Written by
Ogden Nash |
In Baltimore there lived a boy.
He wasn't anybody's joy.
Although his name was Jabez Dawes,
His character was full of flaws.
In school he never led his classes,
He hid old ladies' reading glasses,
His mouth was open when he chewed,
And elbows to the table glued.
He stole the milk of hungry kittens,
And walked through doors marked NO ADMITTANCE.
He said he acted thus because
There wasn't any Santa Claus.
Another trick that tickled Jabez
Was crying 'Boo' at little babies.
He brushed his teeth, they said in town,
Sideways instead of up and down.
Yet people pardoned every sin,
And viewed his antics with a grin,
Till they were told by Jabez Dawes,
'There isn't any Santa Claus!'
Deploring how he did behave,
His parents swiftly sought their grave.
They hurried through the portals pearly,
And Jabez left the funeral early.
Like whooping cough, from child to child,
He sped to spread the rumor wild:
'Sure as my name is Jabez Dawes
There isn't any Santa Claus!'
Slunk like a weasel of a marten
Through nursery and kindergarten,
Whispering low to every tot,
'There isn't any, no there's not!'
The children wept all Christmas eve
And Jabez chortled up his sleeve.
No infant dared hang up his stocking
For fear of Jabez' ribald mocking.
He sprawled on his untidy bed,
Fresh malice dancing in his head,
When presently with scalp-a-tingling,
Jabez heard a distant jingling;
He heard the crunch of sleigh and hoof
Crisply alighting on the roof.
What good to rise and bar the door?
A shower of soot was on the floor.
What was beheld by Jabez Dawes?
The fireplace full of Santa Claus!
Then Jabez fell upon his knees
With cries of 'Don't,' and 'Pretty Please.'
He howled, 'I don't know where you read it,
But anyhow, I never said it!'
'Jabez' replied the angry saint,
'It isn't I, it's you that ain't.
Although there is a Santa Claus,
There isn't any Jabez Dawes!'
Said Jabez then with impudent vim,
'Oh, yes there is, and I am him!
Your magic don't scare me, it doesn't'
And suddenly he found he wasn't!
From grimy feet to grimy locks,
Jabez became a Jack-in-the-box,
An ugly toy with springs unsprung,
Forever sticking out his tongue.
The neighbors heard his mournful squeal;
They searched for him, but not with zeal.
No trace was found of Jabez Dawes,
Which led to thunderous applause,
And people drank a loving cup
And went and hung their stockings up.
All you who sneer at Santa Claus,
Beware the fate of Jabez Dawes,
The saucy boy who mocked the saint.
Donner and Blitzen licked off his paint.
|
Written by
Adrienne Rich |
Something spreading underground won't speak to us
under skin won't declare itself
not all life-forms want dialogue with the
machine-gods in their drama hogging down
the deep bush clear-cutting refugees
from ancient or transient villages into
our opportunistic fervor to search
crazily for a host a lifeboat
Suddenly instead of art we're eyeing
organisms traced and stained on cathedral transparencies
cruel blues embroidered purples succinct yellows
a beautiful tumor
•
I guess you're not alone I fear you're alone
There's, of course, poetry:
awful bridge rising over naked air: I first
took it as just a continuation of the road:
"a masterpiece of engineering
praised, etc." then on the radio:
"incline too steep for ease of, etc."
Drove it nonetheless because I had to
this being how— So this is how
I find you: alive and more
•
As if (how many conditionals must we suffer?)
I'm driving to your side
—an intimate collusion—
packed in the trunk my bag of foils for fencing with pain
glasses of varying spectrum for sun or fog or sun-struck
rain or bitterest night my sack of hidden
poetries, old glue shredding from their spines
my time exposure of the Leonids
over Joshua Tree
As if we're going to win this O because
•
If you have a sister I am not she
nor your mother nor you my daughter
nor are we lovers or any kind of couple
except in the intensive care
of poetry and
death's master plan architecture-in-progress
draft elevations of a black-and-white mosaic dome
the master left on your doorstep
with a white card in black calligraphy:
Make what you will of this
As if leaving purple roses
•
If (how many conditionals must we suffer?)
