Written by
Alfred Lord Tennyson |
So closed our tale, of which I give you all
The random scheme as wildly as it rose:
The words are mostly mine; for when we ceased
There came a minute's pause, and Walter said,
'I wish she had not yielded!' then to me,
'What, if you drest it up poetically?'
So prayed the men, the women: I gave assent:
Yet how to bind the scattered scheme of seven
Together in one sheaf? What style could suit?
The men required that I should give throughout
The sort of mock-heroic gigantesque,
With which we bantered little Lilia first:
The women--and perhaps they felt their power,
For something in the ballads which they sang,
Or in their silent influence as they sat,
Had ever seemed to wrestle with burlesque,
And drove us, last, to quite a solemn close--
They hated banter, wished for something real,
A gallant fight, a noble princess--why
Not make her true-heroic--true-sublime?
Or all, they said, as earnest as the close?
Which yet with such a framework scarce could be.
Then rose a little feud betwixt the two,
Betwixt the mockers and the realists:
And I, betwixt them both, to please them both,
And yet to give the story as it rose,
I moved as in a strange diagonal,
And maybe neither pleased myself nor them.
But Lilia pleased me, for she took no part
In our dispute: the sequel of the tale
Had touched her; and she sat, she plucked the grass,
She flung it from her, thinking: last, she fixt
A showery glance upon her aunt, and said,
'You--tell us what we are' who might have told,
For she was crammed with theories out of books,
But that there rose a shout: the gates were closed
At sunset, and the crowd were swarming now,
To take their leave, about the garden rails.
So I and some went out to these: we climbed
The slope to Vivian-place, and turning saw
The happy valleys, half in light, and half
Far-shadowing from the west, a land of peace;
Gray halls alone among their massive groves;
Trim hamlets; here and there a rustic tower
Half-lost in belts of hop and breadths of wheat;
The shimmering glimpses of a stream; the seas;
A red sail, or a white; and far beyond,
Imagined more than seen, the skirts of France.
'Look there, a garden!' said my college friend,
The Tory member's elder son, 'and there!
God bless the narrow sea which keeps her off,
And keeps our Britain, whole within herself,
A nation yet, the rulers and the ruled--
Some sense of duty, something of a faith,
Some reverence for the laws ourselves have made,
Some patient force to change them when we will,
Some civic manhood firm against the crowd--
But yonder, whiff! there comes a sudden heat,
The gravest citizen seems to lose his head,
The king is scared, the soldier will not fight,
The little boys begin to shoot and stab,
A kingdom topples over with a shriek
Like an old woman, and down rolls the world
In mock heroics stranger than our own;
Revolts, republics, revolutions, most
No graver than a schoolboys' barring out;
Too comic for the serious things they are,
Too solemn for the comic touches in them,
Like our wild Princess with as wise a dream
As some of theirs--God bless the narrow seas!
I wish they were a whole Atlantic broad.
'
'Have patience,' I replied, 'ourselves are full
Of social wrong; and maybe wildest dreams
Are but the needful preludes of the truth:
For me, the genial day, the happy crowd,
The sport half-science, fill me with a faith.
This fine old world of ours is but a child
Yet in the go-cart.
Patience! Give it time
To learn its limbs: there is a hand that guides.
'
In such discourse we gained the garden rails,
And there we saw Sir Walter where he stood,
Before a tower of crimson holly-hoaks,
Among six boys, head under head, and looked
No little lily-handed Baronet he,
A great broad-shouldered genial Englishman,
A lord of fat prize-oxen and of sheep,
A raiser of huge melons and of pine,
A patron of some thirty charities,
A pamphleteer on guano and on grain,
A quarter-sessions chairman, abler none;
Fair-haired and redder than a windy morn;
Now shaking hands with him, now him, of those
That stood the nearest--now addressed to speech--
Who spoke few words and pithy, such as closed
Welcome, farewell, and welcome for the year
To follow: a shout rose again, and made
The long line of the approaching rookery swerve
From the elms, and shook the branches of the deer
From slope to slope through distant ferns, and rang
Beyond the bourn of sunset; O, a shout
More joyful than the city-roar that hails
Premier or king! Why should not these great Sirs
Give up their parks some dozen times a year
To let the people breathe? So thrice they cried,
I likewise, and in groups they streamed away.
But we went back to the Abbey, and sat on,
So much the gathering darkness charmed: we sat
But spoke not, rapt in nameless reverie,
Perchance upon the future man: the walls
Blackened about us, bats wheeled, and owls whooped,
And gradually the powers of the night,
That range above the region of the wind,
Deepening the courts of twilight broke them up
Through all the silent spaces of the worlds,
Beyond all thought into the Heaven of Heavens.
Last little Lilia, rising quietly,
Disrobed the glimmering statue of Sir Ralph
From those rich silks, and home well-pleased we went.
|
Written by
William Blake |
O THOU with dewy locks who lookest down
Through the clear windows of the morning turn
Thine angel eyes upon our western isle
Which in full choir hails thy approach O Spring!
The hills tell one another and the listening 5
Valleys hear; all our longing eyes are turn'd
Up to thy bright pavilions: issue forth
And let thy holy feet visit our clime!
Come o'er the eastern hills and let our winds
Kiss thy perfum¨¨d garments; let us taste 10
Thy morn and evening breath; scatter thy pearls
Upon our lovesick land that mourns for thee.
