Written by
Amy Lowell |
The lawyer, are you?
Well! I ain't got nothin' to say.
Nothin'!
I told the perlice I hadn't nothin'.
They know'd real well 'twas me.
Ther warn't no supposin',
Ketchin' me in the woods as they did,
An' me in my house dress.
Folks don't walk miles an' miles
In the drifted snow,
With no hat nor wrap on 'em
Ef everythin's all right, I guess.
All right? Ha! Ha! Ha!
Nothin' warn't right with me.
Never was.
Oh, Lord! Why did I do it?
Why ain't it yesterday, and Ed here agin?
Many's the time I've set up with him nights
When he had cramps, or rheumatizm, or somethin'.
I used ter nurse him same's ef he was a baby.
I wouldn't hurt him, I love him!
Don't you dare to say I killed him.
'Twarn't me!
Somethin' got aholt o' me.
I couldn't help it.
Oh, what shall I do! What shall I do!
Yes, Sir.
No, Sir.
I beg your pardon, I -- I --
Oh, I'm a wicked woman!
An' I'm desolate, desolate!
Why warn't I struck dead or paralyzed
Afore my hands done it.
Oh, my God, what shall I do!
No, Sir, ther ain't no extenuatin' circumstances,
An' I don't want none.
I want a bolt o' lightnin'
To strike me dead right now!
Oh, I'll tell yer.
But it won't make no diff'rence.
Nothin' will.
Yes, I killed him.
Why do yer make me say it?
It's cruel! Cruel!
I killed him because o' th' silence.
The long, long silence,
That watched all around me,
And he wouldn't break it.
I tried to make him,
Time an' agin,
But he was terrible taciturn, Ed was.
He never spoke 'cept when he had to,
An' then he'd only say "yes" and "no".
You can't even guess what that silence was.
I'd hear it whisperin' in my ears,
An' I got frightened, 'twas so thick,
An' al'ays comin' back.
Ef Ed would ha' talked sometimes
It would ha' driven it away;
But he never would.
He didn't hear it same as I did.
You see, Sir,
Our farm was off'n the main road,
And set away back under the mountain;
And the village was seven mile off,
Measurin' after you'd got out o' our lane.
We didn't have no hired man,
'Cept in hayin' time;
An' Dane's place,
That was the nearest,
Was clear way 'tother side the mountain.
They used Marley post-office
An' ours was Benton.
Ther was a cart-track took yer to Dane's in Summer,
An' it warn't above two mile that way,
But it warn't never broke out Winters.
I used to dread the Winters.
Seem's ef I couldn't abear to see the golden-rod bloomin';
Winter'd come so quick after that.
You don't know what snow's like when yer with it
Day in an' day out.
Ed would be out all day loggin',
An' I set at home and look at the snow
Layin' over everythin';
It 'ud dazzle me blind,
Till it warn't white any more, but black as ink.
Then the quiet 'ud commence rushin' past my ears
Till I most went mad listenin' to it.
Many's the time I've dropped a pan on the floor
Jest to hear it clatter.
I was most frantic when dinner-time come
An' Ed was back from the woods.
I'd ha' give my soul to hear him speak.
But he'd never say a word till I asked him
Did he like the raised biscuits or whatever,
An' then sometimes he'd jest nod his answer.
Then he'd go out agin,
An' I'd watch him from the kitchin winder.
It seemed the woods come marchin' out to meet him
An' the trees 'ud press round him an' hustle him.
I got so I was scared o' th' trees.
I thought they come nearer,
Every day a little nearer,
Closin' up round the house.
I never went in t' th' woods Winters,
Though in Summer I liked 'em well enough.
It warn't so bad when my little boy was with us.
He used to go sleddin' and skatin',
An' every day his father fetched him to school in the pung
An' brought him back agin.
We scraped an' scraped fer Neddy,
We wanted him to have a education.
We sent him to High School,
An' then he went up to Boston to Technology.
