Written by
Shel Silverstein |
Once I spoke the language of the flowers,
Once I understood each word the caterpillar said,
Once I smiled in secret at the gossip of the starlings,
And shared a conversation with the housefly
in my bed.
Once I heard and answered all the questions
of the crickets,
And joined the crying of each falling dying
flake of snow,
Once I spoke the language of the flowers. . . .
How did it go?
How did it go?
|
Written by
T S (Thomas Stearns) Eliot |
I
In my beginning is my end. In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building
And a time for living and for generation
And a time for the wind to break the loosened pane
And to shake the wainscot where the field-mouse trots
And to shake the tattered arras woven with a silent motto.
In my beginning is my end. Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon,
Where you lean against a bank while a van passes,
And the deep lane insists on the direction
Into the village, in the electric heat
Hypnotised. In a warm haze the sultry light
Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.
In that open field
If you do not come too close, if you do not come too close,
On a summer midnight, you can hear the music
Of the weak pipe and the little drum
And see them dancing around the bonfire
The association of man and woman
In daunsinge, signifying matrimonie—
A dignified and commodiois sacrament.
Two and two, necessarye coniunction,
Holding eche other by the hand or the arm
Whiche betokeneth concorde. Round and round the fire
Leaping through the flames, or joined in circles,
Rustically solemn or in rustic laughter
Lifting heavy feet in clumsy shoes,
Earth feet, loam feet, lifted in country mirth
Mirth of those long since under earth
Nourishing the corn. Keeping time,
Keeping the rhythm in their dancing
As in their living in the living seasons
The time of the seasons and the constellations
The time of milking and the time of harvest
The time of the coupling of man and woman
And that of beasts. Feet rising and falling.
Eating and drinking. Dung and death.
Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning.
II
What is the late November doing
With the disturbance of the spring
And creatures of the summer heat,
And snowdrops writhing under feet
And hollyhocks that aim too high
Red into grey and tumble down
Late roses filled with early snow?
Thunder rolled by the rolling stars
Simulates triumphal cars
Deployed in constellated wars
Scorpion fights against the Sun
Until the Sun and Moon go down
Comets weep and Leonids fly
Hunt the heavens and the plains
Whirled in a vortex that shall bring
The world to that destructive fire
Which burns before the ice-cap reigns.
That was a way of putting it—not very satisfactory:
A periphrastic study in a worn-out poetical fashion,
Leaving one still with the intolerable wrestle
With words and meanings. The poetry does not matter.
It was not (to start again) what one had expected.
What was to be the value of the long looked forward to,
Long hoped for calm, the autumnal serenity
And the wisdom of age? Had they deceived us
Or deceived themselves, the quiet-voiced elders,
Bequeathing us merely a receipt for deceit?
The serenity only a deliberate hebetude,
The wisdom only the knowledge of dead secrets
Useless in the darkness into which they peered
Or from which they turned their eyes. There is, it seems to us,
At best, only a limited value
In the knowledge derived from experience.
The knowledge imposes a pattern, and falsifies,
For the pattern is new in every moment
And every moment is a new and shocking
Valuation of all we have been. We are only undeceived
Of that which, deceiving, could no longer harm.
In the middle, not only in the middle of the way
But all the way, in a dark wood, in a bramble,
On the edge of a grimpen, where is no secure foothold,
And menaced by monsters, fancy lights,
Risking enchantment. Do not let me hear
Of the wisdom of old men, but rather of their folly,
Their fear of fear and frenzy, their fear of possession,
Of belonging to another, or to others, or to God.
The only wisdom we can hope to acquire
Is the wisdom of humility: humility is endless.
The houses are all gone under the sea.
The dancers are all gone under the hill.
III
O dark dark dark. They all go into the dark,
The vacant interstellar spaces, the vacant into the vacant,
The captains, merchant bankers, eminent men of letters,
The generous patrons of art, the statesmen and the rulers,
Distinguished civil servants, chairmen of many committees,
Industrial lords and petty contractors, all go into the dark,
And dark the Sun and Moon, and the Almanach de Gotha
And the Stock Exchange Gazette, the Directory of Directors,
And cold the sense and lost the motive of action.
And we all go with them, into the silent funeral,
Nobody's funeral, for there is no one to bury.
