,
And when I offered him a smoke he groaned and shook his head:
"I'm all upset; it's Angeline . . . she's covered with a rash . . .
She'll maybe die, my little gosse," cried Julot the apache.
But Angeline, I joy to say, came through the test all right,
Though Julot, so they tell me, watched beside her day and night.
And when I saw him next, says he: "Come up and dine with me.
We'll buy a beefsteak on the way, a bottle and some brie."
And so I had a merry night within his humble home,
And laughed with Angeline the gosse and Gigolette the mome.
And every time that Julot used a word the least obscene,
How Gigolette would frown at him and point to Angeline:
Oh, such a little innocent, with hair of silken floss,
I do not wonder they were proud of Angeline the gosse.
And when her arms were round his neck, then Julot says to me:
"I must work harder now, mon vieux, since I've to work for three."
He worked so very hard indeed, the police dropped in one day,
And for a year behind the bars they put him safe away.
So dark and silent now, their home; they'd gone -- I wondered where,
Till in a laundry near I saw a child with shining hair;
And o'er the tub a strapping wench, her arms in soapy foam;
Lo! it was Angeline the gosse, and Gigolette the mome.
And so I kept an eye on them and saw that all went right,
Until at last came Julot home, half crazy with delight.
And when he'd kissed them both, says he: "I've had my fill this time.
I'm on the honest now, I am; I'm all fed up with crime.
You mark my words, the page I turn is going to be clean,
I swear it on the head of her, my little Angeline."
And so, to finish up my tale, this morning as I strolled
Along the boulevard I heard a voice I knew of old.
I saw a rosy little man with walrus-like mustache . . .
I stopped, I stared. . . . By all the gods! 'twas Julot the apache.
"I'm in the garden way," he said, "and doing mighty well;
I've half an acre under glass, and heaps of truck to sell.
Come out and see. Oh come, my friend, on Sunday, wet or shine . . .
Say! -- it's the First Communion of that little girl of mine."
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Written by
William Topaz McGonagall |
Mr. Smiggs was a gentleman,
And he lived in London town;
His wife she was a good kind soul,
And seldom known to frown.
'Twas on Christmas eve,
And Smiggs and his wife lay cosy in bed,
When the thought of buying a goose
Came into his head.
So the next morning,
Just as the sun rose,
He jump'd out of bed,
And he donn'd his clothes,
Saying, "Peggy, my dear.
You need not frown,
For I'll buy you the best goose
In all London town."
So away to the poultry shop he goes,
And bought the goose, as he did propose,
And for it he paid one crown,
The finest, he thought, in London town.
When Smiggs bought the goose
He suspected no harm,
But a naughty boy stole it
From under his arm.
Then Smiggs he cried, "Stop, thief!
Come back with my goose!"
But the naughty boy laugh'd at him,
And gave him much abuse.
But a policeman captur'd the naughty boy,
And gave the goose to Smiggs,
And said he was greatly bother'd
By a set of juvenile prigs.
So the naughty boy was put in prison
For stealing the goose.,
And got ten days' confinement
Before he got loose.
So Smiggs ran home to his dear Peggy,
Saying, "Hurry, and get this fat goose ready,
That I have bought for one crown;
So, my darling, you need not frown."
"Dear Mr Smiggs, I will not frown:
I'm sure 'tis cheap for one crown,
Especially at Christmas time --
Oh! Mr Smiggs, it's really fine."
"Peggy. it is Christmas time,
So let us drive dull care away,
For we have got a Christmas goose,
So cook it well, I pray.
"No matter how the poor are clothed,
Or if they starve at home,
We'll drink our wine, and eat our goose,
Aye, and pick it to the bone."
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Written by
Paul Laurence Dunbar |
Villain shows his indiscretion,
Villain's partner makes confession.
Juvenile, with golden tresses,
Finds her pa and dons long dresses.
Scapegrace comes home money-laden,
Hero comforts tearful maiden,
Soubrette marries loyal chappie,
Villain skips, and all are happy.
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Written by
Eugene Field |
O hapless day! O wretched day!
I hoped you'd pass me by--
Alas, the years have sneaked away
And all is changed but I!
Had I the power, I would remand
You to a gloom condign,
But here you've crept upon me and
I--I am thirty-nine!
Now, were I thirty-five, I could
Assume a flippant guise;
Or, were I forty years, I should
Undoubtedly look wise;
For forty years are said to bring
Sedateness superfine;
But thirty-nine don't mean a thing--
À bas with thirty-nine!
You healthy, hulking girls and boys,--
What makes you grow so fast?
Oh, I'll survive your lusty noise--
I'm tough and bound to last!
No, no--I'm old and withered too--
I feel my powers decline
(Yet none believes this can be true
Of one at thirty-nine).
And you, dear girl with velvet eyes,
I wonder what you mean
Through all our keen anxieties
By keeping sweet sixteen.
With your dear love to warm my heart,
Wretch were I to repine;
I was but jesting at the start--
I'm glad I'm thirty-nine!
So, little children, roar and race
As blithely as you can,
And, sweetheart, let your tender grace
Exalt the Day and Man;
For then these factors (I'll engage)
All subtly shall combine
To make both juvenile and sage
The one who's thirty-nine!
Yes, after all, I'm free to say
I would much rather be
Standing as I do stand to-day,
'Twixt devil and deep sea;
For though my face be dark with care
Or with a grimace shine,
Each haply falls unto my share,
For I am thirty-nine!
'Tis passing meet to make good cheer
And lord it like a king,
Since only once we catch the year
That doesn't mean a thing.
O happy day! O gracious day!
I pledge thee in this wine--
Come, let us journey on our way
A year, good Thirty-Nine!
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Written by
Andrew Barton Paterson |
Oh! the circus swooped down
On the Narrabri town,
For the Narrabri populace moneyed are;
And the showman he smiled
At the folk he beguiled
To come all the distance from Gunnedah.
But a juvenile smart,
Who objected to "part",
Went in on the nod, and to do it he
Crawled in through a crack
In the tent at the back,
For the boy had no slight ingenuity.
And says he with a grin,
"That's the way to get in;
But I reckon I'd better be quiet or
They'll spiflicate me,"
And he chuckled, for he
Had the loan of the circus proprietor.
But the showman astute
On that wily galoot
Soon dropped -- you'll be thinking he leathered him --
Not he; with a grim
Sort of humourous whim,
He took him and tarred him and feathered him.
Says he, "You can go
Round the world with a show,
And knock every Injun and Arab wry;
With your name and your trade
On the posters displayed,
The feathered what-is-it from Narrabri.
Next day for his freak
By a Narrabri Beak,
He was jawed with a deal of verbosity;
For his only appeal
Was "professional zeal" --
He wanted another monstrosity.
Said his Worship, "Begob!
You are fined forty bob,
And six shillin's costs to the clurk!" he says.
And the Narrabri joy,
Half bird and half boy.
Has a "down" on himself and on circuses.
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