O deck her forth with thy fair fingers; pour
Thy soft kisses on her bosom; and put
Thy golden crown upon her languish'd head 15
Whose modest tresses are bound up for thee.
|
Written by
Francesco Petrarch |
SONNET IV.
Quel ch' infinita providenza ed arte.
HE CELEBRATES THE BIRTHPLACE OF LAURA.
He that with wisdom, goodness, power divine,
Did ample Nature's perfect book design,
Adorn'd this beauteous world, and those above,
Kindled fierce Mars, and soften'd milder Jove:
When seen on earth the shadows to fulfill
Of the less volume which conceal'd his will,
Took John and Peter from their homely care,
And made them pillars of his temple fair.
Nor in imperial Rome would He be born,
Whom servile Judah yet received with scorn:
E'en Bethlehem could her infant King disown,
And the rude manger was his early throne.
Victorious sufferings did his pomp display,
Nor other chariot or triumphal way.
At once by Heaven's example and decree,
Such honour waits on such humility.
Basil Kennet.
The High Eternal, in whose works supreme
The Master's vast creative power hath spoke:
At whose command each circling sphere awoke,
Jove mildly rose, and Mars with fiercer beam:
To earth He came, to ratify the scheme
Reveal'd to us through prophecy's dark cloak,
To sound redemption, speak man's fallen yoke:
He chose the humblest for that heavenly theme.
But He conferr'd not on imperial Rome
His birth's renown; He chose a lowlier sky,—
To stand, through Him, the proudest spot on earth!
And now doth shine within its humble home
A star, that doth each other so outvie,
That grateful nature hails its lovely birth.
Wollaston.
[Pg 5] Who show'd such infinite providence and skill
In his eternal government divine,
Who launch'd the spheres, gave sun and moon to shine,
And brightest wonders the dark void to fill;
On earth who came the Scriptures to maintain,
Which for long years the truth had buried yet,
Took John and Peter from the fisher's net
And gave to each his part in the heavenly reign.
He for his birth fair Rome preferr'd not then,
But lowly Bethlehem; thus o'er proudest state
He ever loves humility to raise.
Now rises from small spot like sun again,
Whom Nature hails, the place grows bright and great
Which birth so heavenly to our earth displays.
Macgregor.
|
Written by
Friedrich von Schiller |
Can I, my friend, with thee condole?--
Can I conceive the woes that try men,
When late repentance racks the soul
Ensnared into the toils of hymen?
Can I take part in such distress?--
Poor martyr,--most devoutly, "Yes!"
Thou weep'st because thy spouse has flown
To arms preferred before thine own;--
A faithless wife,--I grant the curse,--
And yet, my friend, it might be worse!
Just hear another's tale of sorrow,
And, in comparing, comfort borrow!
What! dost thou think thyself undone,
Because thy rights are shared with one!
O, happy man--be more resigned,
My wife belongs to all mankind!
My wife--she's found abroad--at home;
But cross the Alps and she's at Rome;
Sail to the Baltic--there you'll find her;
Lounge on the Boulevards--kind and kinder:
In short, you've only just to drop
Where'er they sell the last new tale,
And, bound and lettered in the shop,
You'll find my lady up for sale!
She must her fair proportions render
To all whose praise can glory lend her;--
Within the coach, on board the boat,
Let every pedant "take a note;"
Endure, for public approbation,
Each critic's "close investigation,"
And brave--nay, court it as a flattery--
Each spectacled Philistine's battery.
Just as it suits some scurvy carcase
In which she hails an Aristarchus,
Ready to fly with kindred souls,
O'er blooming flowers or burning coals,
To fame or shame, to shrine or gallows,
Let him but lead--sublimely callous!
A Leipsic man--(confound the wretch!)
Has made her topographic sketch,
A kind of map, as of a town,
Each point minutely dotted down;
Scarce to myself I dare to hint
What this d----d fellow wants to print!
Thy wife--howe'er she slight the vows--
Respects, at least, the name of spouse;
But mine to regions far too high
For that terrestrial name is carried;
My wife's "The famous Ninon!"--I
"The gentleman that Ninon married!"
It galls you that you scarce are able
To stake a florin at the table--
Confront the pit, or join the walk,
But straight all tongues begin to talk!
O that such luck could me befall,
Just to be talked about at all!
Behold me dwindling in my nook,
Edged at her left,--and not a look!
A sort of rushlight of a life,
Put out by that great orb--my wife!
Scarce is the morning gray--before
Postman and porter crowd the door;
No premier has so dear a levee--
She finds the mail-bag half its trade;
My God--the parcels are so heavy!
And not a parcel carriage-paid!
But then--the truth must be confessed--
They're all so charmingly addressed:
Whate'er they cost, they well requite her--
"To Madame Blank, the famous writer!"
Poor thing, she sleeps so soft! and yet
'Twere worth my life to spare her slumber;
"Madame--from Jena--the Gazette--
The Berlin Journal--the last number!"
Sudden she wakes; those eyes of blue
(Sweet eyes!) fall straight--on the Review!
I by her side--all undetected,
While those cursed columns are inspected;
Loud squall the children overhead,
Still she reads on, till all is read:
At last she lays that darling by,
And asks--"What makes the baby cry?"
