Written by
Amy Lowell |
Cross-ribboned shoes; a muslin gown,
High-waisted, girdled with bright blue;
A straw poke bonnet which hid the frown
She pluckered her little brows into
As she picked her dainty passage through
The dusty street. "Ah, Mademoiselle,
A dirty pathway, we need rain,
My poor fruits suffer, and the shell
Of this nut's too big for its kernel, lain
Here in the sun it has shrunk again.
The baker down at the corner says
We need a battle to shake the clouds;
But I am a man of peace, my ways
Don't look to the killing of men in crowds.
Poor fellows with guns and bayonets for shrouds!
Pray, Mademoiselle, come out of the sun.
Let me dust off that wicker chair. It's cool
In here, for the green leaves I have run
In a curtain over the door, make a pool
Of shade. You see the pears on that stool --
The shadow keeps them plump and fair."
Over the fruiterer's door, the leaves
Held back the sun, a greenish flare
Quivered and sparked the shop, the sheaves
Of sunbeams, glanced from the sign on the eaves,
Shot from the golden letters, broke
And splintered to little scattered lights.
Jeanne Tourmont entered the shop, her poke
Bonnet tilted itself to rights,
And her face looked out like the moon on nights
Of flickering clouds. "Monsieur Popain, I
Want gooseberries, an apple or two,
Or excellent plums, but not if they're high;
Haven't you some which a strong wind blew?
I've only a couple of francs for you."
Monsieur Popain shrugged and rubbed his hands.
What could he do, the times were sad.
A couple of francs and such demands!
And asking for fruits a little bad.
Wind-blown indeed! He never had
Anything else than the very best.
He pointed to baskets of blunted pears
With the thin skin tight like a bursting vest,
All yellow, and red, and brown, in smears.
Monsieur Popain's voice denoted tears.
He took up a pear with tender care,
And pressed it with his hardened thumb.
"Smell it, Mademoiselle, the perfume there
Is like lavender, and sweet thoughts come
Only from having a dish at home.
And those grapes! They melt in the mouth like wine,
Just a click of the tongue, and they burst to honey.
They're only this morning off the vine,
And I paid for them down in silver money.
The Corporal's widow is witness, her pony
Brought them in at sunrise to-day.
Those oranges -- Gold! They're almost red.
They seem little chips just broken away
From the sun itself. Or perhaps instead
You'd like a pomegranate, they're rarely gay,
When you split them the seeds are like crimson spray.
Yes, they're high, they're high, and those Turkey figs,
They all come from the South, and Nelson's ships
Make it a little hard for our rigs.
They must be forever giving the slips
To the cursed English, and when men clips
Through powder to bring them, why dainties mounts
A bit in price. Those almonds now,
I'll strip off that husk, when one discounts
A life or two in a ****** row
With the man who grew them, it does seem how
They would come dear; and then the fight
At sea perhaps, our boats have heels
And mostly they sail along at night,
But once in a way they're caught; one feels
Ivory's not better nor finer -- why peels
From an almond kernel are worth two sous.
It's hard to sell them now," he sighed.
"Purses are tight, but I shall not lose.
There's plenty of cheaper things to choose."
He picked some currants out of a wide
Earthen bowl. "They make the tongue
Almost fly out to suck them, bride
Currants they are, they were planted long
Ago for some new Marquise, among
Other great beauties, before the Chateau
Was left to rot. Now the Gardener's wife,
He that marched off to his death at Marengo,
Sells them to me; she keeps her life
From snuffing out, with her pruning knife.
She's a poor old thing, but she learnt the trade
When her man was young, and the young Marquis
Couldn't have enough garden. The flowers he made
All new! And the fruits! But 'twas said that
he
Was no friend to the people, and so they laid
Some charge against him, a cavalcade
Of citizens took him away; they meant
Well, but I think there was some mistake.
He just pottered round in his garden, bent
On growing things; we were so awake
In those days for the New Republic's sake.
He's gone, and the garden is all that's left
Not in ruin, but the currants and apricots,
And peaches, furred and sweet, with a cleft
Full of morning dew, in those green-glazed pots,
Why, Mademoiselle, there is never an eft
Or worm among them, and as for theft,
How the old woman keeps them I cannot say,
But they're finer than any grown this way."
Jeanne Tourmont drew back the filigree ring
Of her striped silk purse, tipped it upside down
And shook it, two coins fell with a ding
Of striking silver, beneath her gown
One rolled, the other lay, a thing
Sparked white and sharply glistening,
In a drop of sunlight between two shades.
She jerked the purse, took its empty ends
And crumpled them toward the centre braids.
The whole collapsed to a mass of blends
Of colours and stripes. "Monsieur Popain, friends
We have always been. In the days before
The Great Revolution my aunt was kind
When you needed help. You need no more;
'Tis we now who must beg at your door,
And will you refuse?" The little man
Bustled, denied, his heart was good,
But times were hard. He went to a pan
And poured upon the counter a flood
Of pungent raspberries, tanged like wood.
He took a melon with rough green rind
And rubbed it well with his apron tip.
