Written by
William Shakespeare |
Not marble, nor the gilded monuments
Of princes, shall outlive this powerful rhyme;
But you shall shine more bright in these contènts
Than unswept stone, besmeared with sluttish time.
When wasteful war shall statues overturn,
And broils root out the work of masonry,
Nor Mars his sword nor war's quick fire shall burn
The living record of your memory.
'Gainst death and all-oblivious enmity
Shall you pace forth; your praise shall still find room
Even in the eyes of all posterity
That wear this world out to the ending doom.
So, till the judgment that yourself arise,
You live in this, and dwell in lovers' eyes.
|
Written by
Henry Wadsworth Longfellow |
Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-Five:
Hardly a man is now alive
Who remembers that famous day and year.
He said to his friend, "If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry-arch
Of the North-Church-tower, as a signal-light,--
One if by land, and two if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country-folk to be up and to arm.
"
Then he said "Good night!" and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war:
A phantom ship, with each mast and spar
Across the moon, like a prison-bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.
Meanwhile, his friend, through alley and street
Wanders and watches with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers
Marching down to their boats on the shore.
Then he climbed to the tower of the church,
Up the wooden stairs, with stealthy tread,
To the belfry-chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,--
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town,
And the moonlight flowing over all.
Beneath, in the churchyard, lay the dead,
In their night-encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel's tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, "All is well!"
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay, --
A line of black, that bends and floats
On the rising tide, like a bridge of boats.
Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride,
On the opposite shore walked Paul Revere.
Now he patted his horse's side,
Now gazed on the landscape far and near,
Then impetuous stamped the earth,
And turned and tightened his saddle-girth;
But mostly he watched with eager search
The belfry-tower of the old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry's height,
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns!
A hurry of hoofs in a village-street,
A shape in the moonlight, a bulk in the dark,
And beneath from the pebbles, in passing, a spark
Struck out by a steed that flies fearless and fleet:
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders, that skirt its edge,
Now soft on the sand, now load on the ledge,
Is heard the tramp of his steed as he rides.
It was twelve by the village clock
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer's dog,
And felt the damp of the river-fog,
That rises when the sun goes down.
It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, blank and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.
It was two by the village clock,
When be came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadows brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket-ball.
You know the rest.
In the books you have read,
How the British Regulars fired and fled,--
How the farmers gave them ball for ball,
From behind each fence and farmyard-wall,
Chasing the red-coats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.
So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,--
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo forevermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.
|
Written by
William Wordsworth |
A simple child, dear brother Jim,
That lightly draws its breath,
And feels its life in every limb,
What should it know of death?
I met a little cottage girl,
She was eight years old, she said;
Her hair was thick with many a curl
That cluster'd round her head.
She had a rustic, woodland air,
And she was wildly clad;
Her eyes were fair, and very fair,
—Her beauty made me glad.
"Sisters and brothers, little maid,
How many may you be?"
"How many? seven in all," she said,
And wondering looked at me.
"And where are they, I pray you tell?"
She answered, "Seven are we,
And two of us at Conway dwell,
And two are gone to sea.
"
"Two of us in the church-yard lie,
My sister and my brother,
And in the church-yard cottage, I
Dwell near them with my mother.
"
"You say that two at Conway dwell,
And two are gone to sea,
Yet you are seven; I pray you tell
Sweet Maid, how this may be?"
Then did the little Maid reply,
"Seven boys and girls are we;
Two of us in the church-yard lie,
Beneath the church-yard tree.
"
"You run about, my little maid,
Your limbs they are alive;
If two are in the church-yard laid,
Then ye are only five.
"
"Their graves are green, they may be seen,"
The little Maid replied,
"Twelve steps or more from my mother's door,
And they are side by side.
"
"My stockings there I often knit,
My 'kerchief there I hem;
And there upon the ground I sit—
I sit and sing to them.
"
"And often after sunset, Sir,
When it is light and fair,
I take my little porringer,
And eat my supper there.
"
"The first that died was little Jane;
In bed she moaning lay,
Till God released her of her pain,
And then she went away.
"
"So in the church-yard she was laid,
And all the summer dry,
Together round her grave we played,
My brother John and I.
"
"And when the ground was white with snow,
And I could run and slide,
My brother John was forced to go,
And he lies by her side.
"
"How many are you then," said I,
"If they two are in Heaven?"
The little Maiden did reply,
"O Master! we are seven.
"
"But they are dead; those two are dead!
Their spirits are in heaven!"