I tell you a letter from the master
is lying on my own doorstep
glued there with leaves and rain
and I haven't bent to it yet
if I tell you I surmise
he writes differently to me:
Do as you will, you have had your life
many have not
signing it in his olden script:
Meister aus Deutschland
•
In coldest Europe end of that war
frozen domes iron railings frozen stoves lit in the
streets
memory banks of cold
the Nike of Samothrace
on a staircase wings in blazing
backdraft said to me
: : to everyone she met
Displaced, amputated never discount me
Victory
indented in disaster striding
at the head of stairs
for Tory Dent
|
Written by
Sylvia Plath |
(1)
This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.
Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.
Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly..
A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices
Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,
Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?
Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers
Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.
The sea, that crystallized these,
Creeps away, many-snaked, with a long hiss of distress.
(2)
This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,
The high, dead, toeless foot of this priest
Who plumbs the well of his book,
The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,
Breasts and hips a confectioner's sugar
Of little crystals, titillating the light,
While a green pool opens its eye,
Sick with what it has swallowed----
Limbs, images, shrieks. Behind the concrete bunkers
Two lovers unstick themselves.
O white sea-crockery,
What cupped sighs, what salt in the throat....
And the onlooker, trembling,
Drawn like a long material
Through a still virulence,
And a weed, hairy as privates.
(3)
On the balconies of the hotel, things are glittering.
Things, things----
Tubular steel wheelchairs, aluminum crutches.
Such salt-sweetness. Why should I walk
Beyond the breakwater, spotty with barnacles?
I am not a nurse, white and attendant,
I am not a smile.
These children are after something, with hooks and cries,
And my heart too small to bandage their terrible faults.
This is the side of a man: his red ribs,
The nerves bursting like trees, and this is the surgeon:
One mirrory eye----
A facet of knowledge.
On a striped mattress in one room
An old man is vanishing.
There is no help in his weeping wife.
Where are the eye-stones, yellow and vvaluable,
And the tongue, sapphire of ash.
(4)
A wedding-cake face in a paper frill.
How superior he is now.
It is like possessing a saint.
The nurses in their wing-caps are no longer so beautiful;
They are browning, like touched gardenias.
The bed is rolled from the wall.
This is what it is to be complete. It is horrible.
Is he wearing pajamas or an evening suit
Under the glued sheet from which his powdery beak
Rises so whitely unbuffeted?
They propped his jaw with a book until it stiffened
And folded his hands, that were shaking: goodbye, goodbye.
Now the washed sheets fly in the sun,
The pillow cases are sweetening.
It is a blessing, it is a blessing:
The long coffin of soap-colored oak,
The curious bearers and the raw date
Engraving itself in silver with marvelous calm.
(5)
The gray sky lowers, the hills like a green sea
Run fold upon fold far off, concealing their hollows,
The hollows in which rock the thoughts of the wife----
Blunt, practical boats
Full of dresses and hats and china and married daughters.
In the parlor of the stone house
One curtain is flickering from the open window,
Flickering and pouring, a pitiful candle.
This is the tongue of the dead man: remember, remember.
How far he is now, his actions
Around him like livingroom furniture, like a décor.
As the pallors gather----
The pallors of hands and neighborly faces,
The elate pallors of flying iris.
They are flying off into nothing: remember us.
The empty benches of memory look over stones,
Marble facades with blue veins, and jelly-glassfuls of daffodils.
It is so beautiful up here: it is a stopping place.
(6)
The natural fatness of these lime leaves!----
Pollarded green balls, the trees march to church.
The voice of the priest, in thin air,
Meets the corpse at the gate,
Addressing it, while the hills roll the notes of the dead bell;
A glittler of wheat and crude earth.
What is the name of that color?----
Old blood of caked walls the sun heals,
Old blood of limb stumps, burnt hearts.
The widow with her black pocketbook and three daughters,
Necessary among the flowers,
Enfolds her lace like fine linen,
Not to be spread again.
While a sky, wormy with put-by smiles,
Passes cloud after cloud.
And the bride flowers expend a fershness,
And the soul is a bride
In a still place, and the groom is red and forgetful, he is featureless.
(7)
Behind the glass of this car
The world purrs, shut-off and gentle.
And I am dark-suited and stil, a member of the party,
Gliding up in low gear behind the cart.
And the priest is a vessel,
A tarred fabric,sorry and dull,
Following the coffin on its flowery cart like a beautiful woman,
A crest of breasts, eyelids and lips
Storming the hilltop.
Then, from the barred yard, the children
Smell the melt of shoe-blacking,
Their faces turning, wordless and slow,
Their eyes opening
On a wonderful thing----
Six round black hats in the grass and a lozenge of wood,
And a naked mouth, red and awkward.
