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Best Famous Garland Poems

Here is a collection of the all-time best famous Garland poems. This is a select list of the best famous Garland poetry. Reading, writing, and enjoying famous Garland poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of garland poems.

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Written by Emily Brontë | Create an image from this poem

Love and Friendship

 Love is like the wild rose-briar,
Friendship like the holly-tree --
The holly is dark when the rose-briar blooms
But which will bloom most contantly?
The wild-rose briar is sweet in the spring,
Its summer blossoms scent the air;
Yet wait till winter comes again
And who wil call the wild-briar fair?
Then scorn the silly rose-wreath now
And deck thee with the holly's sheen,
That when December blights thy brow
He may still leave thy garland green.


Written by Aleister Crowley | Create an image from this poem

A Birthday

 "Aug.
" 10, 1911.
Full moon to-night; and six and twenty years Since my full moon first broke from angel spheres! A year of infinite love unwearying --- No circling seasons, but perennial spring! A year of triumph trampling through defeat, The first made holy and the last made sweet By this same love; a year of wealth and woe, Joy, poverty, health, sickness --- all one glow In the pure light that filled our firmament Of supreme silence and unbarred extent, Wherein one sacrament was ours, one Lord, One resurrection, one recurrent chord, One incarnation, one descending dove, All these being one, and that one being Love! You sent your spirit into tunes; my soul Yearned in a thousand melodies to enscroll Its happiness: I left no flower unplucked That might have graced your garland.
I induct Tragedy, comedy, farce, fable, song, Each longing a little, each a little long, But each aspiring only to express Your excellence and my unworthiness --- Nay! but my worthiness, since I was sense And spirit too of that same excellence.
So thus we solved the earth's revolving riddle: I could write verse, and you could play the fiddle, While, as for love, the sun went through the signs, And not a star but told him how love twines A wreath for every decanate, degree, Minute and second, linked eternally In chains of flowers that never fading are, Each one as sempiternal as a star.
Let me go back to your last birthday.
Then I was already your one man of men Appointed to complete you, and fulfil From everlasting the eternal will.
We lay within the flood of crimson light In my own balcony that August night, And conjuring the aright and the averse Created yet another universe.
We worked together; dance and rite and spell Arousing heaven and constraining hell.
We lived together; every hour of rest Was honied from your tiger-lily breast.
We --- oh what lingering doubt or fear betrayed My life to fate! --- we parted.
Was I afraid? I was afraid, afraid to live my love, Afraid you played the serpent, I the dove, Afraid of what I know not.
I am glad Of all the shame and wretchedness I had, Since those six weeks have taught me not to doubt you, And also that I cannot live without you.
Then I came back to you; black treasons rear Their heads, blind hates, deaf agonies of fear, Cruelty, cowardice, falsehood, broken pledges, The temple soiled with senseless sacrileges, Sickness and poverty, a thousand evils, Concerted malice of a million devils; --- You never swerved; your high-pooped galleon Went marvellously, majestically on Full-sailed, while every other braver bark Drove on the rocks, or foundered in the dark.
Then Easter, and the days of all delight! God's sun lit noontide and his moon midnight, While above all, true centre of our world, True source of light, our great love passion-pearled Gave all its life and splendour to the sea Above whose tides stood our stability.
Then sudden and fierce, no monitory moan, Smote the mad mischief of the great cyclone.
How far below us all its fury rolled! How vainly sulphur tries to tarnish gold! We lived together: all its malice meant Nothing but freedom of a continent! It was the forest and the river that knew The fact that one and one do not make two.
We worked, we walked, we slept, we were at ease, We cried, we quarrelled; all the rocks and trees For twenty miles could tell how lovers played, And we could count a kiss for every glade.
Worry, starvation, illness and distress? Each moment was a mine of happiness.
Then we grew tired of being country mice, Came up to Paris, lived our sacrifice There, giving holy berries to the moon, July's thanksgiving for the joys of June.
And you are gone away --- and how shall I Make August sing the raptures of July? And you are gone away --- what evil star Makes you so competent and popular? How have I raised this harpy-hag of Hell's Malice --- that you are wanted somewhere else? I wish you were like me a man forbid, Banned, outcast, nice society well rid Of the pair of us --- then who would interfere With us? --- my darling, you would now be here! But no! we must fight on, win through, succeed, Earn the grudged praise that never comes to meed, Lash dogs to kennel, trample snakes, put bit In the mule-mouths that have such need of it, Until the world there's so much to forgive in Becomes a little possible to live in.
God alone knows if battle or surrender Be the true courage; either has its splendour.
But since we chose the first, God aid the right, And damn me if I fail you in the fight! God join again the ways that lie apart, And bless the love of loyal heart to heart! God keep us every hour in every thought, And bring the vessel of our love to port! These are my birthday wishes.
Dawn's at hand, And you're an exile in a lonely land.
But what were magic if it could not give My thought enough vitality to live? Do not then dream this night has been a loss! All night I have hung, a god, upon the cross; All night I have offered incense at the shrine; All night you have been unutterably mine, Miner in the memory of the first wild hour When my rough grasp tore the unwilling flower From your closed garden, mine in every mood, In every tense, in every attitude, In every possibility, still mine While the sun's pomp and pageant, sign to sign, Stately proceeded, mine not only so In the glamour of memory and austral glow Of ardour, but by image of my brow Stronger than sense, you are even here and now Miner, utterly mine, my sister and my wife, Mother of my children, mistress of my life! O wild swan winging through the morning mist! The thousand thousand kisses that we kissed, The infinite device our love devised If by some chance its truth might be surprised, Are these all past? Are these to come? Believe me, There is no parting; they can never leave me.
I have built you up into my heart and brain So fast that we can never part again.
Why should I sing you these fantastic psalms When all the time I have you in my arms? Why? 'tis the murmur of our love that swells Earth's dithyrambs and ocean's oracles.
But this is dawn; my soul shall make its nest Where your sighs swing from rapture into rest Love's thurible, your tiger-lily breast.
Written by Ralph Waldo Emerson | Create an image from this poem

