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Written by Amy Lowell | Create an image from this poem

Number 3 on the Docket

 The lawyer, are you?
Well! I ain't got nothin' to say.
Nothin'! I told the perlice I hadn't nothin'.
They know'd real well 'twas me.
Ther warn't no supposin', Ketchin' me in the woods as they did, An' me in my house dress.
Folks don't walk miles an' miles In the drifted snow, With no hat nor wrap on 'em Ef everythin's all right, I guess.
All right? Ha! Ha! Ha! Nothin' warn't right with me.
Never was.
Oh, Lord! Why did I do it? Why ain't it yesterday, and Ed here agin? Many's the time I've set up with him nights When he had cramps, or rheumatizm, or somethin'.
I used ter nurse him same's ef he was a baby.
I wouldn't hurt him, I love him! Don't you dare to say I killed him.
'Twarn't me! Somethin' got aholt o' me.
I couldn't help it.
Oh, what shall I do! What shall I do! Yes, Sir.
No, Sir.
I beg your pardon, I -- I -- Oh, I'm a wicked woman! An' I'm desolate, desolate! Why warn't I struck dead or paralyzed Afore my hands done it.
Oh, my God, what shall I do! No, Sir, ther ain't no extenuatin' circumstances, An' I don't want none.
I want a bolt o' lightnin' To strike me dead right now! Oh, I'll tell yer.
But it won't make no diff'rence.
Nothin' will.
Yes, I killed him.
Why do yer make me say it? It's cruel! Cruel! I killed him because o' th' silence.
The long, long silence, That watched all around me, And he wouldn't break it.
I tried to make him, Time an' agin, But he was terrible taciturn, Ed was.
He never spoke 'cept when he had to, An' then he'd only say "yes" and "no".
You can't even guess what that silence was.
I'd hear it whisperin' in my ears, An' I got frightened, 'twas so thick, An' al'ays comin' back.
Ef Ed would ha' talked sometimes It would ha' driven it away; But he never would.
He didn't hear it same as I did.
You see, Sir, Our farm was off'n the main road, And set away back under the mountain; And the village was seven mile off, Measurin' after you'd got out o' our lane.
We didn't have no hired man, 'Cept in hayin' time; An' Dane's place, That was the nearest, Was clear way 'tother side the mountain.
They used Marley post-office An' ours was Benton.
Ther was a cart-track took yer to Dane's in Summer, An' it warn't above two mile that way, But it warn't never broke out Winters.
I used to dread the Winters.
Seem's ef I couldn't abear to see the golden-rod bloomin'; Winter'd come so quick after that.
You don't know what snow's like when yer with it Day in an' day out.
Ed would be out all day loggin', An' I set at home and look at the snow Layin' over everythin'; It 'ud dazzle me blind, Till it warn't white any more, but black as ink.
Then the quiet 'ud commence rushin' past my ears Till I most went mad listenin' to it.
Many's the time I've dropped a pan on the floor Jest to hear it clatter.
I was most frantic when dinner-time come An' Ed was back from the woods.
I'd ha' give my soul to hear him speak.
But he'd never say a word till I asked him Did he like the raised biscuits or whatever, An' then sometimes he'd jest nod his answer.
Then he'd go out agin, An' I'd watch him from the kitchin winder.
It seemed the woods come marchin' out to meet him An' the trees 'ud press round him an' hustle him.
I got so I was scared o' th' trees.
I thought they come nearer, Every day a little nearer, Closin' up round the house.
I never went in t' th' woods Winters, Though in Summer I liked 'em well enough.
It warn't so bad when my little boy was with us.
