Written by
Robert William Service |
Smith, great writer of stories, drank; found it immortalized his pen;
Fused in his brain-pan, else a blank, heavens of glory now and then;
Gave him the magical genius touch; God-given power to gouge out, fling
Flat in your face a soul-thought -- Bing!
Twiddle your heart-strings in his clutch. "Bah!" said Smith, "let my body lie
stripped to the buff in swinish shame,
If I can blaze in the radiant sky out of adoring stars my name.
Sober am I nonentitized; drunk am I more than half a god.
Well, let the flesh be sacrificed; spirit shall speak and shame the clod.
Who would not gladly, gladly give Life to do one thing that will live?"
Smith had a friend, we'll call him Brown; dearer than brothers were those two.
When in the wassail Smith would drown, Brown would rescue and pull him through.
When Brown was needful Smith would lend; so it fell as the years went by,
Each on the other would depend: then at the last Smith came to die.
There Brown sat in the sick man's room, still as a stone in his despair;
Smith bent on him his eyes of doom, shook back his lion mane of hair;
Said: "Is there one in my chosen line, writer of forthright tales my peer?
Look in that little desk of mine; there is a package, bring it here.
Story of stories, gem of all; essence and triumph, key and clue;
Tale of a loving woman's fall; soul swept hell-ward, and God! it's true.
I was the man -- Oh, yes, I've paid, paid with mighty and mordant pain.
Look! here's the masterpiece I've made out of my sin, my manhood slain.
Art supreme! yet the world would stare, know my mistress and blaze my shame.
I have a wife and daughter -- there! take it and thrust it in the flame."
Brown answered: "Master, you have dipped pen in your heart, your phrases sear.
Ruthless, unflinching, you have stripped naked your soul and set it here.
Have I not loved you well and true? See! between us the shadows drift;
This bit of blood and tears means You -- oh, let me have it, a parting gift.
Sacred I'll hold it, a trust divine; sacred your honour, her dark despair;
Never shall it see printed line: here, by the living God I swear."
Brown on a Bible laid his hand; Smith, great writer of stories, sighed:
"Comrade, I trust you, and understand. Keep my secret!" And so he died.
Smith was buried -- up soared his sales; lured you his books in every store;
Exquisite, whimsy, heart-wrung tales; men devoured them and craved for more.
So when it slyly got about Brown had a posthumous manuscript,
Jones, the publisher, sought him out, into his pocket deep he dipped.
"A thousand dollars?" Brown shook his head. "The story is not for sale, " he said.
Jones went away, then others came. Tempted and taunted, Brown was true.
Guarded at friendship's shrine the fame of the unpublished story grew and grew.
It's a long, long lane that has no end, but some lanes end in the Potter's field;
Smith to Brown had been more than friend: patron, protector, spur and shield.
Poor, loving-wistful, dreamy Brown, long and lean, with a smile askew,
Friendless he wandered up and down, gaunt as a wolf, as hungry too.
Brown with his lilt of saucy rhyme, Brown with his tilt of tender mirth
Garretless in the gloom and grime, singing his glad, mad songs of earth:
So at last with a faith divine, down and down to the Hunger-line.
There as he stood in a woeful plight, tears a-freeze on his sharp cheek-bones,
Who should chance to behold his plight, but the publisher, the plethoric Jones;
Peered at him for a little while, held out a bill: "NOW, will you sell?"
Brown scanned it with his twisted smile: "A thousand dollars! you go to hell!"
Brown enrolled in the homeless host, sleeping anywhere, anywhen;
Suffered, strove, became a ghost, slave of the lamp for other men;
For What's-his-name and So-and-so in the abyss his soul he stripped,
Yet in his want, his worst of woe, held he fast to the manuscript.
Then one day as he chewed his pen, half in hunger and half despair,
Creaked the door of his garret den; Dick, his brother, was standing there.
Down on the pallet bed he sank, ashen his face, his voice a wail:
"Save me, brother! I've robbed the bank; to-morrow it's ruin, capture, gaol.
Yet there's a chance: I could to-day pay back the money, save our name;
You have a manuscript, they say, worth a thousand -- think, man! the shame. . . ."
Brown with his heart pain-pierced the while, with his stern, starved face,
and his lips stone-pale,
Shuddered and smiled his twisted smile: "Brother, I guess you go to gaol."
While poor Brown in the leer of dawn wrestled with God for the sacred fire,
Came there a woman weak and wan, out of the mob, the murk, the mire;
Frail as a reed, a fellow ghost, weary with woe, with sorrowing;
Two pale souls in the legion lost; lo! Love bent with a tender wing,
Taught them a joy so deep, so true, it seemed that the whole-world fabric shook,
Thrilled and dissolved in radiant dew; then Brown made him a golden book,
Full of the faith that Life is good, that the earth is a dream divinely fair,
Lauding his gem of womanhood in many a lyric rich and rare;
Took it to Jones, who shook his head: "I will consider it," he said.