Ode to Beauty

 EXULTING BEAUTY,­phantom of an hour, 
Whose magic spells enchain the heart, 
Ah ! what avails thy fascinating pow'r, 
Thy thrilling smile, thy witching art ? 
Thy lip, where balmy nectar glows; 
Thy cheek, where round the damask rose 
A thousand nameless Graces move, 
Thy mildly speaking azure eyes, 
Thy golden hair, where cunning Love 
In many a mazy ringlet lies? 
Soon as thy radiant form is seen, 
Thy native blush, thy timid mien, 
Thy hour is past ! thy charms are vain! 
ILL-NATURE haunts thee with her sallow train, 
Mean JEALOUSY deceives thy list'ning ear, 
And SLANDER stains thy cheek with many a bitter tear.
In calm retirement form'd to dwell, NATURE, thy handmaid fair and kind, For thee, a beauteous garland twin'd; The vale-nurs'd Lily's downcast bell Thy modest mien display'd, The snow-drop, April's meekest child, With myrtle blossoms undefil'd, Thy mild and spotless mind pourtray'd; Dear blushing maid, of cottage birth, 'Twas thine, o'er dewy meads to stray, While sparkling health, and frolic mirth Led on thy laughing Day.
Lur'd by the babbling tongue of FAME, Too soon, insidious FLATT'RY came; Flush'd VANITY her footsteps led, To charm thee from thy blest repose, While Fashion twin'd about thy head A wreath of wounding woes; See Dissipation smoothly glide, Cold Apathy, and puny Pride, Capricious Fortune, dull, and blind, O'er splendid Folly throws her veil, While Envy's meagre tribe assail Thy gentle form, and spotless mind.
Their spells prevail! no more those eyes Shoot undulating fires; On thy wan cheek, the young rose dies, Thy lip's deep tint expires; Dark Melancholy chills thy mind; Thy silent tear reveals thy woe; TIME strews with thorns thy mazy way, Where'er thy giddy footsteps stray, Thy thoughtless heart is doom'd to find An unrelenting foe.
'Tis thus, the infant Forest flow'r Bespangled o'er with glitt'ring dew, At breezy morn's refreshing hour, Glows with pure tints of varying hue, Beneath an aged oak's wide spreading shade, Where no rude winds, or beating storms invade.
Transplanted from its lonely bed, No more it scatters perfumes round, No more it rears its gentle head, Or brightly paints the mossy ground; For ah! the beauteous bud, too soon, Scorch'd by the burning eye of day; Shrinks from the sultry glare of noon, Droops its enamell'd brow, and blushing, dies away.
Written by Lucy Maud Montgomery | Create an image from this poem

To My Enemy

 Let those who will of friendship sing,
And to its guerdon grateful be,
But I a lyric garland bring
To crown thee, O, mine enemy! 

