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Best Famous Hern Poems

Here is a collection of the all-time best famous Hern poems. This is a select list of the best famous Hern poetry. Reading, writing, and enjoying famous Hern poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of hern poems.

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Written by Alfred Lord Tennyson | Create an image from this poem

The Brook

 I come from haunts of coot and hern, 
I make a sudden sally 
And sparkle out among the fern, 
To bicker down a valley. 

By thirty hills I hurry down, 
Or slip between the ridges, 
By twenty thorpes, a little town, 
And half a hundred bridges. 

Till last by Philip's farm I flow 
To join the brimming river, 
For men may come and men may go, 
But I go on for ever. 

I chatter over stony ways, 
In little sharps and trebles, 
I bubble into eddying bays, 
I babble on the pebbles. 

With many a curve my banks I fret 
By many a field and fallow, 
And many a fairy foreland set 
With willow-weed and mallow. 

I chatter, chatter, as I flow 
To join the brimming river, 
For men may come and men may go, 
But I go on for ever. 

I wind about, and in and out, 
With here a blossom sailing, 
And here and there a lusty trout, 
And here and there a grayling, 

And here and there a foamy flake 
Upon me, as I travel 
With many a silvery waterbreak 
Above the golden gravel, 

And draw them all along, and flow 
To join the brimming river 
For men may come and men may go, 
But I go on for ever. 

I steal by lawns and grassy plots, 
I slide by hazel covers; 
I move the sweet forget-me-nots 
That grow for happy lovers. 

I slip, I slide, I gloom, I glance, 
Among my skimming swallows; 
I make the netted sunbeam dance 
Against my sandy shallows. 

I murmur under moon and stars 
In brambly wildernesses; 
I linger by my shingly bars; 
I loiter round my cresses; 

And out again I curve and flow 
To join the brimming river, 
For men may come and men may go, 
But I go on for ever.


Written by Robert Burns | Create an image from this poem

242. The Poet's Progress

 THOU, Nature, partial Nature, I arraign;
Of thy caprice maternal I complain.
 The peopled fold thy kindly care have found,
The hornèd bull, tremendous, spurns the ground;
The lordly lion has enough and more,
The forest trembles at his very roar;
Thou giv’st the ass his hide, the snail his shell,
The puny wasp, victorious, guards his cell.
Thy minions, kings defend, controul devour,
In all th’ omnipotence of rule and power:
Foxes and statesmen subtle wiles ensure;
The cit and polecat stink, and are secure:
Toads with their poison, doctors with their drug,
The priest and hedgehog, in their robes, are snug:
E’en silly women have defensive arts,
Their eyes, their tongues—and nameless other parts.
 But O thou cruel stepmother and hard,
To thy poor fenceless, naked child, the Bard!
A thing unteachable in worldly skill,
And half an idiot too, more helpless still:
No heels to bear him from the op’ning dun,
No claws to dig, his hated sight to shun:
No horns, but those by luckless Hymen worn,
And those, alas! not Amalthea’s horn:
No nerves olfact’ry, true to Mammon’s foot,
Or grunting, grub sagacious, evil’s root:
The silly sheep that wanders wild astray,
Is not more friendless, is not more a prey;
Vampyre-booksellers drain him to the heart,
And viper-critics cureless venom dart.
 Critics! appll’d I venture on the name,
Those cut-throat bandits in the paths of fame,
Bloody dissectors, worse than ten Monroes,
He hacks to teach, they mangle to expose:
By blockhead’s daring into madness stung,
His heart by wanton, causeless malice wrung,
His well-won ways-than life itself more dear—
By miscreants torn who ne’er one sprig must wear;
Foil’d, bleeding, tortur’d in th’ unequal strife,
The hapless Poet flounces on through life,
Till, fled each hope that once his bosom fired,
And fled each Muse that glorious once inspir’d,
Low-sunk in squalid, unprotected age,
Dead even resentment for his injur’d page,
He heeds no more the ruthless critics’ rage.
 So by some hedge the generous steed deceas’d,
For half-starv’d, snarling curs a dainty feast;
By toil and famine worn to skin and bone,
Lies, senseless of each tugging *****’s son.
 · · · · · · A little upright, pert, tart, tripping wight,
And still his precious self his dear delight;
Who loves his own smart shadow in the streets,
Better than e’er the fairest she he meets;
Much specious lore, but little understood,
(Veneering oft outshines the solid wood),
His solid sense, by inches you must tell,
But mete his cunning by the Scottish ell!
A man of fashion too, he made his tour,
Learn’d “vive la bagatelle et vive l’amour;”
So travell’d monkeys their grimace improve,
Polish their grin-nay, sigh for ladies’ love!
His meddling vanity, a busy fiend,
Still making work his selfish craft must mend.
 · · · · · · · · · · · · · · · Crochallan came,
The old cock’d hat, the brown surtout—the same;
His grisly beard just bristling in its might—
’Twas four long nights and days from shaving-night;
His uncomb’d, hoary locks, wild-staring, thatch’d
A head, for thought profound and clear, unmatch’d;
Yet, tho’ his caustic wit was biting-rude,
His heart was warm, benevolent and good.
 · · · · · · O Dulness, portion of the truly blest!
Calm, shelter’d haven of eternal rest!
Thy sons ne’er madden in the fierce extremes
Of Fortune’s polar frost, or torrid beams;
If mantling high she fills the golden cup,
With sober, selfish ease they sip it up;
Conscious the bounteous meed they well deserve,
They only wonder “some folks” do not starve!
The grave, sage hern thus easy picks his frog,
And thinks the mallard a sad worthless dog.
When disappointment snaps the thread of Hope,
When, thro’ disastrous night, they darkling grope,
With deaf endurance sluggishly they bear,
And just conclude that “fools are Fortune’s care:”
So, heavy, passive to the tempest’s shocks,
Strong on the sign-post stands the stupid ox.
 Not so the idle Muses’ mad-cap train,
Not such the workings of their moon-struck brain;
In equanimity they never dwell,
By turns in soaring heaven, or vaulted hell!
Written by Paul Laurence Dunbar | Create an image from this poem

