Written by
Peter Orlovsky |
Morning again, nothing has to be done,
maybe buy a piano or make fudge.
At least clean the room up for sure like my farther I've done flick
the ashes & butts over the bed side on the floor.
But frist of all wipe my glasses and drink the water
to clean the smelly mouth.
A nock on the door, a cat walks in, behind her the Zoo's baby
elephant demanding fresh pancakes-I cant stand these
hallucinations aney more.
Time for another cigerette and then let the curtains rise, then I
knowtice the dirt makes a road to the garbage pan
No ice box so a dried up grapefruit.
Is there any one saintly thing I can do to my room, paint it pink
maybe or instal an elevator from the bed to the floor,
maybe take a bath on the bed?
Whats the use of liveing if I cant make paradise in my own
room-land?
For this drop of time upon my eyes
like the endurance of a red star on a cigerate
makes me feel life splits faster than sissors.
I know if I could shave myself the bugs around my face would
disappear forever.
The holes in my shues are only temporary, I understand that.
My rug is dirty but whose that isent?
There comes a time in life when everybody must take a piss in
the sink -here let me paint the window black for a minute.
Thro a plate & brake it out of naughtiness-or maybe just
innocently accidentally drop it wile walking around the
tabol.
Before the mirror I look like a sahara desert gost,
or on the bed I resemble a crying mummey hollaring for air,
or on the tabol I feel like Napoleon.
But now for the main task of the day - wash my underwear -
two months abused - what would the ants say about that?
How can I wash my clothes - why I'd, I'd, I'd be a woman if I did
that.
No, I'd rather polish my sneakers than that and as for the floor
its more creative to paint it then clean it up.
As for the dishes I can do that for I am thinking of getting a job in
a lunchenette.
My life and my room are like two huge bugs following me
around the globe.
Thank god I have an innocent eye for nature.
I was born to remember a song about love - on a hill a butterfly
makes a cup that I drink from, walking over a bridge of
flowers.
Dec. 27th, 1957, Paris
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Written by
Ogden Nash |
More than a catbird hates a cat,
Or a criminal hates a clue,
Or the Axis hates the United States,
That's how much I love you.
I love you more than a duck can swim,
And more than a grapefruit squirts,
I love you more than a gin rummy is a bore,
And more than a toothache hurts.
As a shipwrecked sailor hates the sea,
Or a juggler hates a shove,
As a hostess detests unexpected guests,
That's how much you I love.
I love you more than a wasp can sting,
And more than the subway jerks,
I love you as much as a beggar needs a crutch,
And more than a hangnail irks.
I swear to you by the stars above,
And below, if such there be,
As the High Court loathes perjurious oathes,
That's how you're love by me.
|
Written by
Charles Bukowski |
Sunday, I am eating a
grapefruit, church is over at the Russian
Orthadox to the
west.
she is dark
of Eastern descent,
large brown eyes look up from the Bible
then down. a small red and black
Bible, and as she reads
her legs keep moving, moving,
she is doing a slow rythmic dance
reading the Bible. . .
long gold earrings;
2 gold bracelets on each arm,
and it's a mini-suit, I suppose,
the cloth hugs her body,
the lightest of tans is that cloth,
she twists this way and that,
long yellow legs warm in the sun. . .
there is no escaping her being
there is no desire to. . .
my radio is playing symphonic music
that she cannot hear
but her movements coincide exactly
to the rythms of the
symphony. . .
she is dark, she is dark
she is reading about God.
I am God.
|
Written by
William Carlos (WCW) Williams |
Go to sleep—though of course you will not—
to tideless waves thundering slantwise against
strong embankments, rattle and swish of spray
dashed thirty feet high, caught by the lake wind,
scattered and strewn broadcast in over the steady
car rails! Sleep, sleep! Gulls' cries in a wind-gust
broken by the wind; calculating wings set above
the field of waves breaking.
Go to sleep to the lunge between foam-crests,
refuse churned in the recoil. Food! Food!
Offal! Offal! that holds them in the air, wave-white
for the one purpose, feather upon feather, the wild
chill in their eyes, the hoarseness in their voices—
sleep, sleep . . .
Gentlefooted crowds are treading out your lullaby.
Their arms nudge, they brush shoulders,
hitch this way then that, mass and surge at the crossings—
lullaby, lullaby! The wild-fowl police whistles,
the enraged roar of the traffic, machine shrieks:
it is all to put you to sleep,
to soften your limbs in relaxed postures,
and that your head slip sidewise, and your hair loosen
and fall over your eyes and over your mouth,
brushing your lips wistfully that you may dream,
sleep and dream—
A black fungus springs out about the lonely church doors—
sleep, sleep. The Night, coming down upon
the wet boulevard, would start you awake with his
message, to have in at your window. Pay no
heed to him. He storms at your sill with
cooings, with gesticulations, curses!
You will not let him in. He would keep you from sleeping.
He would have you sit under your desk lamp
brooding, pondering; he would have you
slide out the drawer, take up the ornamented dagger
and handle it. It is late, it is nineteen-nineteen—
go to sleep, his cries are a lullaby;
his jabbering is a sleep-well-my-baby; he is
a crackbrained messenger.
The maid waking you in the morning
when you are up and dressing,
the rustle of your clothes as you raise them—
it is the same tune.
At table the cold, greeninsh, split grapefruit, its juice
on the tongue, the clink of the spoon in
your coffee, the toast odors say it over and over.
The open street-door lets in the breath of
the morning wind from over the lake.
The bus coming to a halt grinds from its sullen brakes—
lullaby, lullaby. The crackle of a newspaper,
the movement of the troubled coat beside you—
sleep, sleep, sleep, sleep . . .
It is the sting of snow, the burning liquor of
the moonlight, the rush of rain in the gutters packed
with dead leaves: go to sleep, go to sleep.
And the night passes—and never passes—
|
Written by
Weldon Kees |
Not a third that walks beside me,
But five or six or more.
Whether at dusk or daybreak
Or at blinding noon, a retinue
Of shadows that no door
Excludes.--One like a kind of scrawl,
Hands scrawled trembling and blue,
A harelipped and hunchbacked dwarf
With a smile like a grapefruit rind,
Who jabbers the way I do
When the brain is empty and tired
And the guests no longer care:
A clown, who shudders and suddenly
Is a man with a mouth of cotton
Trapped in a dentist's chair.
Not a third that walks beside me,
But five or six or more:
One with his face gone rotten,
Most hideous of all,
Whose crutches shriek on the sidewalk
As a fingernail on a slate
Tears open some splintered door
Of childhood. Down the hall
We enter a thousand rooms
That pour the hours back,
That silhouette the walls
With shadows ripped from war,
Accusing and rigid, black
As the streets we are discolored by.
The crutches fall to the floor.
Not a third that walks beside me,
But five or six, or more
Than fingers or brain can bear--
A monster strung with guts,
A coward covered with hair,
Matted and down to his knees,
Murderers, liars, thieves,
Moving in darkened rows
Through daylight and evening air
Until the eyelids close,
Snapped like the blades of a knife,
And your dream of their death begins.
Possessors and possessed,
They keep the bedside wake
As a doctor or a wife
Might wait the darkness through
Until the pale daybreak--
Protectors of your life.
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