Thanks, endless thanks, to thee I owe
For that my lifelong journey through
Thine honest hate has done for me
What love perchance had failed to do.
I had not scaled such weary heights But that I held thy scorn in fear, And never keenest lure might match The subtle goading of thy sneer.
Thine anger struck from me a fire That purged all dull content away, Our mortal strife to me has been Unflagging spur from day to day.
And thus, while all the world may laud The gifts of love and loyalty, I lay my meed of gratitude Before thy feet, mine enemy!
Written by Louisa May Alcott | Create an image from this poem

Transfiguration

 Mysterious death! who in a single hour 
Life's gold can so refine 
And by thy art divine 
Change mortal weakness to immortal power! 

Bending beneath the weight of eighty years 
Spent with the noble strife 
of a victorious life 
We watched her fading heavenward, through our tears.
But ere the sense of loss our hearts had wrung A miracle was wrought; And swift as happy thought She lived again -- brave, beautiful, and young.
Age, pain, and sorrow dropped the veils they wore And showed the tender eyes Of angels in disguise, Whose discipline so patiently she bore.
The past years brought their harvest rich and fair; While memory and love, Together, fondly wove A golden garland for the silver hair.
How could we mourn like those who are bereft, When every pang of grief found balm for its relief In counting up the treasures she had left?-- Faith that withstood the shocks of toil and time; Hope that defied despair; Patience that conquered care; And loyalty, whose courage was sublime; The great deep heart that was a home for all-- Just, eloquent, and strong In protest against wrong; Wide charity, that knew no sin, no fall; The spartan spirit that made life so grand, Mating poor daily needs With high, heroic deeds, That wrested happiness from Fate's hard hand.
We thought to weep, but sing for joy instead, Full of the grateful peace That follows her release; For nothing but the weary dust lies dead.
Oh, noble woman! never more a queen Than in the laying down Of sceptre and of crown To win a greater kingdom, yet unseen; Teaching us how to seek the highest goal, To earn the true success -- To live, to love, to bless -- And make death proud to take a royal soul.


Written by Oliver Wendell Holmes | Create an image from this poem

A Familiar Letter

 YES, write, if you want to, there's nothing like trying;
Who knows what a treasure your casket may hold?
I'll show you that rhyming's as easy as lying,
If you'll listen to me while the art I unfold.
Here's a book full of words; one can choose as he fancies, As a painter his tint, as a workman his tool; Just think! all the poems and plays and romances Were drawn out of this, like the fish from a pool! You can wander at will through its syllabled mazes, And take all you want, not a copper they cost,-- What is there to hinder your picking out phrases For an epic as clever as "Paradise Lost"? Don't mind if the index of sense is at zero, Use words that run smoothly, whatever they mean; Leander and Lilian and Lillibullero Are much the same thing in the rhyming machine.
There are words so delicious their sweetness will smother That boarding-school flavor of which we're afraid, There is "lush"is a good one, and "swirl" is another,-- Put both in one stanza, its fortune is made.
With musical murmurs and rhythmical closes You can cheat us of smiles when you've nothing to tell You hand us a nosegay of milliner's roses, And we cry with delight, "Oh, how sweet they do smell!" Perhaps you will answer all needful conditions For winning the laurels to which you aspire, By docking the tails of the two prepositions I' the style o' the bards you so greatly admire.
As for subjects of verse, they are only too plenty For ringing the changes on metrical chimes; A maiden, a moonbeam, a lover of twenty Have filled that great basket with bushels of rhymes.
Let me show you a picture--'t is far from irrelevant-- By a famous old hand in the arts of design; 'T is only a photographed sketch of an elephant,-- The name of the draughtsman was Rembrandt of Rhine.
How easy! no troublesome colors to lay on, It can't have fatigued him,-- no, not in the least,-- A dash here and there with a haphazard crayon, And there stands the wrinkled-skinned, baggy-limbed beast.
Just so with your verse,-- 't is as easy as sketching,-- You can reel off a song without knitting your brow, As lightly as Rembrandt a drawing or etching; It is nothing at all, if you only know how.
Well; imagine you've printed your volume of verses: Your forehead is wreathed with the garland of fame, Your poems the eloquent school-boy rehearses, Her album the school-girl presents for your name; Each morning the post brings you autograph letters; You'll answer them promptly,-- an hour isn't much For the honor of sharing a page with your betters, With magistrates, members of Congress, and such.
Of course you're delighted to serve the committees That come with requests from the country all round, You would grace the occasion with poems and ditties When they've got a new schoolhouse, or poorhouse, or pound.
With a hymn for the saints and a song for the sinners, You go and are welcome wherever you please; You're a privileged guest at all manner of dinners, You've a seat on the platform among the grandees.
At length your mere presence becomes a sensation, Your cup of enjoyment is filled to its brim With the pleasure Horatian of digitmonstration, As the whisper runs round of "That's he!" or "That's him!" But remember, O dealer in phrases sonorous, So daintily chosen, so tunefully matched, Though you soar with the wings of the cherubim o'er us, The ovum was human from which you were hatched.
No will of your own with its puny compulsion Can summon the spirit that quickens the lyre; It comes, if at all, like the Sibyl's convulsion And touches the brain with a finger of fire.
So perhaps, after all, it's as well to he quiet If you've nothing you think is worth saying in prose, As to furnish a meal of their cannibal diet To the critics, by publishing, as you propose.
But it's all of no use, and I'm sorry I've written,-- I shall see your thin volume some day on my shelf; For the rhyming tarantula surely has bitten, And music must cure you, so pipe it yourself.
Written by Robert Hayden | Create an image from this poem

