Written by
Amy Lowell |
The lawyer, are you?
Well! I ain't got nothin' to say.
Nothin'!
I told the perlice I hadn't nothin'.
They know'd real well 'twas me.
Ther warn't no supposin',
Ketchin' me in the woods as they did,
An' me in my house dress.
Folks don't walk miles an' miles
In the drifted snow,
With no hat nor wrap on 'em
Ef everythin's all right, I guess.
All right? Ha! Ha! Ha!
Nothin' warn't right with me.
Never was.
Oh, Lord! Why did I do it?
Why ain't it yesterday, and Ed here agin?
Many's the time I've set up with him nights
When he had cramps, or rheumatizm, or somethin'.
I used ter nurse him same's ef he was a baby.
I wouldn't hurt him, I love him!
Don't you dare to say I killed him. 'Twarn't me!
Somethin' got aholt o' me. I couldn't help it.
Oh, what shall I do! What shall I do!
Yes, Sir.
No, Sir.
I beg your pardon, I -- I --
Oh, I'm a wicked woman!
An' I'm desolate, desolate!
Why warn't I struck dead or paralyzed
Afore my hands done it.
Oh, my God, what shall I do!
No, Sir, ther ain't no extenuatin' circumstances,
An' I don't want none.
I want a bolt o' lightnin'
To strike me dead right now!
Oh, I'll tell yer.
But it won't make no diff'rence.
Nothin' will.
Yes, I killed him.
Why do yer make me say it?
It's cruel! Cruel!
I killed him because o' th' silence.
The long, long silence,
That watched all around me,
And he wouldn't break it.
I tried to make him,
Time an' agin,
But he was terrible taciturn, Ed was.
He never spoke 'cept when he had to,
An' then he'd only say "yes" and "no".
You can't even guess what that silence was.
I'd hear it whisperin' in my ears,
An' I got frightened, 'twas so thick,
An' al'ays comin' back.
Ef Ed would ha' talked sometimes
It would ha' driven it away;
But he never would.
He didn't hear it same as I did.
You see, Sir,
Our farm was off'n the main road,
And set away back under the mountain;
And the village was seven mile off,
Measurin' after you'd got out o' our lane.
We didn't have no hired man,
'Cept in hayin' time;
An' Dane's place,
That was the nearest,
Was clear way 'tother side the mountain.
They used Marley post-office
An' ours was Benton.
Ther was a cart-track took yer to Dane's in Summer,
An' it warn't above two mile that way,
But it warn't never broke out Winters.
I used to dread the Winters.
Seem's ef I couldn't abear to see the golden-rod bloomin';
Winter'd come so quick after that.
You don't know what snow's like when yer with it
Day in an' day out.
Ed would be out all day loggin',
An' I set at home and look at the snow
Layin' over everythin';
It 'ud dazzle me blind,
Till it warn't white any more, but black as ink.
Then the quiet 'ud commence rushin' past my ears
Till I most went mad listenin' to it.
Many's the time I've dropped a pan on the floor
Jest to hear it clatter.
I was most frantic when dinner-time come
An' Ed was back from the woods.
I'd ha' give my soul to hear him speak.
But he'd never say a word till I asked him
Did he like the raised biscuits or whatever,
An' then sometimes he'd jest nod his answer.
Then he'd go out agin,
An' I'd watch him from the kitchin winder.
It seemed the woods come marchin' out to meet him
An' the trees 'ud press round him an' hustle him.
I got so I was scared o' th' trees.
I thought they come nearer,
Every day a little nearer,
Closin' up round the house.
I never went in t' th' woods Winters,
Though in Summer I liked 'em well enough.
It warn't so bad when my little boy was with us.
He used to go sleddin' and skatin',
An' every day his father fetched him to school in the pung
An' brought him back agin.
We scraped an' scraped fer Neddy,
We wanted him to have a education.
We sent him to High School,
An' then he went up to Boston to Technology.
He was a minin' engineer,
An' doin' real well,
A credit to his bringin' up.
But his very first position ther was an explosion in the mine.
And I'm glad! I'm glad!
He ain't here to see me now.
Neddy! Neddy!
I'm your mother still, Neddy.
Don't turn from me like that.
I can't abear it. I can't! I can't!
What did you say?
Oh, yes, Sir.
I'm here.
I'm very sorry,
I don't know what I'm sayin'.