'Twas throwing words away; for still
The little Maid would have her will,
And said, "Nay, we are seven!"
ANECDOTE for FATHERS,
Shewing how the practice of Lying may be taught.
I have a boy of five years old,
His face is fair and fresh to see;
His limbs are cast in beauty's mould,
And dearly he loves me.
One morn we stroll'd on our dry walk,
Our quiet house all full in view,
And held such intermitted talk
As we are wont to do.
My thoughts on former pleasures ran;
I thought of Kilve's delightful shore,
My pleasant home, when Spring began,
A long, long year before.
A day it was when I could bear
To think, and think, and think again;
With so much happiness to spare,
I could not feel a pain.
My boy was by my side, so slim
And graceful in his rustic dress!
And oftentimes I talked to him
In very idleness.
The young lambs ran a pretty race;
The morning sun shone bright and warm;
"Kilve," said I, "was a pleasant place,
And so is Liswyn farm.
"
"My little boy, which like you more,"
I said and took him by the arm—
"Our home by Kilve's delightful shore,
Or here at Liswyn farm?"
"And tell me, had you rather be,"
I said and held-him by the arm,
"At Kilve's smooth shore by the green sea,
Or here at Liswyn farm?"
In careless mood he looked at me,
While still I held him by the arm,
And said, "At Kilve I'd rather be
Than here at Liswyn farm.
"
"Now, little Edward, say why so;
My little Edward, tell me why;"
"I cannot tell, I do not know.
"
"Why this is strange," said I.
"For, here are woods and green hills warm:
There surely must some reason be
Why you would change sweet Liswyn farm,
For Kilve by the green sea.
"
At this, my boy hung down his head,
He blush'd with shame, nor made reply;
And five times to the child I said,
"Why, Edward, tell me, why?"
His head he raised—there was in sight,
It caught his eye, he saw it plain—
Upon the house-top, glittering bright,
A broad and gilded vane.
Then did the boy his tongue unlock,
And thus to me he made reply;
"At Kilve there was no weather-cock,
And that's the reason why.
"
Oh dearest, dearest boy! my heart
For better lore would seldom yearn
Could I but teach the hundredth part
Of what from thee I learn.
LINES
Written at a small distance from my House, and sent by
my little boy to the person to whom they are addressed.
It is the first mild day of March:
Each minute sweeter than before,
The red-breast sings from the tall larch
That stands beside our door.
There is a blessing in the air,
Which seems a sense of joy to yield
To the bare trees, and mountains bare,
And grass in the green field.
My Sister! ('tis a wish of mine)
Now that our morning meal is done,
Make haste, your morning task resign;
Come forth and feel the sun.
Edward will come with you, and pray,
Put on with speed your woodland dress,
And bring no book, for this one day
We'll give to idleness.
No joyless forms shall regulate
Our living Calendar:
We from to-day, my friend, will date
The opening of the year.
Love, now an universal birth,
From heart to heart is stealing,
From earth to man, from man to earth,
—It is the hour of feeling.
One moment now may give us more
Than fifty years of reason;
Our minds shall drink at every pore
The spirit of the season.
Some silent laws our hearts may make,
Which they shall long obey;
We for the year to come may take
Our temper from to-day.
And from the blessed power that rolls
About, below, above;
We'll frame the measure of our souls,
They shall be tuned to love.
Then come, my sister I come, I pray,
With speed put on your woodland dress,
And bring no book; for this one day
We'll give to idleness.
|
Written by
Ogden Nash |
The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell's own flame
Illumes the lobby garish,
A gilded snare just off Times Square
For the maidens of the parish.
The revolving door swept the grimy floor
Like a crinoline grotesque,
And a lowly bum from an ancient slum
Crept furtively past the desk.
His footsteps sift into the lift
As a knife in the sheath is slipped,
Stealthy and swift into the lift
As a vampire into a crypt.
Old Maxie, the elevator boy,
Was reading an ode by Shelley,
But he dropped the ode as it were a toad
When the gun jammed into his belly.
There came a whisper as soft as mud
In the bed of an old canal:
"Take me up to the suite of Pinball Pete,
The rat who betrayed my gal.
"
The lift doth rise with groans and sighs
Like a duchess for the waltz,
Then in middle shaft, like a duchess daft,
It changes its mind and halts.
The bum bites lip as the landlocked ship
Doth neither fall nor rise,
But Maxie the elevator boy
Regards him with burning eyes.
"First, to explore the thirteenth floor,"
Says Maxie, "would be wise.
