10 Best Famous Hark Poems

Here is a collection of the top 10 all-time best famous Hark poems. This is a select list of the best famous Hark poetry. Reading, writing, and enjoying famous Hark poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of hark poems.

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The Tables Turned

by William Wordsworth
An Evening Scene on the Same Subject

Up! up! my Friend, and quit your books;
Or surely you'll grow double:
Up! up! my Friend, and clear your looks;
Why all this toil and trouble?

The sun, above the mountain's head,
A freshening lustre mellow
Through all the long green fields has spread,
His first sweet evening yellow.

Books! 'tis a dull and endless strife:
Come, hear the woodland linnet,
How sweet his music! on my life,
There's more of wisdom in it.

And hark! how blithe the throstle sings!
He, too, is no mean preacher:
Come forth into the light of things,
Let Nature be your Teacher.

She has a world of ready wealth,
Our minds and hearts to bless—
Spontaneous wisdom breathed by health,
Truth breathed by cheerfulness.

One impulse from a vernal wood
May teach you more of man,
Of moral evil and of good,
Than all the sages can.

Sweet is the lore which Nature brings;
Our meddling intellect
Mis-shapes the beauteous forms of things:—
We murder to dissect.

Enough of Science and of Art;
Close up those barren leaves;
Come forth, and bring with you a heart
That watches and receives.

The Ghosts

by Robert William Service
 Smith, great writer of stories, drank; found it immortalized his pen;
Fused in his brain-pan, else a blank, heavens of glory now and then;
Gave him the magical genius touch; God-given power to gouge out, fling
Flat in your face a soul-thought -- Bing!
Twiddle your heart-strings in his clutch. "Bah!" said Smith, "let my body lie
 stripped to the buff in swinish shame,
If I can blaze in the radiant sky out of adoring stars my name.
Sober am I nonentitized; drunk am I more than half a god.
Well, let the flesh be sacrificed; spirit shall speak and shame the clod.
Who would not gladly, gladly give Life to do one thing that will live?"

Smith had a friend, we'll call him Brown; dearer than brothers were those two.
When in the wassail Smith would drown, Brown would rescue and pull him through.
When Brown was needful Smith would lend; so it fell as the years went by,
Each on the other would depend: then at the last Smith came to die.

There Brown sat in the sick man's room, still as a stone in his despair;
Smith bent on him his eyes of doom, shook back his lion mane of hair;
Said: "Is there one in my chosen line, writer of forthright tales my peer?
Look in that little desk of mine; there is a package, bring it here.
Story of stories, gem of all; essence and triumph, key and clue;
Tale of a loving woman's fall; soul swept hell-ward, and God! it's true.
I was the man -- Oh, yes, I've paid, paid with mighty and mordant pain.
Look! here's the masterpiece I've made out of my sin, my manhood slain.
Art supreme! yet the world would stare, know my mistress and blaze my shame.
I have a wife and daughter -- there! take it and thrust it in the flame."

Brown answered: "Master, you have dipped pen in your heart, your phrases sear.
Ruthless, unflinching, you have stripped naked your soul and set it here.
Have I not loved you well and true? See! between us the shadows drift;
This bit of blood and tears means You -- oh, let me have it, a parting gift.
Sacred I'll hold it, a trust divine; sacred your honour, her dark despair;
Never shall it see printed line: here, by the living God I swear."
Brown on a Bible laid his hand; Smith, great writer of stories, sighed:
"Comrade, I trust you, and understand. Keep my secret!" And so he died.

Smith was buried -- up soared his sales; lured you his books in every store;
Exquisite, whimsy, heart-wrung tales; men devoured them and craved for more.
So when it slyly got about Brown had a posthumous manuscript,
Jones, the publisher, sought him out, into his pocket deep he dipped.
"A thousand dollars?" Brown shook his head. "The story is not for sale, " he said.

Jones went away, then others came. Tempted and taunted, Brown was true.
Guarded at friendship's shrine the fame of the unpublished story grew and grew.
It's a long, long lane that has no end, but some lanes end in the Potter's field;
Smith to Brown had been more than friend: patron, protector, spur and shield.
Poor, loving-wistful, dreamy Brown, long and lean, with a smile askew,
Friendless he wandered up and down, gaunt as a wolf, as hungry too.
Brown with his lilt of saucy rhyme, Brown with his tilt of tender mirth
Garretless in the gloom and grime, singing his glad, mad songs of earth:
So at last with a faith divine, down and down to the Hunger-line.