Middle Passage

 I 

Jesús, Estrella, Esperanza, Mercy: 

Sails flashing to the wind like weapons, 
sharks following the moans the fever and the dying; 
horror the corposant and compass rose.
Middle Passage: voyage through death to life upon these shores.
"10 April 1800-- Blacks rebellious.
Crew uneasy.
Our linguist says their moaning is a prayer for death, our and their own.
Some try to starve themselves.
Lost three this morning leaped with crazy laughter to the waiting sharks, sang as they went under.
" Desire, Adventure, Tartar, Ann: Standing to America, bringing home black gold, black ivory, black seed.
Deep in the festering hold thy father lies, of his bones New England pews are made, those are altar lights that were his eyes.
Jesus Saviour Pilot Me Over Life's Tempestuous Sea We pray that Thou wilt grant, O Lord, safe passage to our vessels bringing heathen souls unto Thy chastening.
Jesus Saviour "8 bells.
I cannot sleep, for I am sick with fear, but writing eases fear a little since still my eyes can see these words take shape upon the page & so I write, as one would turn to exorcism.
4 days scudding, but now the sea is calm again.
Misfortune follows in our wake like sharks (our grinning tutelary gods).
Which one of us has killed an albatross? A plague among our blacks--Ophthalmia: blindness--& we have jettisoned the blind to no avail.
It spreads, the terrifying sickness spreads.
Its claws have scratched sight from the Capt.
's eyes & there is blindness in the fo'c'sle & we must sail 3 weeks before we come to port.
" What port awaits us, Davy Jones' or home? I've heard of slavers drifting, drifting, playthings of wind and storm and chance, their crews gone blind, the jungle hatred crawling up on deck.
Thou Who Walked On Galilee "Deponent further sayeth The Bella J left the Guinea Coast with cargo of five hundred blacks and odd for the barracoons of Florida: "That there was hardly room 'tween-decks for half the sweltering cattle stowed spoon-fashion there; that some went mad of thirst and tore their flesh and sucked the blood: "That Crew and Captain lusted with the comeliest of the savage girls kept naked in the cabins; that there was one they called The Guinea Rose and they cast lots and fought to lie with her: "That when the Bo's'n piped all hands, the flames spreading from starboard already were beyond control, the ******* howling and their chains entangled with the flames: "That the burning blacks could not be reached, that the Crew abandoned ship, leaving their shrieking negresses behind, that the Captain perished drunken with the wenches: "Further Deponent sayeth not.
" Pilot Oh Pilot Me II Aye, lad, and I have seen those factories, Gambia, Rio Pongo, Calabar; have watched the artful mongos baiting traps of war wherein the victor and the vanquished Were caught as prizes for our barracoons.
Have seen the ****** kings whose vanity and greed turned wild black hides of Fellatah, Mandingo, Ibo, Kru to gold for us.
And there was one--King Anthracite we named him-- fetish face beneath French parasols of brass and orange velvet, impudent mouth whose cups were carven skulls of enemies: He'd honor us with drum and feast and conjo and palm-oil-glistening wenches deft in love, and for tin crowns that shone with paste, red calico and German-silver trinkets Would have the drums talk war and send his warriors to burn the sleeping villages and kill the sick and old and lead the young in coffles to our factories.