He was a minin' engineer,
An' doin' real well,
A credit to his bringin' up.
But his very first position ther was an explosion in the mine.
And I'm glad! I'm glad!
He ain't here to see me now.
Neddy! Neddy!
I'm your mother still, Neddy.
Don't turn from me like that.
I can't abear it.
I can't! I can't!
What did you say?
Oh, yes, Sir.
I'm here.
I'm very sorry,
I don't know what I'm sayin'.
No, Sir,
Not till after Neddy died.
'Twas the next Winter the silence come,
I don't remember noticin' it afore.
That was five year ago,
An' it's been gittin' worse an' worse.
I asked Ed to put in a telephone.
I thought ef I felt the whisperin' comin' on
I could ring up some o' th' folks.
But Ed wouldn't hear of it.
He said we'd paid so much for Neddy
We couldn't hardly git along as 'twas.
An' he never understood me wantin' to talk.
Well, this year was worse'n all the others;
We had a terrible spell o' stormy weather,
An' the snow lay so thick
You couldn't see the fences even.
Out o' doors was as flat as the palm o' my hand,
Ther warn't a hump or a holler
Fer as you could see.
It was so quiet
The snappin' o' the branches back in the wood-lot
Sounded like pistol shots.
Ed was out all day
Same as usual.
An' it seemed he talked less'n ever.
He didn't even say `Good-mornin'', once or twice,
An' jest nodded or shook his head when I asked him things.
On Monday he said he'd got to go over to Benton
Fer some oats.
I'd oughter ha' gone with him,
But 'twas washin' day
An' I was afeared the fine weather'd break,
An' I couldn't do my dryin'.
All my life I'd done my work punctual,
An' I couldn't fix my conscience
To go junketin' on a washin'-day.
I can't tell you what that day was to me.
It dragged an' dragged,
Fer ther warn't no Ed ter break it in the middle
Fer dinner.
Every time I stopped stirrin' the water
I heerd the whisperin' all about me.
I stopped oftener'n I should
To see ef 'twas still ther,
An' it al'ays was.
An' gittin' louder
It seemed ter me.
Once I threw up the winder to feel the wind.
That seemed most alive somehow.
But the woods looked so kind of menacin'
I closed it quick
An' started to mangle's hard's I could,
The squeakin' was comfortin'.
Well, Ed come home 'bout four.
I seen him down the road,
An' I run out through the shed inter th' barn
To meet him quicker.
I hollered out, `Hullo!'
But he didn't say nothin',
He jest drove right in
An' climbed out o' th' sleigh
An' commenced unharnessin'.
I asked him a heap o' questions;
Who he'd seed
An' what he'd done.
Once in a while he'd nod or shake,
But most o' th' time he didn't do nothin'.
'Twas gittin' dark then,
An' I was in a state,
With the loneliness
An' Ed payin' no attention
Like somethin' warn't livin'.
All of a sudden it come,
I don't know what,
But I jest couldn't stand no more.
It didn't seem 's though that was Ed,
An' it didn't seem as though I was me.
I had to break a way out somehow,
Somethin' was closin' in
An' I was stiflin'.
Ed's loggin' axe was ther,
An' I took it.
Oh, my God!
I can't see nothin' else afore me all the time.
I run out inter th' woods,
Seemed as ef they was pullin' me;
An' all the time I was wadin' through the snow
I seed Ed in front of me
Where I'd laid him.
An' I see him now.
There! There!
What you holdin' me fer?
I want ter go to Ed,
He's bleedin'.
Stop holdin' me.
I got to go.
I'm comin', Ed.
I'll be ther in a minit.
Oh, I'm so tired!
(Faints)
|
Written by
Yevgeny Yevtushenko |
Superb,
Like a seasoned lion,
Neruda buys bread in the shop.
He asks for it to be wrapped in paper
And solemly puts it under his arm:
"Let someone at least think
that at some time
I bought a book…"
Waving his hand in farewell,
like a Roman
rather dreamily royal,
in the air scented with mollusks,
oysters,
rice,
he walks with the bread through Valparaiso.