While he considered, Brown's wife lay clutched in the tentacles of pain;
Then came the doctor, grave and grey; spoke of decline, of nervous strain;
Hinted Egypt, the South of France -- Brown with terror was tiger-gripped.
Where was the money? What the chance? Pitiful God! . . . the manuscript!
A thousand dollars! his only hope! he gazed and gazed at the garret wall. . . .
Reached at last for the envelope, turned to his wife and told her all.
Told of his friend, his promise true; told like his very heart would break:
"Oh, my dearest! what shall I do? shall I not sell it for your sake?"
Ghostlike she lay, as still as doom; turned to the wall her weary head;
Icy-cold in the pallid gloom, silent as death . . . at last she said:
"Do! my husband? Keep your vow! Guard his secret and let me die. . . .
Oh, my dear, I must tell you now -- the women he loved and wronged was I;
Darling! I haven't long to live: I never told you -- forgive, forgive!"
For a long, long time Brown did not speak; sat bleak-browed in the wretched room;
Slowly a tear stole down his cheek, and he kissed her hand in the dismal gloom.
To break his oath, to brand her shame; his well-loved friend, his worshipped wife;
To keep his vow, to save her name, yet at the cost of what? Her life!
A moment's space did he hesitate, a moment of pain and dread and doubt,
Then he broke the seals, and, stern as fate, unfolded the sheets and spread them out. . . .
On his knees by her side he limply sank, peering amazed -- each page was blank.
(For oh, the supremest of our art are the stories we do not dare to tell,
Locked in the silence of the heart, for the awful records of Heav'n and Hell.)
Yet those two in the silence there, seemed less weariful than before.
Hark! a step on the garret stair, a postman knocks at the flimsy door.
"Registered letter!" Brown thrills with fear; opens, and reads, then bends above:
"Glorious tidings! Egypt, dear! The book is accepted -- life and love."
|
Written by
Mark Strand |
1
We are reading the story of our lives
which takes place in a room.
The room looks out on a street.
There is no one there,
no sound of anything.
The tress are heavy with leaves,
the parked cars never move.
We keep turning the pages, hoping for something,
something like mercy or change,
a black line that would bind us
or keep us apart.
The way it is, it would seem
the book of our lives is empty.
The furniture in the room is never shifted,
and the rugs become darker each time
our shadows pass over them.
It is almost as if the room were the world.
We sit beside each other on the couch,
reading about the couch.
We say it is ideal.
It is ideal.
2
We are reading the story of our lives,
as though we were in it,
as though we had written it.
This comes up again and again.
In one of the chapters
I lean back and push the book aside
because the book says
it is what I am doing.
I lean back and begin to write about the book.
I write that I wish to move beyond the book.
Beyond my life into another life.
I put the pen down.
The book says: "He put the pen down
and turned and watched her reading
the part about herself falling in love."
The book is more accurate than we can imagine.
I lean back and watch you read
about the man across the street.
They built a house there,
and one day a man walked out of it.
You fell in love with him
because you knew that he would never visit you,
would never know you were waiting.
Night after night you would say
that he was like me.
I lean back and watch you grow older without me.
Sunlight falls on your silver hair.
The rugs, the furniture,
seem almost imaginary now.
"She continued to read.
She seemed to consider his absence
of no special importance,
as someone on a perfect day will consider
the weather a failure
because it did not change his mind."
You narrow your eyes.
You have the impulse to close the book
which describes my resistance:
how when I lean back I imagine
my life without you, imagine moving
into another life, another book.
It describes your dependence on desire,
how the momentary disclosures
of purpose make you afraid.
The book describes much more than it should.
It wants to divide us.
3
This morning I woke and believed
there was no more to to our lives
than the story of our lives.
When you disagreed, I pointed
to the place in the book where you disagreed.
You fell back to sleep and I began to read
those mysterious parts you used to guess at
while they were being written
and lose interest in after they became
part of the story.
In one of them cold dresses of moonlight
are draped over the chairs in a man's room.
He dreams of a woman whose dresses are lost,
who sits in a garden and waits.
She believes that love is a sacrifice.
The part describes her death
and she is never named,
which is one of the things
you could not stand about her.
A little later we learn
that the dreaming man lives
in the new house across the street.
This morning after you fell back to sleep
I began to turn the pages early in the book:
it was like dreaming of childhood,
so much seemed to vanish,
so much seemed to come to life again.
I did not know what to do.
The book said: "In those moments it was his book.
