Written by
Amy Lowell |
A music-stand of crimson lacquer, long since brought
In some fast clipper-ship from China, quaintly wrought
With bossed and carven flowers and fruits in blackening gold,
The slender shaft all twined about and thickly scrolled
With vine leaves and young twisted tendrils, whirling, curling,
Flinging their new shoots over the four wings, and swirling
Out on the three wide feet in golden lumps and streams;
Petals and apples in high relief, and where the seams
Are worn with handling, through the polished crimson sheen,
Long streaks of black, the under lacquer, shine out clean.
Four desks, adjustable, to suit the heights of players
Sitting to viols or standing up to sing, four layers
Of music to serve every instrument, are there,
And on the apex a large flat-topped golden pear.
It burns in red and yellow, dusty, smouldering lights,
When the sun flares the old barn-chamber with its flights
And skips upon the crystal knobs of dim sideboards,
Legless and mouldy, and hops, glint to glint, on hoards
Of scythes, and spades, and dinner-horns, so the old tools
Are little candles throwing brightness round in pools.
With Oriental splendour, red and gold, the dust
Covering its flames like smoke and thinning as a gust
Of brighter sunshine makes the colours leap and range,
The strange old music-stand seems to strike out and change;
To stroke and tear the darkness with sharp golden claws;
To dart a forked, vermilion tongue from open jaws;
To puff out bitter smoke which chokes the sun; and fade
Back to a still, faint outline obliterate in shade.
Creeping up the ladder into the loft, the Boy
Stands watching, very still, prickly and hot with joy.
He sees the dusty sun-mote slit by streaks of red,
He sees it split and stream, and all about his head
Spikes and spears of gold are licking, pricking, flicking,
Scratching against the walls and furniture, and nicking
The darkness into sparks, chipping away the gloom.
The Boy's nose smarts with the pungence in the room.
The wind pushes an elm branch from before the door
And the sun widens out all along the floor,
Filling the barn-chamber with white, straightforward light,
So not one blurred outline can tease the mind to fright.
"O All ye Works of the Lord, Bless
ye the Lord; Praise Him, and Magnify Him
for ever.
O let the Earth Bless the Lord; Yea, let it Praise Him,
and Magnify Him
for ever.
O ye Mountains and Hills, Bless ye the Lord; Praise
Him, and Magnify Him
for ever.
O All ye Green Things upon the Earth, Bless ye the Lord;
Praise Him,
and Magnify Him for ever.
"
The Boy will praise his God on an altar builded
fair,
Will heap it with the Works of the Lord.
In the morning
air,
Spices shall burn on it, and by their pale smoke curled,
Like shoots of all the Green Things, the God of this bright World
Shall see the Boy's desire to pay his debt of praise.
The Boy turns round about, seeking with careful gaze
An altar meet and worthy, but each table and chair
Has some defect, each piece is needing some repair
To perfect it; the chairs have broken legs and backs,
The tables are uneven, and every highboy lacks
A handle or a drawer, the desks are bruised and worn,
And even a wide sofa has its cane seat torn.
Only in the gloom far in the corner there
The lacquer music-stand is elegant and rare,
Clear and slim of line, with its four wings outspread,
The sound of old quartets, a tenuous, faint thread,
Hanging and floating over it, it stands supreme --
Black, and gold, and crimson, in one twisted scheme!
A candle on the bookcase feels a draught and wavers,
Stippling the white-washed walls with dancing shades and quavers.
A bed-post, grown colossal, jigs about the ceiling,
And shadows, strangely altered, stain the walls, revealing
Eagles, and rabbits, and weird faces pulled awry,
And hands which fetch and carry things incessantly.
