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Best Famous Gabble Poems

Here is a collection of the all-time best famous Gabble poems. This is a select list of the best famous Gabble poetry. Reading, writing, and enjoying famous Gabble poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of gabble poems.

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Written by John Trumbull | Create an image from this poem

The Owl And The Sparrow

 In elder days, in Saturn's prime,
Ere baldness seized the head of Time,
While truant Jove, in infant pride,
Play'd barefoot on Olympus' side,
Each thing on earth had power to chatter,
And spoke the mother tongue of nature.
Each stock or stone could prate and gabble, Worse than ten labourers of Babel.
Along the street, perhaps you'd see A Post disputing with a Tree, And mid their arguments of weight, A Goose sit umpire of debate.
Each Dog you met, though speechless now, Would make his compliments and bow, And every Swine with congees come, To know how did all friends at home.
Each Block sublime could make a speech, In style and eloquence as rich, And could pronounce it and could pen it, As well as Chatham in the senate.
Nor prose alone.
--In these young times, Each field was fruitful too in rhymes; Each feather'd minstrel felt the passion, And every wind breathed inspiration.
Each Bullfrog croak'd in loud bombastic, Each Monkey chatter'd Hudibrastic; Each Cur, endued with yelping nature, Could outbark Churchill's[2] self in satire; Each Crow in prophecy delighted, Each Owl, you saw, was second-sighted, Each Goose a skilful politician, Each Ass a gifted met'physician, Could preach in wrath 'gainst laughing rogues, Write Halfway-covenant Dialogues,[3] And wisely judge of all disputes In commonwealths of men or brutes.
'Twas then, in spring a youthful Sparrow Felt the keen force of Cupid's arrow: For Birds, as Æsop's tales avow, Made love then, just as men do now, And talk'd of deaths and flames and darts, And breaking necks and losing hearts; And chose from all th' aerial kind, Not then to tribes, like Jews, confined The story tells, a lovely Thrush Had smit him from a neigh'bring bush, Where oft the young coquette would play, And carol sweet her siren lay: She thrill'd each feather'd heart with love, And reign'd the Toast of all the grove.
He felt the pain, but did not dare Disclose his passion to the fair; For much he fear'd her conscious pride Of race, to noble blood allied.
Her grandsire's nest conspicuous stood, Mid loftiest branches of the wood, In airy height, that scorn'd to know Each flitting wing that waved below.
So doubting, on a point so nice He deem'd it best to take advice.
Hard by there dwelt an aged Owl, Of all his friends the gravest fowl; Who from the cares of business free, Lived, hermit, in a hollow tree; To solid learning bent his mind, In trope and syllogism he shined, 'Gainst reigning follies spent his railing; Too much a Stoic--'twas his failing.
Hither for aid our Sparrow came, And told his errand and his name, With panting breath explain'd his case, Much trembling at the sage's face; And begg'd his Owlship would declare If love were worth a wise one's care.
The grave Owl heard the weighty cause, And humm'd and hah'd at every pause; Then fix'd his looks in sapient plan, Stretch'd forth one foot, and thus began.
"My son, my son, of love beware, And shun the cheat of beauty's snare; That snare more dreadful to be in, Than huntsman's net, or horse-hair gin.
"By others' harms learn to be wise," As ancient proverbs well advise.
Each villany, that nature breeds, From females and from love proceeds.
'Tis love disturbs with fell debate Of man and beast the peaceful state: Men fill the world with war's alarms, When female trumpets sound to arms; The commonwealth of dogs delight For beauties, as for bones, to fight.
Love hath his tens of thousands slain, And heap'd with copious death the plain: Samson, with ass's jaw to aid, Ne'er peopled thus th'infernal shade.
"Nor this the worst; for he that's dead, With love no more will vex his head.
'Tis in the rolls of fate above, That death's a certain cure for love; A noose can end the cruel smart; The lover's leap is from a cart.
But oft a living death they bear, Scorn'd by the proud, capricious fair.
The fair to sense pay no regard, And beauty is the fop's reward; They slight the generous hearts' esteem, And sigh for those, who fly from them.
Just when your wishes would prevail, Some rival bird with gayer tail, Who sings his strain with sprightlier note, And chatters praise with livelier throat, Shall charm your flutt'ring fair one down, And leave your choice, to hang or drown.
Ev'n I, my son, have felt the smart; A Pheasant won my youthful heart.
For her I tuned the doleful lay,[4] For her I watch'd the night away; In vain I told my piteous case, And smooth'd my dignity of face; In vain I cull'd the studied phrase, And sought hard words in beauty's praise.
Her, not my charms nor sense could move, For folly is the food of love.
Each female scorns our serious make, "Each woman is at heart a rake.
"[5] Thus Owls in every age have said, Since our first parent-owl was made; Thus Pope and Swift, to prove their sense, Shall sing, some twenty ages hence; Then shall a man of little fame, One ** **** sing the same.