I said to my soul, be still, and let the dark come upon you
Which shall be the darkness of God. As, in a theatre,
The lights are extinguished, for the scene to be changed
With a hollow rumble of wings, with a movement of darkness on darkness,
And we know that the hills and the trees, the distant panorama
And the bold imposing façade are all being rolled away—
Or as, when an underground train, in the tube, stops too long between stations
And the conversation rises and slowly fades into silence
And you see behind every face the mental emptiness deepen
Leaving only the growing terror of nothing to think about;
Or when, under ether, the mind is conscious but conscious of nothing—
I said to my soul, be still, and wait without hope
For hope would be hope for the wrong thing; wait without love,
For love would be love of the wrong thing; there is yet faith
But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought:
So the darkness shall be the light, and the stillness the dancing.
Whisper of running streams, and winter lightning.
The wild thyme unseen and the wild strawberry,
The laughter in the garden, echoed ecstasy
Not lost, but requiring, pointing to the agony
Of death and birth.
You say I am repeating
Something I have said before. I shall say it again.
Shall I say it again? In order to arrive there,
To arrive where you are, to get from where you are not,
You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know
You must go by a way which is the way of ignorance.
In order to possess what you do not possess
You must go by the way of dispossession.
In order to arrive at what you are not
You must go through the way in which you are not.
And what you do not know is the only thing you know
And what you own is what you do not own
And where you are is where you are not.
IV
The wounded surgeon plies the steel
That questions the distempered part;
Beneath the bleeding hands we feel
The sharp compassion of the healer's art
Resolving the enigma of the fever chart.
Our only health is the disease
If we obey the dying nurse
Whose constant care is not to please
But to remind of our, and Adam's curse,
And that, to be restored, our sickness must grow worse.
The whole earth is our hospital
Endowed by the ruined millionaire,
Wherein, if we do well, we shall
Die of the absolute paternal care
That will not leave us, but prevents us everywhere.
The chill ascends from feet to knees,
The fever sings in mental wires.
If to be warmed, then I must freeze
And quake in frigid purgatorial fires
Of which the flame is roses, and the smoke is briars.
The dripping blood our only drink,
The bloody flesh our only food:
In spite of which we like to think
That we are sound, substantial flesh and blood—
Again, in spite of that, we call this Friday good.
V
So here I am, in the middle way, having had twenty years—
Twenty years largely wasted, the years of l'entre deux guerres
Trying to use words, and every attempt
Is a wholly new start, and a different kind of failure
Because one has only learnt to get the better of words
For the thing one no longer has to say, or the way in which
One is no longer disposed to say it. And so each venture
Is a new beginning, a raid on the inarticulate
With shabby equipment always deteriorating
In the general mess of imprecision of feeling,
Undisciplined squads of emotion. And what there is to conquer
By strength and submission, has already been discovered
Once or twice, or several times, by men whom one cannot hope
To emulate—but there is no competition—
There is only the fight to recover what has been lost
And found and lost again and again: and now, under conditions
That seem unpropitious. But perhaps neither gain nor loss.
For us, there is only the trying. The rest is not our business.
Home is where one starts from. As we grow older
The world becomes stranger, the pattern more complicated
Of dead and living. Not the intense moment
Isolated, with no before and after,
But a lifetime burning in every moment
And not the lifetime of one man only
But of old stones that cannot be deciphered.
There is a time for the evening under starlight,
A time for the evening under lamplight
(The evening with the photograph album).
Love is most nearly itself
When here and now cease to matter.
Old men ought to be explorers
Here or there does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and the empty desolation,
The wave cry, the wind cry, the vast waters
Of the petrel and the porpoise. In my end is my beginning.
|
Written by
David Lehman |
Some people find out they are Jews.
They can't believe it.
Thy had always hated Jews.
As children they had roamed in gangs on winter nights in the old
neighborhood, looking for Jews.
They were not Jewish, they were Irish.
They brandished broken bottles, tough guys with blood on their
lips, looking for Jews.
They intercepted Jewish boys walking alone and beat them up.
Sometimes they were content to chase a Jew and he could elude
them by running away. They were happy just to see him run
away. The coward! All Jews were yellow.
They spelled Jew with a small j jew.
And now they find out they are Jews themselves.
It happened at the time of the Spanish Inquisition.
To escape persecution, they pretended to convert to Christianity.
They came to this country and settled in the Southwest.
At some point oral tradition failed the family, and their
secret faith died.
No one would ever have known if not for the bones that turned up
on the dig.
A disaster. How could it have happened to them?
They are in a state of panic--at first.
Then they realize that it is the answer to their prayers.
They hasten to the synagogue or build new ones.
They are Jews at last!