Under the Eastern window, where the morning sun
Must touch it, stands the music-stand, and on each one
Of its broad platforms is a pyramid of stones,
And metals, and dried flowers, and pine and hemlock cones,
An oriole's nest with the four eggs neatly blown,
The rattle of a rattlesnake, and three large brown
Butternuts uncracked, six butterflies impaled
With a green luna moth, a snake-skin freshly scaled,
Some sunflower seeds, wampum, and a bloody-tooth shell,
A blue jay feather, all together piled pell-mell
The stand will hold no more.
The Boy with humming head
Looks once again, blows out the light, and creeps to bed.
The Boy keeps solemn vigil, while outside the wind
Blows gustily and clear, and slaps against the blind.
He hardly tries to sleep, so sharp his ecstasy
It burns his soul to emptiness, and sets it free
For adoration only, for worship.
Dedicate,
His unsheathed soul is naked in its novitiate.
The hours strike below from the clock on the stair.
The Boy is a white flame suspiring in prayer.
Morning will bring the sun, the Golden Eye of Him
Whose splendour must be veiled by starry cherubim,
Whose Feet shimmer like crystal in the streets of Heaven.
Like an open rose the sun will stand up even,
Fronting the window-sill, and when the casement glows
Rose-red with the new-blown morning, then the fire which flows
From the sun will fall upon the altar and ignite
The spices, and his sacrifice will burn in perfumed light.
Over the music-stand the ghosts of sounds will swim,
`Viols d'amore' and `hautbois' accorded to a hymn.
The Boy will see the faintest breath of angels' wings
Fanning the smoke, and voices will flower through the strings.
He dares no farther vision, and with scalding eyes
Waits upon the daylight and his great emprise.
The cold, grey light of dawn was whitening the
wall
When the Boy, fine-drawn by sleeplessness, started his ritual.
He washed, all shivering and pointed like a flame.
He threw the shutters open, and in the window-frame
The morning glimmered like a tarnished Venice glass.
He took his Chinese pastilles and put them in a mass
Upon the mantelpiece till he could seek a plate
Worthy to hold them burning.
Alas! He had
been late
In thinking of this need, and now he could not find
Platter or saucer rare enough to ease his mind.
The house was not astir, and he dared not go down
Into the barn-chamber, lest some door should be blown
And slam before the draught he made as he went out.
The light was growing yellower, and still he looked about.
A flash of almost crimson from the gilded pear
Upon the music-stand, startled him waiting there.
The sun would rise and he would meet it unprepared,
Labelled a fool in having missed what he had dared.
He ran across the room, took his pastilles and laid
Them on the flat-topped pear, most carefully displayed
To light with ease, then stood a little to one side,
Focussed a burning-glass and painstakingly tried
To hold it angled so the bunched and prismed rays
Should leap upon each other and spring into a blaze.
Sharp as a wheeling edge of disked, carnation flame,
Gem-hard and cutting upward, slowly the round sun came.
The arrowed fire caught the burning-glass and glanced,
Split to a multitude of pointed spears, and lanced,
A deeper, hotter flame, it took the incense pile
Which welcomed it and broke into a little smile
Of yellow flamelets, creeping, crackling, thrusting up,
A golden, red-slashed lily in a lacquer cup.
"O ye Fire and Heat, Bless ye the Lord;
Praise Him, and Magnify Him
for ever.
O ye Winter and Summer, Bless ye the Lord; Praise Him,
and Magnify Him
for ever.
O ye Nights and Days, Bless ye the Lord; Praise Him,
and Magnify Him
for ever.
O ye Lightnings and Clouds, Bless ye the Lord; Praise
Him, and Magnify Him
for ever.
"
A moment so it hung, wide-curved, bright-petalled,
seeming
A chalice foamed with sunrise.
The Boy woke from his
dreaming.
A spike of flame had caught the card of butterflies,
The oriole's nest took fire, soon all four galleries
Where he had spread his treasures were become one tongue
Of gleaming, brutal fire.
The Boy instantly swung
His pitcher off the wash-stand and turned it upside down.
The flames drooped back and sizzled, and all his senses grown
Acute by fear, the Boy grabbed the quilt from his bed
And flung it over all, and then with aching head
He watched the early sunshine glint on the remains
Of his holy offering.
