Written by
Sylvia Plath |
Somebody is shooting at something in our town --
A dull pom, pom in the Sunday street.
Jealousy can open the blood,
It can make black roses.
Who are the shooting at?
It is you the knives are out for
At Waterloo, Waterloo, Napoleon,
The hump of Elba on your short back,
And the snow, marshaling its brilliant cutlery
Mass after mass, saying Shh!
Shh! These are chess people you play with,
Still figures of ivory.
The mud squirms with throats,
Stepping stones for French bootsoles.
The gilt and pink domes of Russia melt and float off
In the furnace of greed.
Clouds, clouds.
So the swarm balls and deserts
Seventy feet up, in a black pine tree.
It must be shot down.
Pom! Pom!
So dumb it thinks bullets are thunder.
It thinks they are the voice of God
Condoning the beak, the claw, the grin of the dog
Yellow-haunched, a pack-dog,
Grinning over its bone of ivory
Like the pack, the pack, like everybody.
The bees have got so far.
Seventy feet high!
Russia, Poland and Germany!
The mild hills, the same old magenta
Fields shrunk to a penny
Spun into a river, the river crossed.
The bees argue, in their black ball,
A flying hedgehog, all prickles.
The man with gray hands stands under the honeycomb
Of their dream, the hived station
Where trains, faithful to their steel arcs,
Leave and arrive, and there is no end to the country.
Pom! Pom! They fall
Dismembered, to a tod of ivy.
So much for the charioteers, the outriders, the Grand Army!
A red tatter, Napoleon!
The last badge of victory.
The swarm is knocked into a cocked straw hat.
Elba, Elba, bleb on the sea!
The white busts of marshals, admirals, generals
Worming themselves into niches.
How instructive this is!
The dumb, banded bodies
Walking the plank draped with Mother France's upholstery
Into a new mausoleum,
An ivory palace, a crotch pine.
The man with gray hands smiles --
The smile of a man of business, intensely practical.
They are not hands at all
But asbestos receptacles.
Pom! Pom! 'They would have killed me.
'
Stings big as drawing pins!
It seems bees have a notion of honor,
A black intractable mind.
Napoleon is pleased, he is pleased with everything.
O Europe! O ton of honey!
|
Written by
Rudyard Kipling |
(From The Jungle Book)
Now this is the Law of the Jungle -- as old and as true as the sky;
And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die.
As the creeper that girdles the tree-trunk the Law runneth forward and back --
For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack.
Wash daily from nose-tip to tail-tip; drink deeply, but never too deep;
And remember the night is for hunting, and forget not the day is for sleep.
The Jackal may follow the Tiger, but, Cub, when thy whiskers are grown,
Remember the Wolf is a Hunter -- go forth and get food of thine own.
Keep peace withe Lords of the Jungle -- the Tiger, the Panther, and Bear.
And trouble not Hathi the Silent, and mock not the Boar in his lair.
When Pack meets with Pack in the Jungle, and neither will go from the trail,
Lie down till the leaders have spoken -- it may be fair words shall prevail.
When ye fight with a Wolf of the Pack, ye must fight him alone and afar,
Lest others take part in the quarrel, and the Pack be diminished by war.
The Lair of the Wolf is his refuge, and where he has made him his home,
Not even the Head Wolf may enter, not even the Council may come.
The Lair of the Wolf is his refuge, but where he has digged it too plain,
The Council shall send him a message, and so he shall change it again.
If ye kill before midnight, be silent, and wake not the woods with your bay,
Lest ye frighten the deer from the crop, and your brothers go empty away.
Ye may kill for yourselves, and your mates, and your cubs as they need, and ye can;
But kill not for pleasure of killing, and seven times never kill Man!
If ye plunder his Kill from a weaker, devour not all in thy pride;
Pack-Right is the right of the meanest; so leave him the head and the hide.
The Kill of the Pack is the meat of the Pack.
Ye must eat where it lies;
And no one may carry away of that meat to his lair, or he dies.
The Kill of the Wolf is the meat of the Wolf.
He may do what he will;
But, till he has given permission, the Pack may not eat of that Kill.
Cub-Right is the right of the Yearling.
From all of his Pack he may claim
Full-gorge when the killer has eaten; and none may refuse him the same.
Lair-Right is the right of the Mother.
From all of her year she may claim
One haunch of each kill for her litter, and none may deny her the same.
Cave-Right is the right of the Father -- to hunt by himself for his own:
He is freed of all calls to the Pack; he is judged by the Council alone.
Because of his age and his cunning, because of his gripe and his paw,
In all that the Law leaveth open, the word of your Head Wolf is Law.
Now these are the Laws of the Jungle, and many and mighty are they;
But the head and the hoof of the Law and the haunch and the hump is -- Obey!
|
Written by
James Joyce |
Have you heard of one Humpty Dumpty
How he fell with a roll and a rumble
And curled up like Lord Olofa Crumple
By the butt of the Magazine Wall,
(Chorus) Of the Magazine Wall,
Hump, helmet and all?
