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Best Famous Julie Poems

Here is a collection of the all-time best famous Julie poems. This is a select list of the best famous Julie poetry. Reading, writing, and enjoying famous Julie poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of julie poems.

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Written by Julie Hill Alger | Create an image from this poem

Pictures of Home

  In the red-roofed stucco house
of my childhood, the dining room 
was screened off by folding doors 
with small glass panes. Our neighbors
the Bertins, who barely escaped Hitler, 
often joined us at table. One night 
their daughter said, In Vienna 
our dining room had doors like these.
For a moment, we all sat quite still. 

And when Nath Nong, who has to live
in Massachusetts now, saw a picture 
of green Cambodian fields she said, 
My father have animal like this, 
name krebey English? I told her, 
Water buffalo. She said, Very very
good animal. She put her finger 
on the picture of the water buffalo 
and spoke its Khmer name once more. 

So today, when someone (my ex-
husband) sends me a shiny picture 
of a church in Santa Cruz that lost 
its steeple in the recent earthquake 
there's no reason at all 
for my throat to ache at the sight
of a Pacific-blue sky and an old church
three thousand miles away, because 
if I can only save enough money 

 I can go back there any time
and stay as long as I want. 

 -Julie Alger


Written by Julie Hill Alger | Create an image from this poem

Tuesday's Child

All the babies born that Tuesday,
full of grace, went home by Thursday
except for one, my tiny girl
who rushed toward light too soon.

All the Tuesday mothers wheeled
down the corridor in glory,
their arms replete with warm baby;
I carried a potted plant.

I came back the next day and the next,
a visitor with heavy breasts,
to sit and rock the little pilgrim,
nourish her, nourish me.
Written by Julie Hill Alger | Create an image from this poem

Luna

I walk home at August moonrise
past a bright window.

Inside the room
an old woman sees the full moon
and turns off the lamp.

Afterimage shines in my eye:
pale face, snowy hair.

Moonlight streams over the dark house
like cool milk.
When the lamp is out, is the woman
still standing there alone?

In memory, her upraised hand glows;
in the house it is darker than shadow.
I stand on the sidewalk,
moonstruck.

Metaphysics of an old lamp:
the shade has less meaning
than a soul's body.

Physics of a window:
Glass is thicker than night air,
thinner than wonder.

The question of whiteness
bears looking into.

So does a window.

Sounds of a moonlight night
are softer than rainwater.

Before responding to a face
at the window, first ascertain whether
it's looking out or looking in.

Also, whether it's the moon
or someone else.

None of this, of course,
explains the perfumes of August
or the way the moon silvers the grass.

Turn around and look again-
She is still there.

The first question has not
been answered. What was it? 
Written by Julie Hill Alger | Create an image from this poem

Lesson 1

 At least I've learned this much:
Life doesn't have to be
all poetry and roses. Life
can be bus rides, gritty sidewalks,
electric bills, dishwashing,
chapped lips, dull stubby pencils
with the erasers chewed off,
cheap radios played too loud,
the rank smell of stale coffee 
yet still glow
with the inner fire of an opal,
still taste like honey.

 -Julie Alger
Written by Julie Hill Alger | Create an image from this poem

Death in the Family

 They call it stroke.
Two we loved were stunned
by that same blow of cudgel
or axe to the brow.
Lost on the earth
they left our circle
broken.


 One spent five months
falling from our grasp
mute, her grace, wit,
beauty erased.
Her green eyes gazed at us
as if asking, as if aware,
as if hers. One night
she slipped away;
machinery of mercy
brought her back 
to die more slowly. 
At long last
she escaped.


 Our collie dog
fared better. 
A lesser creature, she
had to spend only one day
drifting and reeling,
her brown eyes 
beseeching. Then she
was tenderly lifted,
laid on a table,
praised, petted 
and set free.