The lacquer stand had stains
Ugly and charred all over, and where the golden pear
Had been, a deep, black hole gaped miserably.
His dear
Treasures were puffs of ashes; only the stones were there,
Winking in the brightness.
The clock upon the stair
Struck five, and in the kitchen someone shook a grate.
The Boy began to dress, for it was getting late.
|
Written by
Rudyard Kipling |
To the legion of the lost ones, to the cohort of the damned,
To my brethren in their sorrow overseas,
Sings a gentleman of England cleanly bred, machinely crammed,
And a trooper of the Empress, if you please.
Yea, a trooper of the forces who has run his own six horses,
And faith he went the pace and went it blind,
And the world was more than kin while he held the ready tin,
But to-day the Sergeant's something less than kind.
We're poor little lambs who've lost our way,
Baa! Baa! Baa!
We're little black sheep who've gone astray,
Baa--aa--aa!
Gentlemen-rankers out on the spree,
Damned from here to Eternity,
God ha' mercy on such as we,
Baa! Yah! Bah!
Oh, it's sweet to sweat through stables, sweet to empty kitchen slops,
And it's sweet to hear the tales the troopers tell,
To dance with blowzy housemaids at the regimental hops
And thrash the cad who says you waltz too well.
Yes, it makes you cock-a-hoop to be "Rider" to your troop,
And branded with a blasted worsted spur,
When you envy, O how keenly, one poor Tommy being cleanly
Who blacks your boots and sometimes calls you "Sir".
If the home we never write to, and the oaths we never keep,
And all we know most distant and most dear,
Across the snoring barrack-room return to break our sleep,
Can you blame us if we soak ourselves in beer?
When the drunken comrade mutters and the great guard-lantern gutters
And the horror of our fall is written plain,
Every secret, self-revealing on the aching white-washed ceiling,
Do you wonder that we drug ourselves from pain?
We have done with Hope and Honour, we are lost to Love and Truth,
We are dropping down the ladder rung by rung,
And the measure of our torment is the measure of our youth.
God help us, for we knew the worst too young!
Our shame is clean repentance for the crime that brought the sentence,
Our pride it is to know no spur of pride,
And the Curse of Reuben holds us till an alien turf enfolds us
And we die, and none can tell Them where we died.
We're poor little lambs who've lost our way,
Baa! Baa! Baa!
We're little black sheep who've gone astray,
Baa--aa--aa!
Gentlemen-rankers out on the spree,
Damned from here to Eternity,
God ha' mercy on such as we,
Baa! Yah! Bah!
|
Written by
Robert Browning |
I
What's become of Waring
Since he gave us all the slip,
Chose land-travel or seafaring,
Boots and chest, or staff and scrip,
Rather than pace up and down
Any longer London-town?
Who'd have guessed it from his lip,
Or his brow's accustomed bearing,
On the night he thus took ship,
Or started landward?—little caring
For us, it seems, who supped together,
(Friends of his too, I remember)
And walked home through the merry weather,
The snowiest in all December;
I left his arm that night myself
For what's-his-name's, the new prose-poet,
That wrote the book there, on the shelf—
How, forsooth, was I to know it
If Waring meant to glide away
Like a ghost at break of day?
Never looked he half so gay!
He was prouder than the devil:
How he must have cursed our revel!
Ay, and many other meetings,
Indoor visits, outdoor greetings,
As up and down he paced this London,
With no work done, but great works undone,
Where scarce twenty knew his name.
Why not, then, have earlier spoken,
Written, bustled? Who's to blame
If your silence kept unbroken?
"True, but there were sundry jottings,
Stray-leaves, fragments, blurrs and blottings,
Certain first steps were achieved
Already which—(is that your meaning?)
