Get Your Premium Membership

Best Famous Holsters Poems

Here is a collection of the all-time best famous Holsters poems. This is a select list of the best famous Holsters poetry. Reading, writing, and enjoying famous Holsters poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of holsters poems.

Search and read the best famous Holsters poems, articles about Holsters poems, poetry blogs, or anything else Holsters poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Carl Sandburg | Create an image from this poem

Smoke and Steel

 SMOKE of the fields in spring is one,
Smoke of the leaves in autumn another.
Smoke of a steel-mill roof or a battleship funnel,
They all go up in a line with a smokestack,
Or they twist … in the slow twist … of the wind.

If the north wind comes they run to the south.
If the west wind comes they run to the east.
 By this sign
 all smokes
 know each other.
Smoke of the fields in spring and leaves in autumn,
Smoke of the finished steel, chilled and blue,
By the oath of work they swear: “I know you.”

Hunted and hissed from the center
Deep down long ago when God made us over,
Deep down are the cinders we came from—
You and I and our heads of smoke.

Some of the smokes God dropped on the job
Cross on the sky and count our years
And sing in the secrets of our numbers;
Sing their dawns and sing their evenings,
Sing an old log-fire song:

You may put the damper up,
You may put the damper down,
The smoke goes up the chimney just the same.

Smoke of a city sunset skyline,
Smoke of a country dusk horizon—
 They cross on the sky and count our years.

Smoke of a brick-red dust
 Winds on a spiral
 Out of the stacks
For a hidden and glimpsing moon.
This, said the bar-iron shed to the blooming mill,
This is the slang of coal and steel.
The day-gang hands it to the night-gang,
The night-gang hands it back.

Stammer at the slang of this—
Let us understand half of it.
 In the rolling mills and sheet mills,
 In the harr and boom of the blast fires,
 The smoke changes its shadow
 And men change their shadow;
 A ******, a wop, a bohunk changes.

 A bar of steel—it is only
Smoke at the heart of it, smoke and the blood of a man.
A runner of fire ran in it, ran out, ran somewhere else,
And left—smoke and the blood of a man
And the finished steel, chilled and blue.

So fire runs in, runs out, runs somewhere else again,
And the bar of steel is a gun, a wheel, a nail, a shovel,
A rudder under the sea, a steering-gear in the sky;
And always dark in the heart and through it,
 Smoke and the blood of a man.
Pittsburg, Youngstown, Gary—they make their steel with men.

In the blood of men and the ink of chimneys
The smoke nights write their oaths:
Smoke into steel and blood into steel;
Homestead, Braddock, Birmingham, they make their steel with men.
Smoke and blood is the mix of steel.

 The birdmen drone
 in the blue; it is steel
 a motor sings and zooms.

Steel barb-wire around The Works.
Steel guns in the holsters of the guards at the gates of The Works.
Steel ore-boats bring the loads clawed from the earth by steel, lifted and lugged by arms of steel, sung on its way by the clanking clam-shells.
The runners now, the handlers now, are steel; they dig and clutch and haul; they hoist their automatic knuckles from job to job; they are steel making steel.
Fire and dust and air fight in the furnaces; the pour is timed, the billets wriggle; the clinkers are dumped:
Liners on the sea, skyscrapers on the land; diving steel in the sea, climbing steel in the sky.

Finders in the dark, you Steve with a dinner bucket, you Steve clumping in the dusk on the sidewalks with an evening paper for the woman and kids, you Steve with your head wondering where we all end up—
Finders in the dark, Steve: I hook my arm in cinder sleeves; we go down the street together; it is all the same to us; you Steve and the rest of us end on the same stars; we all wear a hat in hell together, in hell or heaven.

Smoke nights now, Steve.
Smoke, smoke, lost in the sieves of yesterday;
Dumped again to the scoops and hooks today.
Smoke like the clocks and whistles, always.
 Smoke nights now.
 To-morrow something else.

