Get Your Premium Membership

Best Famous Impair Poems

Here is a collection of the all-time best famous Impair poems. This is a select list of the best famous Impair poetry. Reading, writing, and enjoying famous Impair poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of impair poems.

Search and read the best famous Impair poems, articles about Impair poems, poetry blogs, or anything else Impair poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Dorothy Parker | Create an image from this poem

A Pigs-Eye View Of Literature

 The Lives and Times of John Keats,
Percy Bysshe Shelley, and
George Gordon Noel, Lord Byron

Byron and Shelley and Keats
Were a trio of Lyrical treats.
The forehead of Shelley was cluttered with curls, And Keats never was a descendant of earls, And Byron walked out with a number of girls, But it didn't impair the poetical feats Of Byron and Shelley, Of Byron and Shelley, Of Byron and Shelley and Keats.


Written by John Donne | Create an image from this poem

Elegy II: The Anagram

 Marry, and love thy Flavia, for she
Hath all things whereby others beautious be,
For, though her eyes be small, her mouth is great,
Though they be ivory, yet her teeth be jet,
Though they be dim, yet she is light enough,
And though her harsh hair fall, her skin is rough;
What though her cheeks be yellow, her hair's red;
Give her thine, and she hath a maidenhead.
These things are beauty's elements, where these Meet in one, that one must, as perfect, please.
If red and white and each good quality Be in thy wench, ne'er ask where it doth lie.
In buying things perfumed, we ask if there Be musk and amber in it, but not where.
Though all her parts be not in th' usual place, She hath yet an anagram of a good face.
If we might put the letters but one way, In the lean dearth of words, what could we say? When by the Gamut some Musicians make A perfect song, others will undertake, By the same Gamut changed, to equal it.
Things simply good can never be unfit.
She's fair as any, if all be like her, And if none be, then she is singular.
All love is wonder; if we justly do Account her wonderful, why not lovely too? Love built on beauty, soon as beauty, dies; Choose this face, changed by no deformities.
Women are all like angels; the fair be Like those which fell to worse; but such as thee, Like to good angels, nothing can impair: 'Tis less grief to be foul than t' have been fair.
For one night's revels, silk and gold we choose, But, in long journeys, cloth and leather use.
Beauty is barren oft; best husbands say, There is best land where there is foulest way.
Oh what a sovereign plaster will she be, If thy past sins have taught thee jealousy! Here needs no spies, nor eunuchs; her commit Safe to thy foes; yea, to a Marmosit.
When Belgia's cities the round countries drown, That dirty foulness guards, and arms the town: So doth her face guard her; and so, for thee, Which, forced by business, absent oft must be, She, whose face, like clouds, turns the day to night; Who, mightier than the sea, makes Moors seem white; Who, though seven years she in the stews had laid, A Nunnery durst receive, and think a maid; And though in childbed's labour she did lie, Midwives would swear 'twere but a tympany; Whom, if she accuse herself, I credit less Than witches, which impossibles confess; Whom dildoes, bedstaves, and her velvet glass Would be as loath to touch as Joseph was: One like none, and liked of none, fittest were, For, things in fashion every man will wear.
Written by Robert Browning | Create an image from this poem

Any Wife To Any Husband

 I

My love, this is the bitterest, that thou
Who art all truth and who dost love me now
As thine eyes say, as thy voice breaks to say— 
Shouldst love so truly and couldst love me still
A whole long life through, had but love its will,
Would death that leads me from thee brook delay!