Had well borne out whoe'er believed
In more to come!" But who goes gleaning
Hedge-side chance-blades, while full-sheaved
Stand cornfields by him? Pride, o'erweening
Pride alone, puts forth such claims
O'er the day's distinguished names.
Meantime, how much I loved him,
I find out now I've lost him:
I, who cared not if I moved him,
Henceforth never shall get free
Of his ghostly company,
His eyes that just a little wink
As deep I go into the merit
Of this and that distinguished spirit—
His cheeks' raised colour, soon to sink,
As long I dwell on some stupendous
And tremendous (Heaven defend us!)
Monstr'-inform'-ingens-horrend-ous
Demoniaco-seraphic
Penman's latest piece of graphic.
Nay, my very wrist grows warm
With his dragging weight of arm!
E'en so, swimmingly appears,
Through one's after-supper musings,
Some lost Lady of old years,
With her beauteous vain endeavour,
And goodness unrepaid as ever;
The face, accustomed to refusings,
We, puppies that we were.
.
.
Oh never
Surely, nice of conscience, scrupled
Being aught like false, forsooth, to?
Telling aught but honest truth to?
What a sin, had we centupled
Its possessor's grace and sweetness!
No! she heard in its completeness
Truth, for truth's a weighty matter,
And, truth at issue, we can't flatter!
Well, 'tis done with: she's exempt
From damning us through such a sally;
And so she glides, as down a valley,
Taking up with her contempt,
Past our reach; and in, the flowers
Shut her unregarded hours.
Oh, could I have him back once more,
This Waring, but one half-day more!
Back, with the quiet face of yore,
So hungry for acknowledgment
Like mine! I'd fool him to his bent!
Feed, should not he, to heart's content?
I'd say, "to only have conceived
Your great works, though they ne'er make progress,
Surpasses all we've yet achieved!"
I'd lie so, I should be believed.
I'd make such havoc of the claims
Of the day's distinguished names
To feast him with, as feasts an ogress
Her sharp-toothed golden-crowned child!
Or, as one feasts a creature rarely
Captured here, unreconciled
To capture; and completely gives
Its pettish humours licence, barely
Requiring that it lives.
Ichabod, Ichabod,
The glory is departed!
Travels Waring East away?
Who, of knowledge, by hearsay,
Reports a man upstarted
Somewhere as a God,
Hordes grown European-hearted,
Millions of the wild made tame
On a sudden at his fame?
In Vishnu-land what Avatar?
Or who, in Moscow, toward the Czar,
With the demurest of footfalls
Over the Kremlin's pavement, bright
With serpentine and syenite,
Steps, with five other generals,
That simultaneously take snuff,
For each to have pretext enough
To kerchiefwise unfurl his sash
Which, softness' self, is yet the stuff
To hold fast where a steel chain snaps,
And leave the grand white neck no gash?
Waring, in Moscow, to those rough
Cold northern natures borne, perhaps,
Like the lambwhite maiden dear
From the circle of mute kings,
Unable to repress the tear,
Each as his sceptre down he flings,
To Dian's fane at Taurica,
Where now a captive priestess, she alway
Mingles her tender grave Hellenic speech
With theirs, tuned to the hailstone-beaten beach,
As pours some pigeon, from the myrrhy lands
Rapt by the whirlblast to fierce Scythian strands
Where bred the swallows, her melodious cry
Amid their barbarous twitter!
In Russia? Never! Spain were fitter!
Ay, most likely, 'tis in Spain
That we and Waring meet again—
Now, while he turns down that cool narrow lane
Into the blackness, out of grave Madrid
All fire and shine—abrupt as when there's slid
Its stiff gold blazing pall
From some black coffin-lid.
Or, best of all,
I love to think
The leaving us was just a feint;
Back here to London did he slink;
And now works on without a wink
Of sleep, and we are on the brink
Of something great in fresco-paint:
Some garret's ceiling, walls and floor,
Up and down and o'er and o'er
He splashes, as none splashed before
Since great Caldara Polidore:
Or Music means this land of ours
Some favour yet, to pity won
By Purcell from his Rosy Bowers,—
"Give me my so long promised son,
Let Waring end what I begun!"
