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Best Famous Inflames Poems

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Written by George (Lord) Byron | Create an image from this poem

Loves Last Adieu

 The roses of Love glad the garden of life,
Though nurtur'd 'mid weeds dropping pestilent dew,
Till Time crops the leaves with unmerciful knife,
Or prunes them for ever, in Love's last adieu!

In vain, with endearments, we soothe the sad heart,
In vain do we vow for an age to be true;
The chance of an hour may command us to part,
Or Death disunite us, in Love's last adieu!

Still Hope, breathing peace, through the grief-swollen breast,
Will whisper, ?Our meeting we yet may renew:?
With this dream of deceit, half our sorrow's represt,
Nor taste we the poison, of Love's last adieu!

Oh! mark you yon pair, in the sunshine of youth,
Love twin'd round their childhood his flow'rs as they grew;
They flourish awhile, in the season of truth,
Till chill'd by the winter of Love's last adieu!

Sweet lady! why thus doth a tear steal its way,
Down a cheek which outrivals thy bosom in hue?
Yet why do I ask?---to distraction a prey,
Thy reason has perish'd, with Love's last adieu!

Oh! who is yon Misanthrope, shunning mankind?
From cities to caves of the forest he flew:
There, raving, he howls his complaint to the wind;
The mountains reverberate Love's last adieu!

Now Hate rules a heart which in Love's easy chains,
Once Passion's tumultuous blandishments knew;
Despair now inflames the dark tide of his veins,
He ponders, in frenzy, on Love's last adieu!

How he envies the wretch, with a soul wrapt in steel!
His pleasures are scarce, yet his troubles are few,
Who laughs at the pang that he never can feel,
And dreads not the anguish of Love's last adieu!

Youth flies, life decays, even hope is o'ercast;
No more, with Love's former devotion, we sue:
He spreads his young wing, he retires with the blast;
The shroud of affection is Love's last adieu!

In this life of probation, for rapture divine,
Astrea declares that some penance is due;
From him, who has worshipp'd at Love's gentle shrine,
The atonement is ample, in Love's last adieu!

Who kneels to the God, on his altar of light
Must myrtle and cypress alternately strew:
His myrtle, an emblem of purest delight,
His cypress, the garland of Love's last adieu!


Written by Les Murray | Create an image from this poem

Shower

 From the metal poppy
this good blast of trance
arriving as shock, private cloudburst blazing down,
worst in a boarding-house greased tub, or a barrack with competitions,
best in a stall, this enveloping passion of Australians:
tropics that sweat for you, torrent that braces with its heat,
inflames you with its chill, action sauna, inverse bidet,
sleek vertical coruscating ghost of your inner river,
reminding all your fluids, streaming off your points, awakening
the tacky soap to blossom and ripe autumn, releasing the squeezed gardens,
smoky valet smoothing your impalpable overnight pyjamas off,
pillar you can step through, force-field absolving love's efforts,
nicest yard of the jogging track, speeding aeroplane minutely
steered with two controls, or trimmed with a knurled wheel.
Some people like to still this energy and lie in it,
stirring circles with their pleasure in it, but my delight's that toga
worn on either or both shoulders, fluted drapery, silk whispering to the tiles,
with its spiralling, frothy hem continuous round the gurgle-hole'
this ecstatic partner, dreamy to dance in slow embrace with
after factory-floor rock, or even to meet as Lot's abstracted
merciful wife on a rusty ship in dog latitudes,
sweetest dressing of the day in the dusty bush, this persistent,
time-capsule of unwinding, this nimble straight well-wisher.
Only in England is its name an unkind word;
only in Europe is it enjoyed by telephone.
Written by Friedrich von Schiller | Create an image from this poem

The Eleusinian Festival

 Wreathe in a garland the corn's golden ear!
With it, the Cyane [31] blue intertwine
Rapture must render each glance bright and clear,
For the great queen is approaching her shrine,--
She who compels lawless passions to cease,
Who to link man with his fellow has come,
And into firm habitations of peace
Changed the rude tents' ever-wandering home.