"
Quoth the bum, "There is moss on your double cross,
I have been this way before,
I have cased the joint at every point,
And there is no thirteenth floor.
The architect he skipped direct
From twelve unto fourteen,
There is twelve below and fourteen above,
And nothing in between,
For the vermin who dwell in this hotel
Could never abide thirteen.
"
Said Max, "Thirteen, that floor obscene,
Is hidden from human sight;
But once a year it doth appear,
On this Walpurgis Night.
Ere you peril your soul in murderer's role,
Heed those who sinned of yore;
The path they trod led away from God,
And onto the thirteenth floor,
Where those they slew, a grisly crew,
Reproach them forevermore.
"We are higher than twelve and below fourteen,"
Said Maxie to the bum,
"And the sickening draft that taints the shaft
Is a whiff of kingdom come.
The sickening draft that taints the shaft
Blows through the devil's door!"
And he squashed the latch like a fungus patch,
And revealed the thirteenth floor.
It was cheap cigars like lurid scars
That glowed in the rancid gloom,
The murk was a-boil with fusel oil
And the reek of stale perfume.
And round and round there dragged and wound
A loathsome conga chain,
The square and the hep in slow lock step,
The slayer and the slain.
(For the souls of the victims ascend on high,
But their bodies below remain.
)
The clean souls fly to their home in the sky,
But their bodies remain below
To pursue the Cain who each has slain
And harry him to and fro.
When life is extinct each corpse is linked
To its gibbering murderer,
As a chicken is bound with wire around
The neck of a killer cur.
Handcuffed to Hate come Doctor Waite
(He tastes the poison now),
And Ruth and Judd and a head of blood
With horns upon its brow.
Up sashays Nan with her feathery fan
From Floradora bright;
She never hung for Caesar Young
But she's dancing with him tonight.
Here's the bulging hip and the foam-flecked lip
Of the mad dog, Vincent Coll,
And over there that ill-met pair,
Becker and Rosenthal,
Here's Legs and Dutch and a dozen such
Of braggart bullies and brutes,
And each one bends 'neath the weight of friends
Who are wearing concrete suits.
Now the damned make way for the double-damned
Who emerge with shuffling pace
From the nightmare zone of persons unknown,
With neither name nor face.
And poor Dot King to one doth cling,
Joined in a ghastly jig,
While Elwell doth jape at a goblin shape
And tickle it with his wig.
See Rothstein pass like breath on a glass,
The original Black Sox kid;
He riffles the pack, riding piggyback
On the killer whose name he hid.
And smeared like brine on a slavering swine,
Starr Faithful, once so fair,
Drawn from the sea to her debauchee,
With the salt sand in her hair.
And still they come, and from the bum
The icy sweat doth spray;
His white lips scream as in a dream,
"For God's sake, let's away!
If ever I meet with Pinball Pete
I will not seek his gore,
Lest a treadmill grim I must trudge with him
On the hideous thirteenth floor.
"
"For you I rejoice," said Maxie's voice,
"And I bid you go in peace,
But I am late for a dancing date
That nevermore will cease.
So remember, friend, as your way you wend,
That it would have happened to you,
But I turned the heat on Pinball Pete;
You see - I had a daughter, too!"
The bum reached out and he tried to shout,
But the door in his face was slammed,
And silent as stone he rode down alone
From the floor of the double-damned.
|
Written by
Oscar Wilde |
Nay, let us walk from fire unto fire,
From passionate pain to deadlier delight, -
I am too young to live without desire,
Too young art thou to waste this summer night
Asking those idle questions which of old
Man sought of seer and oracle, and no reply was told.
For, sweet, to feel is better than to know,
And wisdom is a childless heritage,
One pulse of passion - youth's first fiery glow, -
Are worth the hoarded proverbs of the sage:
Vex not thy soul with dead philosophy,
Have we not lips to kiss with, hearts to love and eyes to see!
Dost thou not hear the murmuring nightingale,
Like water bubbling from a silver jar,
So soft she sings the envious moon is pale,
That high in heaven she is hung so far
She cannot hear that love-enraptured tune, -
Mark how she wreathes each horn with mist, yon late and labouring
moon.
White lilies, in whose cups the gold bees dream,
The fallen snow of petals where the breeze
Scatters the chestnut blossom, or the gleam
Of boyish limbs in water, - are not these
Enough for thee, dost thou desire more?
Alas! the Gods will give nought else from their eternal store.
For our high Gods have sick and wearied grown
Of all our endless sins, our vain endeavour
For wasted days of youth to make atone
By pain or prayer or priest, and never, never,
Hearken they now to either good or ill,
But send their rain upon the just and the unjust at will.