He says:
" Eugenio, look!
You see--
over there, among the puddles and garbage,
standing up under the red lamps
stands Bilbao-with the soul
of a poet -- in bronze.
Bilbao was a tramp and a rebel.
Originally
they set up the monument, fenced off
by a chain, with due pomp, right in the center,
although the poet had lived in the slums.
Then there was some minor overthrow or other,
and the poet was thrown out, beyond the gates.
Sweating,
they removed
the pedestal
to a filthy little red-light district.
And the poet stood,
as the sailor's adopted brother,
against a background
you might call native to him.
Our Bilbao loved cracking jokes.
He would say:
'On this best of possible planets
there are prostitutes and politutes --
as I'm a poet,
I prefer the former.
'"
And Neruda comments, with a hint of slyness:
"A poet is
beyond the rise and fall of values.
It's not hard to remove us from the center,
but the spot where they set us down
becomes the center!"
I remember that noon,
Pablo,
as I tune my transistor at night, ny the window,
now,
when a wicked war with the people of Chile
brings back the smell of Spain.
Playing about at a new overthrow,
politutes in generals' uniforms
wanted, whichever way they could,
to hustle your poetry out of sight.
But today I see Neruda--
he's always right in the center
and, not faltering,
he carries his poetry to the people
as simply and calmly
as a loaf of bread.
Many poets follow false paths,
but if the poet is with the people to the bitter end,
like a conscience-
then nothing
can possibly overthrow poetry.
1973
Translated by Arthur Boyars amd Simon Franklin
|
Written by
T S (Thomas Stearns) Eliot |
I have a Gumbie Cat in mind, her name is Jennyanydots;
Her coat is of the tabby kind, with tiger stripes and leopard spots.
All day she sits upon the stair or on the steps or on the mat;
She sits and sits and sits and sits--and that's what makes a Gumbie Cat!
But when the day's hustle and bustle is done,
Then the Gumbie Cat's work is but hardly begun.
And when all the family's in bed and asleep,
She tucks up her skirts to the basement to creep.
She is deeply concerned with the ways of the mice--
Their behaviour's not good and their manners not nice;
So when she has got them lined up on the matting,
She teachs them music, crocheting and tatting.
I have a Gumbie Cat in mind, her name is Jennyanydots;
Her equal would be hard to find, she likes the warm and sunny spots.
All day she sits beside the hearth or on the bed or on my hat:
She sits and sits and sits and sits--and that's what makes a Gumbie Cat!
But when the day's hustle and bustle is done,
Then the Gumbie Cat's work is but hardly begun.
As she finds that the mice will not ever keep quiet,
She is sure it is due to irregular diet;
And believing that nothing is done without trying,
She sets right to work with her baking and frying.
She makes them a mouse--cake of bread and dried peas,
And a beautiful fry of lean bacon and cheese.
I have a Gumbie Cat in mind, her name is Jennyanydots;
The curtain-cord she likes to wind, and tie it into sailor-knots.
She sits upon the window-sill, or anything that's smooth and flat:
She sits and sits and sits and sits--and that's what makes a Gumbie Cat!
But when the day's hustle and bustle is done,
Then the Gumbie Cat's work is but hardly begun.
She thinks that the cockroaches just need employment
To prevent them from idle and wanton destroyment.
So she's formed, from that lot of disorderly louts,
A troop of well-disciplined helpful boy-scouts,
With a purpose in life and a good deed to do--
And she's even created a Beetles' Tattoo.
So for Old Gumbie Cats let us now give three cheers--
On whom well-ordered households depend, it appears.
|
Written by
Robert William Service |
I love the cheery bustle
Of children round the house,
The tidy maids a-hustle,
The chatter of my spouse;
The laughter and the singing,
The joy on every face:
With frequent laughter ringing,
O, Home's a happy place!
