Written by
Robert Louis Stevenson |
UP with the sun, the breeze arose,
Across the talking corn she goes,
And smooth she rustles far and wide
Through all the voiceful countryside.
Through all the land her tale she tells;
She spins, she tosses, she compels
The kites, the clouds, the windmill sails
And all the trees in all the dales.
God calls us, and the day prepares
With nimble, gay and gracious airs:
And from Penzance to Maidenhead
The roads last night He watered.
God calls us from inglorious ease,
Forth and to travel with the breeze
While, swift and singing, smooth and strong
She gallops by the fields along.
|
Written by
Pablo Neruda |
Leaning into the afternoons,
I cast my sad nets towards your oceanic eyes.
There, in the highest blaze my solitude lengthens and flames;
Its arms turning like a drowning man's.
I send out red signals across your absent eyes
That wave like the sea, or the beach by a lighthouse.
You keep only darkness my distant female;
>From your regard sometimes, the coast of dread emerges.
Leaning into the afternoons,
I fling my sad nets to that sea that is thrashed
By your oceanic eyes.
The birds of night peck at the first stars
That flash like my soul when I love you.
The night, gallops on its shadowy mare
Shedding blue tassels over the land.
|
Written by
Sylvia Plath |
"I shut my eyes and all the world drops dead;
I lift my lids and all is born again.
(I think I made you up inside my head.)
The stars go waltzing out in blue and red,
And arbitrary blackness gallops in:
I shut my eyes and all the world drops dead.
I dreamed that you bewitched me into bed
And sung me moon-struck, kissed me quite insane.
(I think I made you up inside my head.)
God topples from the sky, hell's fires fade:
Exit seraphim and Satan's men:
I shut my eyes and all the world drops dead.
I fancied you'd return the way you said,
But I grow old and I forget your name.
(I think I made you up inside my head.)
I should have loved a thunderbird instead;
At least when spring comes they roar back again.
I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)"
|
Written by
Amy Lowell |
The nursery fire burns brightly, crackling in cheerful
little explosions
and trails of sparks up the back of the chimney. Miniature
rockets
peppering the black bricks with golden stars, as though a gala
flamed a night of victorious wars.
The nodding mandarin on the bookcase moves his
head forward and back, slowly,
and looks into the air with his blue-green eyes. He stares
into the air
and nods -- forward and back. The red rose in his hand
is a crimson splash
on his yellow coat. Forward and back, and his blue-green
eyes stare
into the air, and he nods -- nods.
Tommy's soldiers march to battle,
Trumpets flare and snare-drums rattle.
Bayonets flash, and sabres glance --
How the horses snort and prance!
Cannon drawn up in a line
Glitter in the dizzy shine
Of the morning sunlight. Flags
Ripple colours in great jags.
Red blows out, then blue, then green,
Then all three -- a weaving sheen
Of prismed patriotism. March
Tommy's soldiers, stiff and starch,
Boldly stepping to the rattle
Of the drums, they go to battle.
Tommy lies on his stomach on the floor and directs his columns.
He puts his infantry in front, and before them ambles a mounted
band.
Their instruments make a strand of gold before the scarlet-tunicked
soldiers,
and they take very long steps on their little green platforms,
and from the ranks bursts the song of Tommy's soldiers marching
to battle.
The song jolts a little as the green platforms stick on the thick
carpet.
Tommy wheels his guns round the edge of a box of blocks, and places
a squad of cavalry on the commanding eminence of a footstool.
The fire snaps pleasantly, and the old Chinaman nods -- nods. The
fire makes
the red rose in his hand glow and twist. Hist! That
is a bold song
Tommy's soldiers sing as they march along to battle.
Crack! Rattle! The sparks
fly up the chimney.
Tommy's army's off to war --
Not a soldier knows what for.
But he knows about his rifle,
How to shoot it, and a trifle
Of the proper thing to do
When it's he who is shot through.
Like a cleverly trained flea,
He can follow instantly
Orders, and some quick commands
Really make severe demands
On a mind that's none too rapid,
Leaden brains tend to the vapid.
But how beautifully dressed
Is this army! How impressed
Tommy is when at his heel
All his baggage wagons wheel
About the patterned carpet, and
Moving up his heavy guns
He sees them glow with diamond suns
Flashing all along each barrel.