They sit at ease, our Gods they sit at ease,
Strewing with leaves of rose their scented wine,
They sleep, they sleep, beneath the rocking trees
Where asphodel and yellow lotus twine,
Mourning the old glad days before they knew
What evil things the heart of man could dream, and dreaming do.
And far beneath the brazen floor they see
Like swarming flies the crowd of little men,
The bustle of small lives, then wearily
Back to their lotus-haunts they turn again
Kissing each others' mouths, and mix more deep
The poppy-seeded draught which brings soft purple-lidded sleep.
There all day long the golden-vestured sun,
Their torch-bearer, stands with his torch ablaze,
And, when the gaudy web of noon is spun
By its twelve maidens, through the crimson haze
Fresh from Endymion's arms comes forth the moon,
And the immortal Gods in toils of mortal passions swoon.
There walks Queen Juno through some dewy mead,
Her grand white feet flecked with the saffron dust
Of wind-stirred lilies, while young Ganymede
Leaps in the hot and amber-foaming must,
His curls all tossed, as when the eagle bare
The frightened boy from Ida through the blue Ionian air.
There in the green heart of some garden close
Queen Venus with the shepherd at her side,
Her warm soft body like the briar rose
Which would be white yet blushes at its pride,
Laughs low for love, till jealous Salmacis
Peers through the myrtle-leaves and sighs for pain of lonely bliss.
There never does that dreary north-wind blow
Which leaves our English forests bleak and bare,
Nor ever falls the swift white-feathered snow,
Nor ever doth the red-toothed lightning dare
To wake them in the silver-fretted night
When we lie weeping for some sweet sad sin, some dead delight.
Alas! they know the far Lethaean spring,
The violet-hidden waters well they know,
Where one whose feet with tired wandering
Are faint and broken may take heart and go,
And from those dark depths cool and crystalline
Drink, and draw balm, and sleep for sleepless souls, and anodyne.
But we oppress our natures, God or Fate
Is our enemy, we starve and feed
On vain repentance - O we are born too late!
What balm for us in bruised poppy seed
Who crowd into one finite pulse of time
The joy of infinite love and the fierce pain of infinite crime.
O we are wearied of this sense of guilt,
Wearied of pleasure's paramour despair,
Wearied of every temple we have built,
Wearied of every right, unanswered prayer,
For man is weak; God sleeps: and heaven is high:
One fiery-coloured moment: one great love; and lo! we die.
Ah! but no ferry-man with labouring pole
Nears his black shallop to the flowerless strand,
No little coin of bronze can bring the soul
Over Death's river to the sunless land,
Victim and wine and vow are all in vain,
The tomb is sealed; the soldiers watch; the dead rise not again.
We are resolved into the supreme air,
We are made one with what we touch and see,
With our heart's blood each crimson sun is fair,
With our young lives each spring-impassioned tree
Flames into green, the wildest beasts that range
The moor our kinsmen are, all life is one, and all is change.
With beat of systole and of diastole
One grand great life throbs through earth's giant heart,
And mighty waves of single Being roll
From nerveless germ to man, for we are part
Of every rock and bird and beast and hill,
One with the things that prey on us, and one with what we kill.
From lower cells of waking life we pass
To full perfection; thus the world grows old:
We who are godlike now were once a mass
Of quivering purple flecked with bars of gold,
Unsentient or of joy or misery,
And tossed in terrible tangles of some wild and wind-swept sea.
This hot hard flame with which our bodies burn
Will make some meadow blaze with daffodil,
Ay! and those argent breasts of thine will turn
To water-lilies; the brown fields men till
Will be more fruitful for our love to-night,
Nothing is lost in nature, all things live in Death's despite.
The boy's first kiss, the hyacinth's first bell,
The man's last passion, and the last red spear
That from the lily leaps, the asphodel
Which will not let its blossoms blow for fear
Of too much beauty, and the timid shame
Of the young bridegroom at his lover's eyes, - these with the same
One sacrament are consecrate, the earth
Not we alone hath passions hymeneal,
The yellow buttercups that shake for mirth
At daybreak know a pleasure not less real
Than we do, when in some fresh-blossoming wood,
We draw the spring into our hearts, and feel that life is good.
So when men bury us beneath the yew
Thy crimson-stained mouth a rose will be,
And thy soft eyes lush bluebells dimmed with dew,
And when the white narcissus wantonly
Kisses the wind its playmate some faint joy
Will thrill our dust, and we will be again fond maid and boy.