For a minute the sky pours into the hole like plasma.
There is no hope, it is given up.
|
Written by
Ogden Nash |
Some singers sing of ladies' eyes,
And some of ladies lips,
Refined ones praise their ladylike ways,
And course ones hymn their hips.
The Oxford Book of English Verse
Is lush with lyrics tender;
A poet, I guess, is more or less
Preoccupied with gender.
Yet I, though custom call me crude,
Prefer to sing in praise of food.
Food,
Yes, food,
Just any old kind of food.
Pheasant is pleasant, of course,
And terrapin, too, is tasty,
Lobster I freely endorse,
In pate or patty or pasty.
But there's nothing the matter with butter,
And nothing the matter with jam,
And the warmest greetings I utter
To the ham and the yam and the clam.
For they're food,
All food,
And I think very fondly of food.
Through I'm broody at times
When bothered by rhymes,
I brood
On food.
Some painters paint the sapphire sea,
And some the gathering storm.
Others portray young lambs at play,
But most, the female form.
“Twas trite in that primeval dawn
When painting got its start,
That a lady with her garments on
Is Life, but is she Art?
By undraped nymphs
I am not wooed;
I'd rather painters painted food.
Food,
Just food,
Just any old kind of food.
Go purloin a sirloin, my pet,
If you'd win a devotion incredible;
And asparagus tips vinaigrette,
Or anything else that is edible.
Bring salad or sausage or scrapple,
A berry or even a beet.
Bring an oyster, an egg, or an apple,
As long as it's something to eat.
If it's food,
It's food;
Never mind what kind of food.
When I ponder my mind
I consistently find
It is glued
On food.
|
Written by
Elizabeth Bishop |
In Worcester, Massachusetts,
I went with Aunt Consuelo
to keep her dentist's appointment
and sat and waited for her
in the dentist's waiting room.
It was winter. It got dark
early. The waiting room
was full of grown-up people,
arctics and overcoats,
lamps and magazines.
My aunt was inside
what seemed like a long time
and while I waited and read
the National Geographic
(I could read) and carefully
studied the photographs:
the inside of a volcano,
black, and full of ashes;
then it was spilling over
in rivulets of fire.
Osa and Martin Johnson
dressed in riding breeches,
laced boots, and pith helmets.
A dead man slung on a pole
"Long Pig," the caption said.
Babies with pointed heads
wound round and round with string;
black, naked women with necks
wound round and round with wire
like the necks of light bulbs.
Their breasts were horrifying.
I read it right straight through.
I was too shy to stop.
And then I looked at the cover:
the yellow margins, the date.
Suddenly, from inside,
came an oh! of pain
--Aunt Consuelo's voice--
not very loud or long.
I wasn't at all surprised;
even then I knew she was
a foolish, timid woman.
I might have been embarrassed,
but wasn't. What took me
completely by surprise
was that it was me:
my voice, in my mouth.
Without thinking at all
I was my foolish aunt,
I--we--were falling, falling,
our eyes glued to the cover
of the National Geographic,
February, 1918.
I said to myself: three days
and you'll be seven years old.
I was saying it to stop
the sensation of falling off
the round, turning world.
into cold, blue-black space.
But I felt: you are an I,
you are an Elizabeth,
you are one of them.
Why should you be one, too?
I scarcely dared to look
to see what it was I was.
I gave a sidelong glance
--I couldn't look any higher--
at shadowy gray knees,
trousers and skirts and boots
and different pairs of hands
lying under the lamps.
I knew that nothing stranger
had ever happened, that nothing
stranger could ever happen.
Why should I be my aunt,
or me, or anyone?
What similarities
boots, hands, the family voice
I felt in my throat, or even
the National Geographic
and those awful hanging breasts
held us all together
or made us all just one?
How I didn't know any
word for it how "unlikely". . .
How had I come to be here,
like them, and overhear
a cry of pain that could have
got loud and worse but hadn't?
The waiting room was bright
and too hot. It was sliding
beneath a big black wave,
another, and another.
Then I was back in it.
The War was on. Outside,
in Worcester, Massachusetts,
were night and slush and cold,
and it was still the fifth
of February, 1918.
|
Written by
Robert Frost |
Having a wheel and four legs of its own
Has never availed the cumbersome grindstone
To get it anywhere that I can see.
