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Best Famous Honeycombed Poems

Here is a collection of the all-time best famous Honeycombed poems. This is a select list of the best famous Honeycombed poetry. Reading, writing, and enjoying famous Honeycombed poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of honeycombed poems.

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Written by Elizabeth Bishop | Create an image from this poem

Manuelzinho

 Half squatter, half tenant (no rent)—
a sort of inheritance; white,
in your thirties now, and supposed
to supply me with vegetables,
but you don't; or you won't; or you can't
get the idea through your brain—
the world's worst gardener since Cain.
Titled above me, your gardens ravish my eyes.
You edge the beds of silver cabbages with red carnations, and lettuces mix with alyssum.
And then umbrella ants arrive, or it rains for a solid week and the whole thing's ruined again and I buy you more pounds of seeds, imported, guaranteed, and eventually you bring me a mystic thee-legged carrot, or a pumpkin "bigger than the baby.
" I watch you through the rain, trotting, light, on bare feet, up the steep paths you have made— or your father and grandfather made— all over my property, with your head and back inside a sodden burlap bag, and feel I can't endure it another minute; then, indoors, beside the stove, keep on reading a book.
You steal my telephone wires, or someone does.
You starve your horse and yourself and your dogs and family.
among endless variety, you eat boiled cabbage stalks.
And once I yelled at you so loud to hurry up and fetch me those potatoes your holey hat flew off, you jumped out of your clogs, leaving three objects arranged in a triangle at my feet, as if you'd been a gardener in a fairy tale all this time and at the word "potatoes" had vanished to take up your work of fairy prince somewhere.
The strangest things happen to you.
Your cows eats a "poison grass" and drops dead on the spot.
Nobody else's does.
And then your father dies, a superior old man with a black plush hat, and a moustache like a white spread-eagled sea gull.
The family gathers, but you, no, you "don't think he's dead! I look at him.
He's cold.
They're burying him today.
But you know, I don't think he's dead.
" I give you money for the funeral and you go and hire a bus for the delighted mourners, so I have to hand over some more and then have to hear you tell me you pray for me every night! And then you come again, sniffing and shivering, hat in hand, with that wistful face, like a child's fistful of bluets or white violets, improvident as the dawn, and once more I provide for a shot of penicillin down at the pharmacy, or one more bottle of Electrical Baby Syrup.
Or, briskly, you come to settle what we call our "accounts," with two old copybooks, one with flowers on the cover, the other with a camel.
immediate confusion.
You've left out decimal points.
Your columns stagger, honeycombed with zeros.
You whisper conspiratorially; the numbers mount to millions.
Account books? They are Dream Books.
in the kitchen we dream together how the meek shall inherit the earth— or several acres of mine.
With blue sugar bags on their heads, carrying your lunch, your children scuttle by me like little moles aboveground, or even crouch behind bushes as if I were out to shoot them! —Impossible to make friends, though each will grab at once for an orange or a piece of candy.
Twined in wisps of fog, I see you all up there along with Formoso, the donkey, who brays like a pump gone dry, then suddenly stops.
—All just standing, staring off into fog and space.
Or coming down at night, in silence, except for hoofs, in dim moonlight, the horse or Formoso stumbling after.
Between us float a few big, soft, pale-blue, sluggish fireflies, the jellyfish of the air.
.
.
Patch upon patch upon patch, your wife keeps all of you covered.
She has gone over and over (forearmed is forewarned) your pair of bright-blue pants with white thread, and these days your limbs are draped in blueprints.
You paint—heaven knows why— the outside of the crown and brim of your straw hat.
Perhaps to reflect the sun? Or perhaps when you were small, your mother said, "Manuelzinho, one thing; be sure you always paint your straw hat.
" One was gold for a while, but the gold wore off, like plate.
One was bright green.
Unkindly, I called you Klorophyll Kid.
My visitors thought it was funny.
I apologize here and now.
You helpless, foolish man, I love you all I can, I think.
Or I do? I take off my hat, unpainted and figurative, to you.
Again I promise to try.