Luck moons come and go:
Five men swim in a pot of red steel.
Their bones are kneaded into the bread of steel:
Their bones are knocked into coils and anvils
And the sucking plungers of sea-fighting turbines.
Look for them in the woven frame of a wireless station.
So ghosts hide in steel like heavy-armed men in mirrors.
Peepers, skulkers—they shadow-dance in laughing tombs.
They are always there and they never answer.

One of them said: “I like my job, the company is good to me, America is a wonderful country.”
One: “Jesus, my bones ache; the company is a liar; this is a free country, like hell.”
One: “I got a girl, a peach; we save up and go on a farm and raise pigs and be the boss ourselves.”
And the others were roughneck singers a long ways from home.
Look for them back of a steel vault door.

They laugh at the cost.
They lift the birdmen into the blue.
It is steel a motor sings and zooms.

In the subway plugs and drums,
In the slow hydraulic drills, in gumbo or gravel,
Under dynamo shafts in the webs of armature spiders,
They shadow-dance and laugh at the cost.

The ovens light a red dome.
Spools of fire wind and wind.
Quadrangles of crimson sputter.
The lashes of dying maroon let down.
Fire and wind wash out the slag.
Forever the slag gets washed in fire and wind.
The anthem learned by the steel is:
 Do this or go hungry.
Look for our rust on a plow.
Listen to us in a threshing-engine razz.
Look at our job in the running wagon wheat.

Fire and wind wash at the slag.
Box-cars, clocks, steam-shovels, churns, pistons, boilers, scissors—
Oh, the sleeping slag from the mountains, the slag-heavy pig-iron will go down many roads.
Men will stab and shoot with it, and make butter and tunnel rivers, and mow hay in swaths, and slit hogs and skin beeves, and steer airplanes across North America, Europe, Asia, round the world.

Hacked from a hard rock country, broken and baked in mills and smelters, the rusty dust waits
Till the clean hard weave of its atoms cripples and blunts the drills chewing a hole in it.
The steel of its plinths and flanges is reckoned, O God, in one-millionth of an inch.

Once when I saw the curves of fire, the rough scarf women dancing,
Dancing out of the flues and smoke-stacks—flying hair of fire, flying feet upside down;
Buckets and baskets of fire exploding and chortling, fire running wild out of the steady and fastened ovens;
Sparks cracking a harr-harr-huff from a solar-plexus of rock-ribs of the earth taking a laugh for themselves;
Ears and noses of fire, gibbering gorilla arms of fire, gold mud-pies, gold bird-wings, red jackets riding purple mules, scarlet autocrats tumbling from the humps of camels, assassinated czars straddling vermillion balloons;
I saw then the fires flash one by one: good-by: then smoke, smoke;
And in the screens the great sisters of night and cool stars, sitting women arranging their hair,
Waiting in the sky, waiting with slow easy eyes, waiting and half-murmuring:
 “Since you know all
 and I know nothing,
 tell me what I dreamed last night.”

Pearl cobwebs in the windy rain,
in only a flicker of wind,
are caught and lost and never known again.

A pool of moonshine comes and waits,
but never waits long: the wind picks up
loose gold like this and is gone.

A bar of steel sleeps and looks slant-eyed
on the pearl cobwebs, the pools of moonshine;
sleeps slant-eyed a million years,
sleeps with a coat of rust, a vest of moths,
a shirt of gathering sod and loam.

The wind never bothers … a bar of steel.
The wind picks only .. pearl cobwebs .. pools of moonshine.