Already now the toilet's care
Claims from her couch the restless fair;
The toilet's care!--the glass has won
Just half a glance, and all is done!
A snappish--pettish word or so
Warns the poor maid 'tis time to go:--
Not at her toilet wait the Graces
Uncombed Erynnys takes their places;
So great a mind expands its scope
Far from the mean details of--soap!
Now roll the coach-wheels to the muster--
Now round my muse her votaries cluster;
Spruce Abbe Millefleurs--Baron Herman--
The English Lord, who don't know German,--
But all uncommonly well read
From matchless A to deathless Z!
Sneaks in the corner, shy and small,
A thing which men the husband call!
While every fop with flattery fires her,
Swears with what passion he admires her.
--
"'Passion!' 'admire!' and still you're dumb?"
Lord bless your soul, the worst's to come:--
I'm forced to bow, as I'm a sinner,--
And hope--the rogue will stay to dinner!
But oh, at dinner!--there's the sting;
I see my cellar on the wing!
You know if Burgundy is dear?--
Mine once emerged three times a year;--
And now to wash these learned throttles,
In dozens disappear the bottles;
They well must drink who well do eat
(I've sunk a capital on meat).
Her immortality, I fear, a
Death-blow will prove to my Madeira;
It has given, alas! a mortal shock
To that old friend--my Steinberg hock!
If Faust had really any hand
In printing, I can understand
The fate which legends more than hint;--
The devil take all hands that print!
And what my thanks for all?--a pout--
Sour looks--deep sighs; but what about?
About! O, that I well divine--
That such a pearl should fall to swine--
That such a literary ruby
Should grace the finger of a booby!
Spring comes;--behold, sweet mead and lea
Nature's green splendor tapestries o'er;
Fresh blooms the flower, and buds the tree;
Larks sing--the woodland wakes once more.
The woodland wakes--but not for her!
From Nature's self the charm has flown;
No more the Spring of earth can stir
The fond remembrance of our own!
The sweetest bird upon the bough
Has not one note of music now;
And, oh! how dull the grove's soft shade,
Where once--(as lovers then)--we strayed!
The nightingales have got no learning--
Dull creatures--how can they inspire her?
The lilies are so undiscerning,
They never say--"how they admire her!"
In all this jubilee of being,
Some subject for a point she's seeing--
Some epigram--(to be impartial,
Well turned)--there may be worse in Martial!
But, hark! the goddess stoops to reason:--
"The country now is quite in season,
I'll go!"--"What! to our country seat?"
"No!--Travelling will be such a treat;
Pyrmont's extremely full, I hear;
But Carlsbad's quite the rage this year!"
Oh yes, she loves the rural Graces;
Nature is gay--in watering-places!
Those pleasant spas--our reigning passion--
Where learned Dons meet folks of fashion;
Where--each with each illustrious soul
Familiar as in Charon's boat,
All sorts of fame sit cheek-by-jowl,
Pearls in that string--the table d'hote!
Where dames whom man has injured--fly,
To heal their wounds or to efface, them;
While others, with the waters, try
A course of flirting,--just to brace them!
Well, there (O man, how light thy woes
Compared with mine--thou need'st must see!)
My wife, undaunted, greatly goes--
And leaves the orphans (seven!!!) to me!
O, wherefore art thou flown so soon,
Thou first fair year--Love's honeymoon!
All, dream too exquisite for life!
Home's goddess--in the name of wife!
Reared by each grace--yet but to be
Man's household Anadyomene!
With mind from which the sunbeams fall,
Rejoice while pervading all;
Frank in the temper pleased to please--
Soft in the feeling waked with ease.
So broke, as native of the skies,
The heart-enthraller on my eyes;
So saw I, like a morn of May,
The playmate given to glad my way;
With eyes that more than lips bespoke,
Eyes whence--sweet words--"I love thee!" broke!
So--Ah, what transports then were mine!
I led the bride before the shrine!
And saw the future years revealed,
Glassed on my hope--one blooming field!
More wide, and widening more, were given
The angel-gates disclosing heaven;
Round us the lovely, mirthful troop
Of children came--yet still to me
The loveliest--merriest of the group
The happy mother seemed to be!
Mine, by the bonds that bind us more
Than all the oaths the priest before;
Mine, by the concord of content,
When heart with heart is music-blent;
When, as sweet sounds in unison,
Two lives harmonious melt in one!
When--sudden (O the villain!)--came
Upon the scene a mind profound!--
A bel esprit, who whispered "Fame,"
And shook my card-house to the ground.
What have I now instead of all
The Eden lost of hearth and hall?
What comforts for the heaven bereft?
What of the younger angel's left?
A sort of intellectual mule,
Man's stubborn mind in woman's shape,
Too hard to love, too frail to rule--
A sage engrafted on an ape!
To what she calls the realm of mind,
She leaves that throne, her sex, to crawl,
The cestus and the charm resigned--
A public gaping-show to all!
She blots from beauty's golden book
A name 'mid nature's choicest few,
To gain the glory of a nook
In Doctor Dunderhead's Review.
|
Written by
Robert Southey |
Come melancholy Moralizer--come!
Gather with me the dark and wintry wreath;
With me engarland now
The SEPULCHRE OF TIME!