Written by Sidney Lanier | Create an image from this poem

The Hard Times In Elfland

 A Story of Christmas Eve.
Strange that the termagant winds should scold The Christmas Eve so bitterly! But Wife, and Harry the four-year-old, Big Charley, Nimblewits, and I, Blithe as the wind was bitter, drew More frontward of the mighty fire, Where wise Newfoundland Fan foreknew The heaven that Christian dogs desire -- Stretched o'er the rug, serene and grave, Huge nose on heavy paws reclined, With never a drowning boy to save, And warmth of body and peace of mind.
And, as our happy circle sat, The fire well capp'd the company: In grave debate or careless chat, A right good fellow, mingled he: He seemed as one of us to sit, And talked of things above, below, With flames more winsome than our wit, And coals that burned like love aglow.
While thus our rippling discourse rolled Smooth down the channel of the night, We spoke of Time: thereat, one told A parable of the Seasons' flight.
"Time was a Shepherd with four sheep.
In a certain Field he long abode.
He stood by the bars, and his flock bade leap One at a time to the Common Road.
"And first there leapt, like bird on wing, A lissome Lamb that played in the air.
I heard the Shepherd call him `Spring': Oh, large-eyed, fresh and snowy fair "He skipped the flowering Highway fast, Hurried the hedgerows green and white, Set maids and men a-yearning, passed The Bend, and gamboll'd out of sight.
"And next marched forth a matron Ewe (While Time took down a bar for her), Udder'd so large 'twas much ado E'en then to clear the barrier.
"Full softly shone her silken fleece What stately time she paced along: Each heartsome hoof-stroke wrought increase Of sunlight, substance, seedling, song, "In flower, in fruit, in field, in bird, Till the great globe, rich fleck'd and pied, Like some large peach half pinkly furred, Turned to the sun a glowing side "And hung in the heavenly orchard, bright, None-such, complete.
Then, while the Ewe Slow passed the Bend, a blur of light, The Shepherd's face in sadness grew: "`Summer!' he said, as one would say A sigh in syllables.
So, in haste (For shame of Summer's long delay, Yet gazing still what way she paced), "He summoned Autumn, slanting down The second bar.
Thereover strode A Wether, fleeced in burning brown, And largely loitered down the Road.
"Far as the farmers sight his shape Majestic moving o'er the way, All cry `To harvest,' crush the grape, And haul the corn and house the hay, "Till presently, no man can say, (So brown the woods that line that end) If yet the brown-fleeced Wether may, Or not, have passed beyond the Bend.
"Now turn I towards the Shepherd: lo, An aged Ram, flapp'd, gnarly-horn'd, With bones that crackle o'er the snow, Rheum'd, wind-gall'd, rag-fleec'd, burr'd and thorn'd.
"Time takes the third bar off for him, He totters down the windy lane.
'Tis Winter, still: the Bend lies dim.
O Lamb, would thou wouldst leap again!" Those seasons out, we talked of these: And I (with inward purpose sly To shield my purse from Christmas trees And stockings and wild robbery When Hal and Nimblewits invade My cash in Santa Claus's name) In full the hard, hard times surveyed; Denounced all waste as crime and shame; Hinted that "waste" might be a term Including skates, velocipedes, Kites, marbles, soldiers, towers infirm, Bows, arrows, cannon, Indian reeds, Cap-pistols, drums, mechanic toys, And all th' infernal host of horns Whereby to strenuous hells of noise Are turned the blessed Christmas morns; Thus, roused -- those horns! -- to sacred rage, I rose, forefinger high in air, When Harry cried (SOME war to wage), "Papa, is hard times ev'ywhere? "Maybe in Santa Claus's land It isn't hard times none at all!" Now, blessed Vision! to my hand Most pat, a marvel strange did fall.
Scarce had my Harry ceased, when "Look!" He cried, leapt up in wild alarm, Ran to my Comrade, shelter took Beneath the startled mother's arm.
And so was still: what time we saw A foot hang down the fireplace! Then, With painful scrambling scratched and raw, Two hands that seemed like hands of men Eased down two legs and a body through The blazing fire, and forth there came Before our wide and wondering view A figure shrinking half with shame, And half with weakness.
"Sir," I said, -- But with a mien of dignity The seedy stranger raised his head: "My friends, I'm Santa Claus," said he.
But oh, how changed! That rotund face The new moon rivall'd, pale and thin; Where once was cheek, now empty space; Whate'er stood out, did now stand in.
