Written by
Percy Bysshe Shelley |
(Lines written in the Vale of Chamouni)
1
The everlasting universe of things
Flows through the mind, and rolls its rapid waves,
Now dark - now glittering - now reflecting gloom -
Now lending splendor, where from secret springs
The source of human thought its tribute brings
Of waters, - with a sound but half its own,
Such as a feeble brook will oft assume
In the wild woods, amon the mountains lone,
Where waterfalls around it leap for ever,
Where woods and winds contend, and a vast river
Over its rocks ceaselessly bursts and raves.
2
Thus thou, Ravine of Arve - dark, deep Ravine-
Thou many-colored, many voiced vale,
Over whose pines, and crags, and caverns sail
Fast cloud-shadows and sunbeams: awful scene,
Where Power in likeness of the Arve comes down
From the ice-gulfs that gird his secret throne,
Bursting through these dark mountains like the flame
Of lightning through the tempest; -thou dost lie,
Thy giant brood of pines around thee clinging,
Children of elder time, in whose devotion
The chainless winds still come and ever came
To drink their odors, and their mighty swinging
To hear - an old and solemn harmony;
Thine earthly rainbows stretched across the sweep
Of the ethereal waterfall, whose veil
Robes some unsculptured image; the strange sleep
Which when the voices of the desert fail
Wraps all in its own deep eternity;-
Thy caverns echoing to the Arve's commotion,
A loud, lone sound no other sound can tame;
Thou art pervaded with that ceaseless motion,
Thou art the path of that unresting sound-
Dizzy Ravine! and when I gaze on thee
I seem as in a trance sublime and strange
To muse on my own separate fantasy,
My own, my human mind, which passively
Now renders and receives fast influencings,
Holding an unremitting interchange
With the clear universe of things around;
One legion of wild thoughts, whose wandering wings
Now float above thy darkness, and now rest
Where that or thou art no unbidden guest,
In the still cave of the witch Poesy,
Seeking among the shadows that pass by
Ghosts of all things that are, some shade of thee,
Some phantom, some faint image; till the breast
From which they fled recalls them, thou art there!
3
Some say that gleams of a remoter world
Visit the soul in sleep,-that death is slumber,
And that its shapes the busy thoughts outnumber
Of those who wake and live.
-I look on high;
Has some unknown omnipotence unfurled
The veil of life and death? or do I lie
In dream, and does the mightier world of sleep
Spread far and round and inaccessibly
Its circles? For the very spirit fails,
Driven like a homeless cloud from steep to steep
That vanishes amon the viewless gales!
Far, far above, piercing the infinite sky,
Mont Blanc appears,-still snowy and serene-
Its subject mountains their unearthly forms
Pile around it, ice and rock; broad vales between
Of frozen floods, unfathomable deeps,
Blue as the overhanging heaven, that spread
And wind among the accumulated steeps;
A desert peopled by the storms alone,
Save when the eagle brings some hunter's bone,
And the wolf tracks her there - how hideously
Its shapes are heaped around! rude, bare, and high,
Ghastly, and scarred, and riven.
-Is this the scene
Where the old Earthquake-demon taught her young
Ruin? Were these their toys? or did a sea
Of fire envelop once this silent snow?
None can reply - all seems eternal now.
The wilderness has a mysterious tongue
Which teaches awful doubt, or faith so mild,
So solemn, so serene, that man may be,
But for such faith, with nature reconciled;
Thou hast a voice, great Mountain, to repeal
Large codes of fraud and woe; not understood
By all, but which the wise, and great, and good
Interpret, or make felt, or deeply feel.
4
The fields, the lakes, the forests, and the streams,
Ocean, and all the living things that dwell
Within the daedal earth; lightning, and rain,
Earthquake, and fiery flood, and hurricane,
The torpor of the year when feeble dreams
Visit the hidden buds, or dreamless sleep
Holds every future leaf and flower; -the bound
With which from that detested trance they leap;
The works and ways of man, their death and birth,
And that of him, and all that his may be;
All things that move and breathe with toil and sound
Are born and die; revolve, subside, and swell.