No, Sir,
Not till after Neddy died.
'Twas the next Winter the silence come,
I don't remember noticin' it afore.
That was five year ago,
An' it's been gittin' worse an' worse.
I asked Ed to put in a telephone.
I thought ef I felt the whisperin' comin' on
I could ring up some o' th' folks.
But Ed wouldn't hear of it.
He said we'd paid so much for Neddy
We couldn't hardly git along as 'twas.
An' he never understood me wantin' to talk.
Well, this year was worse'n all the others;
We had a terrible spell o' stormy weather,
An' the snow lay so thick
You couldn't see the fences even.
Out o' doors was as flat as the palm o' my hand,
Ther warn't a hump or a holler
Fer as you could see.
It was so quiet
The snappin' o' the branches back in the wood-lot
Sounded like pistol shots.
Ed was out all day
Same as usual.
An' it seemed he talked less'n ever.
He didn't even say `Good-mornin'', once or twice,
An' jest nodded or shook his head when I asked him things.
On Monday he said he'd got to go over to Benton
Fer some oats.
I'd oughter ha' gone with him,
But 'twas washin' day
An' I was afeared the fine weather'd break,
An' I couldn't do my dryin'.
All my life I'd done my work punctual,
An' I couldn't fix my conscience
To go junketin' on a washin'-day.
I can't tell you what that day was to me.
It dragged an' dragged,
Fer ther warn't no Ed ter break it in the middle
Fer dinner.
Every time I stopped stirrin' the water
I heerd the whisperin' all about me.
I stopped oftener'n I should
To see ef 'twas still ther,
An' it al'ays was.
An' gittin' louder
It seemed ter me.
Once I threw up the winder to feel the wind.
That seemed most alive somehow.
But the woods looked so kind of menacin'
I closed it quick
An' started to mangle's hard's I could,
The squeakin' was comfortin'.
Well, Ed come home 'bout four.
I seen him down the road,
An' I run out through the shed inter th' barn
To meet him quicker.
I hollered out, `Hullo!'
But he didn't say nothin',
He jest drove right in
An' climbed out o' th' sleigh
An' commenced unharnessin'.
I asked him a heap o' questions;
Who he'd seed
An' what he'd done.
Once in a while he'd nod or shake,
But most o' th' time he didn't do nothin'.
'Twas gittin' dark then,
An' I was in a state,
With the loneliness
An' Ed payin' no attention
Like somethin' warn't livin'.
All of a sudden it come,
I don't know what,
But I jest couldn't stand no more.
It didn't seem 's though that was Ed,
An' it didn't seem as though I was me.
I had to break a way out somehow,
Somethin' was closin' in
An' I was stiflin'.
Ed's loggin' axe was ther,
An' I took it.
Oh, my God!
I can't see nothin' else afore me all the time.
I run out inter th' woods,
Seemed as ef they was pullin' me;
An' all the time I was wadin' through the snow
I seed Ed in front of me
Where I'd laid him.
An' I see him now.
There! There!
What you holdin' me fer?
I want ter go to Ed,
He's bleedin'.
Stop holdin' me.
I got to go.
I'm comin', Ed.
I'll be ther in a minit.
Oh, I'm so tired!
(Faints)
|
Written by
Robert William Service |
"Hullo, young Jones! with your tie so gay
And your pen behind your ear;
Will you mark my cheque in the usual way?
For I'm overdrawn, I fear."
Then you look at me in a manner bland,
As you turn your ledger's leaves,
And you hand it back with a soft white hand,
And the air of a man who grieves. . . .
"Was it you, young Jones, was it you I saw
(And I think I see you yet)
With a live bomb gripped in your grimy paw
And your face to the parapet?
With your lips asnarl and your eyes gone mad
With a fury that thrilled you through. . . .
Oh, I look at you now and I think, my lad,
Was it you, young Jones, was it you?
"Hullo, young Smith, with your well-fed look
And your coat of dapper fit,
Will you recommend me a decent book
With nothing of War in it?"
Then you smile as you polish a finger-nail,
And your eyes serenely roam,
And you suavely hand me a thrilling tale
By a man who stayed at home.
"Was it you, young Smith, was it you I saw
In the battle's storm and stench,
With a roar of rage and a wound red-raw
Leap into the reeking trench?