His piteous legs scarce propped him up: His arms mere sickles seemed to be: But most o'erflowed our sorrow's cup When that we saw -- or did not see -- His belly: we remembered how It shook like a bowl of jelly fine: An earthquake could not shake it now; He HAD no belly -- not a sign.
"Yes, yes, old friends, you well may stare: I HAVE seen better days," he said: "But now, with shrinkage, loss and care, Your Santa Claus scarce owns his head.
"We've had such hard, hard times this year For goblins! Never knew the like.
All Elfland's mortgaged! And we fear The gnomes are just about to strike.
"I once was rich, and round, and hale.
The whole world called me jolly brick; But listen to a piteous tale.
Young Harry, -- Santa Claus is sick! "'Twas thus: a smooth-tongued railroad man Comes to my house and talks to me: `I've got,' says he, `a little plan That suits this nineteenth century.
"`Instead of driving, as you do, Six reindeer slow from house to house, Let's build a Grand Trunk Railway through From here to earth's last terminus.
"`We'll touch at every chimney-top (An Elevated Track, of course), Then, as we whisk you by, you'll drop Each package down: just think, the force "`You'll save, the time! -- Besides, we'll make Our millions: look you, soon we will Compete for freights -- and then we'll take Dame Fortune's bales of good and ill "`(Why, she's the biggest shipper, sir, That e'er did business in this world!): Then Death, that ceaseless Traveller, Shall on his rounds by us be whirled.
"`When ghosts return to walk with men, We'll bring 'em cheap by steam, and fast: We'll run a Branch to heaven! and then We'll riot, man; for then, at last "`We'll make with heaven a contract fair To call, each hour, from town to town, And carry the dead folks' souls up there, And bring the unborn babies down!' "The plan seemed fair: I gave him cash, Nay, every penny I could raise.
My wife e'er cried, `'Tis rash, 'tis rash:' How could I know the stock-thief's ways? "But soon I learned full well, poor fool! My woes began, that wretched day.
The President plied me like a tool.
In lawyer's fees, and rights of way, "Injunctions, leases, charters, I Was meshed as in a mighty maze.
The stock ran low, the talk ran high: Then quickly flamed the final blaze.
"With never an inch of track -- 'tis true! The debts were large .
.
.
the oft-told tale.
The President rolled in splendor new -- He bought my silver at the sale.
"Yes, sold me out: we've moved away.
I've had to give up everything.
My reindeer, even, whom I .
.
.
pray, Excuse me" .
.
.
here, o'er-sorrowing, Poor Santa Claus burst into tears, Then calmed again: "my reindeer fleet, I gave them up: on foot, my dears, I now must plod through snow and sleet.
"Retrenchment rules in Elfland, now; Yes, every luxury is cut off.
-- Which, by the way, reminds me how I caught this dreadful hacking cough: "I cut off the tail of my Ulster furred To make young Kris a coat of state.
That very night the storm occurred! Thus we became the sport of Fate.
"For I was out till after one, Surveying chimney-tops and roofs, And planning how it could be done Without my reindeers' bouncing hoofs.
"`My dear,' says Mrs.
Claus, that night (A most superior woman she!) `It never, never can be right That you, deep-sunk in poverty, "`This year should leave your poor old bed, And trot about, bent down with toys, (There's Kris a-crying now for bread!) To give to other people's boys.
"`Since you've been out, the news arrives The Elfs' Insurance Company's gone.
Ah, Claus, those premiums! Now, our lives Depend on yours: thus griefs go on.
"`And even while you're thus harassed, I do believe, if out you went, You'd go, in spite of all that's passed, To the children of that President!' "Oh, Charley, Harry, Nimblewits, These eyes, that night, ne'er slept a wink.
My path seemed honeycombed with pits.
Naught could I do but think and think.
"But, with the day, my courage rose.
Ne'er shall my boys, MY boys (I cried), When Christmas morns their eyes unclose, Find empty stockings gaping wide! "Then hewed and whacked and whittled I; The wife, the girls and Kris took fire; They spun, sewed, cut, -- till by and by We made, at home, my pack entire!" (He handed me a bundle, here.
) "Now, hoist me up: there, gently: quick! Dear boys, DON'T look for much this year: Remember, Santa Claus is sick!"
Written by Seamus Heaney | Create an image from this poem