II

I have but to be by thee, and thy hand
Would never let mine go, thy heart withstand
The beating of my heart to reach its place.
When should I look for thee and feel thee gone? When cry for the old comfort and find none? Never, I know! Thy soul is in thy face.
III Oh, I should fade—'tis willed so! might I save, Galdly I would, whatever beauty gave Joy to thy sense, for that was precious too.
It is not to be granted.
But the soul Whence the love comes, all ravage leaves that whole; Vainly the flesh fades—soul makes all things new.
IV And 'twould not be because my eye grew dim Thou couldst not find the love there, thanks to Him Who never is dishonoured in the spark He gave us from his fire of fires, and bade Remember whence it sprang nor be afraid While that burns on, though all the rest grow dark.
V So, how thou wouldst be perfect, white and clean Outside as inside, soul and soul's demesne Alike, this body given to show it by! Oh, three-parts through the worst of life's abyss, What plaudits from the next world after this, Couldst thou repeat a stroke and gain the sky! VI And is it not the bitterer to think That, disengage our hands and thou wilt sink Although thy love was love in very deed? I know that nature! Pass a festive day Thou dost not throw its relic-flower away Nor bid its music's loitering echo speed.
VII Thou let'st the stranger's glove lie where it fell; If old things remain old things all is well, For thou art grateful as becomes man best: And hadst thou only heard me play one tune, Or viewed me from a window, not so soon With thee would such things fade as with the rest.
VIII I seem to see! we meet and part: 'tis brief: The book I opened keeps a folded leaf, The very chair I sat on, breaks the rank; That is a portrait of me on the wall— Three lines, my face comes at so slight a call; And for all this, one little hour's to thank.
IX But now, because the hour through years was fixed, Because our inmost beings met amd mixed, Because thou once hast loved me—wilt thou dare Say to thy soul and Who may list beside, "Therefore she is immortally my bride, Chance cannot change that love, nor time impair.
X "So, what if in the dusk of life that's left, I, a tired traveller, of my sun bereft, Look from my path when, mimicking the same, The fire-fly glimpses past me, come and gone? - Where was it till the sunset? where anon It will be at the sunrise! what's to blame?" XI Is it so helpful to thee? canst thou take The mimic up, nor, for the true thing's sake, Put gently by such efforts at at beam? Is the remainder of the way so long Thou need'st the little solace, thou the strong? Watch out thy watch, let weak ones doze and dream! XII "—Ah, but the fresher faces! Is it true," Thou'lt ask, "some eyes are beautiful and new? Some hair,—how can one choose but grasp such wealth? And if a man would press his lips to lips Fresh as the wilding hedge-rose-cup there slips The dew-drop out of, must it be by stealth? XIII "It cannot change the love kept still for Her, Much more than, such a picture to prefer Passing a day with, to a room's bare side.
The painted form takes nothing she possessed, Yet while the Titian's Venus lies at rest A man looks.
Once more, what is there to chide?" XIV So must I see, from where I sit and watch, My own self sell myself, my hand attach Its warrant to the very thefts from me— Thy singleness of soul that made me proud, Thy purity of heart I loved aloud, Thy man's truth I was bold to bid God see! XV Love so, then, if thou wilt! Give all thou canst Away to the new faces—disentranced— (Say it and think it) obdurate no more, Re-issue looks and words from the old mint— Pass them afresh, no matter whose the print Image and superscription once they bore! XVI Re-coin thyself and give it them to spend,— It all comes to the same thing at the end, Since mine thou wast, mine art, and mine shalt be, Faithful or faithless, sealing up the sum Or lavish of my treasure, thou must come Back to the heart's place here I keep for thee! XVII Only, why should it be with stain at all? Why must I, 'twixt the leaves of coronal, Put any kiss of pardon on thy brow? Why need the other women know so much And talk together, "Such the look and such The smile he used to love with, then as now!" XVIII Might I die last and shew thee! Should I find Such hardship in the few years left behind, If free to take and light my lamp, and go Into thy tomb, and shut the door and sit Seeing thy face on those four sides of it The better that they are so blank, I know! XIX Why, time was what I wanted, to turn o'er Within my mind each look, get more and more By heart each word, too much to learn at first, And join thee all the fitter for the pause 'Neath the low door-way's lintel.
That were cause For lingering, though thou called'st, If I durst! XX And yet thou art the nobler of us two.
What dare I dream of, that thou canst not do, Outstripping my ten small steps with one stride? I'll say then, here's a trial and a task— Is it to bear?—if easy, I'll not ask— Though love fail, I can trust on in thy pride.
XXI Pride?—when those eyes forestall the life behind The death I have to go through!—when I find, Now that I want thy help most, all of thee! What did I fear? Thy love shall hold me fast Until the little minute's sleep is past And I wake saved.
—And yet, it will not be!
Written by Elizabeth Barrett Browning | Create an image from this poem

Futurity

 AND, O beloved voices, upon which
Ours passionately call because erelong
Ye brake off in the middle of that song
We sang together softly, to enrich
The poor world with the sense of love, and witch,
The heart out of things evil,--I am strong,
Knowing ye are not lost for aye among

The hills, with last year's thrush.
God keeps a niche In Heaven to hold our idols; and albeit He brake them to our faces and denied That our close kisses should impair their white, I know we shall behold them raised, complete, The dust swept from their beauty,--glorified New Memnons singing in the great God-light.
Written by Horace | Create an image from this poem

Not I, but Varius (SCRIBERIS VARIO)

     Not I, but Varius:—he, of Homer's brood
       A tuneful swan, shall bear you on his wing,
     Your tale of trophies, won by field or flood,
         Mighty alike to sing.
     Not mine such themes, Agrippa; no, nor mine
       To chant the wrath that fill'd Pelides' breast,
     Nor dark Ulysses' wanderings o'er the brine,
         Nor Pelops' house unblest.
     Vast were the task, I feeble; inborn shame,
       And she, who makes the peaceful lyre submit,
     Forbid me to impair great Caesar's fame
         And yours by my weak wit.
     But who may fitly sing of Mars array'd
       In adamant mail, or Merion, black with dust
     Of Troy, or Tydeus' son by Pallas' aid
         Strong against gods to thrust?
     Feasts are my theme, my warriors maidens fair,
       Who with pared nails encounter youths in fight;
     Be Fancy free or caught in Cupid's snare,
         Her temper still is light.