As you stood like a fiend on the firing-shelf
And you stabbed and hacked and slew. . . .
Oh, I look at you and I ask myself,
Was it you, young Smith, was it you?
"Hullo, old Brown, with your ruddy cheek
And your tummy's rounded swell,
Your garden's looking jolly chic
And your kiddies awf'ly well.
Then you beam at me in your cheery way
As you swing your water-can;
And you mop your brow and you blithely say:
`What about golf, old man?'
"Was it you, old Brown, was it you I saw
Like a bull-dog stick to your gun,
A cursing devil of fang and claw
When the rest were on the run?
Your eyes aflame with the battle-hate. . . .
As you sit in the family pew,
And I see you rising to pass the plate,
I ask: Old Brown, was it you?
"Was it me and you? Was it you and me?
(Is that grammar, or is it not?)
Who groveled in filth and misery,
Who gloried and groused and fought?
Which is the wrong and which is the right?
Which is the false and the true?
The man of peace or the man of fight?
Which is the ME and the YOU?"
|
Written by
Robert William Service |
Within a pub that's off the Strand and handy to the bar,
With pipe in mouth and mug in hand sat Jobson of the Star.
"Come, sit ye down, ye wond'ring wight, and have a yarn," says he.
"I can't," says I, "because to-night I'm off to Tripoli;
To Tripoli and Trebizond and Timbuctoo mayhap,
Or any magic name beyond I find upon the map.
I go errant trail to try, to clutch the skirts of Chance,
To make once more before I die the gesture of Romance."
The Jobson yawned above his jug, and rumbled: "Is that so?
Well, anyway, sit down, you mug, and have a drink before you go."
Now Jobson is a chum of mine, and in a dusty den,
Within the street that's known as Fleet, he wields a wicked pen.
And every night it's his delight, above the fleeting show,
To castigate the living Great, and keep the lowly low.
And all there is to know he knows, for unto him is spurred
The knowledge of the knowledge of the Thing That Has Occurred.
And all that is to hear he hears, for to his ear is whirled
The echo of the echo of the Sound That Shocks The World.
Let Revolutions rage and rend, and Kingdoms rise and fall,
There Jobson sits and smokes and spits, and writes about it all.
And so we jawed a little while on matters small and great;
He told me his cynic smile of graves affairs of state.
Of princes, peers and presidents, and folks beyond my ken,
He spoke as you and I might speak of ordinary men.
For Jobson is a scribe of worth, and has respect for none,
And all the mighty ones of earth are targets for his fun.
So when I said good-bye, says he, with his satyric leer:
"Too bad to go, when life is so damned interesting here.
The Government rides for a fall, and things are getting hot.
You'd better stick around, old pal; you'll miss an awful lot."
Yet still I went and wandered far, by secret ways and wide.
Adventure was the shining star I took to be my guide.
For fifty moons I followed on, and every moon was sweet,
And lit as if for me alone the trail before my feet.
From cities desolate with doom my moons swam up and set,
On tower and temple, tent and tomb, on mosque and minaret.
To heights that hailed the dawn I scaled, by cliff and chasm sheer;
To far Cathy I found my way, and fabolous Kashmir.
From camel-back I traced the track that bars the barren bled,
And leads to hell-and-blazes, and I followed where it led.
Like emeralds in sapphire set, and ripe for human rape,
I passed with passionate regret the Islands of Escape.
With death I clinched a time or two, and gave the brute a fall.
Hunger and cold and thirst I knew, yet...how I loved it all!
Then suddenly I seemed to tire of trecking up and town,
And longed for some domestic fire, and sailed for London Town.
And in a pub that's off the Strand, and handy to the bar,
With pipe in mouth and mug in hand sat Jobson of the Star.
"Hullo!" says he, "come, take a pew, and tell me where you've been.
It seems to me that lately you have vanished from the scene."
"I've been," says I, "to Kordovan and Kong and Calabar,
To Sarawak and Samarkand, to Ghat and Bolivar;
To Caracas and Guayaquil, to Lhasa and Pekin,
To Brahmapurta and Brazil, to Bagdad and Benin.
I've sailed the Black Sea and the White, The Yellow and the Red,
The Sula and the Celebes, the Bering and the Dead.
I've climbed on Chimborazo, and I've wandered in Peru;
I've camped on Kinchinjunga, and I've crossed the Great Karoo.