The Spellin'-bee

I never shall furgit that night when father hitched up Dobbin,
An' all us youngsters clambered in an' down the road went bobbin'
To school where we was kep' at work in every kind o' weather,
But where that night a spellin'-bee was callin' us together.
'Twas one o' Heaven's banner nights, the stars was all a glitter,
The moon was shinin' like the hand o' God had jest then lit her.[Pg 43]
The ground was white with spotless snow, the blast was sort o' stingin';
But underneath our round-abouts, you bet our hearts was singin'.
That spellin'-bee had be'n the talk o' many a precious moment,
The youngsters all was wild to see jes' what the precious show meant,
An' we whose years was in their teens was little less desirous
O' gittin' to the meetin' so 's our sweethearts could admire us.
So on we went so anxious fur to satisfy our mission
That father had to box our ears, to smother our ambition.
But boxin' ears was too short work to hinder our arrivin',
He jest turned roun' an' smacked us all, an' kep' right on a-drivin'.
Well, soon the schoolhouse hove in sight, the winders beamin' brightly;
The sound o' talkin' reached our ears, and voices laffin' lightly.
It puffed us up so full an' big 'at I 'll jest bet a dollar,
There wa'n't a feller there but felt the strain upon his collar.
So down we jumped an' in we went ez sprightly ez you make 'em,
But somethin' grabbed us by the knees an' straight began to shake 'em.
Fur once within that lighted room, our feelin's took a canter,
An' scurried to the zero mark ez quick ez Tam O'Shanter.
'Cause there was crowds o' people there, both sexes an' all stations;
It looked like all the town had come an' brought all their relations.
The first I saw was Nettie Gray, I thought that girl was dearer
'N' gold; an' when I got a chance, you bet I aidged up near her.
An' Farmer Dobbs's girl was there, the one 'at Jim was sweet on,
An' Cyrus Jones an' Mandy Smith an' Faith an' Patience Deaton.
Then Parson Brown an' Lawyer Jones were present—all attention,
An' piles on piles of other folks too numerous to mention.
The master rose an' briefly said: "Good friends, dear brother Crawford,
To spur the pupils' minds along, a little prize has offered.
To him who spells the best to-night—or 't may be 'her'—no tellin'[Pg 44]—
He offers ez a jest reward, this precious work on spellin'."
A little blue-backed spellin'-book with fancy scarlet trimmin';
We boys devoured it with our eyes—so did the girls an' women.
He held it up where all could see, then on the table set it,
An' ev'ry speller in the house felt mortal bound to get it.
At his command we fell in line, prepared to do our dooty,
Outspell the rest an' set 'em down, an' carry home the booty.
'T was then the merry times began, the blunders, an' the laffin',
The nudges an' the nods an' winks an' stale good-natured chaffin'.
Ole Uncle Hiram Dane was there, the clostest man a-livin',
Whose only bugbear seemed to be the dreadful fear o' givin'.
His beard was long, his hair uncut, his clothes all bare an' dingy;
It wasn't 'cause the man was pore, but jest so mortal stingy;
An' there he sot by Sally Riggs a-smilin' an' a-smirkin',
An' all his children lef' to home a diggin' an' a-workin'.