 -Julie Alger


Written by Robert William Service | Create an image from this poem

Barb-Wire Bill

 At dawn of day the white land lay all gruesome-like and grim,
When Bill Mc'Gee he says to me: "We've got to do it, Jim.
We've got to make Fort Liard quick. I know the river's bad,
But, oh! the little woman's sick . . . why! don't you savvy, lad?"
And me! Well, yes, I must confess it wasn't hard to see
Their little family group of two would soon be one of three.
And so I answered, careless-like: "Why, Bill! you don't suppose
I'm scared of that there `babbling brook'? Whatever you say -- goes."

A real live man was Barb-wire Bill, with insides copper-lined;
For "barb-wire" was the brand of "hooch" to which he most inclined.
They knew him far; his igloos are on Kittiegazuit strand.
They knew him well, the tribes who dwell within the Barren Land.
From Koyokuk to Kuskoquim his fame was everywhere;
And he did love, all life above, that little Julie Claire,
The lithe, white slave-girl he had bought for seven hundred skins,
And taken to his wickiup to make his moccasins.

We crawled down to the river bank and feeble folk were we,
That Julie Claire from God-knows-where, and Barb-wire Bill and me.
From shore to shore we heard the roar the heaving ice-floes make,
And loud we laughed, and launched our raft, and followed in their wake.
The river swept and seethed and leapt, and caught us in its stride;
And on we hurled amid a world that crashed on every side.
With sullen din the banks caved in; the shore-ice lanced the stream;
The naked floes like spooks arose, all jiggling and agleam.
Black anchor-ice of strange device shot upward from its bed,
As night and day we cleft our way, and arrow-like we sped.

But "Faster still!" cried Barb-wire Bill, and looked the live-long day
In dull despair at Julie Claire, as white like death she lay.
And sometimes he would seem to pray and sometimes seem to curse,
And bent above, with eyes of love, yet ever she grew worse.
And as we plunged and leapt and lunged, her face was plucked with pain,
And I could feel his nerves of steel a-quiver at the strain.
And in the night he gripped me tight as I lay fast asleep:
"The river's kicking like a steer . . . run out the forward sweep!
That's Hell-gate Canyon right ahead; I know of old its roar,
And . . . I'll be damned! the ice is jammed! We've GOT to make the shore."

With one wild leap I gripped the sweep. The night was black as sin.
The float-ice crashed and ripped and smashed, and stunned us with its din.
And near and near, and clear and clear I heard the canyon boom;
And swift and strong we swept along to meet our awful doom.
And as with dread I glimpsed ahead the death that waited there,
My only thought was of the girl, the little Julie Claire;
And so, like demon mad with fear, I panted at the oar,
And foot by foot, and inch by inch, we worked the raft ashore.

The bank was staked with grinding ice, and as we scraped and crashed,
I only knew one thing to do, and through my mind it flashed:
Yet while I groped to find the rope, I heard Bill's savage cry:
"That's my job, lad! It's me that jumps. I'll snub this raft or die!"
I saw him leap, I saw him creep, I saw him gain the land;
I saw him crawl, I saw him fall, then run with rope in hand.
And then the darkness gulped him up, and down we dashed once more,
And nearer, nearer drew the jam, and thunder-like its roar.

Oh God! all's lost . . . from Julie Claire there came a wail of pain,
And then -- the rope grew sudden taut, and quivered at the strain;
It slacked and slipped, it whined and gripped, and oh, I held my breath!
And there we hung and there we swung right in the jaws of death.

A little strand of hempen rope, and how I watched it there,
With all around a hell of sound, and darkness and despair;
A little strand of hempen rope, I watched it all alone,
And somewhere in the dark behind I heard a woman moan;
And somewhere in the dark ahead I heard a man cry out,
Then silence, silence, silence fell, and mocked my hollow shout.
And yet once more from out the shore I heard that cry of pain,
A moan of mortal agony, then all was still again.