Aye, Home's a bit of heaven;
I love it every day;
My line-up of eleven
Combine to make it gay;
Yet when in June they're leaving
For Sandport by the sea,
By rights I should be grieving,
But gosh! I just fell free.
I'm left with parting kisses,
The guardian of the house;
The romp, it's true, one misses,
I'm quiet as a mouse.
In carpet slippers stealing
From room to room alone
I get the strangest feeling
The place is all my own.
It seems to nestle near me,
It whispers in my ear;
My books and pictures cheer me,
Hearth never was so dear.
In peace profound I lap me,
I take no stock of time,
And from the dreams that hap me,
I make (like this) a rhyme.
Oh, I'm ashamed of saying
(And think it's mean of me),
That when the kids are staying
At Sandspot on the sea,
And I evoke them clearly
Disporting in the spray,
I love them still more dearly
Because .
.
.
they're far away.
|
Written by
Rudyard Kipling |
There was a strife 'twixt man and maid--
Oh, that was at the birth of time!
But what befell 'twixt man and maid,
Oh, that's beyond the grip of rhyme.
'Twas "Sweet, I must not bide with you,"
And, "Love, I cannot bide alone";
For both were young and both were true.
And both were hard as the nether stone.
Beware the man who's crossed in love;
For pent-up steam must find its vent.
Stand back when he is on the move,
And lend him all the Continent.
Your patience, Sirs.
The Devil took me up
To the burned mountain over Sicily
(Fit place for me) and thence I saw my Earth--
(Not all Earth's splendour, 'twas beyond my need--)
And that one spot I love--all Earth to me,
And her I love, my Heaven.
What said I?
My love was safe from all the powers of Hell-
For you--e'en you--acquit her of my guilt--
But Sula, nestling by our sail--specked sea,
My city, child of mine, my heart, my home--
Mine and my pride--evil might visit there!
It was for Sula and her naked port,
Prey to the galleys of the Algerine,
Our city Sula, that I drove my price--
For love of Sula and for love of her.
The twain were woven--gold on sackcloth--twined
Past any sundering till God shall judge
The evil and the good.
Now it is not good for the Christian's health to hustle the Aryan
brown,
For the Christian riles, and the Aryan smiles and he weareth the
Christian down;
And the end of the fight is a tombstone white with the name of
the late deceased,
And the epitaph drear: "A Fool lies here who tried to hustle the
East.
"
There is pleasure in the wet, wet clay
When the artist's hand is potting it.
There is pleasure in the wet, wet lay --
When the poet's pad is blotting it.
There is pleasure in the shine of your picture on the line
At the Royal Acade-my;
But the pleasure felt in these is as chalk to Cheddar cheese
When it comes to a well-made Lie--
To a quite unwreckable Lie,
To a most impeccable Lie!
To a water-right, fire-proof, angle-iron, sunk-hinge, time-lock,
steel-faced Lie!
Not a private handsome Lie,
But a pair-and-brougham Lie,
Not a little-place-at-Tooting, but a country-house-with-shooting
And a ring-fence-deer-park Lie.
When a lover hies abroad
Looking for his love,
Azrael smiling sheathes his sword,
Heaven smiles above.
Earth and sea
His servants be,
And to lesser compass round,
That his love be sooner found!
We meet in an evil land
That is near to the gates of Hell.
I wait for thy command
To serve, to speed or withstand.
And thou sayest I do not well?
Oh Love, the flowers so red
Are only tongues of flame,
The earth is full of the dead,
The new-killed, restless dead.
There is danger beneath and o'erhead,
And I guard thy gates in fear
Of words thou canst not hear,
Of peril and jeopardy,
Of signs thou canst not see--
.
And thou sayest 'tis ill that I came?
This I saw when the rites were done,
And the lamps were dead and the Gods alone,
And the grey snake coiled on the altar stone--
Ere I fled from a Fear that I could not see,
And the Gods of the East made mouths at me.