A widower he was, an' Sal was thinkin' 'at she 'd wing him;
I reckon he was wond'rin' what them rings o' hern would bring him.
An' when the spellin'-test commenced, he up an' took his station,
A-spellin' with the best o' them to beat the very nation.
An' when he 'd spell some youngster down, he 'd turn to look at Sally,
An' say: "The teachin' nowadays can't be o' no great vally."
But true enough the adage says, "Pride walks in slipp'ry places,"
Fur soon a thing occurred that put a smile on all our faces.
The laffter jest kep' ripplin' 'roun' an' teacher could n't quell it,
Fur when he give out "charity" ole Hiram could n't spell it.
But laffin' 's ketchin' an' it throwed some others off their bases,
An' folks 'u'd miss the very word that seemed to fit their cases.
Why, fickle little Jessie Lee come near the house upsettin'
By puttin' in a double "kay" to spell the word "coquettin'."
An' when it come to Cyrus Jones, it tickled me all over—
Him settin' up to Mandy Smith an' got sot down on "lover."[Pg 45]
But Lawyer Jones of all gone men did shorely look the gonest,
When he found out that he 'd furgot to put the "h" in "honest."
An' Parson Brown, whose sermons were too long fur toleration,
Caused lots o' smiles by missin' when they give out "condensation."
So one by one they giv' it up—the big words kep' a-landin',
Till me an' Nettie Gray was left, the only ones a-standin',
An' then my inward strife began—I guess my mind was petty—
I did so want that spellin'-book; but then to spell down Nettie
Jest sort o' went ag'in my grain—I somehow could n't do it,
An' when I git a notion fixed, I 'm great on stickin' to it.
So when they giv' the next word out—I had n't orter tell it,
But then 't was all fur Nettie's sake—I missed so's she could spell it.
She spelt the word, then looked at me so lovin'-like an' mello',
I tell you 't sent a hunderd pins a shootin' through a fello'.
O' course I had to stand the jokes an' chaffin' of the fello's,
But when they handed her the book I vow I was n't jealous.
We sung a hymn, an' Parson Brown dismissed us like he orter,
Fur, la! he 'd learned a thing er two an' made his blessin' shorter.
'T was late an' cold when we got out, but Nettie liked cold weather,
An' so did I, so we agreed we 'd jest walk home together.
We both wuz silent, fur of words we nuther had a surplus,
'Till she spoke out quite sudden like, "You missed that word on purpose."
Well, I declare it frightened me; at first I tried denyin',
But Nettie, she jest smiled an' smiled, she knowed that I was lyin'.
Sez she: "That book is yourn by right;" sez I: "It never could be—
I—I—you—ah—" an' there I stuck, an' well she understood me.
So we agreed that later on when age had giv' us tether,
We 'd jine our lots an' settle down to own that book together.[Pg 46]
Written by Robert Burns | Create an image from this poem

351. Second Epistle to Robert Graham Esq. of Fintry

 LATE crippl’d of an arm, and now a leg,
About to beg a pass for leave to beg;
Dull, listless, teas’d, dejected, and deprest
(Nature is adverse to a cripple’s rest);
Will generous Graham list to his Poet’s wail?
(It soothes poor Misery, hearkening to her tale)
And hear him curse the light he first survey’d,
And doubly curse the luckless rhyming trade?