Written by Robert Herrick | Create an image from this poem

THE LILY IN A CRYSTAL

 You have beheld a smiling rose
When virgins' hands have drawn
O'er it a cobweb-lawn:
And here, you see, this lily shows,
Tomb'd in a crystal stone,
More fair in this transparent case
Than when it grew alone,
And had but single grace.
You see how cream but naked is, Nor dances in the eye Without a strawberry; Or some fine tincture, like to this, Which draws the sight thereto, More by that wantoning with it, Than when the paler hue No mixture did admit.
You see how amber through the streams More gently strokes the sight, With some conceal'd delight, Than when he darts his radiant beams Into the boundless air; Where either too much light his worth Doth all at once impair, Or set it little forth.
Put purple grapes or cherries in- To glass, and they will send More beauty to commend Them, from that clean and subtle skin, Than if they naked stood, And had no other pride at all, But their own flesh and blood, And tinctures natural.
Thus lily, rose, grape, cherry, cream, And strawberry do stir More love, when they transfer A weak, a soft, a broken beam; Than if they should discover At full their proper excellence, Without some scene cast over, To juggle with the sense.
Thus let this crystall'd lily be A rule, how far to teach Your nakedness must reach; And that no further than we see Those glaring colours laid By art's wise hand, but to this end They should obey a shade, Lest they too far extend.
--So though you're white as swan or snow, And have the power to move A world of men to love; Yet, when your lawns and silks shall flow, And that white cloud divide Into a doubtful twilight;--then, Then will your hidden pride Raise greater fires in men.
Written by John Keats | Create an image from this poem

Written On The Day That Mr Leigh Hunt Left Prison

 What though, for showing truth to flattered state,
Kind Hunt was shut in prison, yet has he,
In his immortal spirit, been as free
As the sky-searching lark, and as elate.
Minion of grandeur! think you he did wait? Think you he nought but prison-walls did see, Till, so unwilling, thou unturnedst the key? Ah, no! far happier, nobler was his fate! In Spenser's halls he strayed, and bowers fair, Culling enchanted flowers; and he flew With daring Milton through the fields of air: To regions of his own his genius true Took happy flights.
Who shall his fame impair When thou art dead, and all thy wretched crew?
Written by William Shakespeare | Create an image from this poem

Sonnet LXXXIII

 I never saw that you did painting need
And therefore to your fair no painting set;
I found, or thought I found, you did exceed
The barren tender of a poet's debt;
And therefore have I slept in your report,
That you yourself being extant well might show
How far a modern quill doth come too short,
Speaking of worth, what worth in you doth grow.
This silence for my sin you did impute, Which shall be most my glory, being dumb; For I impair not beauty being mute, When others would give life and bring a tomb.
There lives more life in one of your fair eyes Than both your poets can in praise devise.
Written by Friedrich von Schiller | Create an image from this poem

The Maid Of Orleans

 Humanity's bright image to impair.
Scorn laid thee prostrate in the deepest dust; Wit wages ceaseless war on all that's fair,-- In angel and in God it puts no trust; The bosom's treasures it would make its prey,-- Besieges fancy,--dims e'en faith's pure ray.
Yet issuing like thyself from humble line, Like thee a gentle shepherdess is she-- Sweet poesy affords her rights divine, And to the stars eternal soars with thee.
Around thy brow a glory she hath thrown; The heart 'twas formed thee,--ever thou'lt live on! The world delights whate'er is bright to stain, And in the dust to lay the glorious low; Yet fear not! noble bosoms still remain, That for the lofty, for the radiant glow Let Momus serve to fill the booth with mirth; A nobler mind loves forms of nobler worth.
Written by William Shakespeare | Create an image from this poem

Sonnet 83: I never saw that you did painting need

 I never saw that you did painting need,
And therefore to your fair no painting set;
I found, or thought I found, you did exceed
That barren tender of a poet's debt;
And therefore have I slept in your report,
That you yourself being extant well might show
How far a modern quill doth come too short,
Speaking of worth, what worth in you doth grow.
This silence for my sin you did impute, Which shall be most my glory, being dumb, For I impair not beauty, being mute, When others would give life and bring a tomb.
There lives more life in one of your fair eyes, Than both your poets can in praise devise.

Book: Shattered Sighs