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Best Famous Goblin Poems

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Written by Ogden Nash | Create an image from this poem

A Tale Of The Thirteenth Floor

 The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell's own flame
Illumes the lobby garish,
A gilded snare just off Times Square
For the maidens of the parish.

The revolving door swept the grimy floor
Like a crinoline grotesque,
And a lowly bum from an ancient slum
Crept furtively past the desk.
His footsteps sift into the lift
As a knife in the sheath is slipped,
Stealthy and swift into the lift
As a vampire into a crypt.

Old Maxie, the elevator boy,
Was reading an ode by Shelley,
But he dropped the ode as it were a toad
When the gun jammed into his belly.
There came a whisper as soft as mud
In the bed of an old canal:
"Take me up to the suite of Pinball Pete,
The rat who betrayed my gal."

The lift doth rise with groans and sighs
Like a duchess for the waltz,
Then in middle shaft, like a duchess daft,
It changes its mind and halts.
The bum bites lip as the landlocked ship
Doth neither fall nor rise,
But Maxie the elevator boy
Regards him with burning eyes.
"First, to explore the thirteenth floor,"
Says Maxie, "would be wise."

Quoth the bum, "There is moss on your double cross,
I have been this way before,
I have cased the joint at every point,
And there is no thirteenth floor.
The architect he skipped direct
From twelve unto fourteen,
There is twelve below and fourteen above,
And nothing in between,
For the vermin who dwell in this hotel
Could never abide thirteen."

Said Max, "Thirteen, that floor obscene,
Is hidden from human sight;
But once a year it doth appear,
On this Walpurgis Night.
Ere you peril your soul in murderer's role,
Heed those who sinned of yore;
The path they trod led away from God,
And onto the thirteenth floor,
Where those they slew, a grisly crew,
Reproach them forevermore.

"We are higher than twelve and below fourteen,"
Said Maxie to the bum,
"And the sickening draft that taints the shaft
Is a whiff of kingdom come.
The sickening draft that taints the shaft
Blows through the devil's door!"
And he squashed the latch like a fungus patch,
And revealed the thirteenth floor.

It was cheap cigars like lurid scars
That glowed in the rancid gloom,
The murk was a-boil with fusel oil
And the reek of stale perfume.
And round and round there dragged and wound
A loathsome conga chain,
The square and the hep in slow lock step,
The slayer and the slain.
(For the souls of the victims ascend on high,
But their bodies below remain.)

The clean souls fly to their home in the sky,
But their bodies remain below
To pursue the Cain who each has slain
And harry him to and fro.
When life is extinct each corpse is linked
To its gibbering murderer,
As a chicken is bound with wire around
The neck of a killer cur.

Handcuffed to Hate come Doctor Waite
(He tastes the poison now),
And Ruth and Judd and a head of blood
With horns upon its brow.
Up sashays Nan with her feathery fan
From Floradora bright;
She never hung for Caesar Young
But she's dancing with him tonight.

Here's the bulging hip and the foam-flecked lip
Of the mad dog, Vincent Coll,
And over there that ill-met pair,
Becker and Rosenthal,
Here's Legs and Dutch and a dozen such
Of braggart bullies and brutes,
And each one bends 'neath the weight of friends
Who are wearing concrete suits.

Now the damned make way for the double-damned
Who emerge with shuffling pace
From the nightmare zone of persons unknown,
With neither name nor face.
And poor Dot King to one doth cling,
Joined in a ghastly jig,
While Elwell doth jape at a goblin shape
And tickle it with his wig.

See Rothstein pass like breath on a glass,
The original Black Sox kid;
He riffles the pack, riding piggyback
On the killer whose name he hid.
And smeared like brine on a slavering swine,
Starr Faithful, once so fair,
Drawn from the sea to her debauchee,
With the salt sand in her hair.

And still they come, and from the bum
The icy sweat doth spray;
His white lips scream as in a dream,
"For God's sake, let's away!
If ever I meet with Pinball Pete
I will not seek his gore,
Lest a treadmill grim I must trudge with him
On the hideous thirteenth floor."

"For you I rejoice," said Maxie's voice,
"And I bid you go in peace,
But I am late for a dancing date
That nevermore will cease.
So remember, friend, as your way you wend,
That it would have happened to you,
But I turned the heat on Pinball Pete;
You see - I had a daughter, too!"