A bleak crown rested uneasily on his head.
He was the brief ruler of inner and outer discord,
anxious in his own kingdom."
4
Before you woke
I read another part that described your absence
and told how you sleep to reverse
the progress of your life.
I was touched by my own loneliness as I read,
knowing that what I feel is often the crude
and unsuccessful form of a story
that may never be told.
"He wanted to see her naked and vulnerable,
to see her in the refuse, the discarded
plots of old dreams, the costumes and masks
of unattainable states.
It was as if he were drawn
irresistably to failure."
It was hard to keep reading.
I was tired and wanted to give up.
The book seemed aware of this.
It hinted at changing the subject.
I waited for you to wake not knowing
how long I waited,
and it seemed that I was no longer reading.
I heard the wind passing
like a stream of sighs
and I heard the shiver of leaves
in the trees outside the window.
It would be in the book.
Everything would be there.
I looked at your face
and I read the eyes, the nose, the mouth . . .
5
If only there were a perfect moment in the book;
if only we could live in that moment,
we could being the book again
as if we had not written it,
as if we were not in it.
But the dark approaches
to any page are too numerous
and the escapes are too narrow.
We read through the day.
Each page turning is like a candle
moving through the mind.
Each moment is like a hopeless cause.
If only we could stop reading.
"He never wanted to read another book
and she kept staring into the street.
The cars were still there,
the deep shade of trees covered them.
The shades were drawn in the new house.
Maybe the man who lived there,
the man she loved, was reading
the story of another life.
She imagine a bare parlor,
a cold fireplace, a man sitting
writing a letter to a woman
who has sacrificed her life for love."
If there were a perfect moment in the book,
it would be the last.
The book never discusses the causes of love.
It claims confusion is a necessary good.
It never explains. It only reveals.
6
The day goes on.
We study what we remember.
We look into the mirror across the room.
We cannot bear to be alone.
The book goes on.
"They became silent and did not know how to begin
the dialogue which was necessary.
It was words that created divisions in the first place,
that created loneliness.
They waited
they would turn the pages, hoping
something would happen.
They would patch up their lives in secret:
each defeat forgiven because it could not be tested,
each pain rewarded because it was unreal.
They did nothing."
7
The book will not survive.
We are the living proof of that.
It is dark outside, in the room it is darker.
I hear your breathing.
You are asking me if I am tired,
if I want to keep reading.
Yes, I am tired.
Yes, I want to keep reading.
I say yes to everything.
You cannot hear me.
"They sat beside each other on the couch.
They were the copies, the tired phantoms
of something they had been before.
The attitudes they took were jaded.
They stared into the book
and were horrified by their innocence,
their reluctance to give up.
They sat beside each other on the couch.
They were determined to accept the truth.
Whatever it was they would accept it.
The book would have to be written
and would have to be read.
They are the book and they are
nothing else.
|
Written by
Walt Whitman |
WHOEVER you are, holding me now in hand,
Without one thing, all will be useless,
I give you fair warning, before you attempt me further,
I am not what you supposed, but far different.
Who is he that would become my follower?
Who would sign himself a candidate for my affections?
The way is suspicious—the result uncertain, perhaps destructive;
You would have to give up all else—I alone would expect to be your God, sole and
exclusive,
Your novitiate would even then be long and exhausting,
The whole past theory of your life, and all conformity to the lives around you, would have
to
be
abandon’d;
Therefore release me now, before troubling yourself any further—Let go your hand from my
shoulders,
Put me down, and depart on your way.
Or else, by stealth, in some wood, for trial,
Or back of a rock, in the open air,
(For in any roof’d room of a house I emerge not—nor in company,
And in libraries I lie as one dumb, a gawk, or unborn, or dead,)
But just possibly with you on a high hill—first watching lest any person, for miles
around,
approach unawares,
Or possibly with you sailing at sea, or on the beach of the sea, or some quiet island,
Here to put your lips upon mine I permit you,
With the comrade’s long-dwelling kiss, or the new husband’s kiss,
For I am the new husband, and I am the comrade.
Or, if you will, thrusting me beneath your clothing,
Where I may feel the throbs of your heart, or rest upon your hip,
Carry me when you go forth over land or sea;
For thus, merely touching you, is enough—is best,
And thus, touching you, would I silently sleep and be carried eternally.
But these leaves conning, you con at peril,
For these leaves, and me, you will not understand,
They will elude you at first, and still more afterward—I will certainly elude you,
Even while you should think you had unquestionably caught me, behold!
Already you see I have escaped from you.