They are free to marry other Jews, and divorce them, and intermarry
with Gentiles, God forbid.
They are model citizens, clever and thrifty.
They debate the issues.
They fire off earnest letters to the editor.
They vote.
They are resented for being clever and thrifty.
They buy houses in the suburbs and agree not to talk so loud.
They look like everyone else, drive the same cars as everyone else,
yet in their hearts they know they're different.
In every minyan there are always two or three, hated by
the others, who give life to one ugly stereotype or another:
The grasping Jew with the hooked nose or the Ivy League Bolshevik
who thinks he is the agent of world history.
But most of them are neither ostentatiously pious nor
excessively avaricious.
How I envy them! They believe.
How I envy them their annual family reunion on Passover,
anniversary of the Exodus, when all the uncles and aunts and
cousins get together.
They wonder about the heritage of Judaism they are passing along
to their children.
Have they done as much as they could to keep the old embers
burning?
Others lead more dramatic lives.
A few go to Israel.
One of them calls Israel "the ultimate concentration camp."
He tells Jewish jokes.
On the plane he gets tipsy, tries to seduce the stewardess.
People in the Midwest keep telling him reminds them of Woody
Allen.
He wonders what that means. I'm funny? A sort of nervous
intellectual type from New York? A Jew?
Around this time somebody accuses him of not being Jewish enough.
It is said by resentful colleagues that his parents changed their
name from something that sounded more Jewish.
Everything he publishes is scrutinized with reference to "the
Jewish question."
It is no longer clear what is meant by that phrase.
He has already forgotten all the Yiddish he used to know, and
the people of that era are dying out one after another.
The number of witnesses keeps diminishing.
Soon there will be no one left to remind the others and their
children.
That is why he came to this dry place where the bones have come
to life.
To live in a state of perpetual war puts a tremendous burden on the
population. As a visitor he felt he had to share that burden.
With his gift for codes and ciphers, he joined the counter-
terrorism unit of army intelligence.
Contrary to what the spook novels say, he found it possible to
avoid betraying either his country or his lover.
This was the life: strange bedrooms, the perfume of other men's
wives.
As a spy he has a unique mission: to get his name on the front
page of the nation's newspaper of record. Only by doing that
would he get the message through to his immediate superior.
If he goes to jail, he will do so proudly; if they're going to
hang him anyway, he'll do something worth hanging for.
In time he may get used to being the center of attention, but
this was incredible:
To talk his way into being the chief suspect in the most
flamboyant murder case in years!
And he was innocent!
He could prove it!
And what a book he would write when they free him from this prison:
A novel, obliquely autobiographical, set in Vienna in the twilight
of the Hapsburg Empire, in the year that his mother was born.
|
Written by
Bertolt Brecht |
To the cities I came in a time of disorder
That was ruled by hunger.
I sheltered with the people in a time of uproar
And then I joined in their rebellion.
That's how I passed my time that was given to me on this Earth.
I ate my dinners between the battles,
I lay down to sleep among the murderers,
I didn't care for much for love
And for nature's beauties I had little patience.
That's how I passed my time that was given to me on this Earth.
The city streets all led to foul swamps in my time,
My speech betrayed me to the butchers.
I could do only little
But without me those that ruled could not sleep so easily:
That's what I hoped.
That's how I passed my time that was given to me on this Earth.
Our forces were slight and small,
Our goal lay in the far distance
Clearly in our sights,
If for me myself beyond my reaching.
That's how I passed my time that was given to me on this Earth.
II
You who will come to the surface
From the flood that's overwhelmed us and drowned us all
Must think, when you speak of our weakness in times of darkness
That you've not had to face:
Days when we were used to changing countries
More often than shoes,
Through the war of the classes despairing
That there was only injustice and no outrage.
Even so we realised
Hatred of oppression still distorts the features,
Anger at injustice still makes voices raised and ugly.
Oh we, who wished to lay for the foundations for peace and friendliness,
Could never be friendly ourselves.
And in the future when no longer
Do human beings still treat themselves as animals,
Look back on us with indulgence.
|
Written by
Ogden Nash |
The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell's own flame
Illumes the lobby garish,
A gilded snare just off Times Square
For the maidens of the parish.
The revolving door swept the grimy floor
Like a crinoline grotesque,
And a lowly bum from an ancient slum
Crept furtively past the desk.
His footsteps sift into the lift
As a knife in the sheath is slipped,
Stealthy and swift into the lift
As a vampire into a crypt.