The bum reached out and he tried to shout,
But the door in his face was slammed,
And silent as stone he rode down alone
From the floor of the double-damned.


Written by Robert William Service | Create an image from this poem

The Ballad Of One-Eyed Mike

 This is the tale that was told to me by the man with the crystal eye,
As I smoked my pipe in the camp-fire light, and the Glories swept the sky;
As the Northlights gleamed and curved and streamed, and the bottle of "hooch" was dry.

A man once aimed that my life be shamed, and wrought me a deathly wrong;
I vowed one day I would well repay, but the heft of his hate was strong.
He thonged me East and he thonged me West; he harried me back and forth,
Till I fled in fright from his peerless spite to the bleak, bald-headed North.

And there I lay, and for many a day I hatched plan after plan,
For a golden haul of the wherewithal to crush and to kill my man;
And there I strove, and there I clove through the drift of icy streams;
And there I fought, and there I sought for the pay-streak of my dreams.

So twenty years, with their hopes and fears and smiles and tears and such,
Went by and left me long bereft of hope of the Midas touch;
About as fat as a chancel rat, and lo! despite my will,
In the weary fight I had clean lost sight of the man I sought to kill.

'Twas so far away, that evil day when I prayed to the Prince of Gloom
For the savage strength and the sullen length of life to work his doom.
Nor sign nor word had I seen or heard, and it happed so long ago;
My youth was gone and my memory wan, and I willed it even so.

It fell one night in the waning light by the Yukon's oily flow,
I smoked and sat as I marvelled at the sky's port-winey glow;
Till it paled away to an absinthe gray, and the river seemed to shrink,
All wobbly flakes and wriggling snakes and goblin eyes a-wink.

'Twas weird to see and it 'wildered me in a *****, hypnotic dream,
Till I saw a spot like an inky blot come floating down the stream;
It bobbed and swung; it sheered and hung; it romped round in a ring;
It seemed to play in a tricksome way; it sure was a merry thing.

In freakish flights strange oily lights came fluttering round its head,
Like butterflies of a monster size--then I knew it for the Dead.
Its face was rubbed and slicked and scrubbed as smooth as a shaven pate;
In the silver snakes that the water makes it gleamed like a dinner-plate.

It gurgled near, and clear and clear and large and large it grew;
It stood upright in a ring of light and it looked me through and through.
It weltered round with a woozy sound, and ere I could retreat,
With the witless roll of a sodden soul it wantoned to my feet.

And here I swear by this Cross I wear, I heard that "floater" say:
"I am the man from whom you ran, the man you sought to slay.
That you may note and gaze and gloat, and say `Revenge is sweet',
In the grit and grime of the river's slime I am rotting at your feet.

"The ill we rue we must e'en undo, though it rive us bone from bone;
So it came about that I sought you out, for I prayed I might atone.
I did you wrong, and for long and long I sought where you might live;
And now you're found, though I'm dead and drowned, I beg you to forgive."

So sad it seemed, and its cheek-bones gleamed, and its fingers flicked the shore;
And it lapped and lay in a weary way, and its hands met to implore;
That I gently said: "Poor, restless dead, I would never work you woe;
Though the wrong you rue you can ne'er undo, I forgave you long ago."

Then, wonder-wise, I rubbed my eyes and I woke from a horrid dream.
The moon rode high in the naked sky, and something bobbed in the stream.
It held my sight in a patch of light, and then it sheered from the shore;
It dipped and sank by a hollow bank, and I never saw it more.

This was the tale he told to me, that man so warped and gray,
Ere he slept and dreamed, and the camp-fire gleamed in his eye in a wolfish way--
That crystal eye that raked the sky in the weird Auroral ray.
Written by Marilyn Hacker | Create an image from this poem

Ivas Pantoum

 We pace each other for a long time.
I packed my anger with the beef jerky.
You are the baby on the mountain. I am 
in a cold stream where I led you.

I packed my anger with the beef jerky.
You are the woman sticking her tongue out 
in a cold stream where I led you.
You are the woman with spring water palms.

You are the woman sticking her tongue out.
I am the woman who matches sounds.
You are the woman with spring water palms.
I am the woman who copies.

You are the woman who matches sounds.
You are the woman who makes up words. 
You are the woman who copies
her cupped palm with her fist in clay.

I am the woman who makes up words.
You are the woman who shapes
a drinking bowl with her fist in clay.
I am the woman with rocks in her pockets.