And the gold and blue apparel
Of his gunners is a joy.
Tommy is a lucky boy.
Boom! Boom! Ta-ra!
The old mandarin nods under his purple umbrella. The
rose in his hand
shoots its petals up in thin quills of crimson. Then
they collapse
and shrivel like red embers. The fire sizzles.
Tommy is galloping his cavalry, two by two, over the floor. They
must pass
the open terror of the door and gain the enemy encamped under the
wash-stand.
The mounted band is very grand, playing allegro and leading the
infantry on
at the double quick. The tassel of the hearth-rug has
flung down
the bass-drum, and he and his dapple-grey horse lie overtripped,
slipped out of line, with the little lead drumsticks glistening
to the fire's shine.
The fire burns and crackles, and tickles the tripped
bass-drum
with its sparkles.
The marching army hitches its little green platforms
valiantly, and steadily
approaches the door. The overturned bass-drummer, lying
on the hearth-rug,
melting in the heat, softens and sheds tears. The song
jeers
at his impotence, and flaunts the glory of the martial and still
upstanding,
vaunting the deeds it will do. For are not Tommy's soldiers
all bright and new?
Tommy's leaden soldiers we,
Glittering with efficiency.
Not a button's out of place,
Tons and tons of golden lace
Wind about our officers.
Every manly bosom stirs
At the thought of killing -- killing!
Tommy's dearest wish fulfilling.
We are gaudy, savage, strong,
And our loins so ripe we long
First to kill, then procreate,
Doubling so the laws of Fate.
On their women we have sworn
To graft our sons. And overborne
They'll rear us younger soldiers, so
Shall our race endure and grow,
Waxing greater in the wombs
Borrowed of them, while damp tombs
Rot their men. O Glorious War!
Goad us with your points, Great Star!
The china mandarin on the bookcase nods slowly, forward and back
--
forward and back -- and the red rose writhes and wriggles,
thrusting its flaming petals under and over one another like tortured
snakes.
The fire strokes them with its dartles, and purrs
at them,
and the old man nods.
Tommy does not hear the song. He only sees the beautiful,
new,
gaily-coloured lead soldiers. They belong to him, and
he is very proud
and happy. He shouts his orders aloud, and gallops his
cavalry past the door
to the wash-stand. He creeps over the floor on his hands
and knees
to one battalion and another, but he sees only the bright colours
of his soldiers and the beautiful precision of their gestures.
He is a lucky boy to have such fine lead soldiers to enjoy.
Tommy catches his toe in the leg of the wash-stand, and jars the
pitcher.
He snatches at it with his hands, but it is too late. The
pitcher falls,
and as it goes, he sees the white water flow over its lip. It
slips
between his fingers and crashes to the floor. But it
is not water which oozes
to the door. The stain is glutinous and dark, a spark
from the firelight
heads it to red. In and out, between the fine, new soldiers,
licking over the carpet, squirms the stream of blood, lapping at
the little green platforms, and flapping itself against the painted
uniforms.
The nodding mandarin moves his head slowly, forward and back.
The rose is broken, and where it fell is black blood. The
old mandarin leers
under his purple umbrella, and nods -- forward and back, staring
into the air
with blue-green eyes. Every time his head comes forward
a rosebud pushes
between his lips, rushes into full bloom, and drips to the ground
with a splashing sound. The pool of black blood grows
and grows,
with each dropped rose, and spreads out to join the stream from
the wash-stand. The beautiful army of lead soldiers steps
boldly forward,
but the little green platforms are covered in the rising stream
of blood.
The nursery fire burns brightly and flings fan-bursts of stars up
the chimney,
as though a gala flamed a night of victorious wars.
|
Written by
Friedrich von Schiller |
Heavy and solemn,
A cloudy column,
Through the green plain they marching came!
Measure less spread, like a table dread,
For the wild grim dice of the iron game.
The looks are bent on the shaking ground,
And the heart beats loud with a knelling sound;
Swift by the breasts that must bear the brunt,
Gallops the major along the front--
"Halt!"
And fettered they stand at the stark command,
And the warriors, silent, halt!