 Thou, Nature! partial Nature, I arraign;
Of thy caprice maternal I complain;
The lion and the bull thy care have found,
One shakes the forests, and one spurns the ground;
Thou giv’st the ass his hide, the snail his shell;
Th’ envenom’d wasp, victorious, guards his cell;
Thy minions kings defend, control, devour,
In all th’ omnipotence of rule and power;
Foxes and statesmen subtile wiles ensure;
The cit and polecat stink, and are secure;
Toads with their poison, doctors with their drug,
The priest and hedgehog in their robes, are snug;
Ev’n silly woman has her warlike arts,
Her tongue and eyes—her dreaded spear and darts.


 But Oh! thou bitter step-mother and hard,
To thy poor, fenceless, naked child—the Bard!
A thing unteachable in world’s skill,
And half an idiot too, more helpless still:
No heels to bear him from the op’ning dun;
No claws to dig, his hated sight to shun;
No horns, but those by luckless Hymen worn,
And those, alas! not, Amalthea’s horn:
No nerves olfact’ry, Mammon’s trusty cur,
Clad in rich Dulness’ comfortable fur;
In naked feeling, and in aching pride,
He bears th’ unbroken blast from ev’ry side:
Vampyre booksellers drain him to the heart,
And scorpion critics cureless venom dart.


 Critics—appall’d, I venture on the name;
Those cut-throat bandits in the paths of fame:
Bloody dissectors, worse than ten Monroes;
He hacks to teach, they mangle to expose:


 His heart by causeless wanton malice wrung,
By blockheads’ daring into madness stung;
His well-won bays, than life itself more dear,
By miscreants torn, who ne’er one sprig must wear;
Foil’d, bleeding, tortur’d in th’ unequal strife,
The hapless Poet flounders on thro’ life:
Till, fled each hope that once his bosom fir’d,
And fled each muse that glorious once inspir’d,
Low sunk in squalid, unprotected age,
Dead even resentment for his injur’d page,
He heeds or feels no more the ruthless critic’s rage!
So, by some hedge, the gen’rous steed deceas’d,
For half-starv’d snarling curs a dainty feast;
By toil and famine wore to skin and bone,
Lies, senseless of each tugging *****’s son.


 O Dulness! portion of the truly blest!
Calm shelter’d haven of eternal rest!
Thy sons ne’er madden in the fierce extremes
Of Fortune’s polar frost, or torrid beams.
If mantling high she fills the golden cup,
With sober selfish ease they sip it up;
Conscious the bounteous meed they well deserve,
They only wonder “some folks” do not starve.
The grave sage hern thus easy picks his frog,
And thinks the mallard a sad worthless dog.
When disappointments snaps the clue of hope,
And thro’ disastrous night they darkling grope,
With deaf endurance sluggishly they bear,
And just conclude that “fools are fortune’s care.”
So, heavy, passive to the tempest’s shocks,
Strong on the sign-post stands the stupid ox.


 Not so the idle Muses’ mad-cap train,
Not such the workings of their moon-struck brain;
In equanimity they never dwell,
By turns in soaring heav’n, or vaulted hell.


 I dread thee, Fate, relentless and severe,
With all a poet’s, husband’s, father’s fear!
Already one strong hold of hope is lost—
Glencairn, the truly noble, lies in dust
(Fled, like the sun eclips’d as noon appears,
And left us darkling in a world of tears);
O! hear my ardent, grateful, selfish pray’r!
Fintry, my other stay, long bless and spare!
Thro’ a long life his hopes and wishes crown,
And bright in cloudless skies his sun go down!
May bliss domestic smooth his private path;
Give energy to life; and soothe his latest breath,
With many a filial tear circling the bed of death!
Written by Robert Burns | Create an image from this poem

30. Song—Composed in August

 NOW westlin winds and slaught’ring guns
 Bring Autumn’s pleasant weather;
The moorcock springs on whirring wings
 Amang the blooming heather:
Now waving grain, wide o’er the plain,
 Delights the weary farmer;
And the moon shines bright, when I rove at night,
 To muse upon my charmer.


The partridge loves the fruitful fells,
 The plover loves the mountains;
The woodcock haunts the lonely dells,
 The soaring hern the fountains:
Thro’ lofty groves the cushat roves,
 The path of man to shun it;
The hazel bush o’erhangs the thrush,
 The spreading thorn the linnet.