And thus without life's conscious torturing pain
In some sweet flower we will feel the sun,
And from the linnet's throat will sing again,
And as two gorgeous-mailed snakes will run
Over our graves, or as two tigers creep
Through the hot jungle where the yellow-eyed huge lions sleep
And give them battle! How my heart leaps up
To think of that grand living after death
In beast and bird and flower, when this cup,
Being filled too full of spirit, bursts for breath,
And with the pale leaves of some autumn day
The soul earth's earliest conqueror becomes earth's last great
prey.
O think of it! We shall inform ourselves
Into all sensuous life, the goat-foot Faun,
The Centaur, or the merry bright-eyed Elves
That leave their dancing rings to spite the dawn
Upon the meadows, shall not be more near
Than you and I to nature's mysteries, for we shall hear
The thrush's heart beat, and the daisies grow,
And the wan snowdrop sighing for the sun
On sunless days in winter, we shall know
By whom the silver gossamer is spun,
Who paints the diapered fritillaries,
On what wide wings from shivering pine to pine the eagle flies.
Ay! had we never loved at all, who knows
If yonder daffodil had lured the bee
Into its gilded womb, or any rose
Had hung with crimson lamps its little tree!
Methinks no leaf would ever bud in spring,
But for the lovers' lips that kiss, the poets' lips that sing.
Is the light vanished from our golden sun,
Or is this daedal-fashioned earth less fair,
That we are nature's heritors, and one
With every pulse of life that beats the air?
Rather new suns across the sky shall pass,
New splendour come unto the flower, new glory to the grass.
And we two lovers shall not sit afar,
Critics of nature, but the joyous sea
Shall be our raiment, and the bearded star
Shoot arrows at our pleasure! We shall be
Part of the mighty universal whole,
And through all aeons mix and mingle with the Kosmic Soul!
We shall be notes in that great Symphony
Whose cadence circles through the rhythmic spheres,
And all the live World's throbbing heart shall be
One with our heart; the stealthy creeping years
Have lost their terrors now, we shall not die,
The Universe itself shall be our Immortality.
|
Written by
Sylvia Plath |
In the rectory garden on his evening walk
Paced brisk Father Shawn.
A cold day, a sodden one it was
In black November.
After a sliding rain
Dew stood in chill sweat on each stalk,
Each thorn; spiring from wet earth, a blue haze
Hung caught in dark-webbed branches like a fabulous heron.
Hauled sudden from solitude,
Hair prickling on his head,
Father Shawn perceived a ghost
Shaping itself from that mist.
'How now,' Father Shawn crisply addressed the ghost
Wavering there, gauze-edged, smelling of woodsmoke,
'What manner of business are you on?
From your blue pallor, I'd say you inhabited the frozen waste
Of hell, and not the fiery part.
Yet to judge by that dazzled look,
That noble mien, perhaps you've late quitted heaven?'
In voice furred with frost,
Ghost said to priest:
'Neither of those countries do I frequent:
Earth is my haunt.
'
'Come, come,' Father Shawn gave an impatient shrug,
'I don't ask you to spin some ridiculous fable
Of gilded harps or gnawing fire: simply tell
After your life's end, what just epilogue
God ordained to follow up your days.
Is it such trouble
To satisfy the questions of a curious old fool?'
'In life, love gnawed my skin
To this white bone;
What love did then, love does now:
Gnaws me through.
'
'What love,' asked Father Shawn, 'but too great love
Of flawed earth-flesh could cause this sorry pass?
Some damned condition you are in:
Thinking never to have left the world, you grieve
As though alive, shriveling in torment thus
To atone as shade for sin that lured blind man.
'
'The day of doom
Is not yest come.
Until that time
A crock of dust is my dear hom.
'
'Fond phantom,' cried shocked Father Shawn,
'Can there be such stubbornness--
A soul grown feverish, clutching its dead body-tree
Like a last storm-crossed leaf? Best get you gone
To judgment in a higher court of grace.
Repent, depart, before God's trump-crack splits the sky.
'
From that pale mist
Ghost swore to priest:
'There sits no higher court
Than man's red heart.
'
|
Written by
Sir Walter Raleigh |
Farewell false love, the oracle of lies,
A mortal foe and enemy to rest,
An envious boy, from whom all cares arise,
A bastard vile, a beast with rage possessed,
A way of error, a temple full of treason,
In all effects contrary unto reason.