Proud in the blush of morning glowing,
What on the hill-top shines in flowing,
"See you the foeman's banners waving?"
"We see the foeman's banners waving!"
"God be with ye--children and wife!"
Hark to the music--the trump and the fife,
How they ring through the ranks which they rouse to the strife!
Thrilling they sound with their glorious tone,
Thrilling they go through the marrow and bone!
Brothers, God grant when this life is o'er,
In the life to come that we meet once more!
See the smoke how the lightning is cleaving asunder!
Hark the guns, peal on peal, how they boom in their thunder!
From host to host, with kindling sound,
The shouting signal circles round,
Ay, shout it forth to life or death--
Freer already breathes the breath!
The war is waging, slaughter raging,
And heavy through the reeking pall,
The iron death-dice fall!
Nearer they close--foes upon foes
"Ready!"--From square to square it goes,
Down on the knee they sank,
And fire comes sharp from the foremost rank.
Many a man to the earth it sent,
Many a gap by the balls is rent--
O'er the corpse before springs the hinder man,
That the line may not fail to the fearless van,
To the right, to the left, and around and around,
Death whirls in its dance on the bloody ground.
God's sunlight is quenched in the fiery fight,
Over the hosts falls a brooding night!
Brothers, God grant when this life is o'er
In the life to come that we meet once more!
The dead men lie bathed in the weltering blood
And the living are blent in the slippery flood,
And the feet, as they reeling and sliding go,
Stumble still on the corpses that sleep below.
"What, Francis!" "Give Charlotte my last farewell."
As the dying man murmurs, the thunders swell--
"I'll give--Oh God! are their guns so near?
Ho! comrades!--yon volley!--look sharp to the rear!--
I'll give thy Charlotte thy last farewell,
Sleep soft! where death thickest descendeth in rain,
The friend thou forsakest thy side shall regain!"
Hitherward--thitherward reels the fight,
Dark and more darkly day glooms into night--
Brothers, God grant when this life is o'er
In the life to come that we meet once more!
Hark to the hoofs that galloping go!
The adjutant flying,--
The horsemen press hard on the panting foe,
Their thunder booms in dying--
Victory!
The terror has seized on the dastards all,
And their colors fall!
Victory!
Closed is the brunt of the glorious fight
And the day, like a conqueror, bursts on the night,
Trumpet and fife swelling choral along,
The triumph already sweeps marching in song.
Farewell, fallen brothers, though this life be o'er,
There's another, in which we shall meet you once more!
|
Written by
Eugene Field |
Play that my knee was a calico mare
Saddled and bridled for Bumpville;
Leap to the back of this steed, if you dare,
And gallop away to Bumpville!
I hope you'll be sure to sit fast in your seat,
For this calico mare is prodigiously fleet,
And many adventures you're likely to meet
As you journey along to Bumpville.
This calico mare both gallops and trots
While whisking you off to Bumpville;
She paces, she shies, and she stumbles, in spots,
In the tortuous road to Bumpville;
And sometimes this strangely mercurial steed
Will suddenly stop and refuse to proceed,
Which, all will admit, is vexatious indeed,
When one is en route to Bumpville!
She's scared of the cars when the engine goes "Toot!"
Down by the crossing at Bumpville;
You'd better look out for that treacherous brute
Bearing you off to Bumpville!
With a snort she rears up on her hindermost heels,
And executes jigs and Virginia reels -
Words fail to explain how embarrassed one feels
Dancing so wildly to Bumpville!
It's bumpytybump and it's jiggytyjog,
Journeying on to Bumpville
It's over the hilltop and down through the bog
You ride on your way to Bumpville;
It's rattletybang over boulder and stump,
There are rivers to ford, there are fences to jump,
And the corduroy road it goes bumpytybump,
Mile after mile to bumpville!
Perhaps you'll observe it's no easy thing
Making the journey to Bumpville,
So I think, on the whole, it were prudent to bring
An end to this ride to Bumpville;
For, though she has uttered no protest or plaint,
The calico mare must be blowing and faint -
What's more to the point, I'm blowed if I ain't!
So play we have got to Bumpville!
|
Written by
Ellis Parker Butler |
Comrades, many a year and day
Have fled since that glorious 9th of May
When we made the charge at Farmington.