I am the woman who shapes.
I was a baby who knew names.
You are the child with rocks in her pockets.
You are the girl in a plaid dress.

You are the woman who knows names.
You are the baby who could fly.
You are the girl in a plaid dress
upside-down on the monkey bars.

You are the baby who could fly
over the moon from a swinging perch
upside-down on the monkey bars.
You are the baby who eats meat.

Over the moon from a swinging perch
the feathery goblin calls her sister.
You are the baby who eats meat
the ***** wolf hunts and chews for you.

The feathery goblin calls her sister:
"You are braver than your mother.
The ***** wolf hunts and chews for you.
What are you whining about now?"

You are braver than your mother
and I am not a timid woman:
what are you whining about now?
My palms itch with slick anger,

and I'm not a timid woman.
You are the woman I can't mention;
my palms itch with slick anger.
You are the heiress of scraped knees.

You are the woman I can't mention
to a woman I want to love.
You are the heiress of scaped knees:
scrub them in mountain water.

To a woman, I want to love
women you could turn into,
scrub them in mountain water,
stroke their astonishing faces.

Women you could turn into
the scare mask of Bad Mother
stroke their astonishing faces
in the silver-scratched sink mirror.

The scare mask of Bad Mother
crumbles to chunked, pinched clay,
sinks in the silver-scratched mirror.
You are the Little Robber Girl, who

crumbles the clay chunks, pinches
her friend, givers her a sharp knife.
You are the Little Robber Girl, who
was any witch's youngest daughter.

Our friend gives you a sharp knife,
shows how the useful blades open.
Was any witch's youngest daughter
golden and bold as you? You run and

show how the useful blades open.
You are the baby on the mountain. I am 
golden and bold as you. You run and 
we pace each other for a long time.
Written by Katherine Mansfield | Create an image from this poem

Camomile Tea

Outside the sky is light with stars; 
There's a hollow roaring from the sea. 
And, alas! for the little almond flowers, 
The wind is shaking the almond tree. 

How little I thought, a year ago, 
In the horrible cottage upon the Lee 
That he and I should be sitting so 
And sipping a cup of camomile tea. 

Light as feathers the witches fly, 
The horn of the moon is plain to see; 
By a firefly under a jonquil flower 
A goblin toasts a bumble-bee. 

We might be fifty, we might be five, 
So snug, so compact, so wise are we! 
Under the kitchen-table leg 
My knee is pressing against his knee. 

Our shutters are shut, the fire is low, 
The tap is dripping peacefully; 
The saucepan shadows on the wall 
Are black and round and plain to see. 
Written by Alexander Pushkin | Create an image from this poem

Devils

 Storm-clouds hurtle, storm-clouds hover;
Flying snow is set alight
By the moon whose form they cover;
Blurred the heavens, blurred the night.
On and on our coach advances,
Little bell goes din-din-din...
Round are vast, unknown expanses;
Terror, terror is within.

-- Faster, coachman! "Can't, sir, sorry:
Horses, sir, are nearly dead.
I am blinded, all is blurry,
All snowed up; can't see ahead.
Sir, I tell you on the level:
We have strayed, we've lost the trail.
What can WE do, when a devil
Drives us, whirls us round the vale?

"There, look, there he's playing, jolly!
Huffing, puffing in my course;
There, you see, into the gully
Pushing the hysteric horse;
Now in front of me his figure
Looms up as a ***** mile-mark --
Coming closer, growing bigger,
Sparking, melting in the dark."

Storm-clouds hurtle, storm-clouds hover;
Flying snow is set alight
By the moon whose form they cover;
Blurred the heavens, blurred the night.
We can't whirl so any longer!
Suddenly, the bell has ceased,
Horses halted... -- Hey, what's wrong there?
"Who can tell! -- a stump? a beast?.."

Blizzard's raging, blizzard's crying,
Horses panting, seized by fear;
Far away his shape is flying;
Still in haze the eyeballs glare;
Horses pull us back in motion,
Little bell goes din-din-din...
I behold a strange commotion:
Evil spirits gather in --

Sundry, ugly devils, whirling
In the moonlight's milky haze:
Swaying, flittering and swirling
Like the leaves in autumn days...
What a crowd! Where are they carried?
What's the plaintive song I hear?
Is a goblin being buried,
Or a sorceress married there?