These hands have helped it go, and even race;
Not all the motion, though, they ever lent,
Not all tke miles it may have thought it went,
Have got it one step from the starting place.
It stands beside the same old apple tree.
The shadow of the apple tree is thin
Upon it now its feet as fast in snow.
All other farm machinery's gone in,
And some of it on no more legs and wheel
Than the grindstone can boast to stand or go.
(I'm thinking chiefly of the wheelbarrow.)
For months it hasn't known the taste of steel
Washed down with rusty water in a tin..
But standing outdoors hungry, in the cold,
Except in towns at night is not a sin.
And> anyway, it's standing in the yard
Under a ruinous live apple tree
Has nothing any more to do with me,
Except that I remember how of old
One summer day, all day I drove it hard,
And someone mounted on it rode it hard
And he and I between us ground a blade.
I gave it the preliminary spin
And poured on water (tears it might have been);
And when it almost gaily jumped and flowed,
A Father-Time-like man got on and rode,
Armed with a scythe and spectacles that glowed.
He turned on will-power to increase the load
And slow me down -- and I abruptly slowed,
Like coming to a sudden railroad station.
I changed from hand to hand in desperation.
I wondered what machine of ages gone
This represented an improvement on.
For all I knew it may have sharpened spears
And arrowheads itself. Much use.for years
Had gradually worn it an oblate
Spheroid that kicked and struggled in its gait,
Appearing to return me hate for hate;
(But I forgive it now as easily
As any other boyhood enemy
Whose pride has failed to get him anywhere).
I wondered who it was the man thought ground
-The one who held the wheel back or the one
Who gave his life to keep it going round?
· I wondered if he really thought it fair
For him to have the say when we were done.
Such were the bitter thoughts to which I turned.
Not for myself was I so much concerned
Oh no --Although, of course, I could have found
A better way to pass the afternoon
Than grinding discord out of a grindstone,
And beating insects at their gritty tune.
Nor was I for the man so much concerned.
Once when the grindstone almost jumped its bearing
It looked as if he might be badly thrown
And wounded on his blade. So far from caring,
I laughed inside, and only cranked the faster
(It ran as if it wasn't greased but glued);
I'd welcome any moderate disaster
That might be calculated to postpone
What evidently nothing could conclude.
The thing that made me more and more afraid
Was that we'd ground it sharp and hadn't known,
And now were only wasting precious blade.
And when he raised it dripping once and tried
The creepy edge of it with wary touch
And viewed it over his glasses funny-eyed,
Only disinterestedly to decide
It needed a turn more, I could have cried
Wasn't there a danger of a turn too much?
Mightn't we make it worse instead of better?
I was for leaving something to the whettot.
What if it wasn't all it should be? I'd
Be satisfied if he'd be satisfied.
|
Written by
Geoffrey Hill |
When snow like sheep lay in the fold
And wind went begging at each door,
And the far hills were blue with cold,
And a cloud shroud lay on the moor,
She kept the siege. And every day
We watched her brooding over death
Like a strong bird above its prey.
The room filled with the kettle's breath.
Damp curtains glued against the pane
Sealed time away. Her body froze
As if to freeze us all, and chain
Creation to a stunned repose.
She died before the world could stir.
In March the ice unloosed the brook
And water ruffled the sun's hair.
Dead cones upon the alder shook.
|
Written by
Marge Piercy |
The woman in the ordinary pudgy downcast girl
is crouching with eyes and muscles clenched.
Round and pebble smooth she effaces herself
under ripples of conversation and debate.
The woman in the block of ivory soap
has massive thighs that neigh,
great breasts that blare and strong arms that trumpet.
The woman of the golden fleece
laughs uproariously from the belly
inside the girl who imitates
a Christmas card virgin with glued hands,
who fishes for herself in other's eyes,
who stoops and creeps to make herself smaller.