Shyly in the mountain-cleft
Was the Troglodyte concealed;
And the roving Nomad left,
Desert lying, each broad field.
With the javelin, with the bow,
Strode the hunter through the land;
To the hapless stranger woe,
Billow-cast on that wild strand!

When, in her sad wanderings lost,
Seeking traces of her child,
Ceres hailed the dreary coast,
Ah, no verdant plain then smiled!
That she here with trust may stay,
None vouchsafes a sheltering roof;
Not a temple's columns gay
Give of godlike worship proof.

Fruit of no propitious ear
Bids her to the pure feast fly;
On the ghastly altars here
Human bones alone e'er dry.
Far as she might onward rove,
Misery found she still in all,
And within her soul of love,
Sorrowed she o'er man's deep fall.

"Is it thus I find the man
To whom we our image lend,
Whose fair limbs of noble span
Upward towards the heavens ascend?
Laid we not before his feet
Earth's unbounded godlike womb?
Yet upon his kingly seat
Wanders he without a home?"

"Does no god compassion feel?
Will none of the blissful race,
With an arm of miracle,
Raise him from his deep disgrace?
In the heights where rapture reigns
Pangs of others ne'er can move;
Yet man's anguish and man's pains
My tormented heart must prove."

"So that a man a man may be,
Let him make an endless bond
With the kind earth trustingly,
Who is ever good and fond
To revere the law of time,
And the moon's melodious song
Who, with silent step sublime,
Move their sacred course along."

And she softly parts the cloud
That conceals her from the sight;
Sudden, in the savage crowd,
Stands she, as a goddess bright.
There she finds the concourse rude
In their glad feast revelling,
And the chalice filled with blood
As a sacrifice they bring.

But she turns her face away,
Horror-struck, and speaks the while
"Bloody tiger-feasts ne'er may
Of a god the lips defile,
He needs victims free from stain,
Fruits matured by autumn's sun;
With the pure gifts of the plain
Honored is the Holy One!"

And she takes the heavy shaft
From the hunter's cruel hand;
With the murderous weapon's haft
Furrowing the light-strown sand,--
Takes from out her garland's crown,
Filled with life, one single grain,
Sinks it in the furrow down,
And the germ soon swells amain.

And the green stalks gracefully
Shoot, ere long, the ground above,
And, as far as eye can see,
Waves it like a golden grove.
With her smile the earth she cheers,
Binds the earliest sheaves so fair,
As her hearth the landmark rears,--
And the goddess breathes this prayer:

"Father Zeus, who reign'st o'er all
That in ether's mansions dwell,
Let a sign from thee now fall
That thou lov'st this offering well!
And from the unhappy crowd
That, as yet, has ne'er known thee,
Take away the eye's dark cloud,
Showing them their deity!"

Zeus, upon his lofty throne,
Harkens to his sister's prayer;
From the blue heights thundering down,
Hurls his forked lightning there,
Crackling, it begins to blaze,
From the altar whirling bounds,--
And his swift-winged eagle plays
High above in circling rounds.

Soon at the feet of their mistress are kneeling,
Filled with emotion, the rapturous throng;
Into humanity's earliest feeling
Melt their rude spirits, untutored and strong.
Each bloody weapon behind them they leave,
Rays on their senses beclouded soon shine,
And from the mouth of the queen they receive,
Gladly and meekly, instruction divine.

All the deities advance
Downward from their heavenly seats;
Themis' self 'tis leads the dance,
And, with staff of justice, metes
Unto every one his rights,--
Landmarks, too, 'tis hers to fix;
And in witness she invites
All the hidden powers of Styx.

And the forge-god, too, is there,
The inventive son of Zeus;
Fashioner of vessels fair
Skilled in clay and brass's use.
'Tis from him the art man knows
Tongs and bellows how to wield;
'Neath his hammer's heavy blows
Was the ploughshare first revealed.