There as he stood in a woeful plight, tears a-freeze on his sharp cheek-bones,
Who should chance to behold his plight, but the publisher, the plethoric Jones;
Peered at him for a little while, held out a bill: "NOW, will you sell?"
Brown scanned it with his twisted smile: "A thousand dollars! you go to hell!"

Brown enrolled in the homeless host, sleeping anywhere, anywhen;
Suffered, strove, became a ghost, slave of the lamp for other men;
For What's-his-name and So-and-so in the abyss his soul he stripped,
Yet in his want, his worst of woe, held he fast to the manuscript.
Then one day as he chewed his pen, half in hunger and half despair,
Creaked the door of his garret den; Dick, his brother, was standing there.
Down on the pallet bed he sank, ashen his face, his voice a wail:
"Save me, brother! I've robbed the bank; to-morrow it's ruin, capture, gaol.
Yet there's a chance: I could to-day pay back the money, save our name;
You have a manuscript, they say, worth a thousand -- think, man! the shame. . . ."
Brown with his heart pain-pierced the while, with his stern, starved face,
 and his lips stone-pale,
Shuddered and smiled his twisted smile: "Brother, I guess you go to gaol."

While poor Brown in the leer of dawn wrestled with God for the sacred fire,
Came there a woman weak and wan, out of the mob, the murk, the mire;
Frail as a reed, a fellow ghost, weary with woe, with sorrowing;
Two pale souls in the legion lost; lo! Love bent with a tender wing,
Taught them a joy so deep, so true, it seemed that the whole-world fabric shook,
Thrilled and dissolved in radiant dew; then Brown made him a golden book,
Full of the faith that Life is good, that the earth is a dream divinely fair,
Lauding his gem of womanhood in many a lyric rich and rare;
Took it to Jones, who shook his head: "I will consider it," he said.

While he considered, Brown's wife lay clutched in the tentacles of pain;
Then came the doctor, grave and grey; spoke of decline, of nervous strain;
Hinted Egypt, the South of France -- Brown with terror was tiger-gripped.
Where was the money? What the chance? Pitiful God! . . . the manuscript!
A thousand dollars! his only hope! he gazed and gazed at the garret wall. . . .
Reached at last for the envelope, turned to his wife and told her all.
Told of his friend, his promise true; told like his very heart would break:
"Oh, my dearest! what shall I do? shall I not sell it for your sake?"
Ghostlike she lay, as still as doom; turned to the wall her weary head;
Icy-cold in the pallid gloom, silent as death . . . at last she said:
"Do! my husband? Keep your vow! Guard his secret and let me die. . . .
Oh, my dear, I must tell you now -- the women he loved and wronged was I;
Darling! I haven't long to live: I never told you -- forgive, forgive!"

For a long, long time Brown did not speak; sat bleak-browed in the wretched room;
Slowly a tear stole down his cheek, and he kissed her hand in the dismal gloom.
To break his oath, to brand her shame; his well-loved friend, his worshipped wife;
To keep his vow, to save her name, yet at the cost of what? Her life!
A moment's space did he hesitate, a moment of pain and dread and doubt,
Then he broke the seals, and, stern as fate, unfolded the sheets and spread them out. . . .
On his knees by her side he limply sank, peering amazed -- each page was blank.

(For oh, the supremest of our art are the stories we do not dare to tell,
Locked in the silence of the heart, for the awful records of Heav'n and Hell.)
Yet those two in the silence there, seemed less weariful than before.
Hark! a step on the garret stair, a postman knocks at the flimsy door.
"Registered letter!" Brown thrills with fear; opens, and reads, then bends above:
"Glorious tidings! Egypt, dear! The book is accepted -- life and love."

Frost at Midnight

by Samuel Taylor Coleridge
The Frost performs its secret ministry,
Unhelped by any wind. The owlet's cry
Came loud---and hark, again! loud as before.
The inmates of my cottage, all at rest,
Have left me to that solitude, which suits
Abstruser musings: save that at my side
My cradled infant slumbers peacefully.
`Tis calm indeed! so calm, that it disturbs
And vexes meditation with its strange
And extreme silentness. Sea, hill, and wood,
This populous village! Sea, and hill, and wood,
With all the numberless goings-on of life,
Inaudible as dreams! the thin blue flame
Lies on my low-burnt fire, and quivers not;
Only that film, which fluttered on the grate,
Still flutters there, the sole unquiet thing.
Methinks, its motion in this hush of nature
Gives it dim sympathies with me who live,
Making it a companionable form,
Whose puny flaps and freaks the idling Spirit
By its own moods interprets, every where
Echo or mirror seeking of itself,
And makes a toy of Thought.

