Get Your Premium Membership

Best Famous Incredible Poems

Here is a collection of the all-time best famous Incredible poems. This is a select list of the best famous Incredible poetry. Reading, writing, and enjoying famous Incredible poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of incredible poems.

Search and read the best famous Incredible poems, articles about Incredible poems, poetry blogs, or anything else Incredible poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Walt Whitman | Create an image from this poem

Song at Sunset

 SPLENDOR of ended day, floating and filling me! 
Hour prophetic—hour resuming the past! 
Inflating my throat—you, divine average! 
You, Earth and Life, till the last ray gleams, I sing.
Open mouth of my Soul, uttering gladness, Eyes of my Soul, seeing perfection, Natural life of me, faithfully praising things; Corroborating forever the triumph of things.
Illustrious every one! Illustrious what we name space—sphere of unnumber’d spirits; Illustrious the mystery of motion, in all beings, even the tiniest insect; Illustrious the attribute of speech—the senses—the body; Illustrious the passing light! Illustrious the pale reflection on the new moon in the western sky! Illustrious whatever I see, or hear, or touch, to the last.
Good in all, In the satisfaction and aplomb of animals, In the annual return of the seasons, In the hilarity of youth, In the strength and flush of manhood, In the grandeur and exquisiteness of old age, In the superb vistas of Death.
Wonderful to depart; Wonderful to be here! The heart, to jet the all-alike and innocent blood! To breathe the air, how delicious! To speak! to walk! to seize something by the hand! To prepare for sleep, for bed—to look on my rose-color’d flesh; To be conscious of my body, so satisfied, so large; To be this incredible God I am; To have gone forth among other Gods—these men and women I love.
Wonderful how I celebrate you and myself! How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead! How the earth darts on and on! and how the sun, moon, stars, dart on and on! How the water sports and sings! (Surely it is alive!) How the trees rise and stand up—with strong trunks—with branches and leaves! (Surely there is something more in each of the tree—some living Soul.
) O amazement of things! even the least particle! O spirituality of things! O strain musical, flowing through ages and continents—now reaching me and America! I take your strong chords—I intersperse them, and cheerfully pass them forward.
I too carol the sun, usher’d, or at noon, or, as now, setting, I too throb to the brain and beauty of the earth, and of all the growths of the earth, I too have felt the resistless call of myself.
As I sail’d down the Mississippi, As I wander’d over the prairies, As I have lived—As I have look’d through my windows, my eyes, As I went forth in the morning—As I beheld the light breaking in the east; As I bathed on the beach of the Eastern Sea, and again on the beach of the Western Sea; As I roam’d the streets of inland Chicago—whatever streets I have roam’d; Or cities, or silent woods, or peace, or even amid the sights of war; Wherever I have been, I have charged myself with contentment and triumph.
I sing the Equalities, modern or old, I sing the endless finales of things; I say Nature continues—Glory continues; I praise with electric voice; For I do not see one imperfection in the universe; And I do not see one cause or result lamentable at last in the universe.
O setting sun! though the time has come, I still warble under you, if none else does, unmitigated adoration.