I've drifted on the Hoang-ho, the Nile and Amazon;
I've swam the Tiber and the Po.." thus I was going on,
When Jobson yawned above his beer, and rumbled: "Is that so?...
It's been so damned exciting here, too bad you had to go.
We've had the devil of a slump; the market's gone to pot;
You should have stuck around, you chump, you've missed an awful lot."
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
In haggard lands where ages brood, on plains burnt out and dim,
I broke the bread of brotherhood with ruthless men and grim.
By ways untrod I walked with God, by parched and bitter path;
In deserts dim I talked with Him, and learned to know His Wrath.
But in a pub that's off the Strand, sits Jobson every night,
And tells me what a fool I am, and maybe he is right.
For Jobson is a man of stamp, and proud of him am I;
And I am just a bloody tramp, and will be till I die.
|
Written by
Amy Lowell |
"Hullo, Alice!"
"Hullo, Leon!"
"Say, Alice, gi' me a couple
O' them two for five cigars,
Will yer?"
"Where's your nickel?"
"My! Ain't you close!
Can't trust a feller, can yer."
"Trust you! Why
What you owe this store
Would set you up in business.
I can't think why Father 'lows it."
"Yer Father's a sight more neighbourly
Than you be. That's a fact.
Besides, he knows I got a vote."
"A vote! Oh, yes, you got a vote!
A lot o' good the Senate'll be to Father
When all his bank account
Has run away in credits.
There's your cigars,
If you can relish smokin'
With all you owe us standin'."
"I dunno as that makes 'em taste any diff'rent.
You ain't fair to me, Alice, 'deed you ain't.
I work when anythin's doin'.
I'll get a carpenterin' job next Summer sure.
Cleve was tellin' me to-day he'd take me on come Spring."
"Come Spring, and this December!
I've no patience with you, Leon,
Shilly-shallyin' the way you do.
Here, lift over them crates o' oranges
I wanter fix 'em in the winder."
"It riles yer, don't it, me not havin' work.
You pepper up about it somethin' good.
You pick an' pick, and that don't help a mite.
Say, Alice, do come in out o' that winder.
Th' oranges c'n wait,
An' I don't like talkin' to yer back."
"Don't you! Well, you'd better make the best o' what
you can git.
Maybe you won't have my back to talk to soon.
They look good in pyramids with the 'lectric light on 'em,
Don't they?
Now hand me them bananas
An' I'll string 'em right acrost."
"What do yer mean
'Bout me not havin' you to talk to?
Are yer springin' somethin' on me?"
"I don't know 'bout springin'
When I'm tellin' you right out.
I'm goin' away, that's all."
"Where? Why?
What yer mean -- goin' away?"
"I've took a place
Down to Boston, in a candy store
For the holidays."
"Good Land, Alice,
What in the Heavens fer!"
"To earn some money,
And to git away from here, I guess."
"Ain't yer Father got enough?
Don't he give yer proper pocket-money?"
"He'd have a plenty, if you folks paid him."
"He's rich I tell yer.
I never figured he'd be close with you."
"Oh, he ain't. Not close.
That ain't why.
But I must git away from here.
I must! I must!"
"You got a lot o' reason in yer
To-night.
How long d' you cal'late
You'll be gone?"
"Maybe for always."
"What ails yer, Alice?
Talkin' wild like that.
Ain't you an' me goin' to be married
Some day."
"Some day! Some day!
I guess the sun'll never rise on some day."
"So that's the trouble.
Same old story.
'Cause I ain't got the cash to settle right now.
You know I love yer,
An' I'll marry yer as soon
As I c'n raise the money."
"You've said that any time these five year,
But you don't do nothin'."
"Wot could I do?
Ther ain't no work here Winters.
Not fer a carpenter, ther ain't."
"I guess you warn't born a carpenter.
Ther's ice-cuttin' a plenty."
"I got a dret'ful tender throat;
Dr. Smiles he told me
I mustn't resk ice-cuttin'."
"Why haven't you gone to Boston,
And hunted up a job?"
"Have yer forgot the time I went expressin'
In the American office, down ther?"
"And come back two weeks later!
No, I ain't."
"You didn't want I should git hurted,
Did yer?
I'm a sight too light fer all that liftin' work.
My back was commencin' to strain, as 'twas.
Ef I was like yer brother now,
I'd ha' be'n down to the city long ago.