Old Maxie, the elevator boy,
Was reading an ode by Shelley,
But he dropped the ode as it were a toad
When the gun jammed into his belly.
There came a whisper as soft as mud
In the bed of an old canal:
"Take me up to the suite of Pinball Pete,
The rat who betrayed my gal."
The lift doth rise with groans and sighs
Like a duchess for the waltz,
Then in middle shaft, like a duchess daft,
It changes its mind and halts.
The bum bites lip as the landlocked ship
Doth neither fall nor rise,
But Maxie the elevator boy
Regards him with burning eyes.
"First, to explore the thirteenth floor,"
Says Maxie, "would be wise."
Quoth the bum, "There is moss on your double cross,
I have been this way before,
I have cased the joint at every point,
And there is no thirteenth floor.
The architect he skipped direct
From twelve unto fourteen,
There is twelve below and fourteen above,
And nothing in between,
For the vermin who dwell in this hotel
Could never abide thirteen."
Said Max, "Thirteen, that floor obscene,
Is hidden from human sight;
But once a year it doth appear,
On this Walpurgis Night.
Ere you peril your soul in murderer's role,
Heed those who sinned of yore;
The path they trod led away from God,
And onto the thirteenth floor,
Where those they slew, a grisly crew,
Reproach them forevermore.
"We are higher than twelve and below fourteen,"
Said Maxie to the bum,
"And the sickening draft that taints the shaft
Is a whiff of kingdom come.
The sickening draft that taints the shaft
Blows through the devil's door!"
And he squashed the latch like a fungus patch,
And revealed the thirteenth floor.
It was cheap cigars like lurid scars
That glowed in the rancid gloom,
The murk was a-boil with fusel oil
And the reek of stale perfume.
And round and round there dragged and wound
A loathsome conga chain,
The square and the hep in slow lock step,
The slayer and the slain.
(For the souls of the victims ascend on high,
But their bodies below remain.)
The clean souls fly to their home in the sky,
But their bodies remain below
To pursue the Cain who each has slain
And harry him to and fro.
When life is extinct each corpse is linked
To its gibbering murderer,
As a chicken is bound with wire around
The neck of a killer cur.
Handcuffed to Hate come Doctor Waite
(He tastes the poison now),
And Ruth and Judd and a head of blood
With horns upon its brow.
Up sashays Nan with her feathery fan
From Floradora bright;
She never hung for Caesar Young
But she's dancing with him tonight.
Here's the bulging hip and the foam-flecked lip
Of the mad dog, Vincent Coll,
And over there that ill-met pair,
Becker and Rosenthal,
Here's Legs and Dutch and a dozen such
Of braggart bullies and brutes,
And each one bends 'neath the weight of friends
Who are wearing concrete suits.
Now the damned make way for the double-damned
Who emerge with shuffling pace
From the nightmare zone of persons unknown,
With neither name nor face.
And poor Dot King to one doth cling,
Joined in a ghastly jig,
While Elwell doth jape at a goblin shape
And tickle it with his wig.
See Rothstein pass like breath on a glass,
The original Black Sox kid;
He riffles the pack, riding piggyback
On the killer whose name he hid.
And smeared like brine on a slavering swine,
Starr Faithful, once so fair,
Drawn from the sea to her debauchee,
With the salt sand in her hair.
And still they come, and from the bum
The icy sweat doth spray;
His white lips scream as in a dream,
"For God's sake, let's away!
If ever I meet with Pinball Pete
I will not seek his gore,
Lest a treadmill grim I must trudge with him
On the hideous thirteenth floor."
"For you I rejoice," said Maxie's voice,
"And I bid you go in peace,
But I am late for a dancing date
That nevermore will cease.
So remember, friend, as your way you wend,
That it would have happened to you,
But I turned the heat on Pinball Pete;
You see - I had a daughter, too!"
The bum reached out and he tried to shout,
But the door in his face was slammed,
And silent as stone he rode down alone
From the floor of the double-damned.
|
Written by
Barry Tebb |
Give me life at its most garish
Friday night in the Square, pink sequins dazzle
And dance on clubbers bare to the midriff
Young men in crisp shirts and pressed pants
‘Dress code smart’ gyrate to ‘Sex Bomb, Sex Bomb’
And sing along its lyrics to the throng of which I’m one
My shorts, shoulder bag and white beard
Making me stand out in the teeming swarm
Of teens and twenties this foetid Friday night
On my way from the ward where our son paces
And fulminates I throw myself into the drowning
Tide of Friday to be rescued by sheer normality.
