Written by
Henry Lawson |
Across the stony ridges,
Across the rolling plain,
Young Harry Dale, the drover,
Comes riding home again.
And well his stock-horse bears him,
And light of heart is he,
And stoutly his old pack-horse
Is trotting by his knee.
Up Queensland way with cattle
He travelled regions vast;
And many months have vanished
Since home-folk saw him last.
He hums a song of someone
He hopes to marry soon;
And hobble-chains and camp-ware
Keep jingling to the tune.
Beyond the hazy dado
Against the lower skies
And yon blue line of ranges
The homestead station lies.
And thitherward the drover
Jogs through the lazy noon,
While hobble-chains and camp-ware
Are jingling to a tune.
An hour has filled the heavens
With storm-clouds inky black;
At times the lightning trickles
Around the drover's track;
But Harry pushes onward,
His horses' strength he tries,
In hope to reach the river
Before the flood shall rise.
The thunder from above him
Goes rolling o'er the plain;
And down on thirsty pastures
In torrents falls the rain.
And every creek and gully
Sends forth its little flood,
Till the river runs a banker,
All stained with yellow mud.
Now Harry speaks to Rover,
The best dog on the plains,
And to his hardy horses,
And strokes their shaggy manes;
‘We've breasted bigger rivers
When floods were at their height
Nor shall this gutter stop us
From getting home to-night!'
The thunder growls a warning,
The ghastly lightnings gleam,
As the drover turns his horses
To swim the fatal stream.
But, oh! the flood runs stronger
Than e'er it ran before;
The saddle-horse is failing,
And only half-way o'er!
When flashes next the lightning,
The flood's grey breast is blank,
And a cattle dog and pack-horse
Are struggling up the bank.
But in the lonely homestead
The girl will wait in vain—
He'll never pass the stations
In charge of stock again.
The faithful dog a moment
Sits panting on the bank,
And then swims through the current
To where his master sank.
And round and round in circles
He fights with failing strength,
Till, borne down by the waters,
The old dog sinks at length.
Across the flooded lowlands
And slopes of sodden loam
The pack-horse struggles onward,
To take dumb tidings home.
And mud-stained, wet, and weary,
Through ranges dark goes he;
While hobble-chains and tinware
Are sounding eerily.
.
.
.
.
.
The floods are in the ocean,
The stream is clear again,
And now a verdant carpet
Is stretched across the plain.
But someone's eyes are saddened,
And someone's heart still bleeds
In sorrow for the drover
Who sleeps among the reeds.
|
Written by
Johann Wolfgang von Goethe |
[To the memory of an excellent and beautiful
girl of 17, belonging to the village of Brienen, who perished on
the 13th of January, 1809, whilst giving help on the occasion of
the breaking up of the ice on the Rhine, and the bursting of the
dam of Cleverham.
]
THE DAM BREAKS DOWN, THE ICE-PLAIN GROWLS,
THE FLOODS ARISE, THE WATER HOWLS.
"I'll bear thee, mother, across the swell,
'Tis not yet high, I can wade right well.
"
"Remember us too! in what danger are we!
Thy fellow-lodger, and children three!
The trembling woman!--Thou'rt going away!"
She bears the mother across the spray.
"Quick! haste to the mound, and awhile there wait,
I'll soon return, and all will be straight.
The mound's close by, and safe from the wet;
But take my goat too, my darling pet!"
THE DAM DISSOLVES, THE ICE-PLAIN GROWLS,
THE FLOODS DASH ON, THE WATER HOWLS.
She places the mother safe on the shore;
Fair Susan then turns tow'rd the flood once more.
"Oh whither? Oh whither? The breadth fast grows,
Both here and there the water o'erflows.
Wilt venture, thou rash one, the billows to brave?"
"THEY SHALL, AND THEY MUST BE PRESERVED FROM THE WAVE!"
THE DAM DISAPPEARS, THE WATER GROWLS,
LIKE OCEAN BILLOWS IT HEAVES AND HOWLS.
Fair Susan returns by the way she had tried,
The waves roar around, but she turns not aside;
She reaches the mound, and the neighbour straight,
But for her and the children, alas, too late!
THE DAM DISAPPEAR'D,--LIKE A SEA IT GROWLS,
ROUND THE HILLOCK IN CIRCLING EDDIES IT HOWLS.
The foaming abyss gapes wide, and whirls round,
The women and children are borne to the ground;
The horn of the goat by one is seized fast,
But, ah, they all must perish at last!
Fair Susan still stands-there, untouch'd by the wave;
The youngest, the noblest, oh, who now will save?
Fair Susan still stands there, as bright as a star,
But, alas! all hope, all assistance is far.
The foaming waters around her roar,
To save her, no bark pushes off from the shore.
Her gaze once again she lifts up to Heaven,
Then gently away by the flood she is driven.
NO DAM, NO PLAIN! TO MARK THE PLACE
SOME STRAGGLING TREES ARE THE ONLY TRACE.
The rushing water the wilderness covers,
Yet Susan's image still o'er it hovers.
--
The water sinks, the plains re-appear.
Fair Susan's lamented with many a tear,--
May he who refuses her story to tell,
Be neglected in life and in death as well!