For it is not for what I have put into it that I have written this book,
Nor is it by reading it you will acquire it,
Nor do those know me best who admire me, and vauntingly praise me,
Nor will the candidates for my love, (unless at most a very few,) prove victorious,
Nor will my poems do good only—they will do just as much evil, perhaps more;
For all is useless without that which you may guess at many times and not hit—that which I
hinted
at;
Therefore release me, and depart on your way.
|
Written by
Thomas Hood |
Oh, very gloomy is the house of woe,
Where tears are falling while the bell is knelling,
With all the dark solemnities that show
That Death is in the dwelling!
Oh, very, very dreary is the room
Where Love, domestic Love, no longer nestles,
But smitten by the common stroke of doom,
The corpse lies on the trestles!
But house of woe, and hearse, and sable pall,
The narrow home of the departed mortal,
Ne’er looked so gloomy as that Ghostly Hall,
With its deserted portal!
The centipede along the threshold crept,
The cobweb hung across in mazy tangle,
And in its winding sheet the maggot slept
At every nook and angle.
The keyhole lodged the earwig and her brood,
The emmets of the steps has old possession,
And marched in search of their diurnal food
In undisturbed procession.
As undisturbed as the prehensile cell
Of moth or maggot, or the spider’s tissue,
For never foot upon that threshold fell,
To enter or to issue.
O’er all there hung the shadow of a fear,
A sense of mystery the spirit daunted,
And said, as plain as whisper in the ear,
The place is haunted.
Howbeit, the door I pushed—or so I dreamed--
Which slowly, slowly gaped, the hinges creaking
With such a rusty eloquence, it seemed
That Time himself was speaking.
But Time was dumb within that mansion old,
Or left his tale to the heraldic banners
That hung from the corroded walls, and told
Of former men and manners.
Those tattered flags, that with the opened door,
Seemed the old wave of battle to remember,
While fallen fragments danced upon the floor
Like dead leaves in December.
The startled bats flew out, bird after bird,
The screech-owl overhead began to flutter,
And seemed to mock the cry that she had heard
Some dying victim utter!
A shriek that echoed from the joisted roof,
And up the stair, and further still and further,
Till in some ringing chamber far aloof
In ceased its tale of murther!
Meanwhile the rusty armor rattled round,
The banner shuddered, and the ragged streamer;
All things the horrid tenor of the sound
Acknowledged with a tremor.
The antlers where the helmet hung, and belt,
Stirred as the tempest stirs the forest branches,
Or as the stag had trembled when he felt
The bloodhound at his haunches.
The window jingled in its crumbled frame,
And through its many gaps of destitution
Dolorous moans and hollow sighings came,
Like those of dissolution.
The wood-louse dropped, and rolled into a ball,
Touched by some impulse occult or mechanic;
And nameless beetles ran along the wall
In universal panic.
The subtle spider, that, from overhead,
Hung like a spy on human guilt and error,
Suddenly turned, and up its slender thread
Ran with a nimble terror.
The very stains and fractures on the wall,
Assuming features solemn and terrific,
Hinted some tragedy of that old hall,
Locked up in hieroglyphic.
Some tale that might, perchance, have solved the doubt,
Wherefore, among those flags so dull and livid,
The banner of the bloody hand shone out
So ominously vivid.
Some key to that inscrutable appeal
Which made the very frame of Nature quiver,
And every thrilling nerve and fiber feel
So ague-like a shiver.
For over all there hung a cloud of fear,
A sense of mystery the spirit daunted,
And said, as plain as whisper in the ear,
The place is haunted!
Prophetic hints that filled the soul with dread,
But through one gloomy entrance pointing mostly,
The while some secret inspiration said,
“That chamber is the ghostly!”
Across the door no gossamer festoon
Swung pendulous, --no web, no dusty fringes,
No silky chrysalis or white cocoon,
About its nooks and hinges.
The spider shunned the interdicted room,
The moth, the beetle, and the fly were banished,
And when the sunbeam fell athwart the gloom,
The very midge had vanished.
One lonely ray that glanced upon a bed,
As if with awful aim direct and certain,
To show the Bloody Hand, in burning red,
Embroidered on the curtain.
|
Written by
Eugene Field |
I'd not complain of Sister Jane, for she was good and kind,
Combining with rare comeliness distinctive gifts of mind;
Nay, I'll admit it were most fit that, worn by social cares,
She'd crave a change from parlor life to that below the stairs,
And that, eschewing needlework and music, she should take
Herself to the substantial art of manufacturing cake.
At breakfast, then, it would befall that Sister Jane would say:
"Mother, if you have got the things, I'll make some cake to-day!"
Poor mother'd cast a timid glance at father, like as not--
For father hinted sister's cooking cost a frightful lot--
But neither she nor he presumed to signify dissent,
Accepting it for gospel truth that what she wanted went!