Come Moralizer to the funeral song!
I pour the dirge of the Departed Days,
For well the funeral song
Befits this solemn hour.
But hark! even now the merry bells ring round
With clamorous joy to welcome in this day,
This consecrated day,
To Mirth and Indolence.
Mortal! whilst Fortune with benignant hand
Fills to the brim thy cup of happiness,
Whilst her unclouded sun
Illumes thy summer day,
Canst thou rejoice--rejoice that Time flies fast?
That Night shall shadow soon thy summer sun?
That swift the stream of Years
Rolls to Eternity?
If thou hast wealth to gratify each wish,
If Power be thine, remember what thou art--
Remember thou art Man,
And Death thine heritage!
Hast thou known Love? does Beauty's better sun
Cheer thy fond heart with no capricious smile,
Her eye all eloquence,
Her voice all harmony?
Oh state of happiness! hark how the gale
Moans deep and hollow o'er the leafless grove!
Winter is dark and cold--
Where now the charms of Spring?
Sayst thou that Fancy paints the future scene
In hues too sombrous? that the dark-stol'd Maid
With stern and frowning front
Appals the shuddering soul?
And would'st thou bid me court her faery form
When, as she sports her in some happier mood,
Her many-colour'd robes
Dance varying to the Sun?
Ah vainly does the Pilgrim, whose long road
Leads o'er the barren mountain's storm-vext height,
With anxious gaze survey
The fruitful far-off vale.
Oh there are those who love the pensive song
To whom all sounds of Mirth are dissonant!
There are who at this hour
Will love to contemplate!
For hopeless Sorrow hails the lapse of Time,
Rejoicing when the fading orb of day
Is sunk again in night,
That one day more is gone.
And he who bears Affliction's heavy load
With patient piety, well pleas'd he knows
The World a pilgrimage,
The Grave the inn of rest.
|
Written by
Bliss Carman |
I like the old house tolerably well,
Where I must dwell
Like a familiar gnome;
And yet I never shall feel quite at home.
I love to roam.
Day after day I loiter and explore
From door to door;
So many treasures lure
The curious mind.
What histories obscure
They must immure!
I hardly know which room I care for best;
This fronting west,
With the strange hills in view,
Where the great sun goes,—where I may go too,
When my lease is through,—
Or this one for the morning and the east,
Where a man may feast
His eyes on looming sails,
And be the first to catch their foreign hails
Or spy their bales
Then the pale summer twilights towards the pole!
It thrills my soul
With wonder and delight,
When gold-green shadows walk the world at night,
So still, so bright.
There at the window many a time of year,
Strange faces peer,
Solemn though not unkind,
Their wits in search of something left behind
Time out of mind;
As if they once had lived here, and stole back
To the window crack
For a peep which seems to say,
"Good fortune, brother, in your house of clay!"
And then, "Good day!"
I hear their footsteps on the gravel walk,
Their scraps of talk,
And hurrying after, reach
Only the crazy sea-drone of the beach
In endless speech.
And often when the autumn noons are still,
By swale and hill
I see their gipsy signs,
Trespassing somewhere on my border lines;
With what designs?
I forth afoot; but when I reach the place,
Hardly a trace,
Save the soft purple haze
Of smouldering camp-fires, any hint betrays
Who went these ways.
Or tatters of pale aster blue, descried
By the roadside,
Reveal whither they fled;
Or the swamp maples, here and there a shred
Of Indian red.
But most of all, the marvellous tapestry
Engrosses me,
Where such strange things are rife,
Fancies of beasts and flowers, and love and strife,
Woven to the life;
Degraded shapes and splendid seraph forms,
And teeming swarms
Of creatures gauzy dim
That cloud the dusk, and painted fish that swim,
At the weaver's whim;
And wonderful birds that wheel and hang in the air;
And beings with hair,
And moving eyes in the face,
And white bone teeth and hideous grins, who race
From place to place;
They build great temples to their John-a-nod,
And fume and plod
To deck themselves with gold,
And paint themselves like chattels to be sold,
Then turn to mould.
Sometimes they seem almost as real as I;
I hear them sigh;
I see them bow with grief,
Or dance for joy like any aspen leaf;
But that is brief.
They have mad wars and phantom marriages;
Nor seem to guess
There are dimensions still,
Beyond thought's reach, though not beyond love's will,
For soul to fill.
And some I call my friends, and make believe
Their spirits grieve,
Brood, and rejoice with mine;
I talk to them in phrases quaint and fine
Over the wine;
I tell them all my secrets; touch their hands;
One understands
Perhaps.
How hard he tries
To speak! And yet those glorious mild eyes,
His best replies!
I even have my cronies, one or two,
My cherished few.
But ah, they do not stay!
For the sun fades them and they pass away,
As I grow gray.
Yet while they last how actual they seem!
Their faces beam;
I give them all their names,
Bertram and Gilbert, Louis, Frank and James,
Each with his aims;
One thinks he is a poet, and writes verse
His friends rehearse;
Another is full of law;
A third sees pictures which his hand can draw
Without a flaw.
Strangest of all, they never rest.
Day long
They shift and throng,
Moved by invisible will,
Like a great breath which puffs across my sill,
And then is still;
It shakes my lovely manikins on the wall;
Squall after squall,
Gust upon crowding gust,
It sweeps them willy nilly like blown dust
With glory or lust.