He used to go sleddin' and skatin', An' every day his father fetched him to school in the pung An' brought him back agin.
We scraped an' scraped fer Neddy, We wanted him to have a education.
We sent him to High School, An' then he went up to Boston to Technology.
He was a minin' engineer, An' doin' real well, A credit to his bringin' up.
But his very first position ther was an explosion in the mine.
And I'm glad! I'm glad! He ain't here to see me now.
Neddy! Neddy! I'm your mother still, Neddy.
Don't turn from me like that.
I can't abear it.
I can't! I can't! What did you say? Oh, yes, Sir.
I'm here.
I'm very sorry, I don't know what I'm sayin'.
No, Sir, Not till after Neddy died.
'Twas the next Winter the silence come, I don't remember noticin' it afore.
That was five year ago, An' it's been gittin' worse an' worse.
I asked Ed to put in a telephone.
I thought ef I felt the whisperin' comin' on I could ring up some o' th' folks.
But Ed wouldn't hear of it.
He said we'd paid so much for Neddy We couldn't hardly git along as 'twas.
An' he never understood me wantin' to talk.
Well, this year was worse'n all the others; We had a terrible spell o' stormy weather, An' the snow lay so thick You couldn't see the fences even.
Out o' doors was as flat as the palm o' my hand, Ther warn't a hump or a holler Fer as you could see.
It was so quiet The snappin' o' the branches back in the wood-lot Sounded like pistol shots.
Ed was out all day Same as usual.
An' it seemed he talked less'n ever.
He didn't even say `Good-mornin'', once or twice, An' jest nodded or shook his head when I asked him things.
On Monday he said he'd got to go over to Benton Fer some oats.
I'd oughter ha' gone with him, But 'twas washin' day An' I was afeared the fine weather'd break, An' I couldn't do my dryin'.
All my life I'd done my work punctual, An' I couldn't fix my conscience To go junketin' on a washin'-day.
I can't tell you what that day was to me.
It dragged an' dragged, Fer ther warn't no Ed ter break it in the middle Fer dinner.
Every time I stopped stirrin' the water I heerd the whisperin' all about me.
I stopped oftener'n I should To see ef 'twas still ther, An' it al'ays was.
An' gittin' louder It seemed ter me.
Once I threw up the winder to feel the wind.
That seemed most alive somehow.
But the woods looked so kind of menacin' I closed it quick An' started to mangle's hard's I could, The squeakin' was comfortin'.
Well, Ed come home 'bout four.
I seen him down the road, An' I run out through the shed inter th' barn To meet him quicker.
I hollered out, `Hullo!' But he didn't say nothin', He jest drove right in An' climbed out o' th' sleigh An' commenced unharnessin'.
I asked him a heap o' questions; Who he'd seed An' what he'd done.
Once in a while he'd nod or shake, But most o' th' time he didn't do nothin'.
'Twas gittin' dark then, An' I was in a state, With the loneliness An' Ed payin' no attention Like somethin' warn't livin'.
All of a sudden it come, I don't know what, But I jest couldn't stand no more.
It didn't seem 's though that was Ed, An' it didn't seem as though I was me.
I had to break a way out somehow, Somethin' was closin' in An' I was stiflin'.
Ed's loggin' axe was ther, An' I took it.
Oh, my God! I can't see nothin' else afore me all the time.
I run out inter th' woods, Seemed as ef they was pullin' me; An' all the time I was wadin' through the snow I seed Ed in front of me Where I'd laid him.
An' I see him now.
There! There! What you holdin' me fer? I want ter go to Ed, He's bleedin'.
Stop holdin' me.
I got to go.
I'm comin', Ed.
I'll be ther in a minit.
Oh, I'm so tired! (Faints)