He was one time our King of the Castle
Now he's kicked about like a rotten old parsnip.
And from Green street he'll be sent by order of His Worship
To the penal jail of Mountjoy
(Chorus) To the jail of Mountjoy!
Jail him and joy.
He was fafafather of all schemes for to bother us
Slow coaches and immaculate contraceptives for the populace,
Mare's milk for the sick, seven dry Sundays a week,
Openair love and religion's reform,
(Chorus) And religious reform,
Hideous in form.
Arrah, why, says you, couldn't he manage it?
I'll go bail, my fine dairyman darling,
Like the bumping bull of the Cassidys
All your butter is in your horns.
(Chorus) His butter is in his horns.
Butter his horns!
(Repeat) Hurrah there, Hosty, frosty Hosty, change that shirt
on ye,
Rhyme the rann, the king of all ranns!
Balbaccio, balbuccio!
We had chaw chaw chops, chairs, chewing gum, the chicken-pox
and china chambers
Universally provided by this soffsoaping salesman.
Small wonder He'll Cheat E'erawan our local lads nicknamed him.
When Chimpden first took the floor
(Chorus) With his bucketshop store
Down Bargainweg, Lower.
So snug he was in his hotel premises sumptuous
But soon we'll bonfire all his trash, tricks and trumpery
And 'tis short till sheriff Clancy'll be winding up his unlimited
company
With the bailiff's bom at the door,
(Chorus) Bimbam at the door.
Then he'll bum no more.
Sweet bad luck on the waves washed to our island
The hooker of that hammerfast viking
And Gall's curse on the day when Eblana bay
Saw his black and tan man-o'-war.
(Chorus) Saw his man-o'-war
On the harbour bar.
Where from? roars Poolbeg.
Cookingha'pence, he bawls
Donnez-moi scampitle, wick an wipin'fampiny
Fingal Mac Oscar Onesine Bargearse Boniface
Thok's min gammelhole Norveegickers moniker
Og as ay are at gammelhore Norveegickers cod.
(Chorus) A Norwegian camel old cod.
He is, begod.
Lift it, Hosty, lift it, ye devil, ye! up with the rann,
the rhyming rann!
It was during some fresh water garden pumping
Or, according to the Nursing Mirror, while admiring the monkeys
That our heavyweight heathen Humpharey
Made bold a maid to woo
(Chorus) Woohoo, what'll she doo!
The general lost her maidenloo!
He ought to blush for himself, the old hayheaded philosopher,
For to go and shove himself that way on top of her.
Begob, he's the crux of the catalogue
Of our antediluvial zoo,
(Chorus) Messrs Billing and Coo.
Noah's larks, good as noo.
He was joulting by Wellinton's monument
Our rotorious hippopopotamuns
When some bugger let down the backtrap of the omnibus
And he caught his death of fusiliers,
(Chorus) With his rent in his rears.
Give him six years.
'Tis sore pity for his innocent poor children
But look out for his missus legitimate!
When that frew gets a grip of old Earwicker
Won't there be earwigs on the green?
(Chorus) Big earwigs on the green,
The largest ever you seen.
Suffoclose! Shikespower! Seudodanto! Anonymoses!
Then we'll have a free trade Gael's band and mass meeting
For to sod him the brave son of Scandiknavery.
And we'll bury him down in Oxmanstown
Along with the devil and the Danes,
(Chorus) With the deaf and dumb Danes,
And all their remains.
And not all the king's men nor his horses
Will resurrect his corpus
For there's no true spell in Connacht or hell
(bis) That's able to raise a Cain.
|
Written by
Amy Lowell |
The lawyer, are you?
Well! I ain't got nothin' to say.
Nothin'!
I told the perlice I hadn't nothin'.
They know'd real well 'twas me.
Ther warn't no supposin',
Ketchin' me in the woods as they did,
An' me in my house dress.
Folks don't walk miles an' miles
In the drifted snow,
With no hat nor wrap on 'em
Ef everythin's all right, I guess.
All right? Ha! Ha! Ha!
Nothin' warn't right with me.
Never was.
Oh, Lord! Why did I do it?
Why ain't it yesterday, and Ed here agin?
Many's the time I've set up with him nights
When he had cramps, or rheumatizm, or somethin'.
I used ter nurse him same's ef he was a baby.
I wouldn't hurt him, I love him!
Don't you dare to say I killed him.
'Twarn't me!
Somethin' got aholt o' me.
I couldn't help it.
Oh, what shall I do! What shall I do!
Yes, Sir.
No, Sir.
I beg your pardon, I -- I --
Oh, I'm a wicked woman!
An' I'm desolate, desolate!
Why warn't I struck dead or paralyzed
Afore my hands done it.
Oh, my God, what shall I do!
No, Sir, ther ain't no extenuatin' circumstances,
An' I don't want none.
I want a bolt o' lightnin'
To strike me dead right now!
Oh, I'll tell yer.