But I'm too clumsy fer a dancer.
I ain't got Arthur's luck."
"Do you call it luck to be a disgrace to your folks,
And git locked up in jail!"
"Oh, come now, Alice,
`Disgrace' is a mite strong.
Why, the jail was a joke.
Art's all right."
"All right!
All right to dance, and smirk, and lie
For a livin',
And then in the end
Lead a silly girl to give you
What warn't hers to give
By pretendin' you'd marry her --
And she a pupil."
"He'd ha' married her right enough,
Her folks was millionaires."
"Yes, he'd ha' married her!
Thank God, they saved her that."
"Art's a fine feller.
I wish I had his luck.
Swellin' round in Hart, Schaffner & Marx fancy suits,
And eatin' in rest'rants.
But somebody's got to stick to the old place,
Else Foxfield'd have to shut up shop,
Hey, Alice?"
"You admire him!
You admire Arthur!
You'd be like him only you can't dance.
Oh, Shame! Shame!
And I've been like that silly girl.
Fooled with your promises,
And I give you all I had.
I knew it, oh, I knew it,
But I wanted to git away 'fore I proved it.
You've shamed me through and through.
Why couldn't you hold your tongue,
And spared me seein' you
As you really are."
"What the Devil's the row?
I only said Art was lucky.
What you spitfirin' at me fer?
Ferget it, Alice.
We've had good times, ain't we?
I'll see Cleve 'bout that job agin to-morrer,
And we'll be married 'fore hayin' time."
"It's like you to remind me o' hayin' time.
I've good cause to love it, ain't I?
Many's the night I've hid my face in the dark
To shut out thinkin'!"
"Why, that ain't nothin'.
You ain't be'n half so kind to me
As lots o' fellers' girls.
Gi' me a kiss, Dear,
And let's make up."
"Make up!
You poor fool.
Do you suppose I care a ten cent piece
For you now.
You've killed yourself for me.
Done it out o' your own mouth.
You've took away my home,
I hate the sight o' the place.
You're all over it,
Every stick an' stone means you,
An' I hate 'em all."
"Alice, I say,
Don't go on like that.
I can't marry yer
Boardin' in one room,
But I'll see Cleve to-morrer,
I'll make him ----"
"Oh, you fool!
You terrible fool!"
"Alice, don't go yit,
Wait a minit,
I'll see Cleve ----"
"You terrible fool!"
"Alice, don't go.
Alice ----" (Door slams)
|
Written by
Amy Lowell |
Have at you, you Devils!
My back's to this tree,
For you're nothing so nice
That the hind-side of me
Would escape your assault.
Come on now, all three!
Here's a dandified gentleman,
Rapier at point,
And a wrist which whirls round
Like a circular joint.
A spatter of blood, man!
That's just to anoint
And make supple your limbs.
'Tis a pity the silk
Of your waistcoat is stained.
Why! Your heart's full of milk,
And so full, it spills over!
I'm not of your ilk.
You said so, and laughed
At my old-fashioned hose,
At the cut of my hair,
At the length of my nose.
To carve it to pattern
I think you propose.
Your pardon, young Sir,
But my nose and my sword
Are proving themselves
In quite perfect accord.
I grieve to have spotted
Your shirt. On my word!
And hullo! You Bully!
That blade's not a stick
To slash right and left,
And my skull is too thick
To be cleft with such cuffs
Of a sword. Now a lick
Down the side of your face.
What a pretty, red line!
Tell the taverns that scar
Was an honour. Don't whine
That a stranger has marked you.
* *
* * *
The tree's there, You Swine!
Did you think to get in
At the back, while your friends
Made a little diversion
In front? So it ends,
With your sword clattering down
On the ground. 'Tis amends
I make for your courteous
Reception of me,
A foreigner, landed
From over the sea.
Your welcome was fervent
I think you'll agree.
My shoes are not buckled
With gold, nor my hair
Oiled and scented, my jacket's
Not satin, I wear
Corded breeches, wide hats,
And I make people stare!
So I do, but my heart
Is the heart of a man,
And my thoughts cannot twirl
In the limited span
'Twixt my head and my heels,
As some other men's can.
I have business more strange
Than the shape of my boots,
And my interests range
From the sky, to the roots
Of this dung-hill you live in,
You half-rotted shoots
Of a mouldering tree!