Written by David Lehman | Create an image from this poem

A Little History

 Some people find out they are Jews.
They can't believe it.
Thy had always hated Jews.
As children they had roamed in gangs on winter nights in the old neighborhood, looking for Jews.
They were not Jewish, they were Irish.
They brandished broken bottles, tough guys with blood on their lips, looking for Jews.
They intercepted Jewish boys walking alone and beat them up.
Sometimes they were content to chase a Jew and he could elude them by running away.
They were happy just to see him run away.
The coward! All Jews were yellow.
They spelled Jew with a small j jew.
And now they find out they are Jews themselves.
It happened at the time of the Spanish Inquisition.
To escape persecution, they pretended to convert to Christianity.
They came to this country and settled in the Southwest.
At some point oral tradition failed the family, and their secret faith died.
No one would ever have known if not for the bones that turned up on the dig.
A disaster.
How could it have happened to them? They are in a state of panic--at first.
Then they realize that it is the answer to their prayers.
They hasten to the synagogue or build new ones.
They are Jews at last! They are free to marry other Jews, and divorce them, and intermarry with Gentiles, God forbid.
They are model citizens, clever and thrifty.
They debate the issues.
They fire off earnest letters to the editor.
They vote.
They are resented for being clever and thrifty.
They buy houses in the suburbs and agree not to talk so loud.
They look like everyone else, drive the same cars as everyone else, yet in their hearts they know they're different.
In every minyan there are always two or three, hated by the others, who give life to one ugly stereotype or another: The grasping Jew with the hooked nose or the Ivy League Bolshevik who thinks he is the agent of world history.
But most of them are neither ostentatiously pious nor excessively avaricious.
How I envy them! They believe.
How I envy them their annual family reunion on Passover, anniversary of the Exodus, when all the uncles and aunts and cousins get together.
They wonder about the heritage of Judaism they are passing along to their children.
Have they done as much as they could to keep the old embers burning? Others lead more dramatic lives.
A few go to Israel.
One of them calls Israel "the ultimate concentration camp.
" He tells Jewish jokes.
On the plane he gets tipsy, tries to seduce the stewardess.
People in the Midwest keep telling him reminds them of Woody Allen.
He wonders what that means.
I'm funny? A sort of nervous intellectual type from New York? A Jew? Around this time somebody accuses him of not being Jewish enough.
It is said by resentful colleagues that his parents changed their name from something that sounded more Jewish.
Everything he publishes is scrutinized with reference to "the Jewish question.
" It is no longer clear what is meant by that phrase.
He has already forgotten all the Yiddish he used to know, and the people of that era are dying out one after another.
The number of witnesses keeps diminishing.
Soon there will be no one left to remind the others and their children.
That is why he came to this dry place where the bones have come to life.
To live in a state of perpetual war puts a tremendous burden on the population.
As a visitor he felt he had to share that burden.
With his gift for codes and ciphers, he joined the counter- terrorism unit of army intelligence.
Contrary to what the spook novels say, he found it possible to avoid betraying either his country or his lover.
This was the life: strange bedrooms, the perfume of other men's wives.
As a spy he has a unique mission: to get his name on the front page of the nation's newspaper of record.
Only by doing that would he get the message through to his immediate superior.
If he goes to jail, he will do so proudly; if they're going to hang him anyway, he'll do something worth hanging for.
In time he may get used to being the center of attention, but this was incredible: To talk his way into being the chief suspect in the most flamboyant murder case in years! And he was innocent! He could prove it! And what a book he would write when they free him from this prison: A novel, obliquely autobiographical, set in Vienna in the twilight of the Hapsburg Empire, in the year that his mother was born.
Written by Jackie Kay | Create an image from this poem

The Mother Poem (two)

 I always wanted to give birth
Do that incredible natural thing
That women do-I nearly broke down
When I heard we couldn't
And then my man said to me
Well there's always adoption
(we didn't have test tubes and the rest
then) and well even in the early sixties there was something
Scandalous about adopting
Telling the world your secret failure
Bringing up an alien child
Who knew what it would turn out to be?

But I wanted a baby badly
Didn't need to come from my womb
Or his seed for me to love it
And I had sisters who looked just like me
Didn't need carbon copy features
Blueprints for generations
It was my baby a baby a baby I wanted

So I watched my child grow
Always the first to hear her in the night
All this umbilical knot business is
Nonsense-the men can afford deeper sleeps
That's all.
I listened to hear her talk And when she did I heard my voice under hers And now some of her mannerisms Crack me up All them stories could have really had me Believing unless you are breast fed You'll never be close and the rest My daughter's warmth spills over me Leaves a gap When she's gone I think of her mother.
She remembers how I read her All those newspaper and magazine Cuttings about adoption She says her head's an encyclopedia Of sob stories: the ones that were never Told and committed suicide on their wedding nights I always believed in the telling anyhow You can't keep something like that secret I wanted her to think of her other mother Out there thinking that child I had will be Eight today nine today all the way up to God knows when.
I told my daughter; I bet your mother's never missed your birthday How could she Now when people say ah but It's not like having your own child though is it I say of course it is what else is it She's my child I have brought her up Told her stories wept at losses Laughed at her pleasures she is mine.
Yes.
Well maybe that is why I don't Like all this talk about her being black I brought her up as my own As I would any other child Colour matters to the nuttters But she says my daughter says It matters to her.
I suppose there would have been things I couldn't have understood with any child We knew she was coloured They told us they had no babies at first And I chanced to say it didn't matter What colour it was and then they Said oh well are you sure in that case We have a baby for you To think she wasn't even thought of as a baby! My baby my baby.
Written by Kenn Nesbitt | Create an image from this poem