But O! how oft,
How oft, at school, with most believing mind,
Presageful, have I gazed upon the bars,
To watch that fluttering stranger! and as oft
With unclosed lids, already had I dreamt
Of my sweet birth-place, and the old church-tower,
Whose bells, the poor man's only music, rang
>From morn to evening, all the hot Fair-day,
So sweetly, that they stirred and haunted me
With a wild pleasure, falling on mine ear
Most like articulate sounds of things to come!
So gazed I, till the soothing things, I dreamt,
Lulled me to sleep, and sleep prolonged my dreams!
And so I brooded all the following morn,
Awed by the stern preceptor's face, mine eye
Fixed with mock study on my swimming book:
Save if the door half opened, and I snatched
A hasty glance, and still my heart leaped up,
For still I hoped to see the stranger's face,
Townsman, or aunt, or sister more beloved,
My play-mate when we both were clothed alike!

Dear Babe, that sleepest cradled by my side,
Whose gentle breathings, heard in this deep calm,
Fill up the interspersed vacancies
And momentary pauses of the thought!
My babe so beautiful! it thrills my heart
With tender gladness, thus to look at thee,
And think that thou shall learn far other lore,
And in far other scenes! For I was reared
In the great city, pent 'mid cloisters dim,
And saw nought lovely but the sky and stars.
But thou, my babe! shalt wander like a breeze
By lakes and sandy shores, beneath the crags
Of ancient mountain, and beneath the clouds,
Which image in their bulk both lakes and shores
And mountain crags: so shalt thou see and hear
The lovely shapes and sounds intelligible
Of that eternal language, which thy God
Utters, who from eternity doth teach
Himself in all, and all things in himself.
Great universal Teacher! he shall mould
Thy spirit, and by giving make it ask.

Therefore all seasons shall be sweet to thee,
Whether the summer clothe the general earth
With greenness, or the redbreast sit and sing
Betwixt the tufts of snow on the bare branch
Of mossy apple-tree, while the nigh thatch
Smokes in the sun-thaw; whether the eave-drops fall
Heard only in the trances of the blast,
Or if the secret ministry of frost
Shall hang them up in silent icicles,
Quietly shining to the quiet Moon. 

The old pond

by Matsuo Basho
 Following are several translations
of the 'Old Pond' poem, which may be
the most famous of all haiku:

Furuike ya 
kawazu tobikomu 
mizu no oto

 -- Basho



Literal Translation

Fu-ru (old) i-ke (pond) ya, 
ka-wa-zu (frog) to-bi-ko-mu (jumping into) 
mi-zu (water) no o-to (sound)






 The old pond--
a frog jumps in,
 sound of water.


Translated by Robert Hass



Old pond...
a frog jumps in
water's sound.


Translated by William J. Higginson



An old silent pond...
A frog jumps into the pond,
splash! Silence again.


Translated by Harry Behn



There is the old pond!
Lo, into it jumps a frog:
hark, water's music!


Translated by John Bryan



The silent old pond
a mirror of ancient calm,
a frog-leaps-in splash.


Translated by Dion O'Donnol



old pond
frog leaping
splash


Translated by Cid Corman



Antic pond--
frantic frog jumps in--
gigantic sound.


Translated by Bernard Lionel Einbond 



MAFIA HIT MAN POET: NOTE FOUND PINNED TO LAPEL 
OF DROWNED VICTIM'S DOUBLE-BREASTED SUIT!!! 

'Dere wasa dis frogg
Gone jumpa offa da logg
Now he inna bogg.'

 -- Anonymous


Translated by George M. Young, Jr.



Old pond 
leap -- splash 
a frog. 


Translated by Lucien Stryck



The old pond,
A frog jumps in:.
Plop! 


Translated by Allan Watts



The old pond, yes, and
A frog is jumping into
The water, and splash.

Translated by G.S. Fraser

Hark! Hark! The Lark

by William Shakespeare
 Hark! hark! the lark at heaven's gate sings,
And Phoebus 'gins arise,
His steeds to water at those springs
On chalic'd flowers that lies;
And winking Mary-buds begin
To ope their golden eyes;
With everything that pretty is,
My lady sweet, arise:
Arise, arise!