Thus ev’ry kind their pleasure find,
 The savage and the tender;
Some social join, and leagues combine,
 Some solitary wander:
Avaunt, away! the cruel sway,
 Tyrannic man’s dominion;
The sportsman’s joy, the murd’ring cry,
 The flutt’ring, gory pinion!


But, Peggy dear, the ev’ning’s clear,
 Thick flies the skimming swallow,
The sky is blue, the fields in view,
 All fading-green and yellow:
Come let us stray our gladsome way,
 And view the charms of Nature;
The rustling corn, the fruited thorn,
 And ev’ry happy creature.


We’ll gently walk, and sweetly talk,
 Till the silent moon shine clearly;
I’ll grasp thy waist, and, fondly prest,
 Swear how I love thee dearly:
Not vernal show’rs to budding flow’rs,
 Not Autumn to the farmer,
So dear can be as thou to me,
 My fair, my lovely charmer!


Written by Paul Laurence Dunbar | Create an image from this poem

Breaking The Charm

Caught Susanner whistlin'; well,
It's most nigh too good to tell.
'Twould 'a' b'en too good to see
Ef it had n't b'en fur me,
Comin' up so soft an' sly
That she didn' hear me nigh.
I was pokin' 'round that day,
An' ez I come down the way,
First her whistle strikes my ears,—
Then her gingham dress appears;
So with soft step up I slips.
Oh, them dewy, rosy lips!
Ripe ez cherries, red an' round,
Puckered up to make the sound.
She was lookin' in the spring,
Whistlin' to beat anything,—
"Kitty Dale" er "In the Sweet."
I was jest so mortal beat
That I can't quite ricoleck
What the toon was, but I 'speck
'T was some hymn er other, fur
Hymny things is jest like her.
Well she went on fur awhile
With her face all in a smile,
An' I never moved, but stood
Stiller 'n a piece o' wood—
Would n't wink ner would n't stir,
But a-gazin' right at her,
Tell she turns an' sees me—my!
Thought at first she 'd try to fly.
But she blushed an' stood her ground.
Then, a-slyly lookin' round,
She says: "Did you hear me, Ben?"
"Whistlin' woman, crowin' hen,"
Says I, lookin' awful stern.
Then the red commenced to burn
In them cheeks o' hern. Why, la!
Reddest red you ever saw—
Pineys wa'n't a circumstance.[Pg 150]
You 'd 'a' noticed in a glance
She was pow'rful shamed an' skeart;
But she looked so sweet an' peart,
That a idee struck my head;
So I up an' slowly said:
"Woman whistlin' brings shore harm,
Jest one thing 'll break the charm."
"And what's that?" "Oh, my!" says I,
"I don't like to tell you." "Why?"
Says Susanner. "Well, you see
It would kinder fall on me."
Course I knowed that she 'd insist,—
So I says: "You must be kissed
By the man that heard you whistle;
Everybody says that this 'll
Break the charm and set you free
From the threat'nin' penalty."
She was blushin' fit to kill,
But she answered, kinder still:
"I don't want to have no harm,
Please come, Ben, an' break the charm."
Did I break that charm?—oh, well,
There's some things I must n't tell.
I remember, afterwhile,
Her a-sayin' with a smile:
"Oh, you quit,—you sassy dunce,
You jest caught me whistlin' once."
Ev'ry sence that when I hear
Some one whistlin' kinder clear,
I most break my neck to see
Ef it 's Susy; but, dear me,
I jest find I 've b'en to chase
Some blamed boy about the place.
Dad 's b'en noticin' my way,
An' last night I heerd him say:
"We must send fur Dr. Glenn,
Mother; somethin 's wrong with Ben!"
Written by Victor Hugo | Create an image from this poem

The Lovers' Colloquy

 ("Mon duc, rien qu'un moment.") 
 