Olympic Granny

When Grandma goes for gold in
The Olympic games this year,
She’ll laugh at her competitors
And make them quake with fear.
She’s ninety-nine years old
But, in athletics, she’s been blessed.
The trouble is she can’t decide
Which sport she plays the best.
She’s such an ace at archery.
She’s queen of the canoe.
She’s tough to top at taekwondo
And table tennis too.
She dominates the diving board.
She tromps the trampoline.
At lifting weights and wrestling
She’s the best you’ve ever seen.
She speeds across the swimming pool
To slake the summer heat.
On BMX and mountain bike
She simply can’t be beat.
She’s highest in the high jump,
And a champ at hammer throwing,
Magnificent in marathons,
Remarkable at rowing.
She beats the best at boxing.
At the pole vault she is peerless.
Her fencing is the finest;
She is positively fearless.
She’s masterful at basketball,
She truly rules the court,
And equally incredible
At every other sport.
But what we find astonishing
And something of a shocker
Is how she wins all contests
With her wheelchair and her walker.

 --Kenn Nesbitt

Copyright © Kenn Nesbitt 2016. All Rights Reserved.
Written by Robinson Jeffers | Create an image from this poem

Contemplation Of The Sword

 Reason will not decide at last; the sword will decide.
The sword: an obsolete instrument of bronze or steel, formerly used to kill men, but here In the sense of a symbol.
The sword: that is: the storms and counter-storms of general destruction; killing of men, Destruction of all goods and materials; massacre, more or less intentional, of children and women; Destruction poured down from wings, the air made accomplice, the innocent air Perverted into assasin and poisoner.
The sword: that is: treachery and cowardice, incredible baseness, incredible courage, loyalties, insanities.
The sword: weeping and despair, mass-enslavement, mass-tourture, frustration of all hopes That starred man's forhead.
Tyranny for freedom, horror for happiness, famine for bread, carrion for children.
Reason will not decide at last, the sword will decide.
Dear God, who are the whole splendor of things and the sacred stars, but also the cruelty and greed, the treacheries And vileness, insanities and filth and anguish: now that this thing comes near us again I am finding it hard To praise you with a whole heart.
I know what pain is, but pain can shine.
I know what death is, I have sometimes Longed for it.
But cruelty and slavery and degredation, pestilence, filth, the pitifulness Of men like hurt little birds and animals .
.
.
if you were only Waves beating rock, the wind and the iron-cored earth, With what a heart I could praise your beauty.
You will not repent, nor cancel life, nor free man from anguish For many ages to come.
You are the one that tortures himself to discover himself: I am One that watches you and discovers you, and praises you in little parables, idyl or tragedy, beautiful Intolerable God.
The sword: that is: I have two sons whom I love.
They are twins, they were born in nineteen sixteen, which seemed to us a dark year Of a great war, and they are now of the age That war prefers.
The first-born is like his mother, he is so beautiful That persons I hardly know have stopped me on the street to speak of the grave beauty of the boy's face.
The second-born has strength for his beauty; when he strips for swimming the hero shoulders and wrestler loins Make him seem clothed.
The sword: that is: loathsome disfigurements, blindness, mutilation, locked lips of boys Too proud to scream.
Reason will not decide at last: the sword will decide.


Written by G K Chesterton | Create an image from this poem

The House of Christmas

 There fared a mother driven forth 
Out of an inn to roam; 
In the place where she was homeless 
All men are at home.
The crazy stable close at hand, With shaking timber and shifting sand, Grew a stronger thing to abide and stand Than the square stones of Rome.
For men are homesick in their homes, And strangers under the sun, And they lay on their heads in a foreign land Whenever the day is done.
Here we have battle and blazing eyes, And chance and honour and high surprise, But our homes are under miraculous skies Where the yule tale was begun.
A Child in a foul stable, Where the beasts feed and foam; Only where He was homeless Are you and I at home; We have hands that fashion and heads that know, But our hearts we lost - how long ago! In a place no chart nor ship can show Under the sky's dome.
This world is wild as an old wives' tale, And strange the plain things are, The earth is enough and the air is enough For our wonder and our war; But our rest is as far as the fire-drake swings And our peace is put in impossible things Where clashed and thundered unthinkable wings Round an incredible star.
To an open house in the evening Home shall men come, To an older place than Eden And a taller town than Rome.
To the end of the way of the wandering star, To the things that cannot be and that are, To the place where God was homeless And all men are at home.
Written by Ogden Nash | Create an image from this poem