But it won't make no diff'rence.
Nothin' will.
Yes, I killed him.
Why do yer make me say it?
It's cruel! Cruel!
I killed him because o' th' silence.
The long, long silence,
That watched all around me,
And he wouldn't break it.
I tried to make him,
Time an' agin,
But he was terrible taciturn, Ed was.
He never spoke 'cept when he had to,
An' then he'd only say "yes" and "no".
You can't even guess what that silence was.
I'd hear it whisperin' in my ears,
An' I got frightened, 'twas so thick,
An' al'ays comin' back.
Ef Ed would ha' talked sometimes
It would ha' driven it away;
But he never would.
He didn't hear it same as I did.
You see, Sir,
Our farm was off'n the main road,
And set away back under the mountain;
And the village was seven mile off,
Measurin' after you'd got out o' our lane.
We didn't have no hired man,
'Cept in hayin' time;
An' Dane's place,
That was the nearest,
Was clear way 'tother side the mountain.
They used Marley post-office
An' ours was Benton.
Ther was a cart-track took yer to Dane's in Summer,
An' it warn't above two mile that way,
But it warn't never broke out Winters.
I used to dread the Winters.
Seem's ef I couldn't abear to see the golden-rod bloomin';
Winter'd come so quick after that.
You don't know what snow's like when yer with it
Day in an' day out.
Ed would be out all day loggin',
An' I set at home and look at the snow
Layin' over everythin';
It 'ud dazzle me blind,
Till it warn't white any more, but black as ink.
Then the quiet 'ud commence rushin' past my ears
Till I most went mad listenin' to it.
Many's the time I've dropped a pan on the floor
Jest to hear it clatter.
I was most frantic when dinner-time come
An' Ed was back from the woods.
I'd ha' give my soul to hear him speak.
But he'd never say a word till I asked him
Did he like the raised biscuits or whatever,
An' then sometimes he'd jest nod his answer.
Then he'd go out agin,
An' I'd watch him from the kitchin winder.
It seemed the woods come marchin' out to meet him
An' the trees 'ud press round him an' hustle him.
I got so I was scared o' th' trees.
I thought they come nearer,
Every day a little nearer,
Closin' up round the house.
I never went in t' th' woods Winters,
Though in Summer I liked 'em well enough.
It warn't so bad when my little boy was with us.
He used to go sleddin' and skatin',
An' every day his father fetched him to school in the pung
An' brought him back agin.
We scraped an' scraped fer Neddy,
We wanted him to have a education.
We sent him to High School,
An' then he went up to Boston to Technology.
He was a minin' engineer,
An' doin' real well,
A credit to his bringin' up.
But his very first position ther was an explosion in the mine.
And I'm glad! I'm glad!
He ain't here to see me now.
Neddy! Neddy!
I'm your mother still, Neddy.
Don't turn from me like that.
I can't abear it.
I can't! I can't!
What did you say?
Oh, yes, Sir.
I'm here.
I'm very sorry,
I don't know what I'm sayin'.
No, Sir,
Not till after Neddy died.
'Twas the next Winter the silence come,
I don't remember noticin' it afore.
That was five year ago,
An' it's been gittin' worse an' worse.
I asked Ed to put in a telephone.
I thought ef I felt the whisperin' comin' on
I could ring up some o' th' folks.
But Ed wouldn't hear of it.
He said we'd paid so much for Neddy
We couldn't hardly git along as 'twas.
An' he never understood me wantin' to talk.
Well, this year was worse'n all the others;
We had a terrible spell o' stormy weather,
An' the snow lay so thick
You couldn't see the fences even.
Out o' doors was as flat as the palm o' my hand,
Ther warn't a hump or a holler
Fer as you could see.
It was so quiet
The snappin' o' the branches back in the wood-lot
Sounded like pistol shots.
Ed was out all day
Same as usual.
An' it seemed he talked less'n ever.
He didn't even say `Good-mornin'', once or twice,
An' jest nodded or shook his head when I asked him things.
On Monday he said he'd got to go over to Benton
Fer some oats.
I'd oughter ha' gone with him,
But 'twas washin' day
An' I was afeared the fine weather'd break,
An' I couldn't do my dryin'.
All my life I'd done my work punctual,
An' I couldn't fix my conscience
To go junketin' on a washin'-day.
I can't tell you what that day was to me.
It dragged an' dragged,
Fer ther warn't no Ed ter break it in the middle
Fer dinner.
Every time I stopped stirrin' the water
I heerd the whisperin' all about me.
I stopped oftener'n I should
To see ef 'twas still ther,
An' it al'ays was.
An' gittin' louder
It seemed ter me.
Once I threw up the winder to feel the wind.
That seemed most alive somehow.
But the woods looked so kind of menacin'
I closed it quick
An' started to mangle's hard's I could,
The squeakin' was comfortin'.
Well, Ed come home 'bout four.
I seen him down the road,
An' I run out through the shed inter th' barn
To meet him quicker.