But until our days on earth are done
Our blood will burn and our hearts beat fast
As we tell of the glorious moments we passed,
When we rode on the guns with a mighty shout
And saved Paine’s army from utter rout;
And our children in years to come will tell
How the 2nd rose through the shot and shell
Rode with a cheer on that 9th of May
And held the whole rebel army at bay.
Behind lay the swamp, a dank morass.
A marsh - no horse nor man could pass
Save by one road, one narrow way.
But beyond that road our safety lay,
In front rose the hills which the rebels held
With his howling cannon that raked and shelled
Our troops.
We lay in the centre.
Paine,
Our general saw he must cross again
The narrow road, or his men were lost
The road was narrow. It must be crossed,
And crossed in haste, and the deadly rain
of the rebel guns "Must be stopped!" said Paine.
Twenty-four cannon thundered and roared!
Twenty-four cannon into us poured.
Twenty-four cannon! A devil’s den
Backed by full fifteen thousand men.
Must be held at bay till our troops could pass
In order over the dank morass.
Up to where the cavalry stand,
Waiting in order the word of command,
Gallops Paine. And his mighty shout
Rings the daring order out -
"Take and hold that battery!
Take it! Whatever the hazards be!"
"Draw sabres!" They flash in the startled air.
"Forward! Gallop! March!" Away
We ride. We must show our steel today!
"Gallop! Charge!" On the rebels ears
Ring the thundering Yankee cheers!
And on, like a wave of maddened sea,
On - Dash the Iowa cavalry!
Into the torrents of shot and shell
That shrieks and screams like the fiends of hell!
Into the torrent of shot that kills!
Into the torrent of shell that stills
The cheer on many a lip, we ride
Like the onward rush of a whirling tide
Up to the cannon’s mouth,
Our cheers
Curdle the blood of the cannoneers
To right and left from his silenced guns
In wild retreat the rebel runs.
And the charge of the Iowa cavalry
Rushes on!
Can you stop the sea
When the storm waves break on the sandy shore
Driving the driftwood awrack? No more
Can the rebel resist the terrible charge
As we ride right up to their army’s marge -
They waver - the fifteen thousand men,
Waver and rally, and waver, and then
Our work is done.
Paine’s men had crossed
The swamp while our little band was lost
In the smoke and dust of the eager ride,
And are safe at last on the other side.
Then we ride back! We had saved the day
By holding the whole rebel army at bay,
While Paine made a hasty and safe retreat
Over the swamp.
We had conquered defeat!
Comrades, many a year and day
Have fled since that glorious 9th of May
When we made the charge at Farmington.
And our time on earth is almost run,
But when we are gone our children will tell
How we rode through rebel shots and shell.
How we rode on the guns with a mighty shout,
And saved Paine’s army from utter route.
And carved in the temple of glory will be
The roll of the 2nd Iowa Cavalry.
The brave old 2nd, that never knew
A deed too hard or rash to do.
The dear old 2nd, that would have spurred
Into Hell itself, if Hatch said the word.
|
Written by
Johann Wolfgang von Goethe |
WHO rides there so late through the night dark and drear?
The father it is, with his infant so dear;
He holdeth the boy tightly clasp'd in his arm,
He holdeth him safely, he keepeth him warm.
"My son, wherefore seek'st thou thy face thus to hide?"
"Look, father, the Erl-King is close by our side!
Dost see not the Erl-King, with crown and with train?"
"My son, 'tis the mist rising over the plain."
"Oh, come, thou dear infant! oh come thou with me!
Full many a game I will play there with thee;
On my strand, lovely flowers their blossoms unfold,
My mother shall grace thee with garments of gold."
"My father, my father, and dost thou not hear
The words that the Erl-King now breathes in mine ear?"
"Be calm, dearest child, 'tis thy fancy deceives;
'Tis the sad wind that sighs through the withering leaves."
"Wilt go, then, dear infant, wilt go with me there?
My daughters shall tend thee with sisterly care
My daughters by night their glad festival keep,
They'll dance thee, and rock thee, and sing thee to sleep."
"My father, my father, and dost thou not see,
How the Erl-King his daughters has brought here for me?"