In her bottled up is a woman peppery as curry,
a yam of a woman of butter and brass,
compounded of acid and sweet like a pineapple,
like a handgrenade set to explode,
like goldenrod ready to bloom.
|
Written by
Walt Whitman |
SPONTANEOUS me, Nature,
The loving day, the mounting sun, the friend I am happy with,
The arm of my friend hanging idly over my shoulder,
The hill-side whiten’d with blossoms of the mountain ash,
The same, late in autumn—the hues of red, yellow, drab, purple, and light and dark
green,
The rich coverlid of the grass—animals and birds—the private untrimm’d
bank—the primitive apples—the pebble-stones,
Beautiful dripping fragments—the negligent list of one after another, as I happen to
call them to me, or think of them,
The real poems, (what we call poems being merely pictures,)
The poems of the privacy of the night, and of men like me,
This poem, drooping shy and unseen, that I always carry, and that all men carry,
(Know, once for all, avow’d on purpose, wherever are men like me, are our lusty,
lurking, masculine poems;)
Love-thoughts, love-juice, love-odor, love-yielding, love-climbers, and the climbing sap,
Arms and hands of love—lips of love—phallic thumb of love—breasts of
love—bellies press’d and glued together with love,
Earth of chaste love—life that is only life after love,
The body of my love—the body of the woman I love—the body of the man—the
body of the earth,
Soft forenoon airs that blow from the south-west,
The hairy wild-bee that murmurs and hankers up and down—that gripes the full-grown
lady-flower, curves upon her with amorous firm legs, takes his will of her, and holds
himself tremulous and tight till he is satisfied,
The wet of woods through the early hours,
Two sleepers at night lying close together as they sleep, one with an arm slanting down
across and below the waist of the other,
The smell of apples, aromas from crush’d sage-plant, mint, birch-bark,
The boy’s longings, the glow and pressure as he confides to me what he was dreaming,
The dead leaf whirling its spiral whirl, and falling still and content to the ground,
The no-form’d stings that sights, people, objects, sting me with,
The hubb’d sting of myself, stinging me as much as it ever can any one,
The sensitive, orbic, underlapp’d brothers, that only privileged feelers may be
intimate where they are,
The curious roamer, the hand, roaming all over the body—the bashful withdrawing of
flesh where the fingers soothingly pause and edge themselves,
The limpid liquid within the young man,
The vexed corrosion, so pensive and so painful,
The torment—the irritable tide that will not be at rest,
The like of the same I feel—the like of the same in others,
The young man that flushes and flushes, and the young woman that flushes and flushes,
The young man that wakes, deep at night, the hot hand seeking to repress what would master
him;
The mystic amorous night—the strange half-welcome pangs, visions, sweats,
The pulse pounding through palms and trembling encircling fingers—the young man all
color’d, red, ashamed, angry;
The souse upon me of my lover the sea, as I lie willing and naked,
The merriment of the twin-babes that crawl over the grass in the sun, the mother never
turning her vigilant eyes from them,
The walnut-trunk, the walnut-husks, and the ripening or ripen’d long-round walnuts;
The continence of vegetables, birds, animals,
The consequent meanness of me should I skulk or find myself indecent, while birds and
animals never once skulk or find themselves indecent;
The great chastity of paternity, to match the great chastity of maternity,
The oath of procreation I have sworn—my Adamic and fresh daughters,
The greed that eats me day and night with hungry gnaw, till I saturate what shall produce
boys to fill my place when I am through,
The wholesome relief, repose, content;
And this bunch, pluck’d at random from myself;
It has done its work—I tossed it carelessly to fall where it may.
|
Written by
Robert William Service |
I stood before a candy shop
Which with a Christmas radiance shone;
I saw my parents pass and stop
To grin at me and then go on.
The sweets were heaped in gleamy rows;
On each I feasted - what a game!
Against the glass with flatted nose,
Gulping my spittle as it came;
So still I stood, and stared and dreamed,
Savouring sweetness with my eyes,
Devouring dainties till it seemed
My candy shop was paradise.
I had, I think, but five years old,
And though three-score and ten have passed,
I still recall the craintive cold,
The grimy street, the gritty blast;
And how I stared into that shop,
Its gifts so near and yet so far,
Of marzipan and toffee drop,
Of chocolate and walnut bar;
Imagining what I would buy
Amid delights so rich and rare . . .
The glass was misted with my sigh:
"If just one penny Pop could spare!"
And then when I went home to tea
Of bread and butter sparsely spread,
Oh, how my parents twitted me:
"You stood for full an hour," they said.
"We saw you as we passed again;
Your eyes upon the sweets were glued;
Your nose was flattened to the pane,
Like someone hypnotized you stood."
But when they laughed as at a joke,
A bitterness I could not stem
Within my little heart awoke. . . .
Oh, I have long forgiven them;
For though I know they did no own
Pennies to spare, they might, it seems
More understanding love have shown
More sympathy for those vain dreams,
Which make of me with wistful gaze
God's Window Shopper all days.
|