The mill girl with her mates asks anxiously
"Are you on your own? Come and join us
What’s your name?" Age has driven my shyness away
As I join the crowd beneath the turning purple screens
Bannered ‘****** lasts for ever’ and sip unending
Halves of bitter, as I circulate among the crowd,
Being complete in itself and out for a good night out,
A relief from factory, shop floor and market stall
Running from the reality of the ward where my son
Pounds the ledge with his fist and seems out to blast
My very existence with words like bullets.
The need to anaesthetise the pain resurfaces
Again and again. In Leeds City Square where
Pugin’s church, the Black Prince and the Central Post Office
In its Edwardian grandeur are startled by the arching spumes
Or white water fountains and the steel barricades of Novotel
Rise from the ruins of a sixties office block.
I hurry past and join Boar Lane’s Friday crew
From Keighley and Dewsbury’s mills, hesitating
At the thought of being told I’m past my
Sell-by-date and turned away by the West Indian
Bouncers, black-suited and city-council badged
Who checked my bag but smiled at ‘The Lights of
Leeds’ and ‘Poets of Our Time’ tucked away as carefully as condoms-
Was it guns or drugs they were after
I wondered as I crossed the bare boards to the bar.
I stayed near the fruit machine which no-one played,
Where the crowd was thickest, the noise drowned out the pain
‘Sex Bomb, Sex Bomb’ the chorus rang
The girls joined in but the young men knew
The words no more than me. Dancing as we knew it
In the sixties has gone, you do your own thing
And follow the beat, hampered by my bag
I just kept going, letting the music and the crowd
Hold me, my camera eye moving in search, in search…
What I’m searching for I don’t know
Searching’s a way of life that has to grow
"All of us who are patients here are searchers after truth"
My son kept saying, his legs shaking from the side effects
Of God-knows- what, pacing the tiny ward kitchen cum smoking room,
Denouncing his ‘illegal section’ and ‘poisonous medication’
To an audience of one.
The prospect of TV, Seroxat and Diazepan fazed me:
I was beyond unravelling Meltzer on differentiation
Of self and object or Rosine Josef Perelberg on ‘Dreaming and Thinking’
Or even the simpler ‘Rise and Crisis of Psychoanalysis in the United States’
So I went out with West Yorkshire on a Friday night.
Nothing dramatic happened; perhaps I’m a little too used
To acute wards or worse where chairs fly across rooms,
Windows disintegrate and double doors are triple locked
And every nurse carries a white panic button and black pager
To pinpoint the moment’s crisis. Normality was a bit of adrenaline,
A wild therapy that drew me in, sanity had won the night.
"Are you on your own, love? Come and join us"
People kept asking if I was alright and why
I had that damned great shoulder bag. I was introduced
To three young men about to tie the knot, a handsome lothario
In his midforties winked at me constantly,
Dancing with practised ease with sixteen year olds
Who all seemed to know him and determined to show him.
Three hours passed in as many minutes and then the crowds
Disappeared to catch the last bus home. The young aren’t
As black as they are painted, one I danced with reminded me
Of how Margaret would have been at sixteen
With straw gold hair Yeats would have immortalised.
People seemed to guess I was haunted by an inner demon
I’d tried to leave in the raftered lofts of City Square
But failed to. Girls from sixteen to twenty six kept grabbing me
And making me dance and I found my teenage inhibitions
Gone at sixty-one and wildly gyrated to ‘Sex Bomb, Sex Bomb’
Egged on by the throng by the fruit machine and continuous
Thumbs-up signs from passing men. I had to forgo
A cheerful group of Aussies were intent on taking me clubbing
"I’d get killed or turned into a pumpkin
If I get home after midnight" I quipped to their delight
But being there had somehow put things right.
|
Written by
Victor Hugo |
("Un lion avait pris un enfant.")
{XIII.}
A Lion in his jaws caught up a child—
Not harming it—and to the woodland, wild
With secret streams and lairs, bore off his prey—
The beast, as one might cull a bud in May.
It was a rosy boy, a king's own pride,
A ten-year lad, with bright eyes shining wide,
And save this son his majesty beside
Had but one girl, two years of age, and so
The monarch suffered, being old, much woe;
His heir the monster's prey, while the whole land
In dread both of the beast and king did stand;
Sore terrified were all.
By came a knight
That road, who halted, asking, "What's the fright?"
They told him, and he spurred straight for the site!