Then down he creeps and out he steals
Only when the night conceals
His face—in Kent 'tis cherry-time,
Or, hops are picking; or, at prime
Of March, he wanders as, too happy,
Years ago when he was young,
Some mild eve when woods grew sappy,
And the early moths had sprung
To life from many a trembling sheath
Woven the warm boughs beneath;
While small birds said to themselves
What should soon be actual song,
And young gnats, by tens and twelves,
Made as if they were the throng
That crowd around and carry aloft
The sound they have nursed, so sweet and pure,
Out of a myriad noises soft,
Into a tone that can endure
Amid the noise of a July noon,
When all God's creatures crave their boon,
All at once and all in tune,
And get it, happy as Waring then,
Having first within his ken
What a man might do with men,
And far too glad, in the even-glow,
To mix with your world he meant to take
Into his hand, he told you, so—
And out of it his world to make,
To contract and to expand
As he shut or oped his hand.
Oh, Waring, what's to really be?
A clear stage and a crowd to see!
Some Garrick—say—out shall not he
The heart of Hamlet's mystery pluck
Or, where most unclean beasts are rife,
Some Junius—am I right?—shall tuck
His sleeve, and out with flaying-knife!
Some Chatterton shall have the luck
Of calling Rowley into life!
Some one shall somehow run amuck
With this old world, for want of strife
Sound asleep: contrive, contrive
To rouse us, Waring! Who's alive?
Our men scarce seem in earnest now:
Distinguished names!—but 'tis, somehow
As if they played at being names
Still more distinguished, like the games
Of children.
Turn our sport to earnest
With a visage of the sternest!
Bring the real times back, confessed
Still better than our very best!
II
"When I last saw Waring.
.
.
"
(How all turned to him who spoke—
You saw Waring? Truth or joke?
In land-travel, or seafaring?)
".
.
.
We were sailing by Triest,
Where a day or two we harboured:
A sunset was in the West,
When, looking over the vessel's side,
One of our company espied
A sudden speck to larboard.
And, as a sea-duck flies and swins
At once, so came the light craft up,
With its sole lateen sail that trims
And turns (the water round its rims
Dancing, as round a sinking cup)
And by us like a fish it curled,
And drew itself up close beside,
Its great sail on the instant furled,
And o'er its planks, a shrill voice cried
(A neck as bronzed as a Lascar's)
'Buy wine of us, you English Brig?
Or fruit, tobacco and cigars?
A Pilot for you to Triest?
Without one, look you ne'er so big,
They'll never let you up the bay!
We natives should know best.
'
I turned, and 'just those fellows' way,'
Our captain said, 'The long-shore thieves
Are laughing at us in their sleeves.
'
"In truth, the boy leaned laughing back;
And one, half-hidden by his side
Under the furled sail, soon I spied,
With great grass hat, and kerchief black,
Who looked up, with his kingly throat,
Said somewhat, while the other shook
His hair back from his eyes to look
Their longest at us; then the boat,
I know not how, turned sharply round,
Laying her whole side on the sea
As a leaping fish does; from the lee
Into the weather, cut somehow
Her sparkling path beneath our bow;
And so went off, as with a bound,
Into the rose and golden half
Of the sky, to overtake the sun,
And reach the shore, like the sea-calf
Its singing cave; yet I caught one
Glance ere away the boat quite passed,
And neither time nor toil could mar
Those features: so I saw the last
Of Waring!"—You? Oh, never star
Was lost here, but it rose afar!
Look East, where whole new thousands are!
In Vishnu-land what Avatar?
|
Written by
Chris Tusa |
My grandmother’s teeth stare at her
from a mason jar on the nightstand.
The radio turns itself on,
sunlight crawls through the window,
and she thinks she feels her bright blue eyes
rolling out her head.