No matter what the rest of 'em might chance to have in hand,
The whole machinery of the house came to a sudden stand;
The pots were hustled off the stove, the fire built up anew,
With every damper set just so to heat the oven through;
The kitchen-table was relieved of everything, to make
That ample space which Jane required when she compounded cake.
And, oh! the bustling here and there, the flying to and fro;
The click of forks that whipped the eggs to lather white as snow--
And what a wealth of sugar melted swiftly out of sight--
And butter? Mother said such waste would ruin father, quite!
But Sister Jane preserved a mien no pleading could confound
As she utilized the raisins and the citron by the pound.
Oh, hours of chaos, tumult, heat, vexatious din, and whirl!
Of deep humiliation for the sullen hired-girl;
Of grief for mother, hating to see things wasted so,
And of fortune for that little boy who pined to taste that dough!
It looked so sweet and yellow--sure, to taste it were no sin--
But, oh! how sister scolded if he stuck his finger in!
The chances were as ten to one, before the job was through,
That sister'd think of something else she'd great deal rather do!
So, then, she'd softly steal away, as Arabs in the night,
Leaving the girl and ma to finish up as best they might;
These tactics (artful Sister Jane) enabled her to take
Or shift the credit or the blame of that too-treacherous cake!
And yet, unhappy is the man who has no Sister Jane--
For he who has no sister seems to me to live in vain.
I never had a sister--may be that is why today
I'm wizened and dyspeptic, instead of blithe and gay;
A boy who's only forty should be full of romp and mirth,
But I (because I'm sisterless) am the oldest man on earth!
Had I a little sister--oh, how happy I should be!
I'd never let her cast her eyes on any chap but me;
I'd love her and I'd cherish her for better and for worse--
I'd buy her gowns and bonnets, and sing her praise in verse;
And--yes, what's more and vastly more--I tell you what I'd do:
I'd let her make her wondrous cake, and I would eat it, too!
I have a high opinion of the sisters, as you see--
Another fellow's sister is so very dear to me!
I love to work anear her when she's making over frocks,
When she patches little trousers or darns prosaic socks;
But I draw the line at one thing--yes, I don my hat and take
A three hours' walk when she is moved to try her hand at cake!
|
Written by
Rudyard Kipling |
The toad beneath the harrow knows
Exactly where eath tooth-point goes.
The butterfly upon the road
Preaches contentment to that toad.
Pagett, M.P., was a liar, and a fluent liar therewith --
He spoke of the heat of India as the "Asian Solar Myth";
Came on a four months' visit, to "study the East," in November,
And I got him to sign an agreement vowing to stay till September.
March came in with the koil. Pagett was cool and gay,
Called me a "bloated Brahmin," talked of my "princely pay."
March went out with the roses. "Where is your heat?" said he.
"Coming," said I to Pagett, "Skittles!" said Pagett, M.P.
April began with the punkah, coolies, and prickly-heat, --
Pagett was dear to mosquitoes, sandflies found him a treat.
He grew speckled and mumpy-hammered, I grieve to say,
Aryan brothers who fanned him, in an illiberal way.
May set in with a dust-storm, -- Pagett went down with the sun.
All the delights of the season tickled him one by one.
Imprimis -- ten day's "liver" -- due to his drinking beer;
Later, a dose of fever --slight, but he called it severe.
Dysent'ry touched him in June, after the Chota Bursat --
Lowered his portly person -- made him yearn to depart.
He didn't call me a "Brahmin," or "bloated," or "overpaid,"
But seemed to think it a wonder that any one stayed.
July was a trifle unhealthy, -- Pagett was ill with fear.
'Called it the "Cholera Morbus," hinted that life was dear.
He babbled of "Eastern Exile," and mentioned his home with tears;
But I haven't seen my children for close upon seven years.
We reached a hundred and twenty once in the Court at noon,
(I've mentioned Pagett was portly) Pagett, went off in a swoon.
That was an end to the business; Pagett, the perjured, fled
With a practical, working knowledge of "Solar Myths" in his head.
And I laughed as I drove from the station, but the mirth died out on my lips
As I thought of the fools like Pagett who write of their "Eastern trips,"
And the sneers of the traveled idiots who duly misgovern the land,
And I prayed to the Lord to deliver another one into my hand.
|
Written by
Rudyard Kipling |
As I left the Halls at Lumley, rose the vision of a comely
Maid last season worshipped dumbly, watched with fervor from afar;
And I wondered idly, blindly, if the maid would greet me kindly.
That was all -- the rest was settled by the clinking tonga-bar.
Yea, my life and hers were coupled by the tonga coupling-bar.