I hollered out, `Hullo!'
But he didn't say nothin',
He jest drove right in
An' climbed out o' th' sleigh
An' commenced unharnessin'.
I asked him a heap o' questions;
Who he'd seed
An' what he'd done.
Once in a while he'd nod or shake,
But most o' th' time he didn't do nothin'.
'Twas gittin' dark then,
An' I was in a state,
With the loneliness
An' Ed payin' no attention
Like somethin' warn't livin'.
All of a sudden it come,
I don't know what,
But I jest couldn't stand no more.
It didn't seem 's though that was Ed,
An' it didn't seem as though I was me.
I had to break a way out somehow,
Somethin' was closin' in
An' I was stiflin'.
Ed's loggin' axe was ther,
An' I took it.
Oh, my God!
I can't see nothin' else afore me all the time.
I run out inter th' woods,
Seemed as ef they was pullin' me;
An' all the time I was wadin' through the snow
I seed Ed in front of me
Where I'd laid him.
An' I see him now.
There! There!
What you holdin' me fer?
I want ter go to Ed,
He's bleedin'.
Stop holdin' me.
I got to go.
I'm comin', Ed.
I'll be ther in a minit.
Oh, I'm so tired!
(Faints)
|
Written by
Anne Sexton |
1.
DREAMS
I was an ice baby.
I turned to sky blue.
My tears became two glass beads.
My mouth stiffened into a dumb howl.
They say it was a dream
but I remember that hardening.
My sister at six
dreamt nightly of my death:
"The baby turned to ice.
Someone put her in the refrigerator
and she turned as hard as a Popsicle.
"
I remember the stink of the liverwurst.
How I was put on a platter and laid
between the mayonnaise and the bacon.
The rhythm of the refrigerator
had been disturbed.
The milk bottle hissed like a snake.
The tomatoes vomited up their stomachs.
The caviar turned to lave.
The pimentos kissed like cupids.
I moved like a lobster,
slower and slower.
The air was tiny.
The air would not do.
*
I was at the dogs' party.
I was their bone.
I had been laid out in their kennel
like a fresh turkey.
This was my sister's dream
but I remember that quartering;
I remember the sickbed smell
of the sawdust floor, the pink eyes,
the pink tongues and the teeth, those nails.
I had been carried out like Moses
and hidden by the paws
of ten Boston bull terriers,
ten angry bulls
jumping like enormous roaches.
At first I was lapped,
rough as sandpaper.
I became very clean.
Then my arm was missing.
I was coming apart.
They loved me until
I was gone.
2.
THE DY-DEE DOLL
My Dy-dee doll
died twice.
Once when I snapped
her head off
and let if float in the toilet
and once under the sun lamp
trying to get warm
she melted.
She was a gloom,
her face embracing
her little bent arms.
She died in all her rubber wisdom.
3.
SEVEN TIMES
I died seven times
in seven ways
letting death give me a sign,
letting death place his mark on my forehead,
crossed over, crossed over
And death took root in that sleep.
In that sleep I held an ice baby
and I rocked it
and was rocked by it.
Oh Madonna, hold me.
I am a small handful.
4.
MADONNA
My mother died
unrocked, unrocked.
Weeks at her deathbed
seeing her thrust herself against the metal bars,
thrashing like a fish on the hook
and me low at her high stage,
letting the priestess dance alone,
wanting to place my head in her lap
or even take her in my arms somehow
and fondle her twisted gray hair.
But her rocking horse was pain
with vomit steaming from her mouth.
Her belly was big with another child,
cancer's baby, big as a football.
I could not soothe.
With every hump and crack
there was less Madonna
until that strange labor took her.
Then the room was bankrupt.
That was the end of her paying.
5.
MAX
Max and I
two immoderate sisters,
two immoderate writers,
two burdeners,
made a pact.
To beat death down with a stick.
To take over.
To build our death like carpenters.
When she had a broken back,
each night we built her sleep.
Talking on the hot line
until her eyes pulled down like shades.
And we agreed in those long hushed phone calls
that when the moment comes
we'll talk turkey,
we'll shoot words straight from the hip,
we'll play it as it lays.
Yes,
when death comes with its hood
we won't be polite.
6.
BABY
Death,
you lie in my arms like a cherub,
as heavy as bread dough.
Your milky wings are as still as plastic.
Hair soft as music.
Hair the color of a harp.
And eyes made of glass,
as brittle as crystal.
Each time I rock you
I think you will break.
I rock.
I rock.
Glass eye, ice eye,
primordial eye,
lava eye,
pin eye,
break eye,
how you stare back!
Like the gaze if small children
you know all about me.
You have worn my underwear.
You have read my newspaper.
You have seen my father whip me.
You have seen my stroke my father's whip.
I rock.
I rock.
We plunge back and forth
comforting each other.
We are stone.
We are carved, a pietà
that swings.
Outside, the world is a chilly army.
Outside, the sea is brought to its knees.
Outside, Pakistan is swallowed in a mouthful.