Written by Amy Lowell | Create an image from this poem

Nightmare: A Tale for an Autumn Evening

 After a Print by George Cruikshank

It was a gusty night,
With the wind booming, and swooping,
Looping round corners,
Sliding over the cobble-stones,
Whipping and veering,
And careering over the roofs
Like a thousand clattering horses.
Mr. Spruggins had been dining in the city,
Mr. Spruggins was none too steady in his gait,
And the wind played ball with Mr. Spruggins
And laughed as it whistled past him.
It rolled him along the street,
With his little feet pit-a-patting on the flags of the sidewalk,
And his muffler and his coat-tails blown straight out behind him.
It bumped him against area railings,
And chuckled in his ear when he said "Ouch!"
Sometimes it lifted him clear off his little patting feet
And bore him in triumph over three grey flagstones and a quarter.
The moon dodged in and out of clouds, winking.
It was all very unpleasant for Mr. Spruggins,
And when the wind flung him hard against his own front door
It was a relief,
Although the breath was quite knocked out of him.
The gas-lamp in front of the house flared up,
And the keyhole was as big as a barn door;
The gas-lamp flickered away to a sputtering blue star,
And the keyhole went out with it.
Such a stabbing, and jabbing,
And sticking, and picking,
And poking, and pushing, and prying
With that key;
And there is no denying that Mr. Spruggins rapped out an oath or 
two,
Rub-a-dub-dubbing them out to a real snare-drum roll.
But the door opened at last,
And Mr. Spruggins blew through it into his own hall
And slammed the door to so hard
That the knocker banged five times before it stopped.
Mr. Spruggins struck a light and lit a candle,
And all the time the moon winked at him through the window.
"Why couldn't you find the keyhole, Spruggins?"
Taunted the wind.
"I can find the keyhole."
And the wind, thin as a wire,
Darted in and seized the candle flame
And knocked it over to one side
And pummelled it down -- down -- down --!
But Mr. Spruggins held the candle so close that it singed his chin,
And ran and stumbled up the stairs in a surprisingly agile manner,
For the wind through the keyhole kept saying, "Spruggins! Spruggins!"
behind him.
The fire in his bedroom burned brightly.
The room with its crimson bed and window curtains
Was as red and glowing as a carbuncle.
It was still and warm.
There was no wind here, for the windows were fastened;
And no moon,
For the curtains were drawn.
The candle flame stood up like a pointed pear
In a wide brass dish.
Mr. Spruggins sighed with content;
He was safe at home.
The fire glowed -- red and yellow roses
In the black basket of the grate --
And the bed with its crimson hangings
Seemed a great peony,
Wide open and placid.
Mr. Spruggins slipped off his top-coat and his muffler.
He slipped off his bottle-green coat
And his flowered waistcoat.
He put on a flannel dressing-gown,
And tied a peaked night-cap under his chin.
He wound his large gold watch
And placed it under his pillow.
Then he tiptoed over to the window and pulled back the curtain.
There was the moon dodging in and out of the clouds;
But behind him was his quiet candle.
There was the wind whisking along the street.
The window rattled, but it was fastened.
Did the wind say, "Spruggins"?
All Mr. Spruggins heard was "S-s-s-s-s --"
Dying away down the street.
He dropped the curtain and got into bed.
Martha had been in the last thing with the warming-pan;
The bed was warm,
And Mr. Spruggins sank into feathers,
With the familiar ticking of his watch just under his head.
Mr. Spruggins dozed.
He had forgotten to put out the candle,
But it did not make much difference as the fire was so bright . 
. .
Too bright!
The red and yellow roses pricked his eyelids,
They scorched him back to consciousness.
He tried to shift his position;
He could not move.
Something weighed him down,
He could not breathe.
He was gasping,
Pinned down and suffocating.
He opened his eyes.
The curtains of the window were flung back,
The fire and the candle were out,
And the room was filled with green moonlight.
And pressed against the window-pane
Was a wide, round face,
Winking -- winking --
Solemnly dropping one eyelid after the other.
Tick -- tock -- went the watch under his pillow,
Wink -- wink -- went the face at the window.
It was not the fire roses which had pricked him,
It was the winking eyes.
Mr. Spruggins tried to bounce up;
He could not, because --
His heart flapped up into his mouth
And fell back dead.
On his chest was a fat pink pig,
On the pig a blackamoor
With a ten pound weight for a cap.
His mustachios kept curling up and down like angry snakes,
And his eyes rolled round and round,
With the pupils coming into sight, and disappearing,
And appearing again on the other side.
The holsters at his saddle-bow were two port bottles,
And a curved table-knife hung at his belt for a scimitar,
While a fork and a keg of spirits were strapped to the saddle behind.
He dug his spurs into the pig,
Which trampled and snorted,
And stamped its cloven feet deeper into Mr. Spruggins.
Then the green light on the floor began to undulate.
It heaved and hollowed,
It rose like a tide,
Sea-green,
Full of claws and scales
And wriggles.
The air above his bed began to move;
It weighed over him
In a mass of draggled feathers.
Not one lifted to stir the air.
They drooped and dripped
With a smell of port wine and brandy,
Closing down, slowly,
Trickling drops on the bed-quilt.
Suddenly the window fell in with a great scatter of glass,
And the moon burst into the room,
Sizzling -- "S-s-s-s-s -- Spruggins! Spruggins!"
It rolled toward him,
A green ball of flame,
With two eyes in the center,
A red eye and a yellow eye,
Dropping their lids slowly,
One after the other.
Mr. Spruggins tried to scream,
But the blackamoor
Leapt off his pig
With a cry,
Drew his scimitar,
And plunged it into Mr. Spruggins's mouth.
Mr. Spruggins got up in the cold dawn
And remade the fire.
Then he crept back to bed
By the light which seeped in under the window curtains,
And lay there, shivering,
While the bells of St. George the Martyr chimed the quarter after 
seven.
Written by Anne Kingsmill Finch | Create an image from this poem