Written by James Whitcomb Riley | Create an image from this poem

The Raggedy Man

 O the Raggedy Man! He works fer Pa;
An' he's the goodest man ever you saw!
He comes to our house every day,
An' waters the horses, an' feeds 'em hay;
An' he opens the shed -- an' we all ist laugh
When he drives out our little old wobble-ly calf;
An' nen -- ef our hired girl says he can --
He milks the cow fer 'Lizabuth Ann.
-- Ain't he a' awful good Raggedy Man? Raggedy! Raggedy! Raggedy Man! W'y, The Raggedy Man -- he's ist so good, He splits the kindlin' an' chops the wood; An' nen he spades in our garden, too, An' does most things 'at boys can't do.
-- He clumbed clean up in our big tree An' shooked a' apple down fer me -- An' 'nother 'n', too, fer 'Lizabuth Ann -- An' 'nother 'n', too, fer The Raggedy Man.
-- Ain't he a' awful kind Raggedy Man? Raggedy! Raggedy! Raggedy Man! An' The Raggedy Man one time say he Pick' roast' rambos from a' orchurd-tree, An' et 'em -- all ist roast' an' hot! -- An' it's so, too! -- 'cause a corn-crib got Afire one time an' all burn' down On "The Smoot Farm," 'bout four mile from town -- On "The Smoot Farm"! Yes -- an' the hired han' 'At worked there nen 'uz The Raggedy Man! -- Ain't he the beatin'est Raggedy Man? Raggedy! Raggedy! Raggedy Man! The Raggedy Man's so good an' kind He'll be our "horsey," an' "haw" an' mind Ever'thing 'at you make him do -- An' won't run off -- 'less you want him to! I drived him wunst way down our lane An' he got skeered, when it 'menced to rain, An' ist rared up an' squealed and run Purt' nigh away! -- an' it's all in fun! Nen he skeered ag'in at a' old tin can .
.
.
Whoa! y' old runaway Raggedy Man! Raggedy! Raggedy! Raggedy Man! An' The Raggedy Man, he knows most rhymes, An' tells 'em, ef I be good, sometimes: Knows 'bout Giunts, an' Griffuns, an' Elves, An' the Squidgicum-Squees 'at swallers the'rselves: An', wite by the pump in our pasture-lot, He showed me the hole 'at the Wunks is got, 'At lives 'way deep in the ground, an' can Turn into me, er 'Lizabuth Ann! Er Ma, er Pa, er The Raggedy Man! Ain't he a funny old Raggedy Man? Raggedy! Raggedy! Raggedy Man! An' wunst, when The Raggedy Man come late, An' pigs ist root' thue the garden-gate, He 'tend like the pigs 'uz bears an' said, "Old Bear-shooter'll shoot 'em dead!" An' race' an' chase' 'em, an' they'd ist run When he pint his hoe at 'em like it's a gun An' go "Bang! -- Bang!" nen 'tend he stan' An' load up his gun ag'in! Raggedy Man! He's an old Bear-shooter Raggedy Man! Raggedy! Raggedy! Raggedy Man! An' sometimes The Raggedy Man lets on We're little prince-children, an' old King's gone To git more money, an' lef' us there -- And Robbers is ist thick ever'where; An' nen -- ef we all won't cry, fer shore -- The Raggedy Man he'll come and "'splore The Castul-halls," an' steal the "gold" -- An' steal us, too, an' grab an' hold An' pack us off to his old "Cave"! -- An' Haymow's the "cave" o' The Raggedy Man! -- Raggedy! Raggedy! Raggedy Man! The Raggedy Man -- one time, when he Wuz makin' a little bow-'n'-orry fer me, Says "When you're big like your Pa is, Air you go' to keep a fine store like his -- An' be a rich merchunt -- an' wear fine clothes? -- Er what air you go' to be, goodness knows?" An' nen he laughed at 'Lizabuth Ann, An' I says "'M go' to be a Raggedy Man! -- I'm ist go' to be a nice Raggedy Man!" Raggedy! Raggedy! Raggedy Man!
Written by Robert William Service | Create an image from this poem