It is the world-ghost, the time-spirit, come
None knows wherefrom,
The viewless draughty tide
And wash of being.
I hear it yaw and glide,
And then subside,
Along these ghostly corridors and halls
Like faint footfalls;
The hangings stir in the air;
And when I start and challenge, "Who goes there?"
It answers, "Where?"
The wail and sob and moan of the sea's dirge,
Its plangor and surge;
The awful biting sough
Of drifted snows along some arctic bluff,
That veer and luff,
And have the vacant boding human cry,
As they go by;—
Is it a banished soul
Dredging the dark like a distracted mole
Under a knoll?
Like some invisible henchman old and gray,
Day after day
I hear it come and go,
With stealthy swift unmeaning to and fro,
Muttering low,
Ceaseless and daft and terrible and blind,
Like a lost mind.
I often chill with fear
When I bethink me, What if it should peer
At my shoulder here!
Perchance he drives the merry-go-round whose track
Is the zodiac;
His name is No-man's-friend;
And his gabbling parrot-talk has neither trend,
Beginning, nor end.
A prince of madness too, I'd cry, "A rat!"
And lunge thereat,—
Let out at one swift thrust
The cunning arch-delusion of the dust
I so mistrust,
But that I fear I should disclose a face
Wearing the trace
Of my own human guise,
Piteous, unharmful, loving, sad, and wise
With the speaking eyes.
I would the house were rid of his grim pranks,
Moaning from banks
Of pine trees in the moon,
Startling the silence like a demoniac loon
At dead of noon.
Or whispering his fool-talk to the leaves
About my eaves.
And yet how can I know
'T is not a happy Ariel masking so
In mocking woe?
Then with a little broken laugh I say,
Snatching away
The curtain where he grinned
(My feverish sight thought) like a sin unsinned,
"Only the wind!"
Yet often too he steals so softly by.
With half a sigh,
I deem he must be mild,
Fair as a woman, gentle as a child,
And forest wild.
Passing the door where an old wind-harp swings,
With its five strings,
Contrived long years ago
By my first predecessor bent to show
His handcraft so,
He lay his fingers on the aeolian wire,
As a core of fire
Is laid upon the blast
To kindle and glow and fill the purple vast
Of dark at last.
Weird wise, and low, piercing and keen and glad,
Or dim and sad
As a forgotten strain
Born when the broken legions of the rain
Swept through the plain—
He plays, like some dread veiled mysteriarch,
Lighting the dark,
Bidding the spring grow warm,
The gendering merge and loosing of spirit in form,
Peace out of storm.
For music is the sacrament of love;
He broods above
The virgin silence, till
She yields for rapture shuddering, yearning still
To his sweet will.
I hear him sing, "Your harp is like a mesh,
Woven of flesh
And spread within the shoal
Of life, where runs the tide-race of the soul
In my control.
"Though my wild way may ruin what it bends,
It makes amends
To the frail downy clocks,
Telling their seed a secret that unlocks
The granite rocks.
"The womb of silence to the crave of sound
Is heaven unfound,
Till I, to soothe and slake
Being's most utter and imperious ache,
Bid rhythm awake.
"If with such agonies of bliss, my kin,
I enter in
Your prison house of sense,
With what a joyous freed intelligence
I shall go hence.
"
I need no more to guess the weaver's name,
Nor ask his aim,
Who hung each hall and room
With swarthy-tinged vermilion upon gloom;
I know that loom.
Give me a little space and time enough,
From ravelings rough
I could revive, reweave,
A fabric of beauty art might well believe
Were past retrieve.
O men and women in that rich design,
Sleep-soft, sun-fine,
Dew-tenuous and free,
A tone of the infinite wind-themes of the sea,
Borne in to me,
Reveals how you were woven to the might
Of shadow and light.
You are the dream of One
Who loves to haunt and yet appears to shun
My door in the sun;
As the white roving sea tern fleck and skim
The morning's rim;
Or the dark thrushes clear
Their flutes of music leisurely and sheer,
Then hush to hear.
I know him when the last red brands of day
Smoulder away,
And when the vernal showers
Bring back the heart to all my valley flowers
In the soft hours.
O hand of mine and brain of mine, be yours,
While time endures,
To acquiesce and learn!
For what we best may dare and drudge and yearn,
Let soul discern.
So, fellows, we shall reach the gusty gate,
Early or late,
And part without remorse,
A cadence dying down unto its source
In music's course;
You to the perfect rhythms of flowers and birds,
Colors and words,
The heart-beats of the earth,
To be remoulded always of one worth
From birth to birth;
I to the broken rhythm of thought and man,
The sweep and span
Of memory and hope
About the orbit where they still must grope
For wider scope,
To be through thousand springs restored, renewed,
With love imbrued,
With increments of will
Made strong, perceiving unattainment still
From each new skill.
Always the flawless beauty, always the chord
Of the Overword,
Dominant, pleading, sure,
No truth too small to save and make endure.
No good too poor!
And since no mortal can at last disdain
That sweet refrain,
But lets go strife and care,
Borne like a strain of bird notes on the air,
The wind knows where;
Some quiet April evening soft and strange,
When comes the change
No spirit can deplore,
I shall be one with all I was before,
In death once more.
|
Written by
Robert William Service |
He's the man from Eldorado, and he's just arrived in town,
In moccasins and oily buckskin shirt.