Power dwells apart in its tranquility,
Remote, serene, and inaccessible:
And this, the naked countenance of earth,
On which I gaze, even these primeval mountains
Teach the adverting mind.
The glaciers creep
Like snakes that watch their prey, from their far fountains,
Slow rolling on; there, many a precipice,
Frost and the Sun in scorn of mortal power
Have piled: dome, pyramid, and pinnacle,
A city of death, distinct with many a tower
And wall impregnable of beaming ice.
Yet not a city, but a flood of ruin
Is there, that from the boundaries of the sky
Rolls its perpetual stream; vast pines are strewing
Its destined path, or in the mangled soil
Branchless and shattered stand; the rocks, drawn down
From yon remotest waste, have overthrown
The limits of the dead and living world,
Never to be reclaimed.
The dwelling-place
Of insects, beasts, and birds, becomes its spoil
Their food and their retreat for ever gone,
So much of life and joy is lost.
The race
Of man flies far in dread; his work and dwelling
Vanish, like smoke before the tempest's stream,
And their place is not known.
Below, vast caves
Shine in the rushing torrents' restless gleam,
Which from those secret chasms in tumult welling
Meet in the vale, and one majestic River,
The breath and blood of distant lands , for ever
Rolls its loud waters to the ocean-waves,
Breathes its swift vapors to the circling air.
5
Mont Blanc yet gleams on high:-the power is there,
The still and solemn power of many sights,
And many sounds, and much of life and death.
In the calm darkness of the moonless nights,
In the lone glare of day, the snows descend
Upon that mountain; none beholds them there,
Nor when the flakes burn in the sinking sun,
Or the star-beams dart through them:-Winds contend
Silently there, and heap the snow with breath
Rapid and strong, but silently! Its home
The voiceless lightning in these solitudes
Keeps innocently, and like vapor broods
Over the snow.
The secret Strength of things
Which governs thought, and to the infinite dome
Of Heaven is as a law, inhabits thee!
And what were thou, and earth, and stars, and sea,
If to the human mind's imaginings
Silence and solitude were vacancy?
|
Written by
Ralph Waldo Emerson |
Venus, when her son was lost,
Cried him up and down the coast,
In hamlets, palaces, and parks,
And told the truant by his marks,
Golden curls, and quiver, and bow;—
This befell long ago.
Time and tide are strangely changed,
Men and manners much deranged;
None will now find Cupid latent
By this foolish antique patent.
He came late along the waste,
Shod like a traveller for haste,
With malice dared me to proclaim him,
That the maids and boys might name him.
Boy no more, he wears all coats,
Frocks, and blouses, capes, capôtes,
He bears no bow, or quiver, or wand,
Nor chaplet on his head or hand:
Leave his weeds and heed his eyes,
All the rest he can disguise.
In the pit of his eyes a spark
Would bring back day if it were dark,
And,—if I tell you all my thought,
Though I comprehend it not,—
In those unfathomable orbs
Every function he absorbs;
He doth eat, and drink, and fish, and shoot,
And write, and reason, and compute,
And ride, and run, and have, and hold,
And whine, and flatter, and regret,
And kiss, and couple, and beget,
By those roving eye-balls bold;
Undaunted are their courages,
Right Cossacks in their forages;
Fleeter they than any creature,
They are his steeds and not his feature,
Inquisitive, and fierce, and fasting,
Restless, predatory, hasting,—
And they pounce on other eyes,
As lions on their prey;
And round their circles is writ,
Plainer than the day,
Underneath, within, above,
Love, love, love, love.
He lives in his eyes,
There doth digest, and work, and spin,
And buy, and sell, and lose, and win;
He rolls them with delighted motion,
Joy-tides swell their mimic ocean.