The Ballad Of Soulful Sam

 You want me to tell you a story, a yarn of the firin' line,
Of our thin red kharki 'eroes, out there where the bullets whine;
Out there where the bombs are bustin',
and the cannons like 'ell-doors slam --
Just order another drink, boys, and I'll tell you of Soulful Sam.
Oh, Sam, he was never 'ilarious, though I've 'ad some mates as was wus; He 'adn't C.
B.
on his programme, he never was known to cuss.
For a card or a skirt or a beer-mug he 'adn't a friendly word; But when it came down to Scriptures, say! Wasn't he just a bird! He always 'ad tracts in his pocket, the which he would haste to present, And though the fellers would use them in ways that they never was meant, I used to read 'em religious, and frequent I've been impressed By some of them bundles of 'oly dope he carried around in his vest.
For I -- and oh, 'ow I shudder at the 'orror the word conveys! 'Ave been -- let me whisper it 'oarsely -- a gambler 'alf of me days; A gambler, you 'ear -- a gambler.
It makes me wishful to weep, And yet 'ow it's true, my brethren! -- I'd rather gamble than sleep.
I've gambled the 'ole world over, from Monte Carlo to Maine; From Dawson City to Dover, from San Francisco to Spain.
Cards! They 'ave been me ruin.
They've taken me pride and me pelf, And when I'd no one to play with -- why, I'd go and I'd play by meself.
And Sam 'e would sit and watch me, as I shuffled a greasy deck, And 'e'd say: "You're bound to Perdition," And I'd answer: "Git off me neck!" And that's 'ow we came to get friendly, though built on a different plan, Me wot's a desprite gambler, 'im sich a good young man.
But on to me tale.
Just imagine .
.
.
Darkness! The battle-front! The furious 'Uns attackin'! Us ones a-bearin' the brunt! Me crouchin' be'ind a sandbag, tryin' 'ard to keep calm, When I 'ears someone singin' a 'ymn toon; be'old! it is Soulful Sam.
Yes; right in the crash of the combat, in the fury of flash and flame, 'E was shootin' and singin' serenely as if 'e enjoyed the same.
And there in the 'eat of the battle, as the 'ordes of demons attacked, He dipped down into 'is tunic, and 'e 'anded me out a tract.
Then a star-shell flared, and I read it: Oh, Flee From the Wrath to Come! Nice cheerful subject, I tell yer, when you're 'earin' the bullets 'um.
And before I 'ad time to thank 'im, just one of them bits of lead Comes slingin' along in a 'urry, and it 'its my partner.
.
.
.
Dead? No, siree! not by a long sight! For it plugged 'im 'ard on the chest, Just where 'e'd tracts for a army corps stowed away in 'is vest.
On its mission of death that bullet 'ustled along, and it caved A 'ole in them tracts to 'is 'ide, boys -- but the life o' me pal was saved.
And there as 'e showed me in triumph, and 'orror was chokin' me breath, On came another bullet on its 'orrible mission of death; On through the night it cavorted, seekin' its 'aven of rest, And it zipped through a crack in the sandbags, and it wolloped me bang on the breast.
Was I killed, do you ask? Oh no, boys.
Why am I sittin' 'ere Gazin' with mournful vision at a mug long empty of beer? With a throat as dry as a -- oh, thanky! I don't much mind if I do.
Beer with a dash of 'ollands, that's my particular brew.
Yes, that was a terrible moment.
It 'ammered me 'ard o'er the 'eart; It bowled me down like a nine-pin, and I looked for the gore to start; And I saw in the flash of a moment, in that thunder of hate and strife, Me wretched past like a pitchur -- the sins of a gambler's life.
For I 'ad no tracts to save me, to thwart that mad missile's doom; I 'ad no pious pamphlets to 'elp me to cheat the tomb; I 'ad no 'oly leaflets to baffle a bullet's aim; I'd only -- a deck of cards, boys, but .
.
.
it seemed to do just the same.
Written by James Whitcomb Riley | Create an image from this poem

Little Orphant Annie

 INSCRIBED WITH ALL FAITH AND AFFECTION

To all the little children: -- The happy ones; and sad ones;
The sober and the silent ones; the boisterous and glad ones;
The good ones -- Yes, the good ones, too; and all the lovely bad ones.
Little Orphant Annie's come to our house to stay, An' wash the cups an' saucers up, an' brush the crumbs away, An' shoo the chickens off the porch, an' dust the hearth, an' sweep, An' make the fire, an' bake the bread, an' earn her board-an'-keep; An' all us other childern, when the supper-things is done, We set around the kitchen fire an' has the mostest fun A-list'nin' to the witch-tales 'at Annie tells about, An' the Gobble-uns 'at gits you Ef you Don't Watch Out! Wunst they wuz a little boy wouldn't say his prayers,-- An' when he went to bed at night, away up-stairs, His Mammy heerd him holler, an' his Daddy heerd him bawl, An' when they turn't the kivvers down, he wuzn't there at all! An' they seeked him in the rafter-room, an' cubby-hole, an' press, An' seeked him up the chimbly-flue, an' ever'-wheres, I guess; But all they ever found wuz thist his pants an' roundabout:-- An' the Gobble-uns 'll git you Ef you Don't Watch Out! An' one time a little girl 'ud allus laugh an' grin, An' make fun of ever' one, an' all her blood-an'-kin; An' wunst, when they was "company," an' ole folks wuz there, She mocked 'em an' shocked 'em, an' said she didn't care! An' thist as she kicked her heels, an' turn't to run an' hide, They wuz two great big Black Things a-standin' by her side, An' they snatched her through the ceilin' 'fore she knowed what she's about! An' the Gobble-uns 'll git you Ef you Don't Watch Out! An' little Orphant Annie says, when the blaze is blue, An' the lamp-wick sputters, an' the wind goes woo-oo! An' you hear the crickets quit, an' the moon is gray, An' the lightnin'-bugs in dew is all squenched away,-- You better mind yer parunts, an' yer teachurs fond an' dear, An' churish them 'at loves you, an' dry the orphant's tear, An' he'p the pore an' needy ones 'at clusters all about, Er the Gobble-uns 'll git you Ef you Don't Watch Out!
Written by James Whitcomb Riley | Create an image from this poem

Knee-Deep in June

 Tell you what I like the best -- 
'Long about knee-deep in June, 
'Bout the time strawberries melts 
On the vine, -- some afternoon 
Like to jes' git out and rest, 
And not work at nothin' else! 