For my misty meditation, at the second changin-station,
Suffered sudden dislocation, fled before the tuneless jar
Of a Wagner obbligato, scherzo, doublehand staccato,
Played on either pony's saddle by the clacking tonga-bar --
Played with human speech, I fancied, by the jigging, jolting bar.
"She was sweet," thought I, "last season, but 'twere surely wild unreason
Such tiny hope to freeze on as was offered by my Star,
When she whispered, something sadly: 'I -- we feel your going badly!'"
"And you let the chance escape you?" rapped the rattling tonga-bar.
"What a chance and what an idiot!" clicked the vicious tonga-bar.
Heart of man -- oh, heart of putty! Had I gone by Kakahutti,
On the old Hill-road and rutty, I had 'scaped that fatal car.
But his fortune each must bide by, so I watched the milestones slide by,
To "You call on Her to-morrow!" -- fugue with cymbals by the bar --
You must call on Her to-morrow!" -- post-horn gallop by the bar.
Yet a further stage my goal on -- we were whirling down to Solon,
With a double lurch and roll on, best foot foremost, ganz und gar --
"She was very sweet," I hinted. "If a kiss had been imprinted?" --
"'Would ha' saved a world of trouble!" clashed the busy tonga-bar.
"'Been accepted or rejected!" banged and clanged the tonga-bar.
Then a notion wild and daring, 'spite the income tax's paring,
And a hasty thought of sharing -- less than many incomes are,
Made me put a question private, you can guess what I would drive at.
"You must work the sum to prove it," clanked the careless tonga-bar.
"Simple Rule of Two will prove it," litled back the tonga-bar.
It was under Khyraghaut I muse. "Suppose the maid be haughty --
(There are lovers rich -- and roty) -- wait some wealthy Avatar?
Answer monitor untiring, 'twixt the ponies twain perspiring!"
"Faint heart never won fair lady," creaked the straining tonga-bar.
"Can I tell you ere you ask Her?" pounded slow the tonga-bar.
Last, the Tara Devi turning showed the lights of Simla burning,
Lit my little lazy yearning to a fiercer flame by far.
As below the Mall we jingled, through my very heart it tingled --
Did the iterated order of the threshing tonga-bar --
Truy your luck -- you can't do better!" twanged the loosened tongar-bar.
|
Written by
Robert William Service |
He was an old prospector with a vision bleared and dim.
He asked me for a grubstake, and the same I gave to him.
He hinted of a hidden trove, and when I made so bold
To question his veracity, this is the tale he told.
"I do not seek the copper streak, nor yet the yellow dust;
I am not fain for sake of gain to irk the frozen crust;
Let fellows gross find gilded dross, far other is my mark;
Oh, gentle youth, this is the truth--I go to seek the Ark.
"I prospected the Pelly bed, I prospected the White;
The Nordenscold for love of gold I piked from morn till night;
Afar and near for many a year I led the wild stampede,
Until I guessed that all my quest was vanity and greed.
"Then came I to a land I knew no man had ever seen,
A haggard land, forlornly spanned by mountains lank and lean;
The nitchies said 'twas full of dread, of smoke and fiery breath,
And no man dare put foot in there for fear of pain and death.
"But I was made all unafraid, so, careless and alone,
Day after day I made my way into that land unknown;
Night after night by camp-fire light I crouched in lonely thought;
Oh, gentle youth, this is the truth--I knew not what I sought.
"I rose at dawn; I wandered on. 'Tis somewhat fine and grand
To be alone and hold your own in God's vast awesome land;
Come woe or weal, 'tis fine to feel a hundred miles between
The trails you dare and pathways where the feet of men have been.
"And so it fell on me a spell of wander-lust was cast.
The land was still and strange and chill, and cavernous and vast;
And sad and dead, and dull as lead, the valleys sought the snows;
And far and wide on every side the ashen peaks arose.
"The moon was like a silent spike that pierced the sky right through;
The small stars popped and winked and hopped in vastitudes of blue;
And unto me for company came creatures of the shade,
And formed in rings and whispered things that made me half afraid.
"And strange though be, 'twas borne on me that land had lived of old,
And men had crept and slain and slept where now they toiled for gold;
Through jungles dim the mammoth grim had sought the oozy fen,
And on his track, all bent of back, had crawled the hairy men.
"And furthermore, strange deeds of yore in this dead place were done.
They haunted me, as wild and free I roamed from sun to sun;
Until I came where sudden flame uplit a terraced height,
A regnant peak that seemed to seek the coronal of night.
"I scaled the peak; my heart was weak, yet on and on I pressed.
Skyward I strained until I gained its dazzling silver crest;
And there I found, with all around a world supine and stark,
Swept clean of snow, a flat plateau, and on it lay--the Ark.