Love And Madness

by Thomas Campbell
 Hark ! from the battlements of yonder tower
The solemn bell has tolled the midnight hour !
Roused from drear visions of distempered sleep,
Poor Broderick wakes—in solitude to weep !

"Cease, Memory; cease (the friendless mourner cried)
To probe the bosom too severely tried !
Oh ! ever cease, my pensive thoughts, to stray
Through tie bright fields of Fortune's better day,
When youthful Hope, the music of the mind,
Tuned all its charms, and Errington was kind !

Yet, can I cease, while glows this trembling frame,
In sighs to speak thy melancholy name !
I hear thy spirit wail in every storm !
In midniglit shades I view thy passing form !
Pale as in that sad hour when doomed to feel !
Deep in thy perjured heart, the bloody steel !

Demons of Vengeance ! ye, at whose command
I grasped the sword with more than woman's hand
Say ye, did Pity's trembling voice control,
Or horror damp the purpose of my soul ? 
No ! my wild heart sat smiling o'er the plan,
'Till Hate fulfilled what baffled love began !

Yes ; let the clay-cold breast that never knew 
One tender pang to generous nature true,
Half-mingling pity with the gall of scorn,
Condemn this heart, that bled in love forlorn !

And ye, proud fair, whose soul no gladness warms,
Save Rapture's homage to your conscious charms !
Delighted idols of a gaudy train,
Ill can your blunter feelings guess the pain,
When the fond, faithful heart, inspired to prove
Friendship refined, the calm delight of Love,
Feels all its tender strings with anguish torn,
And bleeds at perjured Pride's inhuman scorn.

Say, then, did pitying Heaven condemn the deed,
When Vengeance bade thee, faithless lover! bleed ?
Long had I watched thy dark foreboding brow,
What time thy bosom scorned its dearest vow !
Sad, though I wept the friend, the lover changed,
Still thy cold look was scornful and estranged,
Till from thy pity, love, and shelter thrown,
I wandered hopeless, friendless, and alone !

Oh ! righteous Heaven ! 't was then my tortured soul
First gave to wrath unlimited control !
Adieu the silent look ! the streaming eye !
The murmured plaint ! the deep heart-heaving sigh !
Long-slumbering Vengeance wakes to better deeds ;
He shrieks, he falls, the perjured lover bleeds !
Now the last laugh of agony is o'er,
And pale in blood he sleeps, to wake no more !

'T is done ! the flame of hate no longer burns :
Nature relents, but, ah! too late returns!
Why does my soul this gush of fondness feel ?
Trembling and faint, I drop the guilty steel !
Cold on my heart the hand of terror lies,
And shades of horror close my languid eyes !

Oh ! 't was a deed of Murder's deepest grain !
Could Broderick's soul so true to wrath remain ?
A friend long true, a once fond lover fell ?
Where Love was fostered could not Pity dwell ?

Unhappy youth ! while you pale cresscent glows
To watch on silent Nature's deep repose,
Thy sleepless spirit, breathing from the tomb ,
Foretells my fate, and summons me to come !
Once more I see thy sheeted spectre stand ,
Roll the dim eye, and wave the paly hand !

Soon may this fluttering spark of vital flame
Forsake its languid melancholy frame !
Soon may these eyes their trembling lustre close,
Welcome the dreamless night of long repose !
Soon may this woe-worn spirit seek the bourne
Where, lulled to slumber, Grief forgets to mourn !"

The Poets Calendar

by Henry Wadsworth Longfellow
 January

Janus am I; oldest of potentates; 
Forward I look, and backward, and below 
I count, as god of avenues and gates, 
The years that through my portals come and go. 
I block the roads, and drift the fields with snow; 
I chase the wild-fowl from the frozen fen; 
My frosts congeal the rivers in their flow, 
My fires light up the hearths and hearts of men. 

February

I am lustration, and the sea is mine! 
I wash the sands and headlands with my tide; 
My brow is crowned with branches of the pine; 
Before my chariot-wheels the fishes glide. 
By me all things unclean are purified, 
By me the souls of men washed white again; 
E'en the unlovely tombs of those who died 
Without a dirge, I cleanse from every stain. 