Then he hunted over the shop to find
Some walnuts cracking at the lip,
And added to these a barberry slip
Whose acrid, oval berries hung
Like fringe and trembled. He reached a round
Basket, with handles, from where it swung
Against the wall, laid it on the ground
And filled it, then he searched and found
The francs Jeanne Tourmont had let fall.
"You'll return the basket, Mademoiselle?"
She smiled, "The next time that I call,
Monsieur. You know that very well."
'Twas lightly said, but meant to tell.
Monsieur Popain bowed, somewhat abashed.
She took her basket and stepped out.
The sunlight was so bright it flashed
Her eyes to blindness, and the rout
Of the little street was all about.
Through glare and noise she stumbled, dazed.
The heavy basket was a care.
She heard a shout and almost grazed
The panels of a chaise and pair.
The postboy yelled, and an amazed
Face from the carriage window gazed.
She jumped back just in time, her heart
Beating with fear. Through whirling light
The chaise departed, but her smart
Was keen and bitter. In the white
Dust of the street she saw a bright
Streak of colours, wet and gay,
Red like blood. Crushed but fair,
Her fruit stained the cobbles of the way.
Monsieur Popain joined her there.
"Tiens, Mademoiselle,
c'est le General Bonaparte,
partant pour la Guerre!"
|
Written by
Robert Graves |
I never dreamed we’d meet that day
In our old haunts down Fricourt way,
Plotting such marvellous journeys there
For jolly old “Apr?s-la-guerre.”
Well, when it’s over, first we’ll meet
At Gweithdy Bach, my country seat
In Wales, a curious little shop
With two rooms and a roof on top,
A sort of Morlancourt-ish billet
That never needs a crowd to fill it.
But oh, the country round about!
The sort of view that makes you shout
For want of any better way
Of praising God: there’s a blue bay
Shining in front, and on the right
Snowden and Hebog capped with white,
And lots of other jolly peaks
That you could wonder at for weeks,
With jag and spur and hump and cleft.
There’s a grey castle on the left,
And back in the high Hinterland
You’ll see the grave of Shawn Knarlbrand,
Who slew the savage Buffaloon
By the Nant-col one night in June,
And won his surname from the horn
Of this prodigious unicorn.
Beyond, where the two Rhinogs tower,
Rhinog Fach and Rhinog Fawr,
Close there after a four years’ chase
From Thessaly and the woods of Thrace,
The beaten Dog-cat stood at bay
And growled and fought and passed away.
You’ll see where mountain conies grapple
With prayer and creed in their rock chapel
Which Ben and Claire once built for them;
They call it S?ar Bethlehem.
You’ll see where in old Roman days,
Before Revivals changed our ways,
The Virgin ’scaped the Devil’s grab,
Printing her foot on a stone slab
With five clear toe-marks; and you’ll find
The fiendish thumbprint close behind.
You’ll see where Math, Mathonwy’s son,
Spoke with the wizard Gwydion
And bad him from South Wales set out
To steal that creature with the snout,
That new-discovered grunting beast
Divinely flavoured for the feast.
No traveller yet has hit upon
A wilder land than Meirion,
For desolate hills and tumbling stones,
Bogland and melody and old bones.
Fairies and ghosts are here galore,
And poetry most splendid, more
Than can be written with the pen
Or understood by common men.
In Gweithdy Bach we’ll rest awhile,
We’ll dress our wounds and learn to smile
With easier lips; we’ll stretch our legs,
And live on bilberry tart and eggs,
And store up solar energy,
Basking in sunshine by the sea,
Until we feel a match once more
For anything but another war.
So then we’ll kiss our families,
And sail across the seas
(The God of Song protecting us)
To the great hills of Caucasus.
Robert will learn the local bat
For billeting and things like that,
If Siegfried learns the piccolo
To charm the people as we go.
The jolly peasants clad in furs
Will greet the Welch-ski officers
With open arms, and ere we pass
Will make us vocal with Kavasse.
In old Bagdad we’ll call a halt
At the S?shuns’ ancestral vault;
We’ll catch the Persian rose-flowers’ scent,
And understand what Omar meant.
Bitlis and Mush will know our faces,
Tiflis and Tomsk, and all such places.
Perhaps eventually we’ll get
Among the Tartars of Thibet.
Hobnobbing with the Chungs and Mings,
And doing wild, tremendous things
In free adventure, quest and fight,
And God! what poetry we’ll write!
|
Written by
Robert William Service |
Courage mes gars:
La guerre est proche.
I plant my little plot of beans,
I sit beneath my cyprus tree;
I do not know what trouble means,
I cultivate tranquillity . . .
But as to-day my walk I made
In all serenity and cheer,
I saw cut in an agave blade:
"Courage, my comrades, war is near!"
Seward I went, my feet were slow,
Awhile I dowsed upon the shore;
And then I roused with fear for lo!
I saw six grisly ships of war.
A grim, grey line of might and dread
Against the skyline looming sheer:
With horror to myself I said:
"Courage, my comrades, war is near!"