Alcidor

 While Monarchs in stern Battle strove 
For proud Imperial Sway; 
Abandon'd to his milder Love, 
Within a silent peaceful Grove, 
Alcidor careless lay. 

Some term'd it cold, unmanly Fear; 
Some, Nicety of Sense, 
That Drums and Trumpets cou'd not hear, 
The sullying Blasts of Powder bear, 
Or with foul Camps dispense. 

A patient Martyr to their Scorn, 
And each ill-fashion'd Jest; 
The Youth, who but for Love was born, 
Remain'd, and thought it vast Return, 
To reign in Cloria's Breast. 

But oh! a ruffling Soldier came 
In all the Pomp of War: 
The Gazettes long had spoke his Fame; 
Now Hautboys his Approach proclaim, 
And draw in Crouds from far. 

Cloria unhappily wou'd gaze; 
And as he nearer drew, 
The Man of Feather and of Lace 
Stopp'd short, and with profound Amaze 
Took all her Charms to view. 

A Bow, which from Campaigns he brought, 
And to his Holsters low, 
Herself, and the Spectators taught, 
That Her the fairest Nymph he thought, 
Of all that form'd the Row. 

Next day, ere Phoebus cou'd be seen, 
Or any Gate unbarr'd; 
At hers, upon th' adjoining Green, 
From Ranks, with waving Flags between, 
Were soften'd Trumpets heard. 

The Noon do's following Treats provide, 
In the Pavilion's Shade; 
The Neighborhood, and all beside, 
That will attend the amorous Pride, 
Are welcom'd with the Maid. 

Poor Alcidor! thy Hopes are cross'd, 
Go perish on the Ground; 
Thy Sighs by stronger Notes are toss'd, 
Drove back, or in the Passage lost; 
Rich Wines thy Tears have drown'd. 

In Women's Hearts, the softest Things 
Which Nature cou'd devise, 
Are yet some harsh, and jarring Strings, 
That, when loud Fame, or Profit rings, 
Will answer to the Noise. 

Poor Alcidor! go Fight or Dye; 
Let thy fond Notions cease: 
Man was not made in Shades to lie, 
Or his full Bliss, at ease, enjoy, 
To Live, or Love in peace.

Book: Radiant Verses: A Journey Through Inspiring Poetry