Yet holds he them with tortest rein,
That they may seize and entertain
The glance that to their glance opposes,
Like fiery honey sucked from roses.
He palmistry can understand,
Imbibing virtue by his hand
As if it were a living root;
The pulse of hands will make him mute;
With all his force he gathers balms
Into those wise thrilling palms.
Cupid is a casuist,
A mystic, and a cabalist,
Can your lurking Thought surprise,
And interpret your device;
Mainly versed in occult science,
In magic, and in clairvoyance.
Oft he keeps his fine ear strained,
And reason on her tiptoe pained,
For aery intelligence,
And for strange coincidence.
But it touches his quick heart
When Fate by omens takes his part,
And chance-dropt hints from Nature's sphere
Deeply soothe his anxious ear.
Heralds high before him run,
He has ushers many a one,
Spreads his welcome where he goes,
And touches all things with his rose.
All things wait for and divine him,—
How shall I dare to malign him,
Or accuse the god of sport?—
I must end my true report,
Painting him from head to foot,
In as far as I took note,
Trusting well the matchless power
Of this young-eyed emperor
Will clear his fame from every cloud,
With the bards, and with the crowd.
He is wilful, mutable,
Shy, untamed, inscrutable,
Swifter-fashioned than the fairies,
Substance mixed of pure contraries,
His vice some elder virtue's token,
And his good is evil spoken.
Failing sometimes of his own,
He is headstrong and alone;
He affects the wood and wild,
Like a flower-hunting child,
Buries himself in summer waves,
In trees, with beasts, in mines, and caves,
Loves nature like a horned cow,
Bird, or deer, or cariboo.
Shun him, nymphs, on the fleet horses!
He has a total world of wit,
O how wise are his discourses!
But he is the arch-hypocrite,
And through all science and all art,
Seeks alone his counterpart.
He is a Pundit of the east,
He is an augur and a priest,
And his soul will melt in prayer,
But word and wisdom are a snare;
Corrupted by the present toy,
He follows joy, and only joy.
There is no mask but he will wear,
He invented oaths to swear,
He paints, he carves, he chants, he prays,
And holds all stars in his embrace,
Godlike, —but 'tis for his fine pelf,
The social quintessence of self.
Well, said I, he is hypocrite,
And folly the end of his subtle wit,
He takes a sovran privilege
Not allowed to any liege,
For he does go behind all law,
And right into himself does draw,
For he is sovranly allied.
Heaven's oldest blood flows in his side,
And interchangeably at one
With every king on every throne,
That no God dare say him nay,
Or see the fault, or seen betray;
He has the Muses by the heart,
And the Parcæ all are of his part.
His many signs cannot be told,
He has not one mode, but manifold,
Many fashions and addresses,
Piques, reproaches, hurts, caresses,
Action, service, badinage,
He will preach like a friar,
And jump like Harlequin,
He will read like a crier,
And fight like a Paladin.
Boundless is his memory,
Plans immense his term prolong,
He is not of counted age,
Meaning always to be young.
And his wish is intimacy,
Intimater intimacy,
And a stricter privacy,
The impossible shall yet be done,
And being two shall still be one.
As the wave breaks to foam on shelves,
Then runs into a wave again,
So lovers melt their sundered selves,
Yet melted would be twain.
|
Written by
Henry Van Dyke |
I
The other night I had a dream, most clear
And comforting, complete
In every line, a crystal sphere,
And full of intimate and secret cheer.
Therefore I will repeat
That vision, dearest heart, to you,
As of a thing not feigned, but very true,
Yes, true as ever in my life befell;
And you, perhaps, can tell
Whether my dream was really sad or sweet.
II
The shadows flecked the elm-embowered street
I knew so well, long, long ago;
And on the pillared porch where Marguerite
Had sat with me, the moonlight lay like snow.
But she, my comrade and my friend of youth,
Most gaily wise,
Most innocently loved, --
She of the blue-grey eyes
That ever smiled and ever spoke the truth, --
From that familiar dwelling, where she moved
Like mirth incarnate in the years before,
Had gone into the hidden house of Death.