Storm-clouds hurtle, storm-clouds hover;
Flying snow is set alight
By the moon whose form they cover;
Blurred the heavens, blurred the night.
Swarms of devils come to rally,
Hurtle in the boundless height;
Howling fills the whitening valley,
Plaintive screeching rends my heart...


Translated by Genia Gurarie July 29, 1995.
Copyright retained by Genia Gurarie.
email: egurarie@princeton.edu
http://www.princeton.edu/~egurarie/
For permission to reproduce, write personally to the translator.


Written by Mary Darby Robinson | Create an image from this poem

The Mistletoe (A Christmas Tale)

 A farmer's wife, both young and gay,
And fresh as op'ning buds of May;
Had taken to herself, a Spouse,
And plighted many solemn vows,
That she a faithful mate would prove,
In meekness, duty, and in love!
That she, despising joy and wealth,
Would be, in sickness and in health,
His only comfort and his Friend--
But, mark the sequel,--and attend!

This Farmer, as the tale is told--
Was somewhat cross, and somewhat old!
His, was the wintry hour of life,
While summer smiled before his wife;
A contrast, rather form'd to cloy
The zest of matrimonial joy!

'Twas Christmas time, the peasant throng
Assembled gay, with dance and Song:
The Farmer's Kitchen long had been
Of annual sports the busy scene;
The wood-fire blaz'd, the chimney wide
Presented seats, on either side;
Long rows of wooden Trenchers, clean,
Bedeck'd with holly-boughs, were seen;
The shining Tankard's foamy ale
Gave spirits to the Goblin tale,
And many a rosy cheek--grew pale.

It happen'd, that some sport to shew
The ceiling held a MISTLETOE.
A magic bough, and well design'd
To prove the coyest Maiden, kind.
A magic bough, which DRUIDS old
Its sacred mysteries enroll'd;
And which, or gossip Fame's a liar,
Still warms the soul with vivid fire;
Still promises a store of bliss
While bigots snatch their Idol's kiss.

This MISTLETOE was doom'd to be
The talisman of Destiny;
Beneath its ample boughs we're told
Full many a timid Swain grew bold;
Full many a roguish eye askance
Beheld it with impatient glance,
And many a ruddy cheek confest,
The triumphs of the beating breast;
And many a rustic rover sigh'd
Who ask'd the kiss, and was denied.

First MARG'RY smil'd and gave her Lover
A Kiss; then thank'd her stars, 'twas over! 
Next, KATE, with a reluctant pace,
Was tempted to the mystic place;
Then SUE, a merry laughing jade
A dimpled yielding blush betray'd;
While JOAN her chastity to shew
Wish'd "the bold knaves would serve her so,"
She'd "teach the rogues such wanton play!"
And well she could, she knew the way.

The FARMER, mute with jealous care,
Sat sullen, in his wicker chair;
Hating the noisy gamesome host
Yet, fearful to resign his post;
He envied all their sportive strife
But most he watch'd his blooming wife,
And trembled, lest her steps should go,
Incautious, near the MISTLETOE.

Now HODGE, a youth of rustic grace
With form athletic; manly face;
On MISTRESS HOMESPUN turn'd his eye
And breath'd a soul-declaring sigh!
Old HOMESPUN, mark'd his list'ning Fair
And nestled in his wicker chair;
HODGE swore, she might his heart command--
The pipe was dropp'd from HOMESPUN'S hand!

HODGE prest her slender waist around;
The FARMER check'd his draught, and frown'd!
And now beneath the MISTLETOE
'Twas MISTRESS HOMESPUN'S turn to go;
Old Surly shook his wicker chair,
And sternly utter'd--"Let her dare!"

HODGE, to the FARMER'S wife declar'd
Such husbands never should be spar'd;
Swore, they deserv'd the worst disgrace,
That lights upon the wedded race;
And vow'd--that night he would not go
Unblest, beneath the MISTLETOE.

The merry group all recommend
An harmless Kiss, the strife to end:
"Why not ?" says MARG'RY, "who would fear,
"A dang'rous moment, once a year?"
SUSAN observ'd, that "ancient folks
"Were seldom pleas'd with youthful jokes;"
But KATE, who, till that fatal hour,
Had held, o'er HODGE, unrivall'd pow'r,
With curving lip and head aside
Look'd down and smil'd in conscious pride,
Then, anxious to conceal her care,
She humm'd--"what fools some women are!"