She’s certain her blood has turned to dirt,
that beetles haunt the dark hollow of her bones.
The clock on the kitchen wall is missing its big hand.
The potatoes in the sink are growing eyes.
She stares at my grandfather standing in the doorway,
his smile flickering like the side of an axe.
Outside, in the yard, a chicken hops
through the tall grass, looking for its head.
|
Written by
Thomas Hardy |
To Jenny came a gentle youth
From inland leazes lone;
His love was fresh as apple-blooth
By Parrett, Yeo, or Tone.
And duly he entreated her
To be his tender minister,
And call him aye her own.
Fair Jenny's life had hardly been
A life of modesty;
At Casterbridge experience keen
Of many loves had she
From scarcely sixteen years above:
Among them sundry troopers of
The King's-Own Cavalry.
But each with charger, sword, and gun,
Had bluffed the Biscay wave;
And Jenny prized her gentle one
For all the love he gave.
She vowed to be, if they were wed,
His honest wife in heart and head
From bride-ale hour to grave.
Wedded they were.
Her husband's trust
In Jenny knew no bound,
And Jenny kept her pure and just,
Till even malice found
No sin or sign of ill to be
In one who walked so decently
The duteous helpmate's round.
Two sons were born, and bloomed to men,
And roamed, and were as not:
Alone was Jenny left again
As ere her mind had sought
A solace in domestic joys,
And ere the vanished pair of boys
Were sent to sun her cot.
She numbered near on sixty years,
And passed as elderly,
When, in the street, with flush of fears,
On day discovered she,
From shine of swords and thump of drum,
Her early loves from war had come,
The King's Own Cavalry.
She turned aside, and bowed her head
Anigh Saint Peter's door;
"Alas for chastened thoughts!" she said;
"I'm faded now, and hoar,
And yet those notes--they thrill me through,
And those gay forms move me anew
As in the years of yore!".
.
.
--'Twas Christmas, and the Phoenix Inn
Was lit with tapers tall,
For thirty of the trooper men
Had vowed to give a ball
As "Theirs" had done (fame handed down)
When lying in the self-same town
Ere Buonaparté's fall.
That night the throbbing "Soldier's Joy,"
The measured tread and sway
Of "Fancy-Lad" and "Maiden Coy,"
Reached Jenny as she lay
Beside her spouse; till springtide blood
Seemed scouring through her like a flood
That whisked the years away.
She rose, and rayed, and decked her head
To hide her ringlets thin;
Upon her cap two bows of red
She fixed with hasty pin;
Unheard descending to the street,
She trod the flags with tune-led feet,
And stood before the Inn.
Save for the dancers', not a sound
Disturbed the icy air;
No watchman on his midnight round
Or traveller was there;
But over All-Saints', high and bright,
Pulsed to the music Sirius white,
The Wain by Bullstake Square.
She knocked, but found her further stride
Checked by a sergeant tall:
"Gay Granny, whence come you?" he cried;
"This is a private ball.
"
--"No one has more right here than me!
Ere you were born, man," answered she,
"I knew the regiment all!"
"Take not the lady's visit ill!"
Upspoke the steward free;
"We lack sufficient partners still,
So, prithee let her be!"
They seized and whirled her 'mid the maze,
And Jenny felt as in the days
Of her immodesty.
Hour chased each hour, and night advanced;
She sped as shod with wings;
Each time and every time she danced--
Reels, jigs, poussettes, and flings:
They cheered her as she soared and swooped
(She'd learnt ere art in dancing drooped
From hops to slothful swings).
The favorite Quick-step "Speed the Plough"--
(Cross hands, cast off, and wheel)--
"The Triumph," "Sylph," "The Row-dow dow,"
Famed "Major Malley's Reel,"
"The Duke of York's," "The Fairy Dance,"
"The Bridge of Lodi" (brought from France),
She beat out, toe and heel.