March

I Martius am! Once first, and now the third! 
To lead the Year was my appointed place; 
A mortal dispossessed me by a word, 
And set there Janus with the double face. 
Hence I make war on all the human race; 
I shake the cities with my hurricanes; 
I flood the rivers and their banks efface, 
And drown the farms and hamlets with my rains. 

April 

I open wide the portals of the Spring 
To welcome the procession of the flowers, 
With their gay banners, and the birds that sing 
Their song of songs from their aerial towers. 
I soften with my sunshine and my showers 
The heart of earth; with thoughts of love I glide 
Into the hearts of men; and with the Hours 
Upon the Bull with wreathed horns I ride. 

May 

Hark! The sea-faring wild-fowl loud proclaim 
My coming, and the swarming of the bees. 
These are my heralds, and behold! my name 
Is written in blossoms on the hawthorn-trees. 
I tell the mariner when to sail the seas; 
I waft o'er all the land from far away 
The breath and bloom of the Hesperides, 
My birthplace. I am Maia. I am May. 

June 

Mine is the Month of Roses; yes, and mine 
The Month of Marriages! All pleasant sights 
And scents, the fragrance of the blossoming vine, 
The foliage of the valleys and the heights. 
Mine are the longest days, the loveliest nights; 
The mower's scythe makes music to my ear; 
I am the mother of all dear delights; 
I am the fairest daughter of the year. 

July

My emblem is the Lion, and I breathe 
The breath of Libyan deserts o'er the land; 
My sickle as a sabre I unsheathe, 
And bent before me the pale harvests stand. 
The lakes and rivers shrink at my command, 
And there is thirst and fever in the air; 
The sky is changed to brass, the earth to sand; 
I am the Emperor whose name I bear. 

August

The Emperor Octavian, called the August, 
I being his favorite, bestowed his name 
Upon me, and I hold it still in trust, 
In memory of him and of his fame. 
I am the Virgin, and my vestal flame 
Burns less intensely than the Lion's rage; 
Sheaves are my only garlands, and I claim 
The golden Harvests as my heritage. 

September 

I bear the Scales, where hang in equipoise 
The night and day; and whenunto my lips 
I put my trumpet, with its stress and noise 
Fly the white clouds like tattered sails of ships; 
The tree-tops lash the air with sounding whips; 
Southward the clamorous sea-fowl wing their flight; 
The hedges are all red with haws and hips, 
The Hunter's Moon reigns empress of the night. 

October 

My ornaments are fruits; my garments leaves, 
Woven like cloth of gold, and crimson dyed; 
I do no boast the harvesting of sheaves, 
O'er orchards and o'er vineyards I preside. 
Though on the frigid Scorpion I ride, 
The dreamy air is full, and overflows 
With tender memories of the summer-tide, 
And mingled voices of the doves and crows. 

November

The Centaur, Sagittarius, am I, 
Born of Ixion's and the cloud's embrace; 
With sounding hoofs across the earth I fly, 
A steed Thessalian with a human face. 
Sharp winds the arrows are with which I chase 
The leaves, half dead already with affright; 
I shroud myself in gloom; and to the race 
Of mortals bring nor comfort nor delight. 

December

Riding upon the Goat, with snow-white hair, 
I come, the last of all. This crown of mine 
Is of the holly; in my hand I bear 
The thyrsus, tipped with fragrant cones of pine. 
I celebrate the birth of the Divine, 
And the return of the Saturnian reign;-- 
My songs are carols sung at every shrine, 
Proclaiming "Peace on earth, good will to men."

Aubade

by William Shakespeare
 HARK! hark! the lark at heaven's gate sings, 
 And Phoebus 'gins arise, 
His steeds to water at those springs 
 On chaliced flowers that lies; 
And winking Mary-buds begin 
 To ope their golden eyes: 
With everything that pretty bin, 
 My lady sweet, arise! 
 Arise, arise!