The Clean Plater

 Some singers sing of ladies' eyes,
And some of ladies lips,
Refined ones praise their ladylike ways,
And course ones hymn their hips.
The Oxford Book of English Verse Is lush with lyrics tender; A poet, I guess, is more or less Preoccupied with gender.
Yet I, though custom call me crude, Prefer to sing in praise of food.
Food, Yes, food, Just any old kind of food.
Pheasant is pleasant, of course, And terrapin, too, is tasty, Lobster I freely endorse, In pate or patty or pasty.
But there's nothing the matter with butter, And nothing the matter with jam, And the warmest greetings I utter To the ham and the yam and the clam.
For they're food, All food, And I think very fondly of food.
Through I'm broody at times When bothered by rhymes, I brood On food.
Some painters paint the sapphire sea, And some the gathering storm.
Others portray young lambs at play, But most, the female form.
“Twas trite in that primeval dawn When painting got its start, That a lady with her garments on Is Life, but is she Art? By undraped nymphs I am not wooed; I'd rather painters painted food.
Food, Just food, Just any old kind of food.
Go purloin a sirloin, my pet, If you'd win a devotion incredible; And asparagus tips vinaigrette, Or anything else that is edible.
Bring salad or sausage or scrapple, A berry or even a beet.
Bring an oyster, an egg, or an apple, As long as it's something to eat.
If it's food, It's food; Never mind what kind of food.
When I ponder my mind I consistently find It is glued On food.
Written by Robinson Jeffers | Create an image from this poem