Orchard's where I'd ruther be -- 
Needn't fence it in fer me! -- 
Jes' the whole sky overhead, 
And the whole airth underneath -- 
Sort o' so's a man kin breathe 
Like he ort, and kind o' has 
Elbow-room to keerlessly 
Sprawl out len'thways on the grass 
Where the shadders thick and soft 
As the kivvers on the bed 
Mother fixes in the loft 
Allus, when they's company! 

Jes' a-sort o' lazin there - 
S'lazy, 'at you peek and peer 
Through the wavin' leaves above, 
Like a feller 'ats in love 
And don't know it, ner don't keer! 
Ever'thing you hear and see 
Got some sort o' interest - 
Maybe find a bluebird's nest 
Tucked up there conveenently 
Fer the boy 'at's ap' to be 
Up some other apple tree! 
Watch the swallers skootin' past 
Bout as peert as you could ast; 
Er the Bob-white raise and whiz 
Where some other's whistle is.
Ketch a shadder down below, And look up to find the crow -- Er a hawk, - away up there, 'Pearantly froze in the air! -- Hear the old hen squawk, and squat Over ever' chick she's got, Suddent-like! - and she knows where That-air hawk is, well as you! -- You jes' bet yer life she do! -- Eyes a-glitterin' like glass, Waitin' till he makes a pass! Pee-wees wingin', to express My opinion, 's second-class, Yit you'll hear 'em more er less; Sapsucks gittin' down to biz, Weedin' out the lonesomeness; Mr.
Bluejay, full o' sass, In them baseball clothes o' his, Sportin' round the orchad jes' Like he owned the premises! Sun out in the fields kin sizz, But flat on yer back, I guess, In the shade's where glory is! That's jes' what I'd like to do Stiddy fer a year er two! Plague! Ef they ain't somepin' in Work 'at kind o' goes ag'in' My convictions! - 'long about Here in June especially! -- Under some ole apple tree, Jes' a-restin through and through, I could git along without Nothin' else at all to do Only jes' a-wishin' you Wuz a-gittin' there like me, And June wuz eternity! Lay out there and try to see Jes' how lazy you kin be! -- Tumble round and souse yer head In the clover-bloom, er pull Yer straw hat acrost yer eyes And peek through it at the skies, Thinkin' of old chums 'ats dead, Maybe, smilin' back at you In betwixt the beautiful Clouds o'gold and white and blue! -- Month a man kin railly love -- June, you know, I'm talkin' of! March ain't never nothin' new! -- April's altogether too Brash fer me! and May -- I jes' 'Bominate its promises, -- Little hints o' sunshine and Green around the timber-land -- A few blossoms, and a few Chip-birds, and a sprout er two, -- Drap asleep, and it turns in Fore daylight and snows ag'in! -- But when June comes - Clear my th'oat With wild honey! -- Rench my hair In the dew! And hold my coat! Whoop out loud! And th'ow my hat! -- June wants me, and I'm to spare! Spread them shadders anywhere, I'll get down and waller there, And obleeged to you at that!