The beast was seen to smile ere joined they fight,
The man and monster, in most desperate duel,
Like warring giants, angry, huge, and cruel. Beneath his shield, all blood and mud and mess:
Whereat the lion feasted: then it went
Back to its rocky couch and slept content.
Sudden, loud cries and clamors! striking out
Qualm to the heart of the quiet, horn and shout
Causing the solemn wood to reel with rout.
Terrific was this noise that rolled before;
It seemed a squadron; nay, 'twas something more—
A whole battalion, sent by that sad king
With force of arms his little prince to bring,
Together with the lion's bleeding hide.
Which here was right or wrong? Who can decide?
Have beasts or men most claim to live? God wots!
He is the unit, we the cipher-dots.
Ranged in the order a great hunt should have,
They soon between the trunks espy the cave.
"Yes, that is it! the very mouth of the den!"
The trees all round it muttered, warning men;
Still they kept step and neared it. Look you now,
Company's pleasant, and there were a thou—
Good Lord! all in a moment, there's its face!
Frightful! they saw the lion! Not one pace
Further stirred any man; but bolt and dart
Made target of the beast. He, on his part,
As calm as Pelion in the rain or hail,
Bristled majestic from the teeth to tail,
And shook full fifty missiles from his hide,
But no heed took he; steadfastly he eyed,
And roared a roar, hoarse, vibrant, vengeful, dread,
A rolling, raging peal of wrath, which spread,
Making the half-awakened thunder cry,
"Who thunders there?" from its black bed of sky.
This ended all! Sheer horror cleared the coast;
As fogs are driven by the wind, that valorous host
Melted, dispersed to all the quarters four,
Clean panic-stricken by that monstrous roar.
Then quoth the lion, "Woods and mountains, see,
A thousand men, enslaved, fear one beast free!"
He followed towards the hill, climbed high above,
Lifted his voice, and, as the sowers sow
The seed down wind, thus did that lion throw
His message far enough the town to reach:
"King! your behavior really passes speech!
Thus far no harm I've wrought to him your son;
But now I give you notice—when night's done,
I will make entry at your city-gate,
Bringing the prince alive; and those who wait
To see him in my jaws—your lackey-crew—
Shall see me eat him in your palace, too!"
Next morning, this is what was viewed in town:
Dawn coming—people going—some adown
Praying, some crying; pallid cheeks, swift feet,
And a huge lion stalking through the street.
It seemed scarce short of rash impiety
To cross its path as the fierce beast went by.
So to the palace and its gilded dome
With stately steps unchallenged did he roam;
He enters it—within those walls he leapt!
No man!
For certes, though he raged and wept,
His majesty, like all, close shelter kept,
Solicitous to live, holding his breath
Specially precious to the realm. Now death
Is not thus viewed by honest beasts of prey;
And when the lion found him fled away,
Ashamed to be so grand, man being so base,
He muttered to himself, "A wretched king!
'Tis well; I'll eat his boy!" Then, wandering,
Lordly he traversed courts and corridors,
Paced beneath vaults of gold on shining floors,
Glanced at the throne deserted, stalked from hall
To hall—green, yellow, crimson—empty all!
Rich couches void, soft seats unoccupied!
And as he walked he looked from side to side
To find some pleasant nook for his repast,
Since appetite was come to munch at last
The princely morsel!—Ah! what sight astounds
That grisly lounger?
In the palace grounds
An alcove on a garden gives, and there
A tiny thing—forgot in the general fear,
Lulled in the flower-sweet dreams of infancy,
Bathed with soft sunlight falling brokenly
Through leaf and lattice—was at that moment waking;
A little lovely maid, most dear and taking,
The prince's sister—all alone, undressed—
She sat up singing: children sing so best.
Charming this beauteous baby-maid; and so
The beast caught sight of her and stopped—
And then
Entered—the floor creaked as he stalked straight in.
Above the playthings by the little bed
The lion put his shaggy, massive head,
Dreadful with savage might and lordly scorn,
More dreadful with that princely prey so borne;
Which she, quick spying, "Brother, brother!" cried,
"Oh, my own brother!" and, unterrified,
She gazed upon that monster of the wood,
Whose yellow balls not Typhon had withstood,
And—well! who knows what thoughts these small heads hold?
She rose up in her cot—full height, and bold,
And shook her pink fist angrily at him.
Whereon—close to the little bed's white rim,
All dainty silk and laces—this huge brute
Set down her brother gently at her foot,
Just as a mother might, and said to her,
"Don't be put out, now! There he is, dear, there!"