A poisoned serpent covered all with flowers,
Mother of sighs, and murderer of repose,
A sea of sorrows whence are drawn such showers
As moisture lend to every grief that grows;
A school of guile, a net of deep deceit,
A gilded hook that holds a poisoned bait.
A fortress foiled, which reason did defend,
A siren song, a fever of the mind,
A maze wherein affection finds no end,
A raging cloud that runs before the wind,
A substance like the shadow of the sun,
A goal of grief for which the wisest run.
A quenchless fire, a nurse of trembling fear,
A path that leads to peril and mishap,
A true retreat of sorrow and despair,
An idle boy that sleeps in pleasure's lap,
A deep mistrust of that which certain seems,
A hope of that which reason doubtful deems.
Sith* then thy trains my younger years betrayed, [since]
And for my faith ingratitude I find;
And sith repentance hath my wrongs bewrayed*, [revealed]
Whose course was ever contrary to kind*: [nature]
False love, desire, and beauty frail, adieu.
Dead is the root whence all these fancies grew.
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Written by
T S (Thomas Stearns) Eliot |
I
Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man's gift and that man's scope
I no longer strive to strive towards such things
(Why should the agèd eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?
Because I do not hope to know
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink
There, where trees flower, and springs flow, for there is
nothing again
Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessèd face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice
And pray to God to have mercy upon us
And pray that I may forget
These matters that with myself I too much discuss
Too much explain
Because I do not hope to turn again
Let these words answer
For what is done, not to be done again
May the judgement not be too heavy upon us
Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care Teach us to sit still.
Pray for us sinners now and at the hour of our death
Pray for us now and at the hour of our death.
II
Lady, three white leopards sat under a juniper-tree
In the cool of the day, having fed to sateity
On my legs my heart my liver and that which had been
contained
In the hollow round of my skull.
And God said
Shall these bones live? shall these
Bones live? And that which had been contained
In the bones (which were already dry) said chirping:
Because of the goodness of this Lady
And because of her loveliness, and because
She honours the Virgin in meditation,
We shine with brightness.
And I who am here dissembled
Proffer my deeds to oblivion, and my love
To the posterity of the desert and the fruit of the gourd.
It is this which recovers
My guts the strings of my eyes and the indigestible portions
Which the leopards reject.
The Lady is withdrawn
In a white gown, to contemplation, in a white gown.
Let the whiteness of bones atone to forgetfulness.
There is no life in them.
As I am forgotten
And would be forgotten, so I would forget
Thus devoted, concentrated in purpose.
And God said
Prophesy to the wind, to the wind only for only
The wind will listen.
And the bones sang chirping
With the burden of the grasshopper, saying
Lady of silences
Calm and distressed
Torn and most whole
Rose of memory
Rose of forgetfulness
Exhausted and life-giving
Worried reposeful
The single Rose
Is now the Garden
Where all loves end
Terminate torment
Of love unsatisfied
The greater torment
Of love satisfied
End of the endless
Journey to no end
Conclusion of all that
Is inconclusible
Speech without word and
Word of no speech
Grace to the Mother
For the Garden
Where all love ends.
Under a juniper-tree the bones sang, scattered and shining
We are glad to be scattered, we did little good to each
other,
Under a tree in the cool of day, with the blessing of sand,
Forgetting themselves and each other, united
In the quiet of the desert.
This is the land which ye
Shall divide by lot.
And neither division nor unity
Matters.
This is the land.
We have our inheritance.
III
At the first turning of the second stair
I turned and saw below
The same shape twisted on the banister
Under the vapour in the fetid air
Struggling with the devil of the stairs who wears
The deceitul face of hope and of despair.
At the second turning of the second stair
I left them twisting, turning below;
There were no more faces and the stair was dark,
Damp, jaggèd, like an old man's mouth drivelling, beyond
repair,
Or the toothed gullet of an agèd shark.
At the first turning of the third stair
Was a slotted window bellied like the figs's fruit
And beyond the hawthorn blossom and a pasture scene
The broadbacked figure drest in blue and green
Enchanted the maytime with an antique flute.
Blown hair is sweet, brown hair over the mouth blown,
Lilac and brown hair;
Distraction, music of the flute, stops and steps of the mind
over the third stair,
Fading, fading; strength beyond hope and despair
Climbing the third stair.
Lord, I am not worthy
Lord, I am not worthy
but speak the word only.