The Tollund Man

 I

Some day I will go to Aarhus
To see his peat-brown head,
The mild pods of his eye-lids,
His pointed skin cap.
In the flat country near by Where they dug him out, His last gruel of winter seeds Caked in his stomach, Naked except for The cap, noose and girdle, I will stand a long time.
Bridegroom to the goddess, She tightened her torc on him And opened her fen, Those dark juices working Him to a saint's kept body, Trove of the turfcutters' Honeycombed workings.
Now his stained face Reposes at Aarhus.
II I could risk blasphemy, Consecrate the cauldron bog Our holy ground and pray Him to make germinate The scattered, ambushed Flesh of labourers, Stockinged corpses Laid out in the farmyards, Tell-tale skin and teeth Flecking the sleepers Of four young brothers, trailed For miles along the lines.
III Something of his sad freedom As he rode the tumbril Should come to me, driving, Saying the names Tollund, Grauballe, Nebelgard, Watching the pointing hands Of country people, Not knowing their tongue.
Out here in Jutland In the old man-killing parishes I will feel lost, Unhappy and at home.
Written by Amy Lowell | Create an image from this poem

The Precinct. Rochester

 The tall yellow hollyhocks stand,
Still and straight,
With their round blossoms spread open,
In the quiet sunshine.
And still is the old Roman wall, Rough with jagged bits of flint, And jutting stones, Old and cragged, Quite still in its antiquity.
The pear-trees press their branches against it, And feeling it warm and kindly, The little pears ripen to yellow and red.
They hang heavy, bursting with juice, Against the wall.
So old, so still! The sky is still.
The clouds make no sound As they slide away Beyond the Cathedral Tower, To the river, And the sea.
It is very quiet, Very sunny.
The myrtle flowers stretch themselves in the sunshine, But make no sound.
The roses push their little tendrils up, And climb higher and higher.
In spots they have climbed over the wall.
But they are very still, They do not seem to move.
And the old wall carries them Without effort, and quietly Ripens and shields the vines and blossoms.
A bird in a plane-tree Sings a few notes, Cadenced and perfect They weave into the silence.
The Cathedral bell knocks, One, two, three, and again, And then again.
It is a quiet sound, Calling to prayer, Hardly scattering the stillness, Only making it close in more densely.
The gardener picks ripe gooseberries For the Dean's supper to-night.
It is very quiet, Very regulated and mellow.
But the wall is old, It has known many days.
It is a Roman wall, Left-over and forgotten.
Beyond the Cathedral Close Yelp and mutter the discontents of people not mellow, Not well-regulated.
People who care more for bread than for beauty, Who would break the tombs of saints, And give the painted windows of churches To their children for toys.
People who say: "They are dead, we live! The world is for the living.
" Fools! It is always the dead who breed.
Crush the ripe fruit, and cast it aside, Yet its seeds shall fructify, And trees rise where your huts were standing.
But the little people are ignorant, They chaffer, and swarm.
They gnaw like rats, And the foundations of the Cathedral are honeycombed.
The Dean is in the Chapter House; He is reading the architect's bill For the completed restoration of the Cathedral.
He will have ripe gooseberries for supper, And then he will walk up and down the path By the wall, And admire the snapdragons and dahlias, Thinking how quiet and peaceful The garden is.
The old wall will watch him, Very quietly and patiently it will watch.
For the wall is old, It is a Roman wall.
Written by Henry Van Dyke | Create an image from this poem

Sea-Gulls of Manhattan

 Children of the elemental mother, 
Born upon some lonely island shore 
Where the wrinkled ripples run and whisper,
Where the crested billows plunge and roar; 
Long-winged, tireless roamers and adventurers,
Fearless breasters of the wind and sea,
In the far-off solitary places
I have seen you floating wild and free! 

Here the high-built cities rise around you;
Here the cliffs that tower east and west, 
Honeycombed with human habitations,
Have no hiding for the sea-bird's nest: 
Here the river flows begrimed and troubled;
Here the hurrying, panting vessels fume, 
Restless, up and down the watery highway,
While a thousand chimneys vomit gloom.
Toil and tumult, confiict and confusion, Clank and clamor of the vast machine Human hands have built for human bondage -- Yet amid it all you float serene; Circling, soaring, sailing, swooping lightly Down to glean your harvest from the wave; In your heritage of air and water, You have kept the freedom Nature gave.
Even so the wild-woods of Manhattan Saw your wheeling flocks of white and grey; Even so you fluttered, followed, floated, Round the Half-Moon creeping up the bay; Even so your voices creaked and chattered, Laughing shrilly o'er the tidal rips, While your black and beady eyes were glistening Round the sullen British prison-ships.
Children of the elemental mother, Fearless floaters 'mid the double blue, From the crowded boats that cross the ferries Many a longing heart goes out to you.
Though the cities climb and close around us, Something tells us that our souls are free, While the sea-gulls fly above the harbor, While the river flows to meet the sea!



Book: Shattered Sighs