 {HERNANI, Act V.} 


 One little moment to indulge the sight 
 With the rich beauty of the summer's night. 
 The harp is hushed, and, see, the torch is dim,— 
 Night and ourselves together. To the brim 
 The cup of our felicity is filled. 
 Each sound is mute, each harsh sensation stilled. 
 Dost thou not think that, e'en while nature sleeps, 
 Some power its amorous vigils o'er us keeps? 
 No cloud in heaven; while all around repose, 
 Come taste with me the fragrance of the rose, 
 Which loads the night-air with its musky breath, 
 While everything is still as nature's death. 
 E'en as you spoke—and gentle words were those 
 Spoken by you,—the silver moon uprose; 
 How that mysterious union of her ray, 
 With your impassioned accents, made its way 
 Straight to my heart! I could have wished to die 
 In that pale moonlight, and while thou wert by. 
 
 HERNANI. Thy words are music, and thy strain of love 
 Is borrowed from the choir of heaven above. 
 
 DONNA SOL. Night is too silent, darkness too profound 
 Oh, for a star to shine, a voice to sound— 
 To raise some sudden note of music now 
 Suited to night. 
 
 HERN. Capricious girl! your vow 
 Was poured for silence, and to be released 
 From the thronged tumult of the marriage feast. 
 
 DONNA SOL. Yes; but one bird to carol in the field,— 
 A nightingale, in mossy shade concealed,— 
 A distant flute,—for music's stream can roll 
 To soothe the heart, and harmonize the soul,— 
 O! 'twould be bliss to listen. 
 
 {Distant sound of a horn, the signal that HERNANI 
 must go to DON RUY, who, having saved his 
 life, had him bound in a vow to yield it up.} 
 
 LORD F. LEVESON GOWER (1ST EARL OF ELLESMERE). 


 




Written by Victor Hugo | Create an image from this poem

The Old And The Young Bridegroom

 ("L'homme auquel on vous destina.") 
 
 {HERNANI, Act I.} 


 Listen. The man for whom your youth is destined, 
 Your uncle, Ruy de Silva, is the Duke 
 Of Pastrana, Count of Castile and Aragon. 
 For lack of youth, he brings you, dearest girl, 
 Treasures of gold, jewels, and precious gems, 
 With which your brow might outshine royalty; 
 And for rank, pride, splendor, and opulence, 
 Might many a queen be envious of his duchess! 
 Here is one picture. I am poor; my youth 
 I passed i' the woods, a barefoot fugitive. 
 My shield, perchance, may bear some noble blazons 
 Spotted with blood, defaced though not dishonored. 
 Perchance I, too, have rights, now veiled in darkness,— 
 Rights, which the heavy drapery of the scaffold 
 Now hides beneath its black and ample folds; 
 Rights which, if my intent deceive me not, 
 My sword shall one day rescue. To be brief:— 
 I have received from churlish Fortune nothing 
 But air, light, water,—Nature's general boon. 
 Choose, then, between us two, for you must choose;— 
 Say, will you wed the duke, or follow me? 
 
 DONNA SOL. I'll follow you. 
 
 HERN. What, 'mongst my rude companions, 
 Whose names are registered in the hangman's book? 
 Whose hearts are ever eager as their swords, 
 Edged by a personal impulse of revenge? 
 Will you become the queen, dear, of my band? 
 Will you become a hunted outlaw's bride? 
 When all Spain else pursued and banished me,— 
 In her proud forests and air-piercing mountains, 
 And rocks the lordly eagle only knew, 
 Old Catalonia took me to her bosom. 
 Among her mountaineers, free, poor, and brave, 
 I ripened into manhood, and, to-morrow, 
 One blast upon my horn, among her hills, 
 Would draw three thousand of her sons around me. 
 You shudder,—think upon it. Will you tread 
 The shores, woods, mountains, with me, among men 
 Like the dark spirits of your haunted dreams,— 
 Suspect all eyes, all voices, every footstep,— 
 Sleep on the grass, drink of the torrent, hear 
 By night the sharp hiss of the musket-ball 
 Whistling too near your ear,—a fugitive 
 Proscribed, and doomed mayhap to follow me 
 In the path leading to my father's scaffold? 
 
 DONNA SOL. I'll follow you. 
 
 HERN. This duke is rich, great, prosperous, 
 No blot attaches to his ancient name. 
 He is all-powerful. He offers you 
 His treasures, titles, honors, with his hand. 
 
 DONNA SOL. We will depart to-morrow. Do not blame 
 What may appear a most unwomanly boldness. 
 
 CHARLES SHERRY. 


 





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