I thought the garden wore
White mourning for her blessed innocence,
And the syringa's breath
Came from the corner by the fence,
Where she had made her rustic seat,
With fragrance passionate, intense,
As if it breathed a sigh for Marguerite.
My heart was heavy with a sense
Of something good forever gone.
I sought
Vainly for some consoling thought,
Some comfortable word that I could say
To the sad father, whom I visited again
For the first time since she had gone away.
The bell rang shrill and lonely, -- then
The door was opened, and I sent my name
To him, -- but ah! 't was Marguerite who came!
There in the dear old dusky room she stood
Beneath the lamp, just as she used to stand,
In tender mocking mood.
"You did not ask for me," she said,
"And so I will not let you take my hand;
"But I must hear what secret talk you planned
"With father.
Come, my friend, be good,
"And tell me your affairs of state:
"Why you have stayed away and made me wait
"So long.
Sit down beside me here, --
"And, do you know, it seemed a year
"Since we have talked together, -- why so late?"
Amazed, incredulous, confused with joy
I hardly dared to show,
And stammering like a boy,
I took the place she showed me at her side;
And then the talk flowed on with brimming tide
Through the still night,
While she with influence light
Controlled it, as the moon the flood.
She knew where I had been, what I had done,
What work was planned, and what begun;
My troubles, failures, fears she understood,
And touched them with a heart so kind,
That every care was melted from my mind,
And every hope grew bright,
And life seemed moving on to happy ends.
(Ah, what self-beggared fool was he
That said a woman cannot be
The very best of friends?)
Then there were memories of old times,
Recalled with many a gentle jest;
And at the last she brought the book of rhymes
We made together, trying to translate
The Songs of Heine (hers were always best).
"Now come," she said,
"To-night we will collaborate
"Again; I'll put you to the test.
"Here's one I never found the way to do, --
"The simplest are the hardest ones, you know, --
"I give this song to you.
"
And then she read:
Mein kind, wir waren Kinder,
Zei Kinder, jung und froh.
* * * * * * * * * *
But all the while a silent question stirred
Within me, though I dared not speak the word:
"Is it herself, and is she truly here,
"And was I dreaming when I heard
"That she was dead last year?
"Or was it true, and is she but a shade
"Who brings a fleeting joy to eye and ear,
"Cold though so kind, and will she gently fade
"When her sweet ghostly part is played
"And the light-curtain falls at dawn of day?"
But while my heart was troubled by this fear
So deeply that I could not speak it out,
Lest all my happiness should disappear,
I thought me of a cunning way
To hide the question and dissolve the doubt.
"Will you not give me now your hand,
"Dear Marguerite," I asked, "to touch and hold,
"That by this token I may understand
"You are the same true friend you were of old?"
She answered with a smile so bright and calm
It seemed as if I saw new stars arise
In the deep heaven of her eyes;
And smiling so, she laid her palm
In mine.
Dear God, it was not cold
But warm with vital heat!
"You live!" I cried, "you live, dear Marguerite!"
Then I awoke; but strangely comforted,
Although I knew again that she was dead.
III
Yes, there's the dream! And was it sweet or sad?
Dear mistress of my waking and my sleep,
Present reward of all my heart's desire,
Watching with me beside the winter fire,
Interpret now this vision that I had.
But while you read the meaning, let me keep
The touch of you: for the Old Year with storm
Is passing through the midnight, and doth shake
The corners of the house, -- man oh! my heart would break
Unless both dreaming and awake
My hand could feel your hand was warm, warm, warm!
|
Written by
Walt Whitman |
I MET a Seer,
Passing the hues and objects of the world,
The fields of art and learning, pleasure, sense, To glean Eidólons.
Put in thy chants, said he,
No more the puzzling hour, nor day—nor segments, parts, put in,
Put first before the rest, as light for all, and entrance-song of all, That of
Eidólons.