IV
Who walked between the violet and the violet
Whe walked between
The various ranks of varied green
Going in white and blue, in Mary's colour,
Talking of trivial things
In ignorance and knowledge of eternal dolour
Who moved among the others as they walked,
Who then made strong the fountains and made fresh the springs
Made cool the dry rock and made firm the sand
In blue of larkspur, blue of Mary's colour,
Sovegna vos
Here are the years that walk between, bearing
Away the fiddles and the flutes, restoring
One who moves in the time between sleep and waking, wearing
White light folded, sheathing about her, folded.
The new years walk, restoring
Through a bright cloud of tears, the years, restoring
With a new verse the ancient rhyme.
Redeem
The time.
Redeem
The unread vision in the higher dream
While jewelled unicorns draw by the gilded hearse.
The silent sister veiled in white and blue
Between the yews, behind the garden god,
Whose flute is breathless, bent her head and signed but spoke
no word
But the fountain sprang up and the bird sang down
Redeem the time, redeem the dream
The token of the word unheard, unspoken
Till the wind shake a thousand whispers from the yew
And after this our exile
V
If the lost word is lost, if the spent word is spent
If the unheard, unspoken
Word is unspoken, unheard;
Still is the unspoken word, the Word unheard,
The Word without a word, the Word within
The world and for the world;
And the light shone in darkness and
Against the Word the unstilled world still whirled
About the centre of the silent Word.
O my people, what have I done unto thee.
Where shall the word be found, where will the word
Resound? Not here, there is not enough silence
Not on the sea or on the islands, not
On the mainland, in the desert or the rain land,
For those who walk in darkness
Both in the day time and in the night time
The right time and the right place are not here
No place of grace for those who avoid the face
No time to rejoice for those who walk among noise and deny
the voice
Will the veiled sister pray for
Those who walk in darkness, who chose thee and oppose thee,
Those who are torn on the horn between season and season,
time and time, between
Hour and hour, word and word, power and power, those who wait
In darkness? Will the veiled sister pray
For children at the gate
Who will not go away and cannot pray:
Pray for those who chose and oppose
O my people, what have I done unto thee.
Will the veiled sister between the slender
Yew trees pray for those who offend her
And are terrified and cannot surrender
And affirm before the world and deny between the rocks
In the last desert before the last blue rocks
The desert in the garden the garden in the desert
Of drouth, spitting from the mouth the withered apple-seed.
O my people.
VI
Although I do not hope to turn again
Although I do not hope
Although I do not hope to turn
Wavering between the profit and the loss
In this brief transit where the dreams cross
The dreamcrossed twilight between birth and dying
(Bless me father) though I do not wish to wish these things
From the wide window towards the granite shore
The white sails still fly seaward, seaward flying
Unbroken wings
And the lost heart stiffens and rejoices
In the lost lilac and the lost sea voices
And the weak spirit quickens to rebel
For the bent golden-rod and the lost sea smell
Quickens to recover
The cry of quail and the whirling plover
And the blind eye creates
The empty forms between the ivory gates
And smell renews the salt savour of the sandy earth
This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks
But when the voices shaken from the yew-tree drift away
Let the other yew be shaken and reply.
Blessèd sister, holy mother, spirit of the fountain, spirit
of the garden,
Suffer us not to mock ourselves with falsehood
Teach us to care and not to care
Teach us to sit still
Even among these rocks,
Our peace in His will
And even among these rocks
Sister, mother
And spirit of the river, spirit of the sea,
Suffer me not to be separated
And let my cry come unto Thee.
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Written by
Emily Dickinson |
A Clock stopped --
Not the Mantel's --
Geneva's farthest skill
Can't put the puppet bowing --
That just now dangled still --
An awe came on the Trinket!
The Figures hunched, with pain --
Then quivered out of Decimals --
Into Degreeless Noon --
It will not stir for Doctors --
This Pendulum of snow --
This Shopman importunes it --
While cool -- concernless No --
Nods from the Gilded pointers --
Nods from the Seconds slim --
Decades of Arrogance between
The Dial life --
And Him --
|
Written by
Victor Hugo |
("Un lion avait pris un enfant.")
{XIII.}
A Lion in his jaws caught up a child—
Not harming it—and to the woodland, wild
With secret streams and lairs, bore off his prey—
The beast, as one might cull a bud in May.
It was a rosy boy, a king's own pride,
A ten-year lad, with bright eyes shining wide,
And save this son his majesty beside
Had but one girl, two years of age, and so
The monarch suffered, being old, much woe;
His heir the monster's prey, while the whole land
In dread both of the beast and king did stand;
Sore terrified were all.
By came a knight
That road, who halted, asking, "What's the fright?"
They told him, and he spurred straight for the site!
