Written by
Howard Nemerov |
He didn't want to do it with skill,
He'd had enough of skill.
If he never saw
Another villanelle, it would be too soon;
And the same went for sonnets.
If it had been
Hard work learning to rime, it would be much
Harder learning not to.
The time came
He had to ask himself, what did he want?
What did he want when he began
That idiot fiddling with the sounds of things.
He asked himself, poor moron, because he had
Nobody else to ask.
The others went right on
Talking about form, talking about myth
And the (so help us) need for a modern idiom;
The verseballs among them kept counting syllables.
So there he was, this forty-year-old teen-ager
Dreaming preposterous mergers and divisions
Of vowels like water, consonants like rock
(While everybody kept discussing values
And the need for values), for words that would
Enter the silence and be there as a light.
So much coffee and so many cigarettes
Gone down the drain, gone up in smoke,
Just for the sake of getting something right
Once in a while, something that could stand
On its own flat feet to keep out windy time
And the worm, something that might simply be,
Not as the monument in the smoky rain
Grimly endures, but that would be
Only a moment's inviolable presence,
The moment before disaster, before the storm,
In its peculiar silence, an integer
Fixed in the middle of the fall of things,
Perfected and casual as to a child's eye
Soap bubbles are, and skipping stones.
|
Written by
T S (Thomas Stearns) Eliot |
The Chair she sat in, like a burnished throne,
Glowed on the marble, where the glass
Held up by standards wrought with fruited vines
From which a golden Cupidon peeped out 80
(Another hid his eyes behind his wing)
Doubled the flames of sevenbranched candelabra
Reflecting light upon the table as
The glitter of her jewels rose to meet it,
From satin cases poured in rich profusion;
In vials of ivory and coloured glass
Unstoppered, lurked her strange synthetic perfumes,
Unguent, powdered, or liquid— troubled, confused
And drowned the sense in odours; stirred by the air
That freshened from the window, these ascended 90
In fattening the prolonged candle-flames,
Flung their smoke into the laquearia,
Stirring the pattern on the coffered ceiling.
Huge sea-wood fed with copper
Burned green and orange, framed by the coloured stone,
In which sad light a carved dolphin swam.
Above the antique mantel was displayed
As though a window gave upon the sylvan scene
The change of Philomel, by the barbarous king
So rudely forced; yet there the nightingale 100
Filled all the desert with inviolable voice
And still she cried, and still the world pursues,
"Jug Jug" to dirty ears.
And other withered stumps of time
Were told upon the walls; staring forms
Leaned out, leaning, hushing the room enclosed.
Footsteps shuffled on the stair.
Under the firelight, under the brush, her hair
Spread out in fiery points
Glowed into words, then would be savagely still.
110
"My nerves are bad to-night.
Yes, bad.
Stay with me.
"Speak to me.
Why do you never speak.
Speak.
"What are you thinking of? What thinking? What?
"I never know what you are thinking.
Think.
"
I think we are in rats' alley
Where the dead men lost their bones.
"What is that noise?"
The wind under the door.
"What is that noise now? What is the wind doing?"
Nothing again nothing.
120
"Do
"You know nothing? Do you see nothing? Do you remember
"Nothing?"
I remember
Those are pearls that were his eyes.
"Are you alive, or not? Is there nothing in your head?"
But
O O O O that Shakespeherian Rag—
It's so elegant
So intelligent 130
"What shall I do now? What shall I do?"
I shall rush out as I am, and walk the street
"With my hair down, so.
What shall we do to-morrow?
"What shall we ever do?"
The hot water at ten.
And if it rains, a closed car at four.
And we shall play a game of chess,
Pressing lidless eyes and waiting for a knock upon the door.
When Lil's husband got demobbed, I said—
I didn't mince my words, I said to her myself, 140
HURRY UP PLEASE ITS TIME
Now Albert's coming back, make yourself a bit smart.
He'll want to know what you done with that money he gave you
To get yourself some teeth.
He did, I was there.
You have them all out, Lil, and get a nice set,
He said, I swear, I can't bear to look at you.
And no more can't I, I said, and think of poor Albert,
He's been in the army four years, he wants a good time,
And if you don't give it him, there's others will, I said.
Oh is there, she said.
Something o' that, I said.
150
Then I'll know who to thank, she said, and give me a straight look.
HURRY UP PLEASE ITS TIME
If you don't like it you can get on with it, I said.
Others can pick and choose if you can't.
But if Albert makes off, it won't be for lack of telling.
You ought to be ashamed, I said, to look so antique.
(And her only thirty-one.
)
I can't help it, she said, pulling a long face,
It's them pills I took, to bring it off, she said.
(She's had five already, and nearly died of young George.
) 160
The chemist said it would be alright, but I've never been the same.