Written by Rudyard Kipling | Create an image from this poem

Gunga Din

 You may talk o' gin and beer
When you're quartered safe out 'ere,
An' you're sent to penny-fights an' Aldershot it;
But when it comes to slaughter
You will do your work on water,
An' you'll lick the bloomin' boots of 'im that's got it.
Now in Injia's sunny clime, Where I used to spend my time A-servin' of 'Er Majesty the Queen, Of all them blackfaced crew The finest man I knew Was our regimental bhisti, Gunga Din.
He was "Din! Din! Din! You limpin' lump o' brick-dust, Gunga Din! Hi! slippery hitherao! Water, get it! Panee lao! [Bring water swiftly.
] You squidgy-nosed old idol, Gunga Din.
" The uniform 'e wore Was nothin' much before, An' rather less than 'arf o' that be'ind, For a piece o' twisty rag An' a goatskin water-bag Was all the field-equipment 'e could find.
When the sweatin' troop-train lay In a sidin' through the day, Where the 'eat would make your bloomin' eyebrows crawl, We shouted "Harry By!" [Mr.
Atkins's equivalent for "O brother.
"] Till our throats were bricky-dry, Then we wopped 'im 'cause 'e couldn't serve us all.
It was "Din! Din! Din! You 'eathen, where the mischief 'ave you been? You put some juldee in it [Be quick.
] Or I'll marrow you this minute [Hit you.
] If you don't fill up my helmet, Gunga Din!" 'E would dot an' carry one Till the longest day was done; An' 'e didn't seem to know the use o' fear.
If we charged or broke or cut, You could bet your bloomin' nut, 'E'd be waitin' fifty paces right flank rear.
With 'is mussick on 'is back, [Water-skin.
] 'E would skip with our attack, An' watch us till the bugles made "Retire", An' for all 'is dirty 'ide 'E was white, clear white, inside When 'e went to tend the wounded under fire! It was "Din! Din! Din!" With the bullets kickin' dust-spots on the green.
When the cartridges ran out, You could hear the front-files shout, "Hi! ammunition-mules an' Gunga Din!" I shan't forgit the night When I dropped be'ind the fight With a bullet where my belt-plate should 'a' been.
I was chokin' mad with thirst, An' the man that spied me first Was our good old grinnin', gruntin' Gunga Din.
'E lifted up my 'ead, An' he plugged me where I bled, An' 'e guv me 'arf-a-pint o' water-green: It was crawlin' and it stunk, But of all the drinks I've drunk, I'm gratefullest to one from Gunga Din.
It was "Din! Din! Din! 'Ere's a beggar with a bullet through 'is spleen; 'E's chawin' up the ground, An' 'e's kickin' all around: For Gawd's sake git the water, Gunga Din!" 'E carried me away To where a dooli lay, An' a bullet come an' drilled the beggar clean.
'E put me safe inside, An' just before 'e died, "I 'ope you liked your drink", sez Gunga Din.
So I'll meet 'im later on At the place where 'e is gone -- Where it's always double drill and no canteen; 'E'll be squattin' on the coals Givin' drink to poor damned souls, An' I'll get a swig in hell from Gunga Din! Yes, Din! Din! Din! You Lazarushian-leather Gunga Din! Though I've belted you and flayed you, By the livin' Gawd that made you, You're a better man than I am, Gunga Din!
Written by Rudyard Kipling | Create an image from this poem

Mandalay

 By the old Moulmein Pagoda, lookin' eastward to the sea,
There's a Burma girl a-settin', and I know she thinks o' me;
For the wind is in the palm-trees, and the temple-bells they say:
"Come you back, you British soldier; come you back to Mandalay!"
 Come you back to Mandalay,
 Where the old Flotilla lay:
 Can't you 'ear their paddles chunkin' from Rangoon to Mandalay?
 On the road to Mandalay,
 Where the flyin'-fishes play,
 An' the dawn comes up like thunder outer China 'crost the Bay!

'Er petticoat was yaller an' 'er little cap was green,
An' 'er name was Supi-yaw-lat -- jes' the same as Theebaw's Queen,
An' I seed her first a-smokin' of a whackin' white cheroot,
An' a-wastin' Christian kisses on an 'eathen idol's foot:
 Bloomin' idol made o'mud --
 Wot they called the Great Gawd Budd --
 Plucky lot she cared for idols when I kissed 'er where she stud!
 On the road to Mandalay .
.
.
When the mist was on the rice-fields an' the sun was droppin' slow, She'd git 'er little banjo an' she'd sing "Kulla-lo-lo!" With 'er arm upon my shoulder an' 'er cheek agin' my cheek We useter watch the steamers an' the hathis pilin' teak.
Elephints a-pilin' teak In the sludgy, squdgy creek, Where the silence 'ung that 'eavy you was 'arf afraid to speak! On the road to Mandalay .
.
.
But that's all shove be'ind me -- long ago an' fur away, An' there ain't no 'busses runnin' from the Bank to Mandalay; An' I'm learnin' 'ere in London what the ten-year soldier tells: "If you've 'eard the East a-callin', you won't never 'eed naught else.
" No! you won't 'eed nothin' else But them spicy garlic smells, An' the sunshine an' the palm-trees an' the tinkly temple-bells; On the road to Mandalay .
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I am sick o' wastin' leather on these gritty pavin'-stones, An' the blasted Henglish drizzle wakes the fever in my bones; Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand, An' they talks a lot o' lovin', but wot do they understand? Beefy face an' grubby 'and -- Law! wot do they understand? I've a neater, sweeter maiden in a cleaner, greener land! On the road to Mandalay .
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Ship me somewheres east of Suez, where the best is like the worst, Where there aren't no Ten Commandments an' a man can raise a thirst; For the temple-bells are callin', an' it's there that I would be -- By the old Moulmein Pagoda, looking lazy at the sea; On the road to Mandalay, Where the old Flotilla lay, With our sick beneath the awnings when we went to Mandalay! On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay!
Written by Paul Laurence Dunbar | Create an image from this poem