Meditation On Saviors

 I
When I considered it too closely, when I wore it like an element
 and smelt it like water,
Life is become less lovely, the net nearer than the skin, a
 little troublesome, a little terrible.
I pledged myself awhile ago not to seek refuge, neither in death nor in a walled garden, In lies nor gated loyalties, nor in the gates of contempt, that easily lock the world out of doors.
Here on the rock it is great and beautiful, here on the foam-wet granite sea-fang it is easy to praise Life and water and the shining stones: but whose cattle are the herds of the people that one should love them? If they were yours, then you might take a cattle-breeder's delight in the herds of the future.
Not yours.
Where the power ends let love, before it sours to jealousy.
Leave the joys of government to Caesar.
Who is born when the world wanes, when the brave soul of the world falls on decay in the flesh increasing Comes one with a great level mind, sufficient vision, sufficient blindness, and clemency for love.
This is the breath of rottenness I smelt; from the world waiting, stalled between storms, decaying a little, Bitterly afraid to be hurt, but knowing it cannot draw the savior Caesar but out of the blood-bath.
The apes of Christ lift up their hands to praise love: but wisdom without love is the present savior, Power without hatred, mind like a many-bladed machine subduing the world with deep indifference.
The apes of Christ itch for a sickness they have never known; words and the little envies will hardly Measure against that blinding fire behind the tragic eyes they have never dared to confront.
II Point Lobos lies over the hollowed water like a humped whale swimming to shoal; Point Lobos Was wounded with that fire; the hills at Point Sur endured it; the palace at Thebes; the hill Calvary.
Out of incestuous love power and then ruin.
A man forcing the imaginations of men, Possessing with love and power the people: a man defiling his own household with impious desire.
King Oedipus reeling blinded from the palace doorway, red tears pouring from the torn pits Under the forehead; and the young Jew writhing on the domed hill in the earthquake, against the eclipse Frightfully uplifted for having turned inward to love the people: -that root was so sweet O dreadful agonist? - I saw the same pierced feet, that walked in the same crime to its expiation; I heard the same cry.
A bad mountain to build your world on.
Am I another keeper of the people, that on my own shore, On the gray rock, by the grooved mass of the ocean, the sicknesses I left behind me concern me? Here where the surf has come incredible ways out of the splendid west, over the deeps Light nor life sounds forever; here where enormous sundowns flower and burn through color to quietness; Then the ecstasy of the stars is present? As for the people, I have found my rock, let them find theirs.
Let them lie down at Caesar's feet and be saved; and he in his time reap their daggers of gratitude.
III Yet I am the one made pledges against the refuge contempt, that easily locks the world out of doors.
This people as much as the sea-granite is part of the God from whom I desire not to be fugitive.
I see them: they are always crying.
The shored Pacific makes perpetual music, and the stone mountains Their music of silence, the stars blow long pipings of light: the people are always crying in their hearts.
One need not pity; certainly one must not love.
But who has seen peace, if he should tell them where peace Lives in the world.
.
.
they would be powerless to understand; and he is not willing to be reinvolved.
IV How should one caught in the stone of his own person dare tell the people anything but relative to that? But if a man could hold in his mind all the conditions at once, of man and woman, of civilized And barbarous, of sick and well, of happy and under torture, of living and dead, of human and not Human, and dimly all the human future: -what should persuade him to speak? And what could his words change? The mountain ahead of the world is not forming but fixed.
But the man's words would be fixed also, Part of that mountain, under equal compulsion; under the same present compulsion in the iron consistency.
And nobody sees good or evil but out of a brain a hundred centuries quieted, some desert Prophet's, a man humped like a camel, gone mad between the mud- walled village and the mountain sepulchres.
V Broad wagons before sunrise bring food into the city from the open farms, and the people are fed.
They import and they consume reality.
Before sunrise a hawk in the desert made them their thoughts.
VI Here is an anxious people, rank with suppressed bloodthirstiness.
Among the mild and unwarlike Gautama needed but live greatly and be heard, Confucius needed but live greatly and be heard: This people has not outgrown blood-sacrifice, one must writhe on the high cross to catch at their memories; The price is known.
I have quieted love; for love of the people I would not do it.
For power I would do it.
--But that stands against reason: what is power to a dead man, dead under torture? --What is power to a man Living, after the flesh is content? Reason is never a root, neither of act nor desire.
For power living I would never do it; they'are not delightful to touch, one wants to be separate.
For power After the nerves are put away underground, to lighten the abstract unborn children toward peace.
.
.
A man might have paid anguish indeed.
Except he had found the standing sea-rock that even this last Temptation breaks on; quieter than death but lovelier; peace that quiets the desire even of praising it.
VII Yet look: are they not pitiable? No: if they lived forever they would be pitiable: But a huge gift reserved quite overwhelms them at the end; they are able then to be still and not cry.
And having touched a little of the beauty and seen a little of the beauty of things, magically grow Across the funeral fire or the hidden stench of burial themselves into the beauty they admired, Themselves into the God, themselves into the sacred steep unconsciousness they used to mimic Asleep between lamp's death and dawn, while the last drunkard stumbled homeward down the dark street.
They are not to be pitied but very fortunate; they need no savior, salvation comes and takes them by force, It gathers them into the great kingdoms of dust and stone, the blown storms, the stream's-end ocean.
With this advantage over their granite grave-marks, of having realized the petulant human consciousness Before, and then the greatness, the peace: drunk from both pitchers: these to be pitied? These not fortunate But while he lives let each man make his health in his mind, to love the coast opposite humanity And so be freed of love, laying it like bread on the waters; it is worst turned inward, it is best shot farthest.
Love, the mad wine of good and evil, the saint's and murderer's, the mote in the eye that makes its object Shine the sun black; the trap in which it is better to catch the inhuman God than the hunter's own image.
Written by Alec Derwent (A D) Hope | Create an image from this poem

Parabola

 Year after year the princess lies asleep 
Until the hundred years foretold are done, 
Easily drawing her enchanted breath.
Caught on the monstrous thorns around the keep, Bones of the youths who sought her, one by one Rot loose and rattle to the ground beneath.
But when the Destined Lover at last shall come, For whom alone Fortune reserves the prize The thorns give way; he mounts the cobwebbed stair Unerring he finds the tower, the door, the room, The bed where, waking at his kiss she lies Smiling in the loose fragrance of her hair.
That night, embracing on the bed of state, He ravishes her century of sleep And she repays the debt of that long dream; Future and Past compose their vast debate; His seed now sown, her harvest ripe to reap Enact a variation on the theme.
For in her womb another princess waits, A sleeping cell, a globule of bright dew.
Jostling their way up that mysterious stair, A horde of lovers bursts between the gates, All doomed but one, the destined suitor, who By luck first reaches her and takes her there.
A parable of all we are or do! The life of Nature is a formal dance In which each step is ruled by what has been And yet the pattern emerges always new The marriage of linked cause and random chance Gives birth perpetually to the unforeseen.
One parable for the body and the mind: With science and heredity to thank The heart is quite predictable as a pump, But, let love change its beat, the choice is blind.
'Now' is a cross-roads where all maps prove blank, And no one knows which way the cat will jump.
So here stand I, by birth a cross between Determined pattern and incredible chance, Each with an equal share in what I am.
Though I should read the code stored in the gene, Yet the blind lottery of circumstance Mocks all solutions to its cryptogram.
As in my flesh, so in my spirit stand I When does this hundred years draw to its close? The hedge of thorns before me gives no clue.
My predecessor's carcass, shrunk and dry, Stares at me through the spikes.
Oh well, here goes! I have this thing, and only this, to do.
Written by G K Chesterton | Create an image from this poem