Here's at you, once more.
You Apes! You Jack-fools!
You can show me the door,
And jeer at my ways,
But you're pinked to the core.
And before I have done,
I will prick my name in
With the front of my steel,
And your lily-white skin
Shall be printed with me.
For I've come here to win!
|
Written by
Siegfried Sassoon |
Hullo! here’s my platoon, the lot I had last year.
‘The war’ll be over soon.’
‘What ’opes?’
‘No bloody fear!’
Then, ‘Number Seven, ’shun! All present and correct.’
They’re standing in the sun, impassive and erect.
Young Gibson with his grin; and Morgan, tired and white;
Jordan, who’s out to win a D.C.M. some night;
And Hughes that’s keen on wiring; and Davies (’79),
Who always must be firing at the Boche front line.
. . . .
‘Old soldiers never die; they simply fide a-why!’
That’s what they used to sing along the roads last spring;
That’s what they used to say before the push began;
That’s where they are to-day, knocked over to a man.
|
Written by
Robert William Service |
A hundred people I employed,
But when they struck for higher pay,
I was so damnably annoyed
I told them they could stay away.
I simply shut my business down;
I closed my doors and locked them out,
And now you'll find all round the town
A lot of idle men about.
Of course I know it is my loss,
And I their point of view can see,
But I must show them I'm the boss,
And any raise must come from ME.
But when they claim it as a right,
And send their Union leaders round,
Why then, by God, I'm out to fight,
Or burn my workshop to the ground.
I've risen from the ranks myself;
By brawn and brain I've made my way.
Had I bet, beered and blown my pelf,
I would have been as poor as they.
Had I wed young to thrift's unheed,
I might have been a toiler now,
With rent to pay and kids to feed,
And bloody sweat upon my brow.
Ah there's the point! "I might have been."
I might have been as peeved as they,
And know what misery can mean,
And ask like them a raise of pay.
I see myself. . . . "The telephone!"
. . . Had I not been so bloody wise -
(A poor old rich man all alone) . . .
"Hullo! Strike's off. I grant the rise."
|
Written by
Robert William Service |
(He speaks.)
Walking, walking, oh, the joy of walking!
Swinging down the tawny lanes with head held high;
Striding up the green hills, through the heather stalking,
Swishing through the woodlands where the brown leaves lie;
Marveling at all things -- windmills gaily turning,
Apples for the cider-press, ruby-hued and gold;
Tails of rabbits twinkling, scarlet berries burning,
Wedge of geese high-flying in the sky's clear cold,
Light in little windows, field and furrow darkling;
Home again returning, hungry as a hawk;
Whistling up the garden, ruddy-cheeked and sparkling,
Oh, but I am happy as I walk, walk, walk!
(She speaks.)
Walking, walking, oh, the curse of walking!
Slouching round the grim square, shuffling up the street,
Slinking down the by-way, all my graces hawking,
Offering my body to each man I meet.
Peering in the gin-shop where the lads are drinking,
Trying to look gay-like, crazy with the blues;
Halting in a doorway, shuddering and shrinking
(Oh, my draggled feather and my thin, wet shoes).
Here's a drunken drover: "Hullo, there, old dearie!"
No, he only curses, can't be got to talk. . . .
On and on till daylight, famished, wet and weary,
God in Heaven help me as I walk, walk, walk!
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Written by
Robert William Service |
A father's pride I used to know,
A mother's love was mine;
For swinish husks I let them go,
And bedded with the swine.
Since then I've come on evil days
And most of life is hell;
But even swine have winsome ways
When once you know them well.
One time I guessed I'd cease to roam,
And greet the folks again;
And so I rode the rods to home
And through the window pane
I saw them weary, worn and grey . . .
I gazed from the garden gloom,
And like sweet, shiny saints were they
Int taht sweet, shiny room.
D'ye think I hollored out: "Hullo!"
The prodigal to play,
And eat the fatted calf? Ah no,
I cursed and ran away.
My eyes were blears of whisky tears
As to a pub I ran:
But once at least I beat the beast
And proved myself a man.
Oh, some day I am going back,
But I'll have gold galore;
I'll wear a suit of sobber black
And knock upon the door.
I'l tell them how I've made a stake,
We'll have the grandest time. . . .
"Say, Mister, give a guy a break:
For Chrissake, spare a dime."
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