Now, MISTRESS HOMESPUN, sorely vex'd,
By pride and jealous rage perplex'd,
And angry, that her peevish spouse
Should doubt her matrimonial vows,
But, most of all, resolved to make
An envious rival's bosom ache;
Commanded Hodge to let her go,
Nor lead her to the Mistletoe;

"Why should you ask it o'er and o'er?"
Cried she, "we've been there twice before!"
'Tis thus, to check a rival's sway,
That Women oft themselves betray;
While VANITY, alone, pursuing,
They rashly prove, their own undoing.
Written by Lewis Carroll | Create an image from this poem

Phantasmagoria CANTO II ( Hys Fyve Rules )

 "MY First - but don't suppose," he said,
"I'm setting you a riddle -
Is - if your Victim be in bed,
Don't touch the curtains at his head,
But take them in the middle, 

"And wave them slowly in and out,
While drawing them asunder;
And in a minute's time, no doubt,
He'll raise his head and look about
With eyes of wrath and wonder. 

"And here you must on no pretence
Make the first observation.
Wait for the Victim to commence:
No Ghost of any common sense
Begins a conversation. 

"If he should say 'HOW CAME YOU HERE?'
(The way that YOU began, Sir,)
In such a case your course is clear -
'ON THE BAT'S BACK, MY LITTLE DEAR!'
Is the appropriate answer. 

"If after this he says no more,
You'd best perhaps curtail your
Exertions - go and shake the door,
And then, if he begins to snore,
You'll know the thing's a failure. 

"By day, if he should be alone -
At home or on a walk -
You merely give a hollow groan,
To indicate the kind of tone
In which you mean to talk. 

"But if you find him with his friends,
The thing is rather harder.
In such a case success depends
On picking up some candle-ends,
Or butter, in the larder. 

"With this you make a kind of slide
(It answers best with suet),
On which you must contrive to glide,
And swing yourself from side to side -
One soon learns how to do it. 

"The Second tells us what is right
In ceremonious calls:-
'FIRST BURN A BLUE OR CRIMSON LIGHT'
(A thing I quite forgot to-night),
'THEN SCRATCH THE DOOR OR WALLS.'" 

I said "You'll visit HERE no more,
If you attempt the Guy.
I'll have no bonfires on MY floor -
And, as for scratching at the door,
I'd like to see you try!" 

"The Third was written to protect
The interests of the Victim,
And tells us, as I recollect,
TO TREAT HIM WITH A GRAVE RESPECT,
AND NOT TO CONTRADICT HIM." 

"That's plain," said I, "as Tare and Tret,
To any comprehension:
I only wish SOME Ghosts I've met
Would not so CONSTANTLY forget
The maxim that you mention!" 

"Perhaps," he said, "YOU first transgressed
The laws of hospitality:
All Ghosts instinctively detest
The Man that fails to treat his guest
With proper cordiality. 

"If you address a Ghost as 'Thing!'
Or strike him with a hatchet,
He is permitted by the King
To drop all FORMAL parleying -
And then you're SURE to catch it! 

"The Fourth prohibits trespassing
Where other Ghosts are quartered:
And those convicted of the thing
(Unless when pardoned by the King)
Must instantly be slaughtered. 

"That simply means 'be cut up small':
Ghosts soon unite anew.
The process scarcely hurts at all -
Not more than when YOU're what you call
'Cut up' by a Review. 

"The Fifth is one you may prefer
That I should quote entire:-
THE KING MUST BE ADDRESSED AS 'SIR.'
THIS, FROM A SIMPLE COURTIER,
IS ALL THE LAWS REQUIRE: 

"BUT, SHOULD YOU WISH TO DO THE THING
WITH OUT-AND-OUT POLITENESS,
ACCOST HIM AS 'MY GOBLIN KING!
AND ALWAYS USE, IN ANSWERING,
THE PHRASE 'YOUR ROYAL WHITENESS!' 