1809.
|
Written by
Amy Lowell |
First Movement
Thin-voiced, nasal pipes
Drawing sound out and out
Until it is a screeching thread,
Sharp and cutting, sharp and cutting,
It hurts.
Whee-e-e!
Bump! Bump! Tong-ti-bump!
There are drums here,
Banging,
And wooden shoes beating the round, grey stones
Of the market-place.
Whee-e-e!
Sabots slapping the worn, old stones,
And a shaking and cracking of dancing bones;
Clumsy and hard they are,
And uneven,
Losing half a beat
Because the stones are slippery.
Bump-e-ty-tong! Whee-e-e! Tong!
The thin Spring leaves
Shake to the banging of shoes.
Shoes beat, slap,
Shuffle, rap,
And the nasal pipes squeal with their pigs' voices,
Little pigs' voices
Weaving among the dancers,
A fine white thread
Linking up the dancers.
Bang! Bump! Tong!
Petticoats,
Stockings,
Sabots,
Delirium flapping its thigh-bones;
Red, blue, yellow,
Drunkenness steaming in colours;
Red, yellow, blue,
Colours and flesh weaving together,
In and out, with the dance,
Coarse stuffs and hot flesh weaving together.
Pigs' cries white and tenuous,
White and painful,
White and --
Bump!
Tong!
Second Movement
Pale violin music whiffs across the moon,
A pale smoke of violin music blows over the moon,
Cherry petals fall and flutter,
And the white Pierrot,
Wreathed in the smoke of the violins,
Splashed with cherry petals falling, falling,
Claws a grave for himself in the fresh earth
With his finger-nails.
Third Movement
An organ growls in the heavy roof-groins of a church,
It wheezes and coughs.
The nave is blue with incense,
Writhing, twisting,
Snaking over the heads of the chanting priests.
`Requiem aeternam dona ei, Domine';
The priests whine their bastard Latin
And the censers swing and click.
The priests walk endlessly
Round and round,
Droning their Latin
Off the key.
The organ crashes out in a flaring chord,
And the priests hitch their chant up half a tone.
`Dies illa, dies irae,
Calamitatis et miseriae,
Dies magna et amara valde.
'
A wind rattles the leaded windows.
The little pear-shaped candle flames leap and flutter,
`Dies illa, dies irae;'
The swaying smoke drifts over the altar,
`Calamitatis et miseriae;'
The shuffling priests sprinkle holy water,
`Dies magna et amara valde;'
And there is a stark stillness in the midst of them
Stretched upon a bier.
His ears are stone to the organ,
His eyes are flint to the candles,
His body is ice to the water.
Chant, priests,
Whine, shuffle, genuflect,
He will always be as rigid as he is now
Until he crumbles away in a dust heap.
`Lacrymosa dies illa,
Qua resurget ex favilla
Judicandus *****reus.
'
Above the grey pillars the roof is in darkness.
|
Written by
Charles Simic |
Here come my night thoughts
On crutches,
Returning from studying the heavens.
What they thought about
Stayed the same,
Stayed immense and incomprehensible.
My mother and father smile at each other
Knowingly above the mantel.
The cat sleeps on, the dog
Growls in his sleep.
The stove is cold and so is the bed.
Now there are only these crutches
To contend with.
Go ahead and laugh, while I raise one
With difficulty,
Swaying on the front porch,
While pointing at something
In the gray distance.
You see nothing, eh?
Neither do I, Mr.
Milkman.
I better hit you once or twice over the head
With this fine old prop,
So you don't go off muttering
I saw something!
|
Written by
Thomas Lux |
gnawing through a shinbone, a high howl
inside of which a bloody, slashed-by-growls note
is heard, unlike that
sound, and instead, its opposite: a barely sounded
sound (put your nuclear ears
on for it, your giant hearing horn, its cornucopia mouth
wide) -- a slippery whoosh of rain
sliding down a mirror
leaned against a windfallen tree stump, the sound
a child's head makes
falling against his mother's breast,
or the sound, from a mile away, as the town undertaker
lets Grammy's wrist
slip from his grip
and fall to the shiny table.
And, if you turn
your head just right
and open all your ears,
you might hear
this finest sound, this lost sound: a plow's silvery prow
cleaving the earth (your finger
dragging through milk, a razor
cutting silk) like a clipper ship cuts the sea.
If you do hear this sound,
then follow it with your ear and also your eye
as it and the tractor that pulls it
disappear over a hill
until it is no sound at all,
until it comes back over the hill again,
again dragging its furrow,
its ground-rhythm, its wide open throat, behind it.
|
Written by
Philip Levine |
from St.
Ambrose
He fears the tiger standing in his way.
The tiger takes its time, it smiles and growls.
Like moons, the two blank eyes tug at his bowels.
"God help me now," is all that he can say.
"God help me now, how close I've come to God.
To love and to be loved, I've drunk for love.
Send me the faith of Paul, or send a dove.
"
The tiger hears and stiffens like a rod.
At last the tiger leaps, and when it hits
A putrid surf breaks in the drunkard's soul.
The tiger, done, returns to its patrol.
The world takes up its trades; the man his wits,
And, bottom up, he mumbles from the deep,
"Life was a dream, Oh, may this death be sleep.
"
|