He's gaunt as any Indian, and pretty nigh as brown;
He's greasy, and he smells of sweat and dirt.
He sports a crop of whiskers that would shame a healthy hog;
Hard work has racked his joints and stooped his back;
He slops along the sidewalk followed by his yellow dog,
But he's got a bunch of gold-dust in his sack.
He seems a little wistful as he blinks at all the lights,
And maybe he is thinking of his claim
And the dark and dwarfish cabin where he lay and dreamed at nights,
(Thank God, he'll never see the place again!)
Where he lived on tinned tomatoes, beef embalmed and sourdough bread,
On rusty beans and bacon furred with mould;
His stomach's out of kilter and his system full of lead,
But it's over, and his poke is full of gold.
He has panted at the windlass, he has loaded in the drift,
He has pounded at the face of oozy clay;
He has taxed himself to sickness, dark and damp and double shift,
He has labored like a demon night and day.
And now, praise God, it's over, and he seems to breathe again
Of new-mown hay, the warm, wet, friendly loam;
He sees a snowy orchard in a green and dimpling plain,
And a little vine-clad cottage, and it's--Home.
II
He's the man from Eldorado, and he's had a bite and sup,
And he's met in with a drouthy friend or two;
He's cached away his gold-dust, but he's sort of bucking up,
So he's kept enough to-night to see him through.
His eye is bright and genial, his tongue no longer lags;
`His heart is brimming o'er with joy and mirth;
He may be far from savory, he may be clad in rags,
`But to-night he feels as if he owns the earth.
Says he: "Boys, here is where the shaggy North and I will shake;
I thought I'd never manage to get free.
I kept on making misses; but at last I've got my stake;
There's no more thawing frozen muck for me.
I am going to God's Country, where I'll live the simple life;
I'll buy a bit of land and make a start;
I'll carve a little homestead, and I'll win a little wife,
And raise ten little kids to cheer my heart.
"
They signified their sympathy by crowding to the bar;
They bellied up three deep and drank his health.
He shed a radiant smile around and smoked a rank cigar;
They wished him honor, happiness and wealth.
They drank unto his wife to be--that unsuspecting maid;
They drank unto his children half a score;
And when they got through drinking very tenderly they laid
The man from Eldorado on the floor.
III
He's the man from Eldorado, and he's only starting in
To cultivate a thousand-dollar jag.
His poke is full of gold-dust and his heart is full of sin,
And he's dancing with a girl called Muckluck Mag.
She's as light as any fairy; she's as pretty as a peach;
She's mistress of the witchcraft to beguile;
There's sunshine in her manner, there is music in her speech,
And there's concentrated honey in her smile.
Oh, the fever of the dance-hall and the glitter and the shine,
The beauty, and the jewels, and the whirl,
The madness of the music, the rapture of the wine,
The languorous allurement of a girl!
She is like a lost madonna; he is gaunt, unkempt and grim;
But she fondles him and gazes in his eyes;
Her kisses seek his heavy lips, and soon it seems to him
He has staked a little claim in Paradise.
"Who's for a juicy two-step?" cries the master of the floor;
The music throbs with soft, seductive beat.
There's glitter, gilt and gladness; there are pretty girls galore;
There's a woolly man with moccasins on feet.
They know they've got him going; he is buying wine for all;
They crowd around as buzzards at a feast,
Then when his poke is empty they boost him from the hall,
And spurn him in the gutter like a beast.
He's the man from Eldorado, and he's painting red the town;
Behind he leaves a trail of yellow dust;
In a whirl of senseless riot he is ramping up and down;
There's nothing checks his madness and his lust.
And soon the word is passed around--it travels like a flame;
They fight to clutch his hand and call him friend,
The chevaliers of lost repute, the dames of sorry fame;
Then comes the grim awakening--the end.
IV
He's the man from Eldorado, and he gives a grand affair;
There's feasting, dancing, wine without restraint.
The smooth Beau Brummels of the bar, the faro men, are there;
The tinhorns and purveyors of red paint;
The sleek and painted women, their predacious eyes aglow--
Sure Klondike City never saw the like;
Then Muckluck Mag proposed the toast, "The giver of the show,
The livest sport that ever hit the pike.
"
The "live one" rises to his feet; he stammers to reply--
And then there comes before his muddled brain
A vision of green vastitudes beneath an April sky,
And clover pastures drenched with silver rain.
He knows that it can never be, that he is down and out;
Life leers at him with foul and fetid breath;
And then amid the revelry, the song and cheer and shout,
He suddenly grows grim and cold as death.
He grips the table tensely, and he says: "Dear friends of mine,
I've let you dip your fingers in my purse;
I've crammed you at my table, and I've drowned you in my wine,
And I've little left to give you but--my curse.
I've failed supremely in my plans; it's rather late to whine;
My poke is mighty weasened up and small.
I thank you each for coming here; the happiness is mine--
And now, you thieves and harlots, take it all.
"
He twists the thong from off his poke; he swings it o'er his head;
The nuggets fall around their feet like grain.
They rattle over roof and wall; they scatter, roll and spread;
The dust is like a shower of golden rain.