All Things Will Die

by Alfred Lord Tennyson
 Clearly the blue river chimes in its flowing

 Under my eye;
Warmly and broadly the south winds are blowing

 Over the sky.
One after another the white clouds are fleeting;
Every heart this May morning in joyance is beating

 Full merrily;
 Yet all things must die.
The stream will cease to flow;
The wind will cease to blow;
The clouds will cease to fleet;
The heart will cease to beat;
 For all things must die.
 All things must die.
Spring will come never more.
 O, vanity!
Death waits at the door.
See! our friends are all forsaking
The wine and the merrymaking.
We are call'd—we must go.
Laid low, very low,
In the dark we must lie.
The merry glees are still;
The voice of the bird
Shall no more be heard,
Nor the wind on the hill.
 O, misery!
Hark! death is calling
While I speak to ye,
The jaw is falling,
The red cheek paling,
The strong limbs failing;
Ice with the warm blood mixing;
The eyeballs fixing.
Nine times goes the passing bell:
Ye merry souls, farewell.
 The old earth
 Had a birth,
 As all men know,
 Long ago.
And the old earth must die.
So let the warm winds range,
And the blue wave beat the shore;
For even and morn
Ye will never see
Thro' eternity.
All things were born.
Ye will come never more,
For all things must die.

Fancy

by John Keats
EVER let the Fancy roam, 
Pleasure never is at home: 
At a touch sweet Pleasure melteth, 
Like to bubbles when rain pelteth; 
Then let wing¨¨d Fancy wander 5 
Through the thought still spread beyond her: 
Open wide the mind's cage-door, 
She'll dart forth, and cloudward soar. 
O sweet Fancy! let her loose; 
Summer's joys are spoilt by use, 10 
And the enjoying of the Spring 
Fades as does its blossoming; 
Autumn's red-lipp'd fruitage too, 
Blushing through the mist and dew, 
Cloys with tasting: What do then? 15 
Sit thee by the ingle, when 
The sear ****** blazes bright, 
Spirit of a winter's night; 
When the soundless earth is muffled, 
And the cak¨¨d snow is shuffled 20 
From the ploughboy's heavy shoon; 
When the Night doth meet the Noon 
In a dark conspiracy 
To banish Even from her sky. 
Sit thee there, and send abroad, 25 
With a mind self-overawed, 
Fancy, high-commission'd:¡ªsend her! 
She has vassals to attend her: 
She will bring, in spite of frost, 
Beauties that the earth hath lost; 30 
She will bring thee, all together, 
All delights of summer weather; 
All the buds and bells of May, 
From dewy sward or thorny spray; 
All the heap¨¨d Autumn's wealth, 35 
With a still, mysterious stealth: 
She will mix these pleasures up 
Like three fit wines in a cup, 
And thou shalt quaff it:¡ªthou shalt hear 
Distant harvest-carols clear; 40 
Rustle of the reap¨¨d corn; 
Sweet birds antheming the morn: 
And, in the same moment¡ªhark! 
'Tis the early April lark, 
Or the rooks, with busy caw, 45 
Foraging for sticks and straw. 
Thou shalt, at one glance, behold 
The daisy and the marigold; 
White-plumed lilies, and the first 
Hedge-grown primrose that hath burst; 50 
Shaded hyacinth, alway 
Sapphire queen of the mid-May; 
And every leaf, and every flower 
Pearl¨¨d with the self-same shower. 
Thou shalt see the fieldmouse peep 55 
Meagre from its cell¨¨d sleep; 
And the snake all winter-thin 
Cast on sunny bank its skin; 
Freckled nest-eggs thou shalt see 
Hatching in the hawthorn-tree, 60 
When the hen-bird's wing doth rest 
Quiet on her mossy nest; 
Then the hurry and alarm 
When the beehive casts its swarm; 
Acorns ripe down-pattering 65 
While the autumn breezes sing. 

O sweet Fancy! let her loose; 
Every thing is spoilt by use: 
Where 's the cheek that doth not fade, 
Too much gazed at? Where 's the maid 70 
Whose lip mature is ever new? 
Where 's the eye, however blue, 
Doth not weary? Where 's the face 
One would meet in every place? 
Where 's the voice, however soft, 75 
One would hear so very oft? 
At a touch sweet Pleasure melteth 
Like to bubbles when rain pelteth. 
Let, then, wing¨¨d Fancy find 
Thee a mistress to thy mind: 80 
Dulcet-eyed as Ceres' daughter, 
Ere the God of Torment taught her 
How to frown and how to chide; 
With a waist and with a side 
White as Hebe's, when her zone 85 
Slipt its golden clasp, and down 
Fell her kirtle to her feet, 
While she held the goblet sweet, 
And Jove grew languid.¡ªBreak the mesh 
Of the Fancy's silken leash; 90 
Quickly break her prison-string, 
And such joys as these she'll bring.¡ª 
Let the wing¨¨d Fancy roam, 
Pleasure never is at home. 
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