I rock.
I rock.
You are my stone child
with still eyes like marbles.
There is a death baby
for each of us.
We own him.
His smell is our smell.
Beware.
Beware.
There is a tenderness.
There is a love
for this dumb traveler
waiting in his pink covers.
Someday,
heavy with cancer or disaster
I will look up at Max
and say: It is time.
Hand me the death baby
and there will be
that final rocking.
|
Written by
Henry Wadsworth Longfellow |
You shall hear how Pau-Puk-Keewis,
How the handsome Yenadizze
Danced at Hiawatha's wedding;
How the gentle Chibiabos,
He the sweetest of musicians,
Sang his songs of love and longing;
How Iagoo, the great boaster,
He the marvellous story-teller,
Told his tales of strange adventure,
That the feast might be more joyous,
That the time might pass more gayly,
And the guests be more contented.
Sumptuous was the feast Nokomis
Made at Hiawatha's wedding;
All the bowls were made of bass-wood,
White and polished very smoothly,
All the spoons of horn of bison,
Black and polished very smoothly.
She had sent through all the village
Messengers with wands of willow,
As a sign of invitation,
As a token of the feasting;
And the wedding guests assembled,
Clad in all their richest raiment,
Robes of fur and belts of wampum,
Splendid with their paint and plumage,
Beautiful with beads and tassels.
First they ate the sturgeon, Nahma,
And the pike, the Maskenozha,
Caught and cooked by old Nokomis;
Then on pemican they feasted,
Pemican and buffalo marrow,
Haunch of deer and hump of bison,
Yellow cakes of the Mondamin,
And the wild rice of the river.
But the gracious Hiawatha,
And the lovely Laughing Water,
And the careful old Nokomis,
Tasted not the food before them,
Only waited on the others
Only served their guests in silence.
And when all the guests had finished,
Old Nokomis, brisk and busy,
From an ample pouch of otter,
Filled the red-stone pipes for smoking
With tobacco from the South-land,
Mixed with bark of the red willow,
And with herbs and leaves of fragrance.
Then she said, "O Pau-Puk-Keewis,
Dance for us your merry dances,
Dance the Beggar's Dance to please us,
That the feast may be more joyous,
That the time may pass more gayly,
And our guests be more contented!"
Then the handsome Pau-Puk-Keewis,
He the idle Yenadizze,
He the merry mischief-maker,
Whom the people called the Storm-Fool,
Rose among the guests assembled.
Skilled was he in sports and pastimes,
In the merry dance of snow-shoes,
In the play of quoits and ball-play;
Skilled was he in games of hazard,
In all games of skill and hazard,
Pugasaing, the Bowl and Counters,
Kuntassoo, the Game of Plum-stones.
Though the warriors called him Faint-Heart,
Called him coward, Shaugodaya,
Idler, gambler, Yenadizze,
Little heeded he their jesting,
Little cared he for their insults,
For the women and the maidens
Loved the handsome Pau-Puk-Keewis.
He was dressed in shirt of doeskin,
White and soft, and fringed with ermine,
All inwrought with beads of wampum;
He was dressed in deer-skin leggings,
Fringed with hedgehog quills and ermine,
And in moccasins of buck-skin,
Thick with quills and beads embroidered.
On his head were plumes of swan's down,
On his heels were tails of foxes,
In one hand a fan of feathers,
And a pipe was in the other.
Barred with streaks of red and yellow,
Streaks of blue and bright vermilion,
Shone the face of Pau-Puk-Keewis.
From his forehead fell his tresses,
Smooth, and parted like a woman's,
Shining bright with oil, and plaited,
Hung with braids of scented grasses,
As among the guests assembled,
To the sound of flutes and singing,
To the sound of drums and voices,
Rose the handsome Pau-Puk-Keewis,
And began his mystic dances.
First he danced a solemn measure,
Very slow in step and gesture,
In and out among the pine-trees,
Through the shadows and the sunshine,
Treading softly like a panther.
Then more swiftly and still swifter,
Whirling, spinning round in circles,
Leaping o'er the guests assembled,
Eddying round and round the wigwam,
Till the leaves went whirling with him,
Till the dust and wind together
Swept in eddies round about him.
Then along the sandy margin
Of the lake, the Big-Sea-Water,
On he sped with frenzied gestures,
Stamped upon the sand, and tossed it
Wildly in the air around him;
Till the wind became a whirlwind,
Till the sand was blown and sifted
Like great snowdrifts o'er the landscape,
Heaping all the shores with Sand Dunes,
Sand Hills of the Nagow Wudjoo!
Thus the merry Pau-Puk-Keewis
Danced his Beggar's Dance to please them,
And, returning, sat down laughing
There among the guests assembled,
Sat and fanned himself serenely
With his fan of turkey-feathers.
Then they said to Chibiabos,
To the friend of Hiawatha,
To the sweetest of all singers,
To the best of all musicians,
"Sing to us, O Chibiabos!