Twenty years a trader, twenty years, for there was wealth aplenty to be harvested from those black fields, and I'd be trading still but for the fevers melting down my bones.
III Shuttles in the rocking loom of history, the dark ships move, the dark ships move, their bright ironical names like jests of kindness on a murderer's mouth; plough through thrashing glister toward fata morgana's lucent melting shore, weave toward New World littorals that are mirage and myth and actual shore.
Voyage through death, voyage whose chartings are unlove.
A charnel stench, effluvium of living death spreads outward from the hold, where the living and the dead, the horribly dying, lie interlocked, lie foul with blood and excrement.
Deep in the festering hold thy father lies, the corpse of mercy rots with him, rats eat love's rotten gelid eyes.
But, oh, the living look at you with human eyes whose suffering accuses you, whose hatred reaches through the swill of dark to strike you like a leper's claw.
You cannot stare that hatred down or chain the fear that stalks the watches and breathes on you its fetid scorching breath; cannot kill the deep immortal human wish, the timeless will.
"But for the storm that flung up barriers of wind and wave, The Amistad, señores, would have reached the port of Príncipe in two, three days at most; but for the storm we should have been prepared for what befell.
Swift as a puma's leap it came.
There was that interval of moonless calm filled only with the water's and the rigging's usual sounds, then sudden movement, blows and snarling cries and they had fallen on us with machete and marlinspike.
It was as though the very air, the night itself were striking us.
Exhausted by the rigors of the storm, we were no match for them.
Our men went down before the murderous Africans.
Our loyal Celestino ran from below with gun and lantern and I saw, before the cane- knife's wounding flash, Cinquez, that surly brute who calls himself a prince, directing, urging on the ghastly work.
He hacked the poor mulatto down, and then he turned on me.
The decks were slippery when daylight finally came.
It sickens me to think of what I saw, of how these apes threw overboard the butchered bodies of our men, true Christians all, like so much jetsam.
Enough, enough.
The rest is quickly told: Cinquez was forced to spare the two of us you see to steer the ship to Africa, and we like phantoms doomed to rove the sea voyaged east by day and west by night, deceiving them, hoping for rescue, prisoners on our own vessel, till at length we drifted to the shores of this your land, America, where we were freed from our unspeakable misery.
Now we demand, good sirs, the extradition of Cinquez and his accomplices to La Havana.
And it distresses us to know there are so many here who seem inclined to justify the mutiny of these blacks.
We find it paradoxical indeed that you whose wealth, whose tree of liberty are rooted in the labor of your slaves should suffer the august John Quincey Adams to speak with so much passion of the right of chattel slaves to kill their lawful masters and with his Roman rhetoric weave a hero's garland for Cinquez.
I tell you that we are determined to return to Cuba with our slaves and there see justice done.
Cinquez-- or let us say 'the Prince'--Cinquez shall die.
" The deep immortal human wish, the timeless will: Cinquez its deathless primaveral image, life that transfigures many lives.
Voyage through death to life upon these shores.
Written by Johann Wolfgang von Goethe | Create an image from this poem