Ever the dim beginning;
Ever the growth, the rounding of the circle;
Ever the summit, and the merge at last, (to surely start again,) Eidólons!
Eidólons!
Ever the mutable!
Ever materials, changing, crumbling, re-cohering;
Ever the ateliers, the factories divine, Issuing Eidólons!
Lo! I or you!
Or woman, man, or State, known or unknown,
We seeming solid wealth, strength, beauty build, But really build Eidólons.
The ostent evanescent;
The substance of an artist’s mood, or savan’s studies long,
Or warrior’s, martyr’s, hero’s toils, To fashion his Eidólon.
Of every human life,
(The units gather’d, posted—not a thought, emotion, deed, left out;)
The whole, or large or small, summ’d, added up, In its Eidólon.
The old, old urge;
Based on the ancient pinnacles, lo! newer, higher pinnacles;
From Science and the Modern still impell’d, The old, old urge, Eidólons.
The present, now and here,
America’s busy, teeming, intricate whirl,
Of aggregate and segregate, for only thence releasing, To-day’s Eidólons.
These, with the past,
Of vanish’d lands—of all the reigns of kings across the sea,
Old conquerors, old campaigns, old sailors’ voyages, Joining Eidólons.
Densities, growth, façades,
Strata of mountains, soils, rocks, giant trees,
Far-born, far-dying, living long, to leave, Eidólons everlasting.
Exaltè, rapt, extatic,
The visible but their womb of birth,
Of orbic tendencies to shape, and shape, and shape, The mighty Earth-Eidólon.
All space, all time,
(The stars, the terrible perturbations of the suns,
Swelling, collapsing, ending—serving their longer, shorter use,) Fill’d with
Eidólons only.
The noiseless myriads!
The infinite oceans where the rivers empty!
The separate, countless free identities, like eyesight; The true realities,
Eidólons.
Not this the World,
Nor these the Universes—they the Universes,
Purport and end—ever the permanent life of life, Eidólons, Eidólons.
Beyond thy lectures, learn’d professor,
Beyond thy telescope or spectroscope, observer keen—beyond all mathematics,
Beyond the doctor’s surgery, anatomy—beyond the chemist with his chemistry, The
entities of entities, Eidólons.
Unfix’d, yet fix’d;
Ever shall be—ever have been, and are,
Sweeping the present to the infinite future, Eidólons, Eidólons,
Eidólons.
The prophet and the bard,
Shall yet maintain themselves—in higher stages yet,
Shall mediate to the Modern, to Democracy—interpret yet to them, God, and
Eidólons.
And thee, My Soul!
Joys, ceaseless exercises, exaltations!
Thy yearning amply fed at last, prepared to meet, Thy mates, Eidólons.
Thy Body permanent,
The Body lurking there within thy Body,
The only purport of the Form thou art—the real I myself, An image, an
Eidólon.
Thy very songs, not in thy songs;
No special strains to sing—none for itself;
But from the whole resulting, rising at last and floating, A round, full-orb’d
Eidólon.
|
Written by
Kahlil Gibran |
One heavy day I ran away from the grim face of society and the dizzying clamor of the city and directed my weary step to the spacious alley.
I pursued the beckoning course of the rivulet and the musical sounds of the birds until I reached a lonely spot where the flowing branches of the trees prevented the sun from the touching the earth.
I stood there, and it was entertaining to my soul - my thirsty soul who had seen naught but the mirage of life instead of its sweetness.
I was engrossed deeply in thought and my spirits were sailing the firmament when a hour, wearing a sprig of grapevine that covered part of her naked body, and a wreath of poppies about her golden hair, suddenly appeared to me.
As she she realized my astonishment, she greeted me saying, "Fear me not; I am the Nymph of the Jungle.
"
"How can beauty like yours be committed to live in this place? Please tell me who your are, and whence you come?" I asked.