Songs of love and songs of longing,
That the feast may be more joyous,
That the time may pass more gayly,
And our guests be more contented!"
And the gentle Chibiabos
Sang in accents sweet and tender,
Sang in tones of deep emotion,
Songs of love and songs of longing;
Looking still at Hiawatha,
Looking at fair Laughing Water,
Sang he softly, sang in this wise:
"Onaway! Awake, beloved!
Thou the wild-flower of the forest!
Thou the wild-bird of the prairie!
Thou with eyes so soft and fawn-like!
"If thou only lookest at me,
I am happy, I am happy,
As the lilies of the prairie,
When they feel the dew upon them!
"Sweet thy breath is as the fragrance
Of the wild-flowers in the morning,
As their fragrance is at evening,
In the Moon when leaves are falling.
"Does not all the blood within me
Leap to meet thee, leap to meet thee,
As the springs to meet the sunshine,
In the Moon when nights are brightest?
"Onaway! my heart sings to thee,
Sings with joy when thou art near me,
As the sighing, singing branches
In the pleasant Moon of Strawberries!
"When thou art not pleased, beloved,
Then my heart is sad and darkened,
As the shining river darkens
When the clouds drop shadows on it!
"When thou smilest, my beloved,
Then my troubled heart is brightened,
As in sunshine gleam the ripples
That the cold wind makes in rivers.
"Smiles the earth, and smile the waters,
Smile the cloudless skies above us,
But I lose the way of smiling
When thou art no longer near me!
"I myself, myself! behold me!
Blood of my beating heart, behold me!
Oh awake, awake, beloved!
Onaway! awake, beloved!"
Thus the gentle Chibiabos
Sang his song of love and longing;
And Iagoo, the great boaster,
He the marvellous story-teller,
He the friend of old Nokomis,
Jealous of the sweet musician,
Jealous of the applause they gave him,
Saw in all the eyes around him,
Saw in all their looks and gestures,
That the wedding guests assembled
Longed to hear his pleasant stories,
His immeasurable falsehoods.
Very boastful was Iagoo;
Never heard he an adventure
But himself had met a greater;
Never any deed of daring
But himself had done a bolder;
Never any marvellous story
But himself could tell a stranger.
Would you listen to his boasting,
Would you only give him credence,
No one ever shot an arrow
Half so far and high as he had;
Ever caught so many fishes,
Ever killed so many reindeer,
Ever trapped so many beaver!
None could run so fast as he could,
None could dive so deep as he could,
None could swim so far as he could;
None had made so many journeys,
None had seen so many wonders,
As this wonderful Iagoo,
As this marvellous story-teller!
Thus his name became a by-word
And a jest among the people;
And whene'er a boastful hunter
Praised his own address too highly,
Or a warrior, home returning,
Talked too much of his achievements,
All his hearers cried, "Iagoo!
Here's Iagoo come among us!"
He it was who carved the cradle
Of the little Hiawatha,
Carved its framework out of linden,
Bound it strong with reindeer sinews;
He it was who taught him later
How to make his bows and arrows,
How to make the bows of ash-tree,
And the arrows of the oak-tree.
So among the guests assembled
At my Hiawatha's wedding
Sat Iagoo, old and ugly,
Sat the marvellous story-teller.
And they said, "O good Iagoo,
Tell us now a tale of wonder,
Tell us of some strange adventure,
That the feast may be more joyous,
That the time may pass more gayly,
And our guests be more contented!"
And Iagoo answered straightway,
"You shall hear a tale of wonder,
You shall hear the strange adventures
Of Osseo, the Magician,
From the Evening Star descending.