Beat off in our last fight were we?
The greater need to seek the sea.
For Fortune changeth as the moon
To caravel and picaroon.
Then Eastward Ho! or Westward Ho!
Whichever wind may meetest blow.
Our quarry sails on either sea,
Fat prey for such bold lads as we,
And every sun-dried buccaneer
Must hand and reef and watch and steer,
And bear great wrath of sea and sky
Before the plate-ships wallow by.
Now, as our tall bows take the foam,
Let no man turn his heart to home,
Save to desire plunder more
And larger warehouse for his store,
When treasure won from Santos Bay
Shall make our sea-washed village gay.
Because I sought it far from men,
In deserts and alone,
I found it burning overhead,
The jewel of a Throne.
Because I sought--I sought it so
And spent my days to find--
It blazed one moment ere it left
The blacker night behind.
We be the Gods of the East--
Older than all--
Masters of Mourning and Feast--
How shall we fall?
Will they gape for the husks that ye proffer
Or yearn to your song
And we--have we nothing to offer
Who ruled them so long--
In the fume of incense, the clash of the cymbals, the blare of
the conch and the gong?
Over the strife of the schools
Low the day burns--
Back with the kine from the pools
Each one returns
To the life that he knows where the altar-flame glows and the
tulsi is trimmed in the urns.
|
Written by
Charles Bukowski |
I even hear the mountains
the way they laugh
up and down their blue sides
and down in the water
the fish cry
and the water
is their tears.
I listen to the water
on nights I drink away
and the sadness becomes so great
I hear it in my clock
it becomes knobs upon my dresser
it becomes paper on the floor
it becomes a shoehorn
a laundry ticket
it becomes
cigarette smoke
climbing a chapel of dark vines.
.
.
it matters little
very little love is not so bad
or very little life
what counts
is waiting on walls
I was born for this
I was born to hustle roses down the avenues of the dead.
|
Written by
Andrew Barton Paterson |
The sheep were shorn and the wool went down
At the time of our local racing;
And I'd earned a spell -- I was burnt and brown --
So I rolled my swag for a trip to town
And a look at the steeplechasing.
Twas rough and ready--an uncleared course
As rough as the blacks had found it;
With barbed-wire fences, topped with gorse,
And a water-jump that would drown a horse,
And the steeple three times round it.
There was never a fence the tracks to guard, --
Some straggling posts defined 'em:
And the day was hot, and the drinking hard,
Till none of the stewards could see a yard
Before nor yet behind 'em!
But the bell was rung and the nags were out,
Excepting an old outsider
Whose trainer started an awful rout,
For his boy had gone on a drinking bout
And left him without a rider.
"Is there not a man in the crowd," he cried,
"In the whole of the crowd so clever,
Is there not one man that will take a ride
On the old white horse from the Northern side
That was bred on the Mooki River?"
Twas an old white horse that they called The Cow,
And a cow would look well beside him;
But I was pluckier then than now
(And I wanted excitement anyhow),
So at last I agreed to ride him.
And the trainer said,"Well, he's dreadful slow,
And he hasn't a chance whatever;
But I'm stony broke, so it's time to show
A trick or two that the trainers know
Who train by the Mooki River.
"The first time round at the further side,
With the trees and the scrub about you,
Just pull behind them and run out wide
And then dodge into the scrub and hide,
And let them go round without you.
"At the third time round, for the final spin
With the pace and the dust to blind 'em,
They'll never notice if you chip in
For the last half-mile -- you'll be sure to win,
And they'll think you raced behind 'em.
"At the water-jump you may have to swim --
He hasn't a hope to clear it,
Unless he skims like the swallows skim
At full speed over -- but not for him!
He'll never go next or near it.
"But don't you worry -- just plunge across,
For he swims like a well-trained setter.
Then hide away in the scrub and gorse
The rest will be far ahead, of course --
The further ahead the better.