A CONFIDENCE

Uncle John, he makes me tired;
Thinks 'at he's jest so all-fired
Smart, 'at he kin pick up, so,
Ever'thing he wants to know.
Tried to ketch me up last night,
But you bet I would n't bite.
I jest kep' the smoothes' face,
But I led him sich a chase,
Could n't corner me, you bet—
I skipped all the traps he set.
Makin' out he wan'ed to know
Who was this an' that girl's beau;
So 's he 'd find out, don't you see,
Who was goin' 'long with me.
But I answers jest ez sly,
An' I never winks my eye,
Tell he hollers with a whirl,
"Look here, ain't you got a girl?"
Y' ought 'o seen me spread my eyes,
Like he 'd took me by surprise,
An' I said, "Oh, Uncle John,
Never thought o' havin' one."
An' somehow that seemed to tickle
Him an' he shelled out a nickel.
Then you ought to seen me leave
Jest a-laffin' in my sleeve.
Fool him—well, I guess I did;
He ain't on to this here kid.
Got a girl! well, I guess yes,
Got a dozen more or less,
But I got one reely one,[Pg 74]
Not no foolin' ner no fun;
Fur I 'm sweet on her, you see,
An' I ruther guess 'at she
Must be kinder sweet on me,
So we 're keepin' company.
Honest Injun! this is true,
Ever' word I 'm tellin' you!
But you won't be sich a scab
Ez to run aroun' an' blab.
Mebbe 't ain't the way with you,
But you know some fellers do.
Spoils a girl to let her know
'At you talk about her so.
Don't you know her? her name 's Liz,
Nicest girl in town she is.
Purty? ah, git out, you gilly—
Liz 'ud purt 'nigh knock you silly.
Y' ought 'o see her when she 's dressed
All up in her Sunday best,
All the fellers nudgin' me,
An' a-whisperin', gemunee!
Betcher life 'at I feel proud
When she passes by the crowd.
'T 's kinder nice to be a-goin'
With a girl 'at makes some showin'—
One you know 'at hain't no snide,
Makes you feel so satisfied.
An' I 'll tell you she 's a trump,
Never even seen her jump
Like some silly girls 'ud do,
When I 'd hide and holler "Boo!"
She 'd jest laff an' say "Git out!
What you hollerin' about?"
When some girls 'ud have a fit
That 'un don't git skeered a bit,
Never makes a bit o' row
When she sees a worm er cow.
Them kind 's few an' far between;
Bravest girl I ever seen.
Tell you 'nuther thing she 'll do,
Mebbe you won't think it 's true,
But if she 's jest got a dime
She 'll go halvers ever' time.
Ah, you goose, you need n't laff;
That's the kinder girl to have.
If you knowed her like I do,
Guess you 'd kinder like her too.
Tell you somep'n' if you 'll swear
You won't tell it anywhere.
Oh, you got to cross yer heart
Earnest, truly, 'fore I start.
Well, one day I kissed her cheek;
Gee, but I felt cheap an' weak,
'Cause at first she kinder flared,
'N', gracious goodness! I was scared.
But I need n't been, fer la!
Why, she never told her ma.
That's what I call grit, don't you?
Sich a girl's worth stickin' to.
Written by Paul Laurence Dunbar | Create an image from this poem