I saw my cottage on the hill
With rambling roses round the door;
It was so peaceful and so still
I sighed . . . and then it was no more.
A flash of flame, a rubble heap;
I cried aloud with woe and fear . . .
And wok myself from troubled sleep -
My home was safe, war was not near.
Oh, I am old, my step is frail,
My carcase bears a score of scars,
And as I climbed my homeward trail
Sadly I thought of other wars.
And when that agave leaf I saw
With vicious knife I made a blear
Of words clean-cut into the raw:
"Courage, my comrades, war is near!"
Who put hem there I do not know -
One of these rabid reds, no doubt;
But I for freedom struck my blow,
With bitter blade I scraped them out.
There now, said I, I will forget,
And smoke my pipe and drink my beer -
Yet in my mind these words were set:
"Courage, my comrades, war is near!"
"Courage, my comrades, war is near!"
I hear afar its hateful drums;
Its horrid din assails my ear:
I hope I die before it comes. . . .
Yet as into the town I go,
And listen to the rabble cheer,
I think with heart of weary woe:
War is not coming - WAR IS HERE.
|
Written by
Delmore Schwartz |
Caesar, the amplifier voice, announces
Crime and reparation. In the barber shop
Recumbent men attend, while absently
The barber doffs the naked face with cream.
Caesar proposes, Caesar promises
Pride, justice, and the sun
Brilliant and strong on everyone,
Speeding one hundred miles an hour across the land:
Caesar declares the will. The barber firmly
Planes the stubble with a steady hand,
While all in barber chairs reclining,
In wet white faces, fully understand
Good and evil, who is Gentile, weakness and command.
And now who enters quietly? Who is this one
Shy, pale, and quite abstracted? Who is he?
It is the writer merely, with a three-day beard,
His tiredness not evident. He wears no tie.
And now he hears his enemy and trembles,
Resolving, speaks: "Ecoutez! La plupart des hommes
Vivent des vies de desespoir silenciuex,
Victimes des intentions innombrables. Et ca
Cet homme sait bien. Les mots de cette voix sont
Des songes et des mensonges. Il prend choix,
Il prend la volonte, il porte la fin d'ete.
La guerre. Ecoutez-moi! Il porte la mort."
He stands there speaking and they laugh to hear
Rage and excitement from the foreigner.
|
Written by
Robert William Service |
Jerry MacMullen, the millionaire,
Driving a red-meat bus out there --
How did he win his Croix de Guerre?
Bless you, that's all old stuff:
Beast of a night on the Verdun road,
Jerry stuck with a woeful load,
Stalled in the mud where the red lights glowed,
Prospect devilish tough.
"Little Priscilla" he called his car,
Best of our battered bunch by far,
Branded with many a bullet scar,
Yet running so sweet and true.
Jerry he loved her, knew her tricks;
Swore: "She's the beat of the best big six,
And if ever I get in a deuce of a fix
Priscilla will pull me through."
"Looks pretty rotten right now," says he;
"Hanged if the devil himself could see.
Priscilla, it's up to you and me
To show 'em what we can do."
Seemed that Priscilla just took the word;
Up with a leap like a horse that's spurred,
On with the joy of a homing bird,
Swift as the wind she flew.
Shell-holes shoot at them out of the night;
A lurch to the left, a wrench to the right,
Hands grim-gripping and teeth clenched tight,
Eyes that glare through the dark.
"Priscilla, you're doing me proud this day;
Hospital's only a league away,
And, honey, I'm longing to hit the hay,
So hurry, old girl. . . . But hark!"
Howl of a shell, harsh, sudden, dread;
Another . . . another. . . . "Strike me dead
If the Huns ain't strafing the road ahead
So the convoy can't get through!
A barrage of shrap, and us alone;
Four rush-cases -- you hear 'em moan?
Fierce old messes of blood and bone. . . .
Priscilla, what shall we do?"
Again it seems that Priscilla hears.
With a rush and a roar her way she clears,
Straight at the hell of flame she steers,
Full at its heart of wrath.
Fury of death and dust and din!
Havoc and horror! She's in, she's in;
She's almost over, she'll win, she'll win!
Woof! Crump! right in the path.
Little Priscilla skids and stops,
Jerry MacMullen sways and flops;
Bang in his map the crash he cops;
Shriek from the car: "Mon Dieu!"
One of the blessés hears him say,
Just at the moment he faints away:
"Reckon this isn't my lucky day,
Priscilla, it's up to you."
Sergeant raps on the doctor's door;
"Car in the court with couchés four;
Driver dead on the dashboard floor;
Strange how the bunch got here."
"No," says the Doc, "this chap's alive;
But tell me, how could a man contrive
With both arms broken, a car to drive?
Thunder of God! it's *****."
Same little blessé makes a spiel;
Says he: "When I saw our driver reel,
A Strange Shape leapt to the driving wheel
And sped us safe through the night."
But Jerry, he says in his drawling tone:
"Rats! Why, Priscilla came in on her own.
Bless her, she did it alone, alone. . . ."
Hanged if I know who's right.
|