"You must rush the jumps in the last half-round
For fear that he might refuse 'em;
He'll try to baulk with you, I'11 be bound;
Take whip and spurs to the mean old hound,
And don't be afraid to use 'em.
"At the final round, when the field are slow
And you are quite fresh to meet 'em,
Sit down, and hustle him all you know
With the whip and spurs, and he'll have to go --
Remember, you've got to beat 'em!"
*
The flag went down, and we seemed to fly,
And we made the timbers shiver
Of the first big fence, as the stand dashed by,
And I caught the ring of the trainer's cry;
"Go on, for the Mooki River!"
I jammed him in with a well-packed crush,
And recklessly -- out for slaughter --
Like a living wave over fence and brush
We swept and swung with a flying rush,
Till we came to the dreaded water.
Ha, ha! I laugh at it now to think
Of the way I contrived to work it
Shut in amongst them, before you'd wink,
He found himself on the water's brink,
With never a chance to shirk it!
The thought of the horror he felt beguiles
The heart of this grizzled rover!
He gave a snort you could hear for miles,
And a spring would have cleared the Channel Isles,
And carried me safely over!
Then we neared the scrub, and I pulled him back
In the shade where the gum-leaves quiver:
And I waited there in the shadows black
While the rest of the horses, round the track,
Went on like a rushing river!
At the second round, as the field swept by,
I saw that the pace was telling;
But on they thundered, and by-and-by
As they passed the stand I could hear the cry
Of the folk in the distance, yelling!
Then the last time round! And the hoofbeats rang!
And I said, "Well, it's now or never!"
And out on the heels of the throng I sprang,
And the spurs bit deep and the whipcord sang
As I rode.
For the Mooki River!
We raced for home in a cloud of dust
And the curses rose in chorus.
'Twas flog, and hustle, and jump you must!
And The Cow ran well -- but to my disgust
There was one got home before us.
Twas a big black horse, that I had not seen
In the part of the race I'd ridden;
And his coat was cool and his rider clean --
And I thought that perhaps I had not been
The only one that had hidden.
And the trainer came with a visage blue
With rage, when the race concluded:
Said he, "I thought you'd have pulled us through,
But the man on the black horse planted too,
And nearer to home than you did!"
Alas to think that those times so gay
Have vanished and passed for ever!
You don't believe in the yarn, you say?
Why, man, 'twas a matter of every day
When we raced on the Mooki River!
|
Written by
Andrew Barton Paterson |
As I pondered very weary o'er a volume long and dreary --
For the plot was void of interest; 'twas the Postal Guide, in fact --
There I learnt the true location, distance, size and population
Of each township, town, and village in the radius of the Act.
And I learnt that Puckawidgee stands beside the Murrumbidgee,
And the Booleroi and Bumble get their letters twice a year,
Also that the post inspector, when he visited Collector,
Closed the office up instanter, and re-opened Dungalear.
But my languid mood forsook me, when I found a name that took me;
Quite by chance I came across it -- "Come-by-Chance" was what I read;
No location was assigned it, not a thing to help one find it,
Just an N which stood for northward, and the rest was all unsaid.
I shall leave my home, and forthward wander stoutly to the northward
Till I come by chance across it, and I'll straightway settle down;
For there can't be any hurry, nor the slightest cause for worry
Where the telegraph don't reach you nor the railways run to town.
And one's letters and exchanges come by chance across the ranges,
Where a wiry young Australian leads a packhorse once a week,
And the good news grows by keeping, and you're spared the pain of weeping
Over bad news when the mailman drops the letters in a creek.
But I fear, and more's the pity, that there's really no such city,
For there's not a man can find it of the shrewdest folk I know;
"Come-by-Chance", be sure it never means a land of fierce endeavour --
It is just the careless country where the dreamers only go.
* * * * * * *
Though we work and toil and hustle in our life of haste and bustle,
All that makes our life worth living comes unstriven for and free;
Man may weary and importune, but the fickle goddess Fortune
Deals him out his pain or pleasure, careless what his worth may be.