The "Fall of Paris" clanged its close,
And Peter's chime told four,
When Jenny, bosom-beating, rose
To seek her silent door.
They tiptoed in escorting her,
Lest stroke of heel or chink of spur
Should break her goodman's snore.
The fire that late had burnt fell slack
When lone at last stood she;
Her nine-and-fifty years came back;
She sank upon her knee
Beside the durn, and like a dart
A something arrowed through her heart
In shoots of agony.
Their footsteps died as she leant there,
Lit by the morning star
Hanging above the moorland, where
The aged elm-rows are;
And, as o'ernight, from Pummery Ridge
To Maembury Ring and Standfast Bridge
No life stirred, near or far.
Though inner mischief worked amain,
She reached her husband's side;
Where, toil-weary, as he had lain
Beneath the patchwork pied
When yestereve she'd forthward crept,
And as unwitting, still he slept
Who did in her confide.
A tear sprang as she turned and viewed
His features free from guile;
She kissed him long, as when, just wooed.
She chose his domicile.
Death menaced now; yet less for life
She wished than that she were the wife
That she had been erstwhile.
Time wore to six.
Her husband rose
And struck the steel and stone;
He glanced at Jenny, whose repose
Seemed deeper than his own.
With dumb dismay, on closer sight,
He gathered sense that in the night,
Or morn, her soul had flown.
When told that some too mighty strain
For one so many-yeared
Had burst her bosom's master-vein,
His doubts remained unstirred.
His Jenny had not left his side
Betwixt the eve and morning-tide:
--The King's said not a word.
Well! times are not as times were then,
Nor fair ones half so free;
And truly they were martial men,
The King's-Own Cavalry.
And when they went from Casterbridge
And vanished over Mellstock Ridge,
'Twas saddest morn to see.
|
Written by
Amy Lowell |
Pale, with the blue of high zeniths, shimmered
over with silver, brocaded
In smooth, running patterns, a soft stuff, with dark knotted fringes,
it lies there,
Warm from a woman's soft shoulders, and my fingers close on it,
caressing.
Where is she, the woman who wore it? The scent of her
lingers and drugs me!
A languor, fire-shotted, runs through me, and I crush the scarf
down
on my face,
And gulp in the warmth and the blueness, and my eyes swim
in cool-tinted heavens.
Around me are columns of marble, and a diapered, sun-flickered pavement.
Rose-leaves blow and patter against it.
Below the stone
steps a lute tinkles.
A jar of green jade throws its shadow half over the floor.
A
big-bellied
Frog hops through the sunlight and plops in the gold-bubbled water
of a basin,
Sunk in the black and white marble.
The west wind has
lifted a scarf
On the seat close beside me, the blue of it is a violent outrage
of colour.
She draws it more closely about her, and it ripples beneath
her slight stirring.
Her kisses are sharp buds of fire; and I burn back against her,
a jewel
Hard and white; a stalked, flaming flower; till I break to
a handful of cinders,
And open my eyes to the scarf, shining blue in the afternoon sunshine.
How loud clocks can tick when a room is empty,
and one is alone!
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Written by
Walt Whitman |
WARBLE me now, for joy of Lilac-time,
Sort me, O tongue and lips, for Nature’s sake, and sweet life’s sake—and
death’s the same as life’s,
Souvenirs of earliest summer—birds’ eggs, and the first berries;
Gather the welcome signs, (as children, with pebbles, or stringing shells;)
Put in April and May—the hylas croaking in the ponds—the elastic air,
Bees, butterflies, the sparrow with its simple notes,
Blue-bird, and darting swallow—nor forget the high-hole flashing his golden wings,
The tranquil sunny haze, the clinging smoke, the vapor,
Spiritual, airy insects, humming on gossamer wings,
Shimmer of waters, with fish in them—the cerulean above;
All that is jocund and sparkling—the brooks running,
The maple woods, the crisp February days, and the sugar-making;
The robin, where he hops, bright-eyed, brown-breasted,
With musical clear call at sunrise, and again at sunset,
Or flitting among the trees of the apple-orchard, building the nest of his mate;
The melted snow of March—the willow sending forth its yellow-green sprouts;
—For spring-time is here! the summer is here! and what is this in it and from it?