THREE ODES TO MY FRIEND

 THESE are the most singular of all the Poems 
of Goethe, and to many will appear so wild and fantastic, as to 
leave anything but a pleasing impression.
Those at the beginning, addressed to his friend Behrisch, were written at the age of eighteen, and most of the remainder were composed while he was still quite young.
Despite, however, the extravagance of some of them, such as the Winter Journey over the Hartz Mountains, and the Wanderer's Storm-Song, nothing can be finer than the noble one entitled Mahomet's Song, and others, such as the Spirit Song' over the Waters, The God-like, and, above all, the magnificent sketch of Prometheus, which forms part of an unfinished piece bearing the same name, and called by Goethe a 'Dramatic Fragment.
' TO MY FRIEND.
[These three Odes are addressed to a certain Behrisch, who was tutor to Count Lindenau, and of whom Goethe gives an odd account at the end of the Seventh Book of his Autobiography.
] FIRST ODE.
TRANSPLANT the beauteous tree! Gardener, it gives me pain; A happier resting-place Its trunk deserved.
Yet the strength of its nature To Earth's exhausting avarice, To Air's destructive inroads, An antidote opposed.
See how it in springtime Coins its pale green leaves! Their orange-fragrance Poisons each flyblow straight.
The caterpillar's tooth Is blunted by them; With silv'ry hues they gleam In the bright sunshine, Its twigs the maiden Fain would twine in Her bridal-garland; Youths its fruit are seeking.
See, the autumn cometh! The caterpillar Sighs to the crafty spider,-- Sighs that the tree will not fade.
Hov'ring thither From out her yew-tree dwelling, The gaudy foe advances Against the kindly tree, And cannot hurt it, But the more artful one Defiles with nauseous venom Its silver leaves; And sees with triumph How the maiden shudders, The youth, how mourns he, On passing by.
Transplant the beauteous tree! Gardener, it gives me pain; Tree, thank the gardener Who moves thee hence! 1767.
SECOND ODE.
THOU go'st! I murmur-- Go! let me murmur.
Oh, worthy man, Fly from this land! Deadly marshes, Steaming mists of October Here interweave their currents, Blending for ever.
Noisome insects Here are engender'd; Fatal darkness Veils their malice.
The fiery-tongued serpent, Hard by the sedgy bank, Stretches his pamper'd body, Caress'd by the sun's bright beams.
Tempt no gentle night-rambles Under the moon's cold twilight! Loathsome toads hold their meetings Yonder at every crossway.
Injuring not, Fear will they cause thee.
Oh, worthy man, Fly from this land! 1767.
THIRD ODE.
BE void of feeling! A heart that soon is stirr'd, Is a possession sad Upon this changing earth.
Behrisch, let spring's sweet smile Never gladden thy brow! Then winter's gloomy tempests Never will shadow it o'er.
Lean thyself ne'er on a maiden's Sorrow-engendering breast.
Ne'er on the arm, Misery-fraught, of a friend.
Already envy From out his rocky ambush Upon thee turns The force of his lynx-like eyes, Stretches his talons, On thee falls, In thy shoulders Cunningly plants them.
Strong are his skinny arms, As panther-claws; He shaketh thee, And rends thy frame.
Death 'tis to part, 'Tis threefold death To part, not hoping Ever to meet again.
Thou wouldst rejoice to leave This hated land behind, Wert thou not chain'd to me With friendships flowery chains.
Burst them! I'll not repine.
No noble friend Would stay his fellow-captive, If means of flight appear.
The remembrance Of his dear friend's freedom Gives him freedom In his dungeon.
Thou go'st,--I'm left.
But e'en already The last year's winged spokes Whirl round the smoking axle.
I number the turns Of the thundering wheel; The last one I bless.
-- Each bar then is broken, I'm free then as thou! 1767.
Written by Friedrich von Schiller | Create an image from this poem