"My darling, my darling, I see it aright,
'Tis the aged grey willows deceiving thy sight."
"I love thee, I'm charm'd by thy beauty, dear boy!
And if thou'rt unwilling, then force I'll employ."
"My father, my father, he seizes me fast,
Full sorely the Erl-King has hurt me at last."
The father now gallops, with terror half wild,
He grasps in his arms the poor shuddering child;
He reaches his courtyard with toil and with dread,--
The child in his arms finds he motionless, dead.
1782.*
|
Written by
Amy Lowell |
Panels of claret and blue which shine
Under the moon like lees of wine.
A coronet done in a golden scroll,
And wheels which blunder and creak as they roll
Through the muddy ruts of a moorland track.
They daren't look back!
They are whipping and cursing the horses. Lord!
What brutes men are when they think they're scored.
Behind, my bay gelding gallops with me,
In a steaming sweat, it is fine to see
That coach, all claret, and gold, and blue,
Hop about and slue.
They are scared half out of their wits, poor souls.
For my lord has a casket full of rolls
Of minted sovereigns, and silver bars.
I laugh to think how he'll show his scars
In London to-morrow. He whines with rage
In his varnished cage.
My lady has shoved her rings over her toes.
'Tis an ancient trick every night-rider knows.
But I shall relieve her of them yet,
When I see she limps in the minuet
I must beg to celebrate this night,
And the green moonlight.
There's nothing to hurry about, the plain
Is hours long, and the mud's a strain.
My gelding's uncommonly strong in the loins,
In half an hour I'll bag the coins.
'Tis a clear, sweet night on the turn of Spring.
The chase is the thing!
How the coach flashes and wobbles, the moon
Dripping down so quietly on it. A tune
Is beating out of the curses and screams,
And the cracking all through the painted seams.
Steady, old horse, we'll keep it in sight.
'Tis a rare fine night!
There's a clump of trees on the dip of the down,
And the sky shimmers where it hangs over the town.
It seems a shame to break the air
In two with this pistol, but I've my share
Of drudgery like other men.
His hat? Amen!
Hold up, you beast, now what the devil!
Confound this moor for a pockholed, evil,
Rotten marsh. My right leg's snapped.
'Tis a mercy he's rolled, but I'm nicely capped.
A broken-legged man and a broken-legged horse!
They'll get me, of course.
The cursed coach will reach the town
And they'll all come out, every loafer grown
A lion to handcuff a man that's down.
What's that? Oh, the coachman's bulleted hat!
I'll give it a head to fit it pat.
Thank you! No cravat.
~They handcuffed the body just for style,
And they hung him in chains for the volatile
Wind to scour him flesh from bones.
Way out on the moor you can hear the groans
His gibbet makes when it blows a gale.
'Tis a common tale.~
|
Written by
Andrew Barton Paterson |
My son, if you go to the races to battle with Ikey and Mo,
Remember, it's seldom the pigeon can pick out the eye of the crow;
Remember, they live by the business; remember, my son, and go slow.
If ever an owner should tell you, "Back mine" -- don't you be such a flat.
He knows his own cunning no doubt -- does he know what the others are at?
Find out what he's frightened of most, and invest a few dollars on that.
Walk not in the track of the trainer, nor hang round the rails at his stall.
His wisdom belongs to his patron -- shall he give it to one and to all?
When the stable is served he may tell you -- and his words are like jewels let fall.
Run wide of the tipster, who whispers that Borak is sure to be first,
He tells the next mug that he meets with a tale with the placings reversed;
And, remember, of judges of racing, the jockey's the absolute worst.
When they lay three to one on the field, and the runners are twenty-and-two,
Take a pull at yourself; take a pull -- it's a mighty big field to get through.
Is the club handicapper a fool? If a fool is about, p'raps it's you!
Beware of the critic who tells you the handicap's absolute rot,
For this is chucked in, and that's hopeless, and somebody ought to be shot.
How is it he can't make a fortune himself when he knows such a lot?
From tipsters, and jockeys, and trials, and gallops, the glory has gone,
For this is the wisdom of Hafiz that sages have pondered upon,
"The very best tip in the world is to see the commission go on!"
|