With projecting, weighty spear,
Front of all, Minerva stands,
Lifts her voice so strong and clear,
And the godlike host commands.
Steadfast walls 'tis hers to found,
Shield and screen for every one,
That the scattered world around
Bind in loving unison.

The immortals' steps she guides
O'er the trackless plains so vast,
And where'er her foot abides
Is the boundary god held fast;
And her measuring chain is led
Round the mountain's border green,--
E'en the raging torrent's bed
In the holy ring is seen.

All the Nymphs and Oreads too
Who, the mountain pathways o'er,
Swift-foot Artemis pursue,
All to swell the concourse, pour,
Brandishing the hunting-spear,--
Set to work,--glad shouts uprise,--
'Neath their axes' blows so clear
Crashing down the pine-wood flies.

E'en the sedge-crowned God ascends
From his verdant spring to light,
And his raft's direction bends
At the goddess' word of might,--
While the hours, all gently bound,
Nimbly to their duty fly;
Rugged trunks are fashioned round
By her skilled hand gracefully.

E'en the sea-god thither fares;--
Sudden, with his trident's blow,
He the granite columns tears
From earth's entrails far below;--
In his mighty hands, on high,
Waves he them, like some light ball,
And with nimble Hermes by,
Raises up the rampart-wall.

But from out the golden strings
Lures Apollo harmony,
Measured time's sweet murmurings,
And the might of melody.
The Camoenae swell the strain
With their song of ninefold tone:
Captive bound in music's chain,
Softly stone unites to stone.

Cybele, with skilful hand,
Open throws the wide-winged door;
Locks and bolts by her are planned,
Sure to last forevermore.
Soon complete the wondrous halls
By the gods' own hands are made,
And the temple's glowing walls
Stand in festal pomp arrayed.

With a crown of myrtle twined,
Now the goddess queen comes there,
And she leads the fairest hind
To the shepherdess most fair.
Venus, with her beauteous boy,
That first pair herself attires;
All the gods bring gifts of joy,
Blessing their love's sacred fires.

Guided by the deities,
Soon the new-born townsmen pour,
Ushered in with harmonies,
Through the friendly open door.
Holding now the rites divine,
Ceres at Zeus' altar stands,--
Blessing those around the shrine,
Thus she speaks, with folded hands:--

"Freedom's love the beast inflames,
And the god rules free in air,
While the law of Nature tames
Each wild lust that lingers there.
Yet, when thus together thrown,
Man with man must fain unite;
And by his own worth alone
Can he freedom gain, and might."

Wreathe in a garland the corn's golden ear!
With it, the Cyane blue intertwine!
Rapture must render each glance bright and clear,
For the great queen is approaching her shrine,--
She who our homesteads so blissful has given,
She who has man to his fellow-man bound:
Let our glad numbers extol then to heaven,
Her who the earth's kindly mother is found!
Written by Francesco Petrarch | Create an image from this poem

Canzone XV

CANZONE XV.

In quella parte dov' Amor mi sprona.

HE FINDS HER IMAGE EVERYWHERE.