"Yes, there, I knew, by two and two the beasts did disembark,
And so in haste I ran and traced in letters on the Ark
My human name--Ben Smith's the same. And now I want to float
A syndicate to haul and freight to town that noble boat."
I met him later in a bar and made a gay remark
Anent an ancient miner and an option on the Ark.
He gazed at me reproachfully, as only topers can;
But what he said I can't repeat--he was a bad old man.
|
Written by
Robert Burns |
I GAT your letter, winsome Willie;
Wi’ gratefu’ heart I thank you brawlie;
Tho’ I maun say’t, I wad be silly,
And unco vain,
Should I believe, my coaxin billie
Your flatterin strain.
But I’se believe ye kindly meant it:
I sud be laith to think ye hinted
Ironic satire, sidelins sklented
On my poor Musie;
Tho’ in sic phraisin terms ye’ve penn’d it,
I scarce excuse ye.
My senses wad be in a creel,
Should I but dare a hope to speel
Wi’ Allan, or wi’ Gilbertfield,
The braes o’ fame;
Or Fergusson, the writer-chiel,
A deathless name.
(O Fergusson! thy glorious parts
Ill suited law’s dry, musty arts!
My curse upon your whunstane hearts,
Ye E’nbrugh gentry!
The tithe o’ what ye waste at cartes
Wad stow’d his pantry!)
Yet when a tale comes i’ my head,
Or lassies gie my heart a screed—
As whiles they’re like to be my dead,
(O sad disease!)
I kittle up my rustic reed;
It gies me ease.
Auld Coila now may fidge fu’ fain,
She’s gotten poets o’ her ain;
Chiels wha their chanters winna hain,
But tune their lays,
Till echoes a’ resound again
Her weel-sung praise.
Nae poet thought her worth his while,
To set her name in measur’d style;
She lay like some unkenn’d-of-isle
Beside New Holland,
Or whare wild-meeting oceans boil
Besouth Magellan.
Ramsay an’ famous Fergusson
Gied Forth an’ Tay a lift aboon;
Yarrow an’ Tweed, to monie a tune,
Owre Scotland rings;
While Irwin, Lugar, Ayr, an’ Doon
Naebody sings.
Th’ Illissus, Tiber, Thames, an’ Seine,
Glide sweet in monie a tunefu’ line:
But Willie, set your fit to mine,
An’ cock your crest;
We’ll gar our streams an’ burnies shine
Up wi’ the best!
We’ll sing auld Coila’s plains an’ fells,
Her moors red-brown wi’ heather bells,
Her banks an’ braes, her dens and dells,
Whare glorious Wallace
Aft bure the gree, as story tells,
Frae Suthron billies.
At Wallace’ name, what Scottish blood
But boils up in a spring-tide flood!
Oft have our fearless fathers strode
By Wallace’ side,
Still pressing onward, red-wat-shod,
Or glorious died!
O, sweet are Coila’s haughs an’ woods,
When lintwhites chant amang the buds,
And jinkin hares, in amorous whids,
Their loves enjoy;
While thro’ the braes the cushat croods
With wailfu’ cry!
Ev’n winter bleak has charms to me,
When winds rave thro’ the naked tree;
Or frosts on hills of Ochiltree
Are hoary gray;
Or blinding drifts wild-furious flee,
Dark’ning the day!
O Nature! a’ thy shews an’ forms
To feeling, pensive hearts hae charms!
Whether the summer kindly warms,
Wi’ life an light;
Or winter howls, in gusty storms,
The lang, dark night!
The muse, nae poet ever fand her,
Till by himsel he learn’d to wander,
Adown some trottin burn’s meander,
An’ no think lang:
O sweet to stray, an’ pensive ponder
A heart-felt sang!
The war’ly race may drudge an’ drive,
Hog-shouther, jundie, stretch, an’ strive;
Let me fair Nature’s face descrive,
And I, wi’ pleasure,
Shall let the busy, grumbling hive
Bum owre their treasure.
Fareweel, “my rhyme-composing” brither!
We’ve been owre lang unkenn’d to ither:
Now let us lay our heads thegither,
In love fraternal:
May envy wallop in a tether,
Black fiend, infernal!
While Highlandmen hate tools an’ taxes;
While moorlan’s herds like guid, fat braxies;
While terra firma, on her axis,
Diurnal turns;
Count on a friend, in faith an’ practice,
In Robert Burns.
POSTCRIPTMY memory’s no worth a preen;
I had amaist forgotten clean,
Ye bade me write you what they mean
By this “new-light,”
’Bout which our herds sae aft hae been
Maist like to fight.
In days when mankind were but callans
At grammar, logic, an’ sic talents,
They took nae pains their speech to balance,
Or rules to gie;
But spak their thoughts in plain, braid lallans,
Like you or me.