She sat gracefully on the green grass and responded, "I am the symbol of nature! I am the ever virgin your forefathers worshipped, and to my honor they erected shrines and temples at Baalbek and Jbeil.
" And I dared say, "But those temples and shrines were laid waste and the bones of my adoring ancestors became a part of the earth; nothing was left to commemorate their goddess save a pitiful few and the forgotten pages in the book of history.
"
She replied, "Some goddesses live in the lives of their worshippers and die in their deaths, while some live an eternal and infinite life.
My life is sustained by the world of beauty which you will see where ever you rest your eyes, and this beauty is nature itself; it is the beginning of the shepherds joy among the hills, and a villagers happiness in the fields, and the pleasure of the awe filled tribes between the mountains and the plains.
This Beauty promotes the wise into the throne the truth.
"
Then I said, "Beauty is a terrible power!" And she retorted, "Human beings fear all things, even yourselves.
You fear heaven, the source of spiritual peace; you fear nature, the haven of rest and tranquility; you fear the God of goodness and accuse him of anger, while he is full of love and mercy.
"
After a deep silence, mingled with sweet dreams, I asked, "Speak to me of that beauty which the people interpret and define, each one according to his own conception; I have seen her honored and worshipped in different ways and manners.
"
She answered, "Beauty is that which attracts your soul, and that which loves to give and not to receive.
When you meet Beauty, you feel that the hands deep within your inner self are stretched forth to bring her into the domain of your heart.
It is the magnificence combined of sorrow and joy; it is the Unseen which you see, and the Vague which you understand, and the Mute which you hear - it is the Holy of Holies that begins in yourself and ends vastly beyond your earthly imagination.
"
Then the Nymph of the Jungle approached me and laid her scented hands upon my eyes.
And as she withdrew, I found me alone in the valley.
When I returned to the city, whose turbulence no longer vexed me, I repeated her words:
"Beauty is that which attracts your soul, and that which loves to give and not to receive.
"
|
Written by
Ogden Nash |
There here are words of radical advice for a young man looking for a job;
Young man, be a snob.
Yes, if you are in search of arguments against starting at the bottom,
Why I've gottem.
Let the personnel managers differ;
It,s obvious that you will get on faster at the top than at the bottom because
there are more people at the bottom than at the top so naturally the competition
at the bottom is stiffer.
If you need any further proof that my theory works
Well, nobody can deny that presidents get paid more than vice-presidents and
vice-presidents get paid more than clerks.
Stop looking at me quizzically;
I want to add that you will never achieve fortune in a job that makes you
uncomfortable physically.
When anybody tells you that hard jobs are better for you than soft jobs be sure
to repeat this text to them,
Postmen tramp around all day through rain and snow just to deliver other
people's in cozy air-conditioned offices checks to them.
You don't need to interpret tea leaves stuck in a cup
To understand that people who work sitting down get paid more than people who
work standing up.
Another thing about having a comfortable job is you not only accommodate more
treasure;
You get more leisure.
So that when you find you have worked so comfortably that your waistline is a
menace,
You correct it with golf or tennis.
Whereas is in an uncomfortable job like piano-moving or stevedoring you
indulge,
You have no time to exercise, you just continue to bulge.
To sum it up, young man, there is every reason to refuse a job that will make
heavy demands on you corporally or manually,
And the only intelligent way to start your career is to accept a sitting
position paying at least twenty-five thousand dollars annually.
|
Written by
William Blake |
Why was Cupid a boy,
And why a boy was he?
He should have been a girl,
For aught that I can see.
For he shoots with his bow,
And the girl shoots with her eye,
And they both are merry and glad,
And laugh when we do cry.
And to make Cupid a boy
Was the Cupid girl's mocking plan;
For a boy can't interpret the thing
Till he is become a man.
And then he's so pierc'd with cares,
And wounded with arrowy smarts,
That the whole business of his life
Is to pick out the heads of the darts.