That night was hell with all the frills, and when the dawn broke dim,
I saw a lean and level land, but never sign of him.
I saw a flat and frozen shore of hideous device,
I saw a long-drawn strand of rope that vanished through the ice.
And on that treeless, rockless shore I found my partner -- dead.
No place was there to snub the raft, so -- he had served instead;
And with the rope lashed round his waist, in last defiant fight,
He'd thrown himself beneath the ice, that closed and gripped him tight;
And there he'd held us back from death, as fast in death he lay. . . .
Say, boys! I'm not the pious brand, but -- I just tried to pray.
And then I looked to Julie Claire, and sore abashed was I,
For from the robes that covered her, I - heard - a - baby - cry....

Thus was Love conqueror of death, and life for life was given;
And though no saint on earth, d'ye think -- Bill's squared hisself with Heaven?
Written by Julie Hill Alger | Create an image from this poem

Opening the Geode

 When the molten earth seethed 
in its whirling cauldron 
nobody watched the pot 
from a tall wooden stool 
set out in windy space 
beyond flame's reach;

and when the spattering mush 
steamed, gurgled, boiled over, 
mounded up in smoking hills
no giant mixing spoon 
smoothed out the lumps and bubbles 
as the pottage cooled to rock. 

No kitchen timer ticked 
precisely the eons required 
to fill the gritty pits 
slowly, drop by drop 
with layers of glassy salts, 
agate, opal, quartz; 

no listening ear inclined 
over the silicon mold 
to hear the chink of crystals 
rising geometrically 
facet upon facet 
in the airless dark. 

No hand lifted the stony lid 
to add light, the finishing touch, 
and no guest cried Ah! how well
the recipe turned out - 
until this millennium, today, 
at my table. 
 -Julie Alger
Written by Julie Hill Alger | Create an image from this poem

Marketplace Report January 23, 1991

The new war is a week old.
Bombs fall on Baghdad,
missiles on Tel Aviv.
The voice on the radio says
the armament dealers of Europe
are hopeful that a longer war
will be good for business.
They say, as fighting continues
there will be wear and tear
on matériel. Spare parts
must be manufactured,
as well as replacements
for equipment blown apart,
shattered, set afire.

Prudently, the merchants
consult their spreadsheets.
They guard against euphoria
and prepare for a possible
downside to this bonanza:
the Allies are shooting
at their best customer,
Saddam Hussein. If he loses
their market will be depressed.
There is also a danger of
restrictions on sales
to angry dictators. Thus,
the longterm effects of the war
may not all be positive.
Written by Robert Hayden | Create an image from this poem

O Daedalus Fly Away Home

 (For Maia and Julie) 

Drifting night in the Georgia pines, 
coonskin drum and jubilee banjo. 
Pretty Malinda, dance with me. 

Night is juba, night is congo. 
Pretty Malinda, dance with me. 

Night is an African juju man 
weaving a wish and a weariness together 
to make two wings. 

O fly away home fly away 

Do you remember Africa? 

O cleave the air fly away home 

My gran, he flew back to Africa, 
just spread his arms and 
flew away home. 

Drifting night in the windy pines; 
night is laughing, night is a longing. 
Pretty Malinda, come to me. 

Night is a mourning juju man 
weaving a wish and a weariness together 
to make two wings. 

O fly away home fly away
Written by Robert William Service | Create an image from this poem

Julie Claire

 Oh Julie Claire was very fair,
Yet generous as well,
And many a lad of metal had
A saucy tale to tell
Of sultry squeeze beneath the trees
Or hugging in the hay . . .
Of love her share had Julie Claire
When life was lush and gay.

And then the village wealth to pillage
Came the Teuton horde;
The haughty Huns with mighty guns
And clattering of sword.
And Julie Claire had honey hair
With eyes of soft azure,
So she became the favoured flame
Of the Kommandatur.

But when at last the plague was past,
The bloody war well won,
We clipped the locks of every dox
Who dallied with the Hun.
Each wench with scorn was duly shorn;
Our Marie the shears would weld,
And Julie's head with ringlets shed
Was like a turnip peeled.

But of these days of wanton ways
No more the village talks,
For Julie Claire has wed the Maire
Who clipped her golden locks . . .
Nay, do not try to me I
Must suffer for my sins,
For all agree the Marie must be
The father of her twins.

Book: Reflection on the Important Things