You are a proper fool, I said.
Well, if Albert won't leave you alone, there it is, I said,
What you get married for if you don't want children?
HURRY UP PLEASE ITS TIME
Well, that Sunday Albert was home, they had a hot gammon,
And they asked me in to dinner, to get the beauty of it hot—
HURRY UP PLEASE ITS TIME
HURRY UP PLEASE ITS TIME
Goonight Bill.
Goonight Lou.
Goonight May.
Goonight.
170
Ta ta.
Goonight.
Goonight.
Good night, ladies, good night, sweet ladies, good night, good night.
|
Written by
Amy Lowell |
Thou dear and well-loved haunt of happy hours,
How often in some distant gallery,
Gained by a little painful spiral stair,
Far from the halls and corridors where throng
The crowd of casual readers, have I passed
Long, peaceful hours seated on the floor
Of some retired nook, all lined with books,
Where reverie and quiet reign supreme!
Above, below, on every side, high shelved
From careless grasp of transient interest,
Stand books we can but dimly see, their charm
Much greater that their titles are unread;
While on a level with the dusty floor
Others are ranged in orderly confusion,
And we must stoop in painful posture while
We read their names and learn their histories.
The little gallery winds round about
The middle of a most secluded room,
Midway between the ceiling and the floor.
A type of those high thoughts, which while we read
Hover between the earth and furthest heaven
As fancy wills, leaving the printed page;
For books but give the theme, our hearts the rest,
Enriching simple words with unguessed harmony
And overtones of thought we only know.
And as we sit long hours quietly,
Reading at times, and at times simply dreaming,
The very room itself becomes a friend,
The confidant of intimate hopes and fears;
A place where are engendered pleasant thoughts,
And possibilities before unguessed
Come to fruition born of sympathy.
And as in some gay garden stretched upon
A genial southern slope, warmed by the sun,
The flowers give their fragrance joyously
To the caressing touch of the hot noon;
So books give up the all of what they mean
Only in a congenial atmosphere,
Only when touched by reverent hands, and read
By those who love and feel as well as think.
For books are more than books, they are the life,
The very heart and core of ages past,
The reason why men lived, and worked, and died,
The essence and quintessence of their lives.
And we may know them better, and divine
The inner motives whence their actions sprang,
Far better than the men who only knew
Their bodily presence, the soul forever hid
From those with no ability to see.
They wait here quietly for us to come
And find them out, and know them for our friends;
These men who toiled and wrote only for this,
To leave behind such modicum of truth
As each perceived and each alone could tell.
Silently waiting that from time to time
It may be given them to illuminate
Dull daily facts with pristine radiance
For some long-waited-for affinity
Who lingers yet in the deep womb of time.
The shifting sun pierces the young green leaves
Of elm trees, newly coming into bud,
And splashes on the floor and on the books
Through old, high, rounded windows, dim with age.
The noisy city-sounds of modern life
Float softened to us across the old graveyard.
The room is filled with a warm, mellow light,
No garish colours jar on our content,
The books upon the shelves are old and worn.
'T was no belated effort nor attempt
To keep abreast with old as well as new
That placed them here, tricked in a modern guise,
Easily got, and held in light esteem.
Our fathers' fathers, slowly and carefully
Gathered them, one by one, when they were new
And a delighted world received their thoughts
Hungrily; while we but love the more,
Because they are so old and grown so dear!
The backs of tarnished gold, the faded boards,
The slightly yellowing page, the strange old type,
All speak the fashion of another age;
The thoughts peculiar to the man who wrote
Arrayed in garb peculiar to the time;
As though the idiom of a man were caught
Imprisoned in the idiom of a race.
A nothing truly, yet a link that binds
All ages to their own inheritance,
And stretching backward, dim and dimmer still,
Is lost in a remote antiquity.
Grapes do not come of thorns nor figs of thistles,
And even a great poet's divinest thought
Is coloured by the world he knows and sees.
The little intimate things of every day,
The trivial nothings that we think not of,
These go to make a part of each man's life;
As much a part as do the larger thoughts
He takes account of.
Nay, the little things
Of daily life it is which mold, and shape,
And make him apt for noble deeds and true.
And as we read some much-loved masterpiece,
Read it as long ago the author read,
With eyes that brimmed with tears as he saw
The message he believed in stamped in type
Inviolable for the slow-coming years;
We know a certain subtle sympathy,
We seem to clasp his hand across the past,
His words become related to the time,
He is at one with his own glorious creed
And all that in his world was dared and done.
The long, still, fruitful hours slip away
Shedding their influences as they pass;
We know ourselves the richer to have sat
Upon this dusty floor and dreamed our dreams.