EDWIN ARNOLD, C.S.I.
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Written by
James Kavanaugh |
To love is not to possess,
To own or imprison,
Nor to lose one’s self in another.
Love is to join and separate,
To walk alone and together,
To find a laughing freedom
That lonely isolation does not permit.
It is finally to be able
To be who we really are
No longer clinging in childish dependency
Nor docilely living separate lives in silence,
It is to be perfectly one’s self
And perfectly joined in permanent commitment
To another–and to one’s inner self.
Love only endures when it moves like waves,
Receding and returning gently or passionately,
Or moving lovingly like the tide
In the moon’s own predictable harmony,
Because finally, despite a child’s scars
Or an adult’s deepest wounds,
They are openly free to be
Who they really are–and always secretly were,
In the very core of their being
Where true and lasting love can alone abide.
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Written by
Friedrich von Schiller |
I, too, at length discerned great Hercules' energy mighty,--
Saw his shade. He himself was not, alas, to be seen.
Round him were heard, like the screaming of birds,
the screams of tragedians,
And, with the baying of dogs, barked dramaturgists around.
There stood the giant in all his terrors; his bow was extended,
And the bolt, fixed on the string, steadily aimed at the heart.
"What still hardier action, unhappy one, dost thou now venture,
Thus to descend to the grave of the departed souls here?"--
"'Tis to see Tiresias I come, to ask of the prophet
Where I the buskin of old, that now has vanished, may find?"
"If they believe not in Nature, nor the old Grecian, but vainly
Wilt thou convey up from hence that dramaturgy to them."
"Oh, as for Nature, once more to tread our stage she has ventured,
Ay, and stark-naked beside, so that each rib we count."
"What? Is the buskin of old to be seen in truth on your stage, then,
Which even I came to fetch, out of mid-Tartarus' gloom?"--
"There is now no more of that tragic bustle, for scarcely
Once in a year on the boards moves thy great soul, harness-clad."
"Doubtless 'tis well! Philosophy now has refined your sensations,
And from the humor so bright fly the affections so black."--
"Ay, there is nothing that beats a jest that is stolid and barren,
But then e'en sorrow can please, if 'tis sufficiently moist."
"But do ye also exhibit the graceful dance of Thalia,
Joined to the solemn step with which Melpomene moves?"--
"Neither! For naught we love but what is Christian and moral;
And what is popular, too, homely, domestic, and plain."
"What? Does no Caesar, does no Achilles, appear on your stage now,
Not an Andromache e'en, not an Orestes, my friend?"
"No! there is naught to be seen there but parsons,
and syndics of commerce,
Secretaries perchance, ensigns, and majors of horse."
"But, my good friend, pray tell me, what can such people e'er meet with
That can be truly called great?--what that is great can they do?"
"What? Why they form cabals, they lend upon mortgage, they pocket
Silver spoons, and fear not e'en in the stocks to be placed."
"Whence do ye, then, derive the destiny, great and gigantic,
Which raises man up on high, e'en when it grinds him to dust?"--
"All mere nonsense! Ourselves, our worthy acquaintances also,
And our sorrows and wants, seek we, and find we, too, here."
"But all this ye possess at home both apter and better,--
Wherefore, then, fly from yourselves, if 'tis yourselves that ye seek?"
"Be not offended, great hero, for that is a different question;
Ever is destiny blind,--ever is righteous the bard."
"Then one meets on your stage your own contemptible nature,
While 'tis in vain one seeks there nature enduring and great?"
"There the poet is host, and act the fifth is the reckoning;
And, when crime becomes sick, virtue sits down to the feast!"
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Written by
William Butler Yeats |
I. Ribh at the Tomb of Baile and Aillinn
Because you have found me in the pitch-dark night
With open book you ask me what I do.
Mark and digest my tale, carry it afar
To those that never saw this tonsured head
Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak,
All know their tale, all know what leaf and twig,
What juncture of the apple and the yew,
Surmount their bones; but speak what none have heard.
The miracle that gave them such a death
Transfigured to pure substance what had once
Been bone and sinew; when such bodies join
There is no touching here, nor touching there,
Nor straining joy, but whole is joined to whole;
For the intercourse of angels is a light
Where for its moment both seem lost, consumed.
Here in the pitch-dark atmosphere above
The trembling of the apple and the yew,
Here on the anniversary of their death,
The anniversary of their first embrace,
Those lovers, purified by tragedy,
Hurry into each other's arms; these eyes,
By water, herb and solitary prayer
Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light
Lies in a circle on the grass; therein
I turn the pages of my holy book.