The Ideal And The Actual Life

 Forever fair, forever calm and bright,
Life flies on plumage, zephyr-light,
For those who on the Olympian hill rejoice--
Moons wane, and races wither to the tomb,
And 'mid the universal ruin, bloom
The rosy days of Gods--With man, the choice,
Timid and anxious, hesitates between
The sense's pleasure and the soul's content;
While on celestial brows, aloft and sheen,
The beams of both are blent.
Seekest thou on earth the life of gods to share, Safe in the realm of death?--beware To pluck the fruits that glitter to thine eye; Content thyself with gazing on their glow-- Short are the joys possession can bestow, And in possession sweet desire will die.
'Twas not the ninefold chain of waves that bound Thy daughter, Ceres, to the Stygian river-- She plucked the fruit of the unholy ground, And so--was hell's forever! The weavers of the web--the fates--but sway The matter and the things of clay; Safe from change that time to matter gives, Nature's blest playmate, free at will to stray With gods a god, amidst the fields of day, The form, the archetype [39], serenely lives.
Would'st thou soar heavenward on its joyous wing? Cast from thee, earth, the bitter and the real, High from this cramped and dungeon being, spring Into the realm of the ideal! Here, bathed, perfection, in thy purest ray, Free from the clogs and taints of clay, Hovers divine the archetypal man! Dim as those phantom ghosts of life that gleam And wander voiceless by the Stygian stream,-- Fair as it stands in fields Elysian, Ere down to flesh the immortal doth descend:-- If doubtful ever in the actual life Each contest--here a victory crowns the end Of every nobler strife.
Not from the strife itself to set thee free, But more to nerve--doth victory Wave her rich garland from the ideal clime.
Whate'er thy wish, the earth has no repose-- Life still must drag thee onward as it flows, Whirling thee down the dancing surge of time.
But when the courage sinks beneath the dull Sense of its narrow limits--on the soul, Bright from the hill-tops of the beautiful, Bursts the attained goal! If worth thy while the glory and the strife Which fire the lists of actual life-- The ardent rush to fortune or to fame, In the hot field where strength and valor are, And rolls the whirling thunder of the car, And the world, breathless, eyes the glorious game-- Then dare and strive--the prize can but belong To him whose valor o'er his tribe prevails; In life the victory only crowns the strong-- He who is feeble fails.
But life, whose source, by crags around it piled, Chafed while confined, foams fierce and wild, Glides soft and smooth when once its streams expand, When its waves, glassing in their silver play, Aurora blent with Hesper's milder ray, Gain the still beautiful--that shadow-land! Here, contest grows but interchange of love, All curb is but the bondage of the grace; Gone is each foe,--peace folds her wings above Her native dwelling-place.
When, through dead stone to breathe a soul of light, With the dull matter to unite The kindling genius, some great sculptor glows; Behold him straining, every nerve intent-- Behold how, o'er the subject element, The stately thought its march laborious goes! For never, save to toil untiring, spoke The unwilling truth from her mysterious well-- The statue only to the chisel's stroke Wakes from its marble cell.
But onward to the sphere of beauty--go Onward, O child of art! and, lo! Out of the matter which thy pains control The statue springs!--not as with labor wrung From the hard block, but as from nothing sprung-- Airy and light--the offspring of the soul! The pangs, the cares, the weary toils it cost Leave not a trace when once the work is done-- The Artist's human frailty merged and lost In art's great victory won! [40] If human sin confronts the rigid law Of perfect truth and virtue [41], awe Seizes and saddens thee to see how far Beyond thy reach, perfection;--if we test By the ideal of the good, the best, How mean our efforts and our actions are! This space between the ideal of man's soul And man's achievement, who hath ever past? An ocean spreads between us and that goal, Where anchor ne'er was cast! But fly the boundary of the senses--live The ideal life free thought can give; And, lo, the gulf shall vanish, and the chill Of the soul's impotent despair be gone! And with divinity thou sharest the throne, Let but divinity become thy will! Scorn not the law--permit its iron band The sense (it cannot chain the soul) to thrall.
Let man no more the will of Jove withstand [42], And Jove the bolt lets fall! If, in the woes of actual human life-- If thou could'st see the serpent strife Which the Greek art has made divine in stone-- Could'st see the writhing limbs, the livid cheek, Note every pang, and hearken every shriek, Of some despairing lost Laocoon, The human nature would thyself subdue To share the human woe before thine eye-- Thy cheek would pale, and all thy soul be true To man's great sympathy.
But in the ideal realm, aloof and far, Where the calm art's pure dwellers are, Lo, the Laocoon writhes, but does not groan.
Here, no sharp grief the high emotion knows-- Here, suffering's self is made divine, and shows The brave resolve of the firm soul alone: Here, lovely as the rainbow on the dew Of the spent thunder-cloud, to art is given, Gleaming through grief's dark veil, the peaceful blue Of the sweet moral heaven.
So, in the glorious parable, behold How, bowed to mortal bonds, of old Life's dreary path divine Alcides trod: The hydra and the lion were his prey, And to restore the friend he loved to-day, He went undaunted to the black-browed god; And all the torments and the labors sore Wroth Juno sent--the meek majestic one, With patient spirit and unquailing, bore, Until the course was run-- Until the god cast down his garb of clay, And rent in hallowing flame away The mortal part from the divine--to soar To the empyreal air! Behold him spring Blithe in the pride of the unwonted wing, And the dull matter that confined before Sinks downward, downward, downward as a dream! Olympian hymns receive the escaping soul, And smiling Hebe, from the ambrosial stream, Fills for a god the bowl!
Written by Rabindranath Tagore | Create an image from this poem

Flower

 Pluck this little flower and take it, delay not! I fear lest it 
droop and drop into the dust.
I may not find a place in thy garland, but honour it with a touch of pain from thy hand and pluck it.
I fear lest the day end before I am aware, and the time of offering go by.
Though its colour be not deep and its smell be faint, use this flower in thy service and pluck it while there is time.

Book: Reflection on the Important Things