"I'm getting rather hoarse, I fear,
After so much reciting :
So, if you don't object, my dear,
We'll try a glass of bitter beer -
I think it looks inviting."
Written by Emily Dickinson | Create an image from this poem

Did you ever stand in a Caverns Mouth --

 Did you ever stand in a Cavern's Mouth --
Widths out of the Sun --
And look -- and shudder, and block your breath --
And deem to be alone

In such a place, what horror,
How Goblin it would be --
And fly, as 'twere pursuing you?
Then Loneliness -- looks so --

Did you ever look in a Cannon's face --
Between whose Yellow eye --
And yours -- the Judgment intervened --
The Question of "To die" --

Extemporizing in your ear
As cool as Satyr's Drums --
If you remember, and were saved --
It's liker so -- it seems --
Written by Lucy Maud Montgomery | Create an image from this poem

An April Night

 The moon comes up o'er the deeps of the woods,
And the long, low dingles that hide in the hills,
Where the ancient beeches are moist with buds
Over the pools and the whimpering rills; 

And with her the mists, like dryads that creep
From their oaks, or the spirits of pine-hid springs,
Who hold, while the eyes of the world are asleep,
With the wind on the hills their gay revellings. 

Down on the marshlands with flicker and glow
Wanders Will-o'-the-Wisp through the night,
Seeking for witch-gold lost long ago
By the glimmer of goblin lantern-light. 

The night is a sorceress, dusk-eyed and dear,
Akin to all eerie and elfin things,
Who weaves about us in meadow and mere
The spell of a hundred vanished Springs.
Written by Mary Darby Robinson | Create an image from this poem

The Poor Singing Dame

 Beneath an old wall, that went round an old Castle,
For many a year, with brown ivy o'erspread;
A neat little Hovel, its lowly roof raising,
Defied the wild winds that howl'd over its shed:
The turrets, that frown'd on the poor simple dwelling,
Were rock'd to and fro, when the Tempest would roar,
And the river, that down the rich valley was swelling,
Flow'd swiftly beside the green step of its door.

The Summer Sun, gilded the rushy-roof slanting,
The bright dews bespangled its ivy-bound hedge
And above, on the ramparts, the sweet Birds were chanting,
And wild buds thick dappled the clear river's edge.
When the Castle's rich chambers were haunted, and dreary,
The poor little Hovel was still, and secure;
And no robber e'er enter'd, or goblin or fairy,
For the splendours of pride had no charms to allure.

The Lord of the Castle, a proud, surly ruler,
Oft heard the low dwelling with sweet music ring:
For the old Dame that liv'd in the little Hut chearly,
Would sit at her wheel, and would merrily sing:
When with revels the Castle's great Hall was resounding,
The Old Dame was sleeping, not dreaming of fear;
And when over the mountains the Huntsmen were bounding
She would open her wicket, their clamours to hear.

To the merry-ton'd horn, she would dance on the threshold,
And louder, and louder, repeat her old Song:
And when Winter its mantle of Frost was displaying
She caroll'd, undaunted, the bare woods among:
She would gather dry Fern, ever happy and singing,
With her cake of brown bread, and her jug of brown beer,
And would smile when she heard the great Castle-bell ringing,
Inviting the Proud--to their prodigal chear.

Thus she liv'd, ever patient and ever contented,
Till Envy the Lord of the Castle possess'd,
For he hated that Poverty should be so chearful,
While care could the fav'rites of Fortune molest;
He sent his bold yeomen with threats to prevent her,
And still would she carol her sweet roundelay;
At last, an old Steward, relentless he sent her--
Who bore her, all trembling, to Prison away!

Three weeks did she languish, then died, broken-hearted,
Poor Dame! how the death-bell did mournfully sound!
And along the green path six young Bachelors bore her,
And laid her, for ever, beneath the cold ground!
And the primroses pale, 'mid the long grass were growing,
The bright dews of twilight bespangled her grave
And morn heard the breezes of summer soft blowing
To bid the fresh flow'rets in sympathy wave.

The Lord of the Castle, from that fatal moment
When poor Singing MARY was laid in her grave,
Each night was surrounded by Screech-owls appalling,
Which o'er the black turrets their pinions would wave!
On the ramparts that frown'd on the river, swift flowing,
They hover'd, still hooting a terrible song,
When his windows would rattle, the Winter blast blowing,
They would shriek like a ghost, the dark alleys among!

Wherever he wander'd they followed him crying,
At dawnlight, at Eve, still they haunted his way!
When the Moon shone across the wide common, they hooted,
Nor quitted his path, till the blazing of day.
His bones began wasting, his flesh was decaying,
And he hung his proud head, and he perish'd with shame;
And the tomb of rich marble, no soft tear displaying,
O'ershadows the grave, of THE POOR SINGING DAME!

Book: Radiant Verses: A Journey Through Inspiring Poetry