The guests a moment stand aghast, then grovel on the floor;
They fight, and snarl, and claw, like beasts of prey;
And then, as everybody grabbed and everybody swore,
The man from Eldorado slipped away.
V
He's the man from Eldorado, and they found him stiff and dead,
Half covered by the freezing ooze and dirt.
A clotted Colt was in his hand, a hole was in his head,
And he wore an old and oily buckskin shirt.
His eyes were fixed and horrible, as one who hails the end;
The frost had set him rigid as a log;
And there, half lying on his breast, his last and only friend,
There crouched and whined a mangy yellow dog.
|
Written by
Robert Southey |
(Time, Morning.
Scene, the Shore.
)
Once more to daily toil--once more to wear
The weeds of infamy--from every joy
The heart can feel excluded, I arise
Worn out and faint with unremitting woe;
And once again with wearied steps I trace
The hollow-sounding shore.
The swelling waves
Gleam to the morning sun, and dazzle o'er
With many a splendid hue the breezy strand.
Oh there was once a time when ELINOR
Gazed on thy opening beam with joyous eye
Undimm'd by guilt and grief! when her full soul
Felt thy mild radiance, and the rising day
Waked but to pleasure! on thy sea-girt verge
Oft England! have my evening steps stole on,
Oft have mine eyes surveyed the blue expanse,
And mark'd the wild wind swell the ruffled surge,
And seen the upheaved billows bosomed rage
Rush on the rock; and then my timid soul
Shrunk at the perils of the boundless deep,
And heaved a sigh for suffering mariners.
Ah! little deeming I myself was doom'd.
To tempt the perils of the boundless deep,
An Outcast--unbeloved and unbewail'd.
Why stern Remembrance! must thine iron hand
Harrow my soul? why calls thy cruel power
The fields of England to my exil'd eyes,
The joys which once were mine? even now I see
The lowly lovely dwelling! even now
Behold the woodbine clasping its white walls
And hear the fearless red-breasts chirp around
To ask their morning meal:--for I was wont
With friendly band to give their morning meal,
Was wont to love their song, when lingering morn
Streak'd o'er the chilly landskip the dim light,
And thro' the open'd lattice hung my head
To view the snow-drop's bud: and thence at eve
When mildly fading sunk the summer sun,
Oft have I loved to mark the rook's slow course
And hear his hollow croak, what time he sought
The church-yard elm, whose wide-embowering boughs
Full foliaged, half conceal'd the house of God.
There, my dead father! often have I heard
Thy hallowed voice explain the wonderous works
Of Heaven to sinful man.
Ah! little deem'd
Thy virtuous bosom, that thy shameless child
So soon should spurn the lesson! sink the slave
Of Vice and Infamy! the hireling prey
Of brutal appetite! at length worn out
With famine, and the avenging scourge of guilt,
Should dare dishonesty--yet dread to die!
Welcome ye savage lands, ye barbarous climes,
Where angry England sends her outcast sons--
I hail your joyless shores! my weary bark
Long tempest-tost on Life's inclement sea,
Here hails her haven! welcomes the drear scene,
The marshy plain, the briar-entangled wood,
And all the perils of a world unknown.
For Elinor has nothing new to fear
From fickle Fortune! all her rankling shafts
Barb'd with disgrace, and venom'd with disease.
Have pierced my bosom, and the dart of death
Has lost its terrors to a wretch like me.
Welcome ye marshy heaths! ye pathless woods,
Where the rude native rests his wearied frame
Beneath the sheltering shade; where, when the storm,
As rough and bleak it rolls along the sky,
Benumbs his naked limbs, he flies to seek
The dripping shelter.
Welcome ye wild plains
Unbroken by the plough, undelv'd by hand
Of patient rustic; where for lowing herds,
And for the music of the bleating flocks,
Alone is heard the kangaroo's sad note
Deepening in distance.
Welcome ye rude climes,
The realm of Nature! for as yet unknown
The crimes and comforts of luxurious life,
Nature benignly gives to all enough,
Denies to all a superfluity,
What tho' the garb of infamy I wear,
Tho' day by day along the echoing beach
I cull the wave-worn shells, yet day by day
I earn in honesty my frugal food,
And lay me down at night to calm repose.
No more condemn'd the mercenary tool
Of brutal lust, while heaves the indignant heart
With Virtue's stiffled sigh, to fold my arms
Round the rank felon, and for daily bread
To hug contagion to my poison'd breast;
On these wild shores Repentance' saviour hand
Shall probe my secret soul, shall cleanse its wounds
And fit the faithful penitent for Heaven.
|
Written by
Mary Darby Robinson |
Oft have I seen yon Solitary Man
Pacing the upland meadow.
On his brow
Sits melancholy, mark'd with decent pride,
As it would fly the busy, taunting world,
And feed upon reflection.
Sometimes, near
The foot of an old Tree, he takes his seat
And with the page of legendary lore
Cheats the dull hour, while Evening's sober eye
Looks tearful as it closes.
In the dell
By the swift brook he loiters, sad and mute,
Save when a struggling sigh, half murmur'd, steals
From his wrung bosom.
To the rising moon,
His eye rais'd wistfully, expression fraught,
He pours the cherish'd anguish of his Soul,
Silent yet eloquent: For not a sound
That might alarm the night's lone centinel,
The dull-eyed Owl, escapes his trembling lip,
Unapt in supplication.