"
|
Written by
John Clare |
Christmass is come and every hearth
Makes room to give him welcome now
Een want will dry its tears in mirth
And crown him wi a holly bough
Tho tramping neath a winters sky
Oer snow track paths and ryhmey stiles
The huswife sets her spining bye
And bids him welcome wi her smiles
Each house is swept the day before
And windows stuck wi evergreens
The snow is beesomd from the door
And comfort crowns the cottage scenes
Gilt holly wi its thorny pricks
And yew and box wi berrys small
These deck the unusd candlesticks
And pictures hanging by the wall
Neighbours resume their anual cheer
Wishing wi smiles and spirits high
Clad christmass and a happy year
To every morning passer bye
Milk maids their christmass journeys go
Accompanyd wi favourd swain
And childern pace the crumping snow
To taste their grannys cake again
Hung wi the ivys veining bough
The ash trees round the cottage farm
Are often stript of branches now
The cotters christmass hearth to warm
He swings and twists his hazel band
And lops them off wi sharpend hook
And oft brings ivy in his hand
To decorate the chimney nook
Old winter whipes his ides bye
And warms his fingers till he smiles
Where cottage hearths are blazing high
And labour resteth from his toils
Wi merry mirth beguiling care
Old customs keeping wi the day
Friends meet their christmass cheer to share
And pass it in a harmless way
Old customs O I love the sound
However simple they may be
What ere wi time has sanction found
Is welcome and is dear to me
Pride grows above simplicity
And spurns it from her haughty mind
And soon the poets song will be
The only refuge they can find
The shepherd now no more afraid
Since custom doth the chance bestow
Starts up to kiss the giggling maid
Beneath the branch of mizzletoe
That neath each cottage beam is seen
Wi pearl-like-berrys shining gay
The shadow still of what hath been
Which fashion yearly fades away
And singers too a merry throng
At early morn wi simple skill
Yet imitate the angels song
And chant their christmass ditty still
And mid the storm that dies and swells
By fits-in humings softly steals
The music of the village bells
Ringing round their merry peals
And when its past a merry crew
Bedeckt in masks and ribbons gay
The 'Morrice danse' their sports renew
And act their winter evening play
The clown-turnd-kings for penny praise
Storm wi the actors strut and swell
And harlequin a laugh to raise
Wears his hump back and tinkling bell
And oft for pence and spicy ale
Wi winter nosgays pind before
The wassail singer tells her tale
And drawls her christmass carrols oer
The prentice boy wi ruddy face
And ryhme bepowderd dancing locks
From door to door wi happy pace
Runs round to claim his 'christmass box'
The block behind the fire is put
To sanction customs old desires
And many a faggots bands are cut
For the old farmers christmass fires
Where loud tongd gladness joins the throng
And winter meets the warmth of may
Feeling by times the heat too strong
And rubs his shins and draws away
While snows the window panes bedim
The fire curls up a sunny charm
Where creaming oer the pitchers rim
The flowering ale is set to warm
Mirth full of joy as summer bees
Sits there its pleasures to impart
While childern tween their parents knees
Sing scraps of carrols oer by heart
And some to view the winter weathers
Climb up the window seat wi glee
Likening the snow to falling feathers
In fancys infant extacy
Laughing wi superstitious love
Oer visions wild that youth supplyes
Of people pulling geese above
And keeping christmass in the skyes
As tho the homstead trees were drest
In lieu of snow wi dancing leaves
As.
tho the sundryd martins nest
Instead of ides hung the eaves
The childern hail the happy day
As if the snow was april grass
And pleasd as neath the warmth of may
Sport oer the water froze to glass
Thou day of happy sound and mirth
That long wi childish memory stays
How blest around the cottage hearth
I met thee in my boyish days
Harping wi raptures dreaming joys
On presents that thy coming found
The welcome sight of little toys
The christmass gifts of comers round
'The wooden horse wi arching head
Drawn upon wheels around the room
The gilded coach of ginger bread
And many colord sugar plumb
Gilt coverd books for pictures sought
Or storys childhood loves to tell
Wi many a urgent promise bought
To get tomorrows lesson well
And many a thing a minutes sport
Left broken on the sanded floor
When we woud leave our play and court
Our parents promises for more
Tho manhood bids such raptures dye
And throws such toys away as vain
Yet memory loves to turn her eye
And talk such pleasures oer again
Around the glowing hearth at night
The harmless laugh and winter tale
Goes round-while parting friends delight
To toast each other oer their ale
The cotter oft wi quiet zeal
Will musing oer his bible lean
While in the dark the lovers steal
To kiss and toy behind the screen
The yule cake dotted thick wi plumbs
Is on each supper table found
And cats look up for falling crumbs
Which greedy childern litter round
And huswifes sage stuffd seasond chine
Long hung in chimney nook to drye
And boiling eldern berry wine
To drink the christmass eves 'good bye'
|
Written by
Robert Graves |
I never dreamed we’d meet that day
In our old haunts down Fricourt way,
Plotting such marvellous journeys there
For jolly old “Apr?s-la-guerre.
”
Well, when it’s over, first we’ll meet
At Gweithdy Bach, my country seat
In Wales, a curious little shop
With two rooms and a roof on top,
A sort of Morlancourt-ish billet
That never needs a crowd to fill it.
But oh, the country round about!
The sort of view that makes you shout
For want of any better way
Of praising God: there’s a blue bay
Shining in front, and on the right
Snowden and Hebog capped with white,
And lots of other jolly peaks
That you could wonder at for weeks,
With jag and spur and hump and cleft.
There’s a grey castle on the left,
And back in the high Hinterland
You’ll see the grave of Shawn Knarlbrand,
Who slew the savage Buffaloon
By the Nant-col one night in June,
And won his surname from the horn
Of this prodigious unicorn.
Beyond, where the two Rhinogs tower,
Rhinog Fach and Rhinog Fawr,
Close there after a four years’ chase
From Thessaly and the woods of Thrace,
The beaten Dog-cat stood at bay
And growled and fought and passed away.
You’ll see where mountain conies grapple
With prayer and creed in their rock chapel
Which Ben and Claire once built for them;
They call it S?ar Bethlehem.
You’ll see where in old Roman days,
Before Revivals changed our ways,
The Virgin ’scaped the Devil’s grab,
Printing her foot on a stone slab
With five clear toe-marks; and you’ll find
The fiendish thumbprint close behind.