The beast was seen to smile ere joined they fight,
The man and monster, in most desperate duel,
Like warring giants, angry, huge, and cruel. Beneath his shield, all blood and mud and mess:
Whereat the lion feasted: then it went
Back to its rocky couch and slept content.
Sudden, loud cries and clamors! striking out
Qualm to the heart of the quiet, horn and shout
Causing the solemn wood to reel with rout.
Terrific was this noise that rolled before;
It seemed a squadron; nay, 'twas something more—
A whole battalion, sent by that sad king
With force of arms his little prince to bring,
Together with the lion's bleeding hide.
Which here was right or wrong? Who can decide?
Have beasts or men most claim to live? God wots!
He is the unit, we the cipher-dots.
Ranged in the order a great hunt should have,
They soon between the trunks espy the cave.
"Yes, that is it! the very mouth of the den!"
The trees all round it muttered, warning men;
Still they kept step and neared it. Look you now,
Company's pleasant, and there were a thou—
Good Lord! all in a moment, there's its face!
Frightful! they saw the lion! Not one pace
Further stirred any man; but bolt and dart
Made target of the beast. He, on his part,
As calm as Pelion in the rain or hail,
Bristled majestic from the teeth to tail,
And shook full fifty missiles from his hide,
But no heed took he; steadfastly he eyed,
And roared a roar, hoarse, vibrant, vengeful, dread,
A rolling, raging peal of wrath, which spread,
Making the half-awakened thunder cry,
"Who thunders there?" from its black bed of sky.
This ended all! Sheer horror cleared the coast;
As fogs are driven by the wind, that valorous host
Melted, dispersed to all the quarters four,
Clean panic-stricken by that monstrous roar.
Then quoth the lion, "Woods and mountains, see,
A thousand men, enslaved, fear one beast free!"
He followed towards the hill, climbed high above,
Lifted his voice, and, as the sowers sow
The seed down wind, thus did that lion throw
His message far enough the town to reach:
"King! your behavior really passes speech!
Thus far no harm I've wrought to him your son;
But now I give you notice—when night's done,
I will make entry at your city-gate,
Bringing the prince alive; and those who wait
To see him in my jaws—your lackey-crew—
Shall see me eat him in your palace, too!"
Next morning, this is what was viewed in town:
Dawn coming—people going—some adown
Praying, some crying; pallid cheeks, swift feet,
And a huge lion stalking through the street.
It seemed scarce short of rash impiety
To cross its path as the fierce beast went by.
So to the palace and its gilded dome
With stately steps unchallenged did he roam;
He enters it—within those walls he leapt!
No man!
For certes, though he raged and wept,
His majesty, like all, close shelter kept,
Solicitous to live, holding his breath
Specially precious to the realm. Now death
Is not thus viewed by honest beasts of prey;
And when the lion found him fled away,
Ashamed to be so grand, man being so base,
He muttered to himself, "A wretched king!
'Tis well; I'll eat his boy!" Then, wandering,
Lordly he traversed courts and corridors,
Paced beneath vaults of gold on shining floors,
Glanced at the throne deserted, stalked from hall
To hall—green, yellow, crimson—empty all!
Rich couches void, soft seats unoccupied!
And as he walked he looked from side to side
To find some pleasant nook for his repast,
Since appetite was come to munch at last
The princely morsel!—Ah! what sight astounds
That grisly lounger?
In the palace grounds
An alcove on a garden gives, and there
A tiny thing—forgot in the general fear,
Lulled in the flower-sweet dreams of infancy,
Bathed with soft sunlight falling brokenly
Through leaf and lattice—was at that moment waking;
A little lovely maid, most dear and taking,
The prince's sister—all alone, undressed—
She sat up singing: children sing so best.
Charming this beauteous baby-maid; and so
The beast caught sight of her and stopped—
And then
Entered—the floor creaked as he stalked straight in.
Above the playthings by the little bed
The lion put his shaggy, massive head,
Dreadful with savage might and lordly scorn,
More dreadful with that princely prey so borne;
Which she, quick spying, "Brother, brother!" cried,
"Oh, my own brother!" and, unterrified,
She gazed upon that monster of the wood,
Whose yellow balls not Typhon had withstood,
And—well! who knows what thoughts these small heads hold?
She rose up in her cot—full height, and bold,
And shook her pink fist angrily at him.
Whereon—close to the little bed's white rim,
All dainty silk and laces—this huge brute
Set down her brother gently at her foot,
Just as a mother might, and said to her,
"Don't be put out, now! There he is, dear, there!"
EDWIN ARNOLD, C.S.I.
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