In thae auld times, they thought the moon,
Just like a sark, or pair o’ shoon,
Wore by degrees, till her last roon
Gaed past their viewin;
An’ shortly after she was done
They gat a new ane.
This passed for certain, undisputed;
It ne’er cam i’ their heads to doubt it,
Till chiels gat up an’ wad confute it,
An’ ca’d it wrang;
An’ muckle din there was about it,
Baith loud an’ lang.
Some herds, weel learn’d upo’ the beuk,
Wad threap auld folk the thing misteuk;
For ’twas the auld moon turn’d a neuk
An’ out of’ sight,
An’ backlins-comin to the leuk
She grew mair bright.
This was deny’d, it was affirm’d;
The herds and hissels were alarm’d
The rev’rend gray-beards rav’d an’ storm’d,
That beardless laddies
Should think they better wer inform’d,
Than their auld daddies.
Frae less to mair, it gaed to sticks;
Frae words an’ aiths to clours an’ nicks;
An monie a fallow gat his licks,
Wi’ hearty crunt;
An’ some, to learn them for their tricks,
Were hang’d an’ brunt.
This game was play’d in mony lands,
An’ auld-light caddies bure sic hands,
That faith, the youngsters took the sands
Wi’ nimble shanks;
Till lairds forbad, by strict commands,
Sic bluidy pranks.
But new-light herds gat sic a cowe,
Folk thought them ruin’d stick-an-stowe;
Till now, amaist on ev’ry knowe
Ye’ll find ane plac’d;
An’ some their new-light fair avow,
Just quite barefac’d.
Nae doubt the auld-light flocks are bleatin;
Their zealous herds are vex’d an’ sweatin;
Mysel’, I’ve even seen them greetin
Wi’ girnin spite,
To hear the moon sae sadly lied on
By word an’ write.
But shortly they will cowe the louns!
Some auld-light herds in neebor touns
Are mind’t, in things they ca’ balloons,
To tak a flight;
An’ stay ae month amang the moons
An’ see them right.
Guid observation they will gie them;
An’ when the auld moon’s gaun to lea’e them,
The hindmaist shaird, they’ll fetch it wi’ them
Just i’ their pouch;
An’ when the new-light billies see them,
I think they’ll crouch!
Sae, ye observe that a’ this clatter
Is naething but a “moonshine matter”;
But tho’ dull prose-folk Latin splatter
In logic tulyie,
I hope we bardies ken some better
Than mind sic brulyie.
|
Written by
Rudyard Kipling |
We have another viceroy now, -- those days are dead and done
Of Delilah Aberyswith and depraved Ulysses Gunne.
Delilah Aberyswith was a lady -- not too young --
With a perfect taste in dresses and a badly-bitted tongue,
With a thirst for information, and a greater thirst for praise,
And a little house in Simla in the Prehistoric Days.
By reason of her marriage to a gentleman in power,
Delilah was acquainted with the gossip of the hour;
And many little secrets, of the half-official kind,
Were whispered to Delilah, and she bore them all in mind.
She patronized extensively a man, Ulysses Gunne,
Whose mode of earning money was a low and shameful one.
He wrote for certain papers, which, as everybody knows,
Is worse than serving in a shop or scaring off the crows.
He praised her "queenly beauty" first; and, later on, he hinted
At the "vastness of her intellect" with compliment unstinted.
He went with her a-riding, and his love for her was such
That he lent her all his horses and -- she galled them very much.
One day, THEY brewed a secret of a fine financial sort;
It related to Appointments, to a Man and a Report.
'Twas almost wortth the keeping, -- only seven people knew it --
And Gunne rose up to seek the truth and patiently ensue it.
It was a Viceroy's Secret, but -- perhaps the wine was red --
Perhaps an Aged Concillor had lost his aged head --
Perhaps Delilah's eyes were bright -- Delilah's whispers sweet --
The Aged Member told her what 'twere treason to repeat.
Ulysses went a-riding, and they talked of love and flowers;
Ulysses went a-calling, and he called for several hours;
Ulysses went a-waltzing, and Delilah helped him dance --
Ulysses let the waltzes go, and waited for his chance.
The summer sun was setting, and the summer air was still,
The couple went a-walking in the shade of Summer Hill.
The wasteful sunset faded out in turkis-green and gold,
Ulysses pleaded softly, and . . . that bad Delilah told!
Next morn, a startled Empire learnt the all-important news;
Next week, the Aged Councillor was shaking in his shoes.
Next month, I met Delilah and she did not show the least
Hesitation in affirming that Ulysses was a "beast."
* * * * *
We have another Viceroy now, those days are dead and done --
Off, Delilah Aberyswith and most mean Ulysses Gunne!
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