All the happy times entrancing, days of sport and nights of dancing,
Moonlit rides and stolen kisses, pouting lips and loving glance:
When you think of these be certain you have looked behind the curtain,
You have had the luck to linger just a while in "Come-by-Chance".
|
Written by
Johann Wolfgang von Goethe |
THE tale of the Count our glad song shall record
Who had in this castle his dwelling,
Where now ye are feasting the new-married lord,
His grandson of whom we are telling.
The Count as Crusader had blazon'd his fame,
Through many a triumph exalted his name,
And when on his steed to his dwelling he came,
His castle still rear'd its proud head,
But servants and wealth had all fled.
'Tis true that thou, Count, hast return'd to thy home,
But matters are faring there ill.
The winds through the chambers at liberty roam,
And blow through the windows at will
What's best to be done in a cold autumn night?
Full many I've pass'd in more piteous plight;
The morn ever settles the matter aright.
Then quick, while the moon shines so clear,
To bed on the straw, without fear,
And whilst in a soft pleasing slumber he lay,
A motion he feels 'neath his bed.
The rat, an he likes it, may rattle away!
Ay, had he but crumbs there outspread!
But lo! there appears a diminutive wight,
A dwarf 'tis, yet graceful, and bearing a light,
With orator-gestures that notice invite,
At the feet of the Count on the floor
Who sleeps not, though weary full sore.
"We've long been accustom'd to hold here our feast,
Since thou from thy castle first went;
And as we believed thou wert far in the East,
To revel e'en now we were bent.
And if thou'lt allow it, and seek not to chide,
We dwarfs will all banquet with pleasure and pride,
To honour the wealthy, the beautiful bride
Says the Count with a smile, half-asleep;--
"Ye're welcome your quarters to keep!"
Three knights then advance, riding all in a group,
Who under the bed were conceal'd;
And then is a singing and noise-making troop
Of strange little figures reveal'd;
And waggon on waggon with all kinds of things--
The clatter they cause through the ear loudly rings--
The like ne'er was seen save in castles of kings;
At length, in a chariot of gold,
The bride and the guests too, behold!
Then all at full gallop make haste to advance,
Each chooses his place in the hall;
With whirling and waltzing, and light joyous dance,
They begin with their sweethearts the ball.
The fife and the fiddle all merrily sound,
Thy twine, and they glide, and with nimbleness bound,
Thy whisper, and chatter, and, chatter around;
The Count on the scene casts his eye,
And seems in a fever to lie.
They hustle, and bustle, and rattle away
On table, on bench, and on stool;
Then all who had joined in the festival gay
With their partners attempt to grow cool.
The hams and the sausages nimbly they bear,
And meat, fish, and poultry in plenty are there,
Surrounded with wine of the vintage most rare:
And when they have revell'd full long,
They vanish at last with a song.
* * * * * *
And if we're to sing all that further occurr'd,
Pray cease ye to bluster and prate;
For what he so gladly in small saw and heard
He enjoy'd and he practis'd in great.
For trumpets, and singing, and shouts without end
On the bridal-train, chariots and horsemen attend,
They come and appear, and they bow and they bend,
In merry and countless array.
Thus was it, thus is it to-day.
1802.
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Written by
Gerard Manley Hopkins |
Foundered March 24.
1878
1
The Eurydice—it concerned thee, O Lord:
Three hundred souls, O alas! on board,
Some asleep unawakened, all un-
warned, eleven fathoms fallen
2
Where she foundered! One stroke
Felled and furled them, the hearts of oak!
And flockbells off the aerial
Downs' forefalls beat to the burial.
3
For did she pride her, freighted fully, on
Bounden bales or a hoard of bullion?—
Precious passing measure,
Lads and men her lade and treasure.
4
She had come from a cruise, training seamen—
Men, boldboys soon to be men:
Must it, worst weather,
Blast bole and bloom together?