No other place to us were quite the same,
No other dreams so potent in their charm,
For this is ours! Every twist and turn
Of every narrow stair is known and loved;
Each nook and cranny is our very own;
The dear, old, sleepy place is full of spells
For us, by right of long inheritance.
The building simply bodies forth a thought
Peculiarly inherent to the race.
And we, descendants of that elder time,
Have learnt to love the very form in which
The thought has been embodied to our years.
And here we feel that we are not alone,
We too are one with our own richest past;
And here that veiled, but ever smouldering fire
Of race, which rarely seen yet never dies,
Springs up afresh and warms us with its heat.
And must they take away this treasure house,
To us so full of thoughts and memories;
To all the world beside a dismal place
Lacking in all this modern age requires
To tempt along the unfamiliar paths
And leafy lanes of old time literatures?
It takes some time for moss and vines to grow
And warmly cover gaunt and chill stone walls
Of stately buildings from the cold North Wind.
The lichen of affection takes as long,
Or longer, ere it lovingly enfolds
A place which since without it were bereft,
All stript and bare, shorn of its chiefest grace.
For what to us were halls and corridors
However large and fitting, if we part
With this which is our birthright; if we lose
A sentiment profound, unsoundable,
Which Time's slow ripening alone can make,
And man's blind foolishness so quickly mar.
|
Written by
Percy Bysshe Shelley |
NOW the last day of many days,
All beautiful and bright as thou,
The loveliest and the last, is dead:
Rise, Memory, and write its praise!
Up¡ªto thy wonted work! come, trace 5
The epitaph of glory fled,
For now the earth has changed its face,
A frown is on the heaven's brow.
We wander'd to the Pine Forest
That skirts the ocean's foam.
10
The lightest wind was in its nest,
The tempest in its home;
The whispering waves were half asleep,
The clouds were gone to play,
And on the bosom of the deep 15
The smile of heaven lay:
It seem'd as if the hour were one
Sent from beyond the skies
Which scatter'd from above the sun
A light of Paradise! 20
We paused amid the pines that stood
The giants of the waste,
Tortured by storms to shapes as rude
As serpents interlaced,¡ª
And soothed by every azure breath 25
That under heaven is blown,
To harmonies and hues beneath,
As tender as its own.
Now all the tree-tops lay asleep
Like green waves on the sea, 30
As still as in the silent deep
The ocean-woods may be.
How calm it was!¡ªThe silence there
By such a chain was bound,
That even the busy woodpecker 35
Made stiller by her sound
The inviolable quietness;
The breath of peace we drew
With its soft motion made not less
The calm that round us grew.
40
There seem'd, from the remotest seat
Of the wide mountain waste
To the soft flower beneath our feet,
A magic circle traced,¡ª
A spirit interfused around 45
A thrilling silent life;
To momentary peace it bound
Our mortal nature's strife;¡ª
And still I felt the centre of
The magic circle there 50
Was one fair form that fill'd with love
The lifeless atmosphere.
We paused beside the pools that lie
Under the forest bough;
Each seem'd as 'twere a little sky 55
Gulf'd in a world below¡ª
A firmament of purple light
Which in the dark earth lay,
More boundless than the depth of night
And purer than the day¡ª 60
In which the lovely forests grew
As in the upper air,
More perfect both in shape and hue
Than any spreading there.
There lay the glade and neighbouring lawn, 65
And through the dark-green wood
The white sun twinkling like the dawn
Out of a speckled cloud.
Sweet views which in our world above
Can never well be seen 70
Were imaged in the water's love
Of that fair forest green;
And all was interfused beneath
With an Elysian glow,
An atmosphere without a breath, 75
A softer day below.
Like one beloved, the scene had lent
To the dark water's breast
Its every leaf and lineament
With more than truth exprest; 80
Until an envious wind crept by,
Like an unwelcome thought
Which from the mind's too faithful eye
Blots one dear image out.
¡ªThough thou art ever fair and kind, 85
The forests ever green,
Less oft is peace in Shelley's mind
Than calm in waters seen!
|
Written by
Emily Dickinson |
The Leaves like Women interchange
Exclusive Confidence --
Somewhat of nods and somewhat
Portentous inference.
The Parties in both cases
Enjoining secrecy --
Inviolable compact
To notoriety.
|
Written by
Philip Levine |
See, they return; ah, see the tentative
Movements, and the slow feet,
The trouble in the pace and the uncertain
Wavering!
See, they return, one, and by one,
With fear, as half-awakened;
As if the snow should hesitate
And murmur in the wind,
and half turn back;
These were the "Wing'd-with-Awe,"
Inviolable.
Gods of the wingèd shoe!
With them the silver hounds,
sniffing the trace of air!
Haie! Haie!
These were the swift to harry;
These the keen-scented;
These were the souls of blood.
Slow on the leash,
pallid the leash-men!
|