Encouragement

 WHO dat knockin' at de do'?
Why, Ike Johnson, -- yes, fu' sho!
Come in, Ike.
I's mighty glad You come down.
I t'ought you's mad At me 'bout de othah night, An' was stayin' 'way fu' spite.
Say, now, was you mad fu' true W'en I kin' o' laughed at you? Speak up, Ike, an' 'spress yo'se'f.
'T ain't no use a-lookin' sad, An' a-mekin' out you's mad; Ef you's gwine to be so glum, Wondah why you evah come.
I don't lak nobody 'roun' Dat jes' shet dey mouf an' frown,-- Oh, now, man, don't act a dunce! Cain't you talk? I tol' you once, Speak up, Ike, an' 'spress yo'se'f.
Wha'd you come hyeah fu' to-night? Body'd t'ink yo' haid ain't right.
I's done all dat I kin do,-- Dressed perticler, jes' fu' you; Reckon I'd 'a' bettah wo' My ol' ragged calico.
Aftah all de pains I's took, Cain't you tell me how I look? Speak up, Ike, an' 'spress yo'se'f.
Bless my soul! I 'mos' fu'got Tellin' you 'bout Tildy Scott.
Don't you know, come Thu'sday night, She gwine ma'y Lucius White? Miss Lize say I allus wuh Heap sight laklier 'n huh; An' she'll git me somep'n new, Ef I wants to ma'y too.
Speak up, Ike, an' 'spress yo'se'f.
I could ma'y in a week, Ef de man I wants 'ud speak.
Tildy's presents'll be fine, But dey would n't ekal mine.
Him whut gits me fu' a wife 'Ll be proud, you bet yo' life.
I's had offers; some ain't quit; But I has n't ma'ied yit! Speak up, Ike, an' 'spress yo'se'f.
Ike, I loves you,--yes, I does; You's my choice, and allus was.
Laffin' at you ain't no harm.
-- Go 'way, dahky, whaih's yo' arm? Hug me closer--dah, dat's right! Was n't you a awful sight, Havin' me to baig you so? Now ax whut you want to know,-- Speak up, Ike, an' 'spress yo'se'f!
Written by Sidney Lanier | Create an image from this poem

A Florida Ghost

 Down mildest shores of milk-white sand,
By cape and fair Floridian bay,
Twixt billowy pines -- a surf asleep on land --
And the great Gulf at play,

Past far-off palms that filmed to nought,
Or in and out the cunning keys
That laced the land like fragile patterns wrought
To edge old broideries,

The sail sighed on all day for joy,
The prow each pouting wave did leave
All smile and song, with sheen and ripple coy,
Till the dusk diver Eve

Brought up from out the brimming East
The oval moon, a perfect pearl.
In that large lustre all our haste surceased, The sail seemed fain to furl, The silent steersman landward turned, And ship and shore set breast to breast.
Under a palm wherethrough a planet burned We ate, and sank to rest.
But soon from sleep's dear death (it seemed) I rose and strolled along the sea Down silver distances that faintly gleamed On to infinity.
Till suddenly I paused, for lo! A shape (from whence I ne'er divined) Appeared before me, pacing to and fro, With head far down inclined.
`A wraith' (I thought) `that walks the shore To solve some old perplexity.
' Full heavy hung the draggled gown he wore; His hair flew all awry.
He waited not (as ghosts oft use) To be `dearheaven'd!' and `oh'd!' But briskly said: "Good-evenin'; what's the news? Consumption? After boa'd? "Or mebbe you're intendin' of Investments? Orange-plantin'? Pine? Hotel? or Sanitarium? What above This yea'th CAN be your line? "Speakin' of sanitariums, now, Jest look 'ee here, my friend: I know a little story, -- well, I swow, Wait till you hear the end! "Some year or more ago, I s'pose, I roamed from Maine to Floridy, And, -- see where them Palmettos grows? I bought that little key, "Cal'latin' for to build right off A c'lossal sanitarium: Big surf! Gulf breeze! Jest death upon a cough! -- I run it high, to hum! "Well, sir, I went to work in style: Bought me a steamboat, loaded it With my hotel (pyazers more'n a mile!) Already framed and fit, "Insured 'em, fetched 'em safe around, Put up my buildin', moored my boat, COM-plete! then went to bed and slept as sound As if I'd paid a note.
"Now on that very night a squall, Cum up from some'eres -- some bad place! An' blowed an' tore an' reared an' pitched an' all, -- I had to run a race "Right out o' bed from that hotel An' git to yonder risin' ground, For, 'twixt the sea that riz and rain that fell, I pooty nigh was drowned! "An' thar I stood till mornin' cum, Right on yon little knoll of sand, FreQUENTly wishin' I had stayed to hum Fur from this tarnal land.
"When mornin' cum, I took a good Long look, and -- well, sir, sure's I'm ME -- That boat laid right whar that hotel had stood, And HIT sailed out to sea! "No: I'll not keep you: good-bye, friend.
Don't think about it much, -- preehaps Your brain might git see-sawin', end for end, Like them asylum chaps, "For here *I* walk, forevermore, A-tryin' to make it gee, How one same wind could blow my ship to shore And my hotel to sea!"

Book: Shattered Sighs