Thou, Soul, unloosen’d—the restlessness after I know not what;
Come! let us lag here no longer—let us be up and away!
O for another world! O if one could but fly like a bird!
O to escape—to sail forth, as in a ship!
To glide with thee, O Soul, o’er all, in all, as a ship o’er the waters!
—Gathering these hints, these preludes—the blue sky, the grass, the morning
drops of
dew;
(With additional songs—every spring will I now strike up additional songs,
Nor ever again forget, these tender days, the chants of Death as well as Life;)
The lilac-scent, the bushes, and the dark green, heart-shaped leaves,
Wood violets, the little delicate pale blossoms called innocence,
Samples and sorts not for themselves alone, but for their atmosphere,
To tally, drench’d with them, tested by them,
Cities and artificial life, and all their sights and scenes,
My mind henceforth, and all its meditations—my recitatives,
My land, my age, my race, for once to serve in songs,
(Sprouts, tokens ever of death indeed the same as life,)
To grace the bush I love—to sing with the birds,
A warble for joy of Lilac-time.
|
Written by
Anne Bradstreet |
Phoebus make haste, the day's too long, be gone,
The silent night's the fittest time for moan;
But stay this once, unto my suit give ear,
And tell my griefs in either hemisphere.
(And if the whirling of thy wheels don't drown'd)
The woeful accents of my doleful sound,
If in thy swift carrier thou canst make stay,
I crave this boon, this errand by the way,
Commend me to the man more loved than life,
Show him the sorrows of his widowed wife;
My dumpish thoughts, my groans, my brakish tears
My sobs, my longing hopes, my doubting fears,
And if he love, how can he there abide?
My interest's more than all the world beside.
He that can tell the stars or ocean sand,
Or all the grass that in the meads do stand,
The leaves in th' woods, the hail, or drops of rain,
Or in a corn-field number every grain,
Or every mote that in the sunshine hops,
May count my sighs, and number all my drops.
Tell him the countless steps that thou dost trace,
That once a day thy spouse thou may'st embrace;
And when thou canst not treat by loving mouth,
Thy rays afar salute her from the south.
But for one month I see no day (poor soul)
Like those far situate under the pole,
Which day by day long wait for thy arise,
O how they joy when thou dost light the skies.
O Phoebus, hadst thou but thus long from thine
Restrained the beams of thy beloved shine,
At thy return, if so thou could'st or durst,
Behold a Chaos blacker than the first.
Tell him here's worse than a confused matter,
His little world's a fathom under water.
Nought but the fervor of his ardent beams
Hath power to dry the torrent of these streams.
Tell him I would say more, but cannot well,
Oppressed minds abruptest tales do tell.
Now post with double speed, mark what I say,
By all our loves conjure him not to stay
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Written by
Boris Pasternak |
Beneath the willow wound round with ivy
we take cover from the worst
of the storm, with a greatcoat round
our shoulders and my hands around your waist.
I've got it wrong.
That isn't ivy
entwined in the bushes round
the wood, but hops.
You intoxicate me!
Let's spread the greatcoat on the ground.
|
Written by
Paul Laurence Dunbar |
A little bird, with plumage brown,
Beside my window flutters down,
A moment chirps its little strain,
Ten taps upon my window-pane,
And chirps again, and hops along,
To call my notice to its song;
But I work on, nor heed its lay,
Till, in neglect, it flies away.
So birds of peace and hope and love
Come fluttering earthward from above,
To settle on life's window-sills,
And ease our load of earthly ills;
But we, in traffic's rush and din
Too deep engaged to let them in,
With deadened heart and sense plod on,
Nor know our loss till they are gone.
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