5
No Atlantic squall overwrought her
Or rearing billow of the Biscay water:
Home was hard at hand
And the blow bore from land.
6
And you were a liar, O blue March day.
Bright sun lanced fire in the heavenly bay;
But what black Boreas wrecked her? he
Came equipped, deadly-electric,
7
A beetling baldbright cloud thorough England
Riding: there did stores not mingle? and
Hailropes hustle and grind their
Heavengravel? wolfsnow, worlds of it, wind there?
8
Now Carisbrook keep goes under in gloom;
Now it overvaults Appledurcombe;
Now near by Ventnor town
It hurls, hurls off Boniface Down.
9
Too proud, too proud, what a press she bore!
Royal, and all her royals wore.
Sharp with her, shorten sail!
Too late; lost; gone with the gale.
10
This was that fell capsize,
As half she had righted and hoped to rise
Death teeming in by her portholes
Raced down decks, round messes of mortals.
11
Then a lurch forward, frigate and men;
'All hands for themselves' the cry ran then;
But she who had housed them thither
Was around them, bound them or wound them with her.
12
Marcus Hare, high her captain,
Kept to her—care-drowned and wrapped in
Cheer's death, would follow
His charge through the champ-white water-in-a-wallow,
13
All under Channel to bury in a beach her
Cheeks: Right, rude of feature,
He thought he heard say
'Her commander! and thou too, and thou this way.
'
14
It is even seen, time's something server,
In mankind's medley a duty-swerver,
At downright 'No or yes?'
Doffs all, drives full for righteousness.
15
Sydney Fletcher, Bristol-bred,
(Low lie his mates now on watery bed)
Takes to the seas and snows
As sheer down the ship goes.
16
Now her afterdraught gullies him too down;
Now he wrings for breath with the deathgush brown;
Till a lifebelt and God's will
Lend him a lift from the sea-swill.
17
Now he shoots short up to the round air;
Now he gasps, now he gazes everywhere;
But his eye no cliff, no coast or
Mark makes in the rivelling snowstorm.
18
Him, after an hour of wintry waves,
A schooner sights, with another, and saves,
And he boards her in Oh! such joy
He has lost count what came next, poor boy.
—
19
They say who saw one sea-corpse cold
He was all of lovely manly mould,
Every inch a tar,
Of the best we boast our sailors are.
20
Look, foot to forelock, how all things suit! he
Is strung by duty, is strained to beauty,
And brown-as-dawning-skinned
With brine and shine and whirling wind.
21
O his nimble finger, his gnarled grip!
Leagues, leagues of seamanship
Slumber in these forsaken
Bones, this sinew, and will not waken.
22
He was but one like thousands more,
Day and night I deplore
My people and born own nation,
Fast foundering own generation.
23
I might let bygones be—our curse
Of ruinous shrine no hand or, worse,
Robbery's hand is busy to
Dress, hoar-hallowèd shrines unvisited;
24
Only the breathing temple and fleet
Life, this wildworth blown so sweet,
These daredeaths, ay this crew, in
Unchrist, all rolled in ruin—
25
Deeply surely I need to deplore it,
Wondering why my master bore it,
The riving off that race
So at home, time was, to his truth and grace
26
That a starlight-wender of ours would say
The marvellous Milk was Walsingham Way
And one—but let be, let be:
More, more than was will yet be.
—
27
O well wept, mother have lost son;
Wept, wife; wept, sweetheart would be one:
Though grief yield them no good
Yet shed what tears sad truelove should.
28
But to Christ lord of thunder
Crouch; lay knee by earth low under:
'Holiest, loveliest, bravest,
Save my hero, O Hero savest.
29
And the prayer thou hearst me making
Have, at the awful overtaking,
Heard; have heard and granted
Grace that day grace was wanted.
'
30
Not that hell knows redeeming,
But for souls sunk in seeming
Fresh, till doomfire burn all,
Prayer shall fetch pity eternal.
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