'Twas the Greeks' love of war
Turn'd Love into a boy,
And woman into a statue of stone--
And away fled every joy.
|
Written by
Ralph Waldo Emerson |
O FAIR and stately maid whose eyes
Were kindled in the upper skies
At the same torch that lighted mine;
For so I must interpret still
Thy sweet dominion o'er my will 5
A sympathy divine.
Ah! let me blameless gaze upon
Features that seem at heart my own;
Nor fear those watchful sentinels
Who charm the more their glance forbids 10
Chaste-glowing underneath their lids
With fire that draws while it repels.
|
Written by
Kahlil Gibran |
The dark wings of night enfolded the city upon which Nature had spread a pure white garment of snow; and men deserted the streets for their houses in search of warmth, while the north wind probed in contemplation of laying waste the gardens.
There in the suburb stood an old hut heavily laden with snow and on the verge of falling.
In a dark recess of that hovel was a poor bed in which a dying youth was lying, staring at the dim light of his oil lamp, made to flicker by the entering winds.
He a man in the spring of life who foresaw fully that the peaceful hour of freeing himself from the clutches of life was fast nearing.
He was awaiting Death's visit gratefully, and upon his pale face appeared the dawn of hope; and on his lops a sorrowful smile; and in his eyes forgiveness.
He was poet perishing from hunger in the city of living rich.
He was placed in the earthly world to enliven the heart of man with his beautiful and profound sayings.
He as noble soul, sent by the Goddess of Understanding to soothe and make gentle the human spirit.
But alas! He gladly bade the cold earth farewell without receiving a smile from its strange occupants.
He was breathing his last and had no one at his bedside save the oil lamp, his only companion, and some parchments upon which he had inscribed his heart's feeling.
As he salvaged the remnants of his withering strength he lifted his hands heavenward; he moved his eyes hopelessly, as if wanting to penetrate the ceiling in order to see the stars from behind the veil clouds.
And he said, "Come, oh beautiful Death; my soul is longing for you.
Come close to me and unfasten the irons life, for I am weary of dragging them.
Come, oh sweet Death, and deliver me from my neighbors who looked upon me as a stranger because I interpret to them the language of the angels.
Hurry, oh peaceful Death, and carry me from these multitudes who left me in the dark corner of oblivion because I do not bleed the weak as they do.
Come, oh gentle Death, and enfold me under your white wings, for my fellowmen are not in want of me.
Embrace me, oh Death, full of love and mercy; let your lips touch my lips which never tasted a mother's kiss, not touched a sister's cheeks, not caresses a sweetheart's fingertips.
Come and take me, by beloved Death.
"
Then, at the bedside of the dying poet appeared an angel who possessed a supernatural and divine beauty, holding in her hand a wreath of lilies.
She embraced him and closed his eyes so he could see no more, except with the eye of his spirit.
She impressed a deep and long and gently withdrawn kiss that left and eternal smile of fulfillment upon his lips.
Then the hovel became empty and nothing was lest save parchments and papers which the poet had strewn with bitter futility.
Hundreds of years later, when the people of the city arose from the diseases slumber of ignorance and saw the dawn of knowledge, they erected a monument in the most beautiful garden of the city and celebrated a feast every year in honor of that poet, whose writings had freed them.
Oh, how cruel is man's ignorance!
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Written by
George Meredith |
Love ere he bleeds, an eagle in high skies,
Has earth beneath his wings: from reddened eve
He views the rosy dawn.
In vain they weave
The fatal web below while far he flies.
But when the arrow strikes him, there's a change.
He moves but in the track of his spent pain,
Whose red drops are the links of a harsh chain,
Binding him to the ground, with narrow range.
A subtle serpent then has Love become.
I had the eagle in my bosom erst:
Henceforward with the serpent I am cursed.
I can interpret where the mouth is dumb.
Speak, and I see the side-lie of a truth.
Perchance my heart may pardon you this deed:
But be no coward:--you that made Love bleed,
You must bear all the venom of his tooth!
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