You’ll see where Math, Mathonwy’s son,
Spoke with the wizard Gwydion
And bad him from South Wales set out
To steal that creature with the snout,
That new-discovered grunting beast
Divinely flavoured for the feast.
No traveller yet has hit upon
A wilder land than Meirion,
For desolate hills and tumbling stones,
Bogland and melody and old bones.
Fairies and ghosts are here galore,
And poetry most splendid, more
Than can be written with the pen
Or understood by common men.
In Gweithdy Bach we’ll rest awhile,
We’ll dress our wounds and learn to smile
With easier lips; we’ll stretch our legs,
And live on bilberry tart and eggs,
And store up solar energy,
Basking in sunshine by the sea,
Until we feel a match once more
For anything but another war.
So then we’ll kiss our families,
And sail across the seas
(The God of Song protecting us)
To the great hills of Caucasus.
Robert will learn the local bat
For billeting and things like that,
If Siegfried learns the piccolo
To charm the people as we go.
The jolly peasants clad in furs
Will greet the Welch-ski officers
With open arms, and ere we pass
Will make us vocal with Kavasse.
In old Bagdad we’ll call a halt
At the S?shuns’ ancestral vault;
We’ll catch the Persian rose-flowers’ scent,
And understand what Omar meant.
Bitlis and Mush will know our faces,
Tiflis and Tomsk, and all such places.
Perhaps eventually we’ll get
Among the Tartars of Thibet.
Hobnobbing with the Chungs and Mings,
And doing wild, tremendous things
In free adventure, quest and fight,
And God! what poetry we’ll write!
|
Written by
Henry Lawson |
Now the tent poles are rotting, the camp fires are dead,
And the possums may gambol in trees overhead;
I am humping my bluey far out on the land,
And the prints of my bluchers sink deep in the sand:
I am out on the wallaby humping my drum,
And I came by the tracks where the sundowners come.
It is nor'-west and west o'er the ranges and far
To the plains where the cattle and sheep stations are,
With the sky for my roof and the grass for my bunk,
And a calico bag for my damper and junk;
And scarcely a comrade my memory reveals,
Save the spiritless dingo in tow of my heels.
But I think of the honest old light of my home
When the stars hang in clusters like lamps from the dome,
And I think of the hearth where the dark shadows fall,
When my camp fire is built on the widest of all;
But I'm following Fate, for I know she knows best,
I follow, she leads, and it's nor'-west by west.
When my tent is all torn and my blankets are damp,
And the rising flood waters flow fast by the camp,
When the cold water rises in jets from the floor,
I lie in my bunk and I list to the roar,
And I think how to-morrow my footsteps will lag
When I tramp 'neath the weight of a rain-sodden swag.
Though the way of the swagman is mostly up-hill,
There are joys to be found on the wallaby still.
When the day has gone by with its tramp or its toil,
And your camp-fire you light, and your billy you boil,
There is comfort and peace in the bowl of your clay
Or the yarn of a mate who is tramping that way.
But beware of the town -- there is poison for years
In the pleasure you find in the depths of long beers;
For the bushman gets bushed in the streets of a town,
Where he loses his friends when his cheque is knocked down;
He is right till his pockets are empty, and then --
He can hump his old bluey up country again.
|
Written by
Andrew Barton Paterson |
Australia takes her pen in hand
To write a line to you,
To let you fellows understand
How proud we are of you.
From shearing shed and cattle run,
From Broome to Hobson's Bay,
Each native-born Australian son
Stands straighter up today.
The man who used to "hump his drum",
On far-out Queensland runs
Is fighting side by side with some
Tasmanian farmer's sons.
The fisher-boys dropped sail and oar
To grimly stand the test,
Along that storm-swept Turkish shore,
With miners from the west.
The old state jealousies of yore
Are dead as Pharaoh's sow,
We're not State children any more --
We're all Australians now!
Our six-starred flag that used to fly
Half-shyly to the breeze,
Unknown where older nations ply
Their trade on foreign seas,
Flies out to meet the morning blue
With Vict'ry at the prow;
For that's the flag the Sydney flew,
The wide seas know it now!
The mettle that a race can show
Is proved with shot and steel,
And now we know what nations know
And feel what nations feel.
The honoured graves beneath the crest
Of Gaba Tepe hill
May hold our bravest and our best,
But we have brave men still.
With all our petty quarrels done,
Dissensions overthrown,
We have, through what you boys have done,
A history of our own.
Our old world diff'rences are dead,
Like weeds beneath the plough,
For English, Scotch, and Irish-bred,
They're all Australians now!
So now we'll toast the Third Brigade
That led Australia's van,
For never shall their glory fade
In minds Australian.
Fight on, fight on, unflinchingly,
Till right and justice reign.
Fight on, fight on, till Victory
Shall send you home again.
And with Australia's flag shall fly
A spray of wattle-bough
To symbolise our unity --
We're all Australians now.
|