When Love, fond Love, commands the strain,The coyest muse must sure obey;Love bids my wounded breast complain,And whispers the melodious lay:Yet when such griefs restrain the muse's wing,How shall she dare to soar, or how attempt to sing?
Oh! could my heart express its woe,How poor, how wretched should I seem!But as the plaintive accents flow,Soft comfort spreads her golden gleam;And each gay scene, that Nature holds to view,Bids Laura's absent charms to memory bloom anew.
Though Fate's severe decrees removeHer gladsome beauties from my sight,[Pg 122]Yet, urged by pity, friendly LoveBids fond reflection yield delight;If lavish spring with flowerets strews the mead,Her lavish beauties all to fancy are displayed!
When to this globe the solar beamsTheir full meridian blaze impart,It pictures Laura, that inflamesWith passion's fires each human heart:And when the sun completes his daily race,I see her riper age complete each growing grace.
When milder planets, warmer skiesO'er winter's frozen reign prevail;When groves are tinged with vernal dyes,And violets scent the wanton gale;Those flowers, the verdure, then recall that day,In which my Laura stole this heedless heart away.
The blush of health, that crimson'd o'erHer youthful cheek; her modest mien;The gay-green garment that she wore,Have ever dear to memory been;More dear they grow as time the more inflamesThis tender breast o'ercome by passion's wild extremes!
The sun, whose cheering lustre warmsThe bosom of yon snow-clad hill,Seems a just emblem of the charms,Whose power controls my vanquish'd will;When near, they gild with joy this frozen heart,Where ceaseless winter reigns, whene'er those charms depart.
Yon sun, too, paints the locks of gold,That play around her face so fair—Her face which, oft as I behold,Prompts the soft sigh of amorous care!While Laura smiles, all-conscious of that loveWhich from this faithful breast no time can e'er remove.
If to the transient storm of nightSucceeds a star-bespangled sky,And the clear rain-drops catch the light,Glittering on all the foliage nigh;[Pg 123]Methinks her eyes I view, as on that dayWhen through the envious veil they shot their magic ray.
With brightness making heaven more bright,As then they did, I see them now;I see them, when the morning lightPurples the misty mountain's brow:When day declines, and darkness spreads the pole;Methinks 'tis Laura flies, and sadness wraps my soul.
In stately jars of burnish'd goldShould lilies spread their silvery pride,With fresh-blown roses that unfoldTheir leaves, in heaven's own crimson dyed;Then Laura's bloom I see, and sunny hairFlowing adown her neck than ivory whiter far.
The flowerets brush'd by zephyr's wing,Waving their heads in frolic play,Oft to my fond remembrance bringThe happy spot, the happier day,In which, disporting with the gale, I view'dThose sweet unbraided locks, that all my heart subdued.
Oh! could I count those orbs that shineNightly o'er yon ethereal plain,Or in some scanty vase confineEach drop that ocean's bounds contain,Then might I hope to fly from beauty's rays,Laura o'er flaming worlds can spread bright beauty's blaze.
Should I all heaven, all earth explore,I still should lovely Laura find;Laura, whose beauties I adore,Is ever present to my mind:She's seen in all that strikes these partial eyes,And her dear name still dwells in all my tender sighs.
But soft, my song,—not thine the powerTo paint that never-dying flame,Which gilds through life the gloomy hour,Which nurtures this love-wasted frame;For since with Laura dwells my wander'd heart,Cheer'd by that fostering flame, I brave Death's ebon dart.
Anon 1777.
GENOA.
Written by Francesco Petrarch | Create an image from this poem

Sonnet LI

[Pg 274]

SONNET LI.

I dì miei più leggier che nessun cervo.

HIS PASSION FINDS ITS ONLY CONSOLATION IN CONTEMPLATING HER IN HEAVEN.

My days more swiftly than the forest hindHave fled like shadows, and no pleasure seenSave for a moment, and few hours serene,Whose bitter-sweet I treasure in true mind.O wretched world, unstable, wayward! BlindWhose hopes in thee alone have centred been;In thee my heart was captived by her mienWho bore it with her when she earth rejoin'd:Her better spirit, now a deathless flower,And in the highest heaven that still shall be,Each day inflames me with its beauties more.Alone, though frailer, fonder every hour,I muse on her—Now what, and where is she,And what the lovely veil which here she wore?
Macgregor.
Oh! swifter than the hart my life hath fled,A shadow'd dream; one winged glance hath seenIts only good; its hours (how few serene!)The sweet and bitter tide of thought have fed:Ephemeral world! in pride and sorrow bred,Who hope in thee, are blind as I have been;I hoped in thee, and thus my heart's loved queenHath borne it mid her nerveless, kindred dead.Her form decay'd—its beauty still survives,For in high heaven that soul will ever bloom,With which each day I more enamour'd grow:Thus though my locks are blanch'd, my hope revivesIn thinking on her home—her soul's high doom:Alas! how changed the shrine she left below!
Wollaston.



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