He is young,
And yet the stamp of thought so tempers youth,
That all its fires are faded.
What is He?
And why, when morning sails upon the breeze,
Fanning the blue hill's summit, does he stay
Loit'ring and sullen, like a Truant boy,
Beside the woodland glen; or stretch'd along
On the green slope, watch his slow wasting form
Reflected, trembling, on the river's breast?
His garb is coarse and threadbare, and his cheek
Is prematurely faded.
The check'd tear,
Dimming his dark eye's lustre, seems to say,
"This world is now, to me, a barren waste,
"A desart, full of weeds and wounding thorns,
"And I am weary: for my journey here
"Has been, though short, but chearless.
" Is it so?
Poor Traveller! Oh tell me, tell me all--
For I, like thee, am but a Fugitive
An alien from delight, in this dark scene!
And, now I mark thy features, I behold
The cause of thy complaining.
Thou art here
A persecuted Exile ! one, whose soul
Unbow'd by guilt, demands no patronage
From blunted feeling, or the frozen hand
Of gilded Ostentation.
Thou, poor PRIEST!
Art here, a Stranger, from thy kindred torn--
Thy kindred massacred ! thy quiet home,
The rural palace of some village scant,
Shelter'd by vineyards, skirted by fair meads,
And by the music of a shallow rill
Made ever chearful, now thou hast exchang'd
For stranger woods and vallies.
What of that!
Here, or on torrid desarts; o'er the world
Of trackless waves, or on the frozen cliffs
Of black Siberia, thou art not alone!
For there, on each, on all, The DEITY
Is thy companion still! Then, exiled MAN!
Be chearful as the Lark that o'er yon hill
In Nature's language, wild, yet musical,
Hails the Creator ! nor thus, sullenly
Repine, that, through the day, the sunny beam
Of lust'rous fortune gilds the palace roof,
While thy short path, in this wild labyrinth,
Is lost in transient shadow.
Who, that lives,
Hath not his portion of calamity?
Who, that feels, can boast a tranquil bosom?
The fever, throbbing in the Tyrant's veins
In quick, strong language, tells the daring wretch
That He is mortal, like the poorest slave
Who wears his chain, yet healthfully suspires.
The sweetest Rose will wither, while the storm
Passes the mountain thistle.
The bold Bird,
Whose strong eye braves the ever burning Orb,
Falls like the Summer Fly, and has at most,
But his allotted sojourn.
EXILED MAN!
Be chearful ! Thou art not a fugitive!
All are thy kindred--all thy brothers, here--
The hoping--trembling Creatures--of one GOD!
|
Written by
Mary Darby Robinson |
SORC'RESS of the Cave profound!
Hence, with thy pale, and meagre train,
Nor dare my roseate bow'r profane,
Where light-heel'd mirth despotic reigns,
Slightly bound in feath'ry chains,
And scatt'ring blisses round.
Hence, to thy native Chaoswhere
Nurs'd by thy haggard Dam, DESPAIR,
Shackled by thy numbing spell,
Mis'ry's pallid children dwell;
Where, brooding o'er thy fatal charms,
FRENZY rolls the vacant eye;
Where hopeless LOVE, with folded arms,
Drops the tear, and heaves the sigh;
Till cherish'd Passion's tyrant sway
Chills the warm pulse of Youth, with premature decay.
O, fly Thee, to some Church-yard's gloom,
Where beside the mould'ring tomb,
Restless Spectres glide away,
Fading in the glimpse of Day;
Or, where the Virgin ORB of Night,
Silvers o'er the Forest wide,
Or across the silent tide,
Flings her soft, and quiv'ring light:
Where, beneath some aged Tree,
Sounds of mournful Melody
Caught from the NIGHTINGALE's enamour'd Tale,
Steal on faint Echo's ear, and float upon the gale.
DREAD POW'R! whose touch magnetic leads
O'er enchanted spangled meads,
Where by the glow-worm's twinkling ray,
Aëry Spirits lightly play;
Where around some Haunted Tow'r,
Boding Ravens wing their flight,
Viewless, in the gloom of Night,
Warning oft the luckless hour;
Or, beside the Murd'rer's bed,
From thy dark, and morbid wing,
O'er his fev'rish, burning head,
Drops of conscious auguish fling;
While freezing HORROR's direful scream,
Rouses his guilty soul from kind oblivion's dream.
Oft, beneath the witching Yew,
The trembling MAID, steals forth unseen;
With true-love wreaths, of deathless green,
Her Lover's grave to strew;
Her downcast Eye, no joy illumes,
Nor on her Cheek, the soft Rose blooms;
Her mourning Heart, the victim of thy pow'r,
Shrinks from the glare of Mirth, and hails the MURKY HOUR.
O, say what FIEND first gave thee birth,
In what fell Desart, wert thou born;
Why does thy hollow voice, forlorn,
So fascinate the Sons of Earth;
That once encircled in thy icy arms,
They court thy torpid touch, and doat upon thy Charms?
HATED IMP,I brave thy Spell,
REASON shuns thy barb'rous sway;
Life, with mirth should glide away,
Despondency, with guilt should dwell;
For conscious TRUTH's unruffled mien,
Displays the dauntless Eye, and patient smile serene.
|