The Towers of Time

 Under what withering leprous light
The very grass as hair is grey,
Grass in the cracks of the paven courts
Of gods we graved but yesterday.
Senate, republic, empire, all We leaned our backs on like a wall And blessed as stron as strong and blamed as stolid-- Can it be these that waver and fall? And what is this like a ghost returning, A dream grown strong in the strong daylight? The all-forsaken, the unforgotten, The ever-behind and out of sight.
We turned our backs and our blind flesh felt it Growing and growing, a tower in height.
Ah, not alone the evil splendour And not the insolent arms alone Break with the ramrod, stiff and brittle, The sceptre of the nordic throne; But things of manlier renown Reel in the wreck of throne and crown, With tyrannous tyranny, tyrannous loyalty Tyrannous liberty, all gone down.
(There is never a crack in the ivory tower Or a hinge to groan in the house of gold Or a leaf of the rose in the wind to wither And she grows young as the world grows old.
A Woman clothed with the sun returning to clothe the sun when the sun is cold.
) Ah, who had guessed that in a moment Great Liberty that loosed the tribes, the Republic of the young men's battles Grew stale and stank of old men's bribes; And where we watched her smile in power A statue like a starry tower the stone face sneers as in a nightmare Down on a world that worms devour.
(Archaic incredible dead dawns breaking Deep in the deserts and waste and wealds, Where the dead cry aloud on Our Lady of Victories, Queen of the Eagles, aloft on the shields, And the sun is gone up on the Thundering Legion On the roads of Rome to the Battlefields.
) Ah, who had known who had not seen How soft and sudden on the fame Of my most noble English ships The sunset light of Carthage came And the thing I never had dreamed could be In the house of my fathers came to me Through the sea-wall cloven, the cloud and dark, A voice divided, a doubtful sea.
(The light is bright on the Tower of David, The evening glows with the morning star In the skies turned back and the days returning She walks so near who had wandered far And in the heart of the swords, the seven times wounded, Was never wearied as our hearts are.
) How swift as with a fall of snow New things grow hoary with the light.
We watch the wrinkles crawl like snakes On the new image in our sight.
The lines that sprang up taut and bold Sag like primordial monsters old, Sink in the bas-reliers of fossil And the slow earth swallows them, fold on fold, But light are the feet on the hills of the morning Of the lambs that leap up to the Bride of the Sun, And swift are the birds as the butterflies flashing And sudden as laughter the rivulets run And sudden for ever as summer lightning the light is bright on the world begun.
Thou wilt not break as we have broken The towers we reared to rival Thee.
More true to England than the English More just to freedom than the free.
O trumpet of the intolerant truth Thou art more full of grace and ruth For the hopes of th world than the world that made them, The world that murdered the loves of our youth.
Thou art more kind to our dreams, Our Mother, Than the wise that wove us the dreams for shade.
God if more good to the gods that mocked Him Than men are good to the gods they made.
Tenderer with toys than a boy grown brutal, Breaking the puppets with which he played.
What are the flowers the garden guards not And how but here should dreams return? And how on hearths made cold with ruin the wide wind-scattered ashes burn-- What is the home of the heart set free, And where is the nesting of liberty, And where from the world shall the world take shelter And man be matter, and not with Thee? Wisdom is set in her throne of thunder, The Mirror of Justice blinds the day-- Where are the towers that are not of the City, Trophies and trumpetings, where are they? Where over the maze of the world returning The bye-ways bend to the King's highway.

Book: Reflection on the Important Things