II. Ribh denounces Patrick
An abstract Greek absurdity has crazed the man -
Recall that masculine Trinity. Man, woman, child
(daughter or son),
That's how all natural or supernatural stories run.
Natural and supernatural with the self-same ring are wed.
As man, as beast, as an ephemeral fly begets, Godhead begets
Godhead,
For things below are copies, the Great Smaragdine Tablet said.
Yet all must copy copies, all increase their kind;
When the conflagration of their passion sinks, damped by the
body or the mind,
That juggling nature mounts, her coil in their embraces
twined.
The mirror-scaled serpent is multiplicity,
But all that run in couples, on earth, in flood or air, share God that is but three,
And could beget or bear themselves could they but love as He.
III. Ribh in Ecstasy
What matter that you understood no word!
Doubtless I spoke or sang what I had heard
In broken sentences. My soul had found
All happiness in its own cause or ground.
Godhead on Godhead in sexual spasm begot
Godhead. Some shadow fell. My soul forgot
Those amorous cries that out of quiet come
And must the common round of day resume.
IV. There
There all the barrel-hoops are knit,
There all the serpent-tails are bit,
There all the gyres converge in one,
There all the planets drop in the Sun.
V. Ribh considers Christian Love insufficient
Why should I seek for love or study it?
It is of God and passes human wit.
I study hatred with great diligence,
For that's a passion in my own control,
A sort of besom that can clear the soul
Of everything that is not mind or sense.
Why do I hate man, woman or event?
That is a light my jealous soul has sent.
From terror and deception freed it can
Discover impurities, can show at last
How soul may walk when all such things are past,
How soul could walk before such things began.
Then my delivered soul herself shall learn
A darker knowledge and in hatred turn
From every thought of God mankind has had.
Thought is a garment and the soul's a bride
That cannot in that trash and tinsel hide:
Hatred of God may bring the soul to God.
At stroke of midnight soul cannot endure
A bodily or mental furniture.
What can she take until her Master give!
Where can she look until He make the show!
What can she know until He bid her know!
How can she live till in her blood He live!
VI. He and She
As the moon sidles up
Must she sidle up,
As trips the scared moon
Away must she trip:
'His light had struck me blind
Dared I stop".
She sings as the moon sings:
'I am I, am I;
The greater grows my light
The further that I fly.'
All creation shivers
With that sweet cry.
VII. What Magic Drum?
He holds him from desire, all but stops his breathing lest
primordial Motherhood forsake his limbs, the child no longer
rest,
Drinking joy as it were milk upon his breast.
Through light-obliterating garden foliage what magic drum?
Down limb and breast or down that glimmering belly move
his mouth and sinewy tongue.
What from the forest came? What beast has licked its young?
VIII. Whence had they come?
Eternity is passion, girl or boy
Cry at the onset of their sexual joy
'For ever and for ever'; then awake
Ignorant what Dramatis personae spake;
A passion-driven exultant man sings out
Sentences that he has never thought;
The Flagellant lashes those submissive loins
Ignorant what that dramatist enjoins,
What master made the lash. Whence had they come,
The hand and lash that beat down frigid Rome?
What sacred drama through her body heaved
When world-transforming Charlemagne was conceived?
IX. The Four Ages of Man
He with body waged a fight,
But body won; it walks upright.
Then he struggled with the heart;
Innocence and peace depart.
Then he struggled with the mind;
His proud heart he left behind.
Now his wars on God begin;
At stroke of midnight God shall win.
X. Conjunctions
If Jupiter and Saturn meet,
What a cop of mummy wheat!
The sword's a cross; thereon He died:
On breast of Mars the goddess sighed.
XI. A Needle's Eye
All the stream that's roaring by
Came out of a needle's eye;
Things unborn, things that are gone,
From needle's eye still goad it on.
XII. Meru
Civilisation is hooped together, brought
Under a mle, under the semblance of peace
By manifold illusion; but man's life is thought,
And he, despite his terror, cannot cease
Ravening through century after century,
Ravening, raging, and uprooting that he may come
Into the desolation of reality:
Egypt and Greece, good-bye, and good-bye, Rome!
Hermits upon Mount Meru or Everest,
Caverned in night under the drifted snow,
Or where that snow and winter's dreadful blast
Beat down upon their naked bodies, know
That day brings round the night, that before dawn
His glory and his monuments are gone.
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