Written by Robert Graves | Create an image from this poem

A Boy in Church

 “Gabble-gabble,… brethren,… gabble-gabble!” 
My window frames forest and heather.
I hardly hear the tuneful babble, Not knowing nor much caring whether The text is praise or exhortation, Prayer or thanksgiving, or damnation.
Outside it blows wetter and wetter, The tossing trees never stay still.
I shift my elbows to catch better The full round sweep of heathered hill.
The tortured copse bends to and fro In silence like a shadow-show.
The parson’s voice runs like a river Over smooth rocks.
I like this church: The pews are staid, they never shiver, They never bend or sway or lurch.
“Prayer,” says the kind voice, “is a chain That draws down Grace from Heaven again.
” I add the hymns up, over and over, Until there’s not the least mistake.
Seven-seventy-one.
(Look! there’s a plover! It’s gone!) Who’s that Saint by the lake? The red light from his mantle passes Across the broad memorial brasses.
It’s pleasant here for dreams and thinking, Lolling and letting reason nod, With ugly serious people linking Sad prayers to a forgiving God….
But a dumb blast sets the trees swaying With furious zeal like madmen praying.
Written by Ogden Nash | Create an image from this poem

You Can Be A Republican Im A Genocrat

 Oh, "rorty" was a mid-Victorian word
Which meant "fine, splendid, jolly,"
And often to me it has reoccurred
In moments melancholy.
For instance, children, I think it rorty To be with people over forty.
I can't say which, come eventide, More tedious I find; Competing with the juvenile stride, Or meeting the juvenile mind.
So I think it rorty, yes, and nifty, To be with people over fifty.
The pidgin talk the youthful use Bypasses conversation.
I can't believe the code they choose Is a means of communication.
Oh to be with people over sixty Despite their tendency to prolixty! The hours a working parent keeps Mean less than Latin to them, Wherefore they disappear in jeeps Till three and four A.
M.
Oh, to be with people you pour a cup for Instead of people you have to wait up for! I've tried to read young mumbling lips Till I've developed a slant-eye, And my hearing fails at the constant wails Of, If I can't, why can't I? Oh, to be beside a septuagenarian, Silent upon a peak in Darien! They don't know Hagen from Bobby Jones, They never heard of Al Smith, Even Red Grange is beyond their range, And Dempsey is a myth.
Oh golly, to gabble upon the shoulder Of someone my own age, or even older! I'm tired of defining hadn't oughts.
To opposition mulish, The thoughts of youth are long long thoughts, And Jingo! Aren't they foolish! All which is why, in case you've wondered I'd like a companion aged one hundred.
Written by Carl Sandburg | Create an image from this poem

Aprons of Silence

 MANY things I might have said today.
And I kept my mouth shut.
So many times I was asked To come and say the same things Everybody was saying, no end To the yes-yes, yes-yes, me-too, me-too.
The aprons of silence covered me.
A wire and hatch held my tongue.
I spit nails into an abyss and listened.
I shut off the gabble of Jones, Johnson, Smith.
All whose names take pages in the city directory.
I fixed up a padded cell and lugged it around.
I locked myself in and nobody knew it.
Only the keeper and the kept in the hoosegow Knew it—on the streets, in the postoffice, On the cars, into the railroad station Where the caller was calling, “All a-board, All a-board for .
.
Blaa-blaa .
.
Blaa-blaa, Blaa-blaa .
.
and all points northwest .
.
all a-board.
” Here I took along my own hoosegow And did business with my own thoughts.
Do you see? It must be the aprons of silence.
Written by Carl Sandburg | Create an image from this poem

Four Preludes on Playthings of the Wind

 “The past is a bucket of ashes.
” 1 THE WOMAN named To-morrow sits with a hairpin in her teeth and takes her time and does her hair the way she wants it and fastens at last the last braid and coil and puts the hairpin where it belongs and turns and drawls: Well, what of it? My grandmother, Yesterday, is gone.
What of it? Let the dead be dead.
2 The doors were cedar and the panels strips of gold and the girls were golden girls and the panels read and the girls chanted: We are the greatest city, the greatest nation: nothing like us ever was.
The doors are twisted on broken hinges.
Sheets of rain swish through on the wind where the golden girls ran and the panels read: We are the greatest city, the greatest nation, nothing like us ever was.
3 It has happened before.
Strong men put up a city and got a nation together, And paid singers to sing and women to warble: We are the greatest city, the greatest nation, nothing like us ever was.
And while the singers sang and the strong men listened and paid the singers well and felt good about it all, there were rats and lizards who listened … and the only listeners left now … are … the rats … and the lizards.
And there are black crows crying, “Caw, caw,” bringing mud and sticks building a nest over the words carved on the doors where the panels were cedar and the strips on the panels were gold and the golden girls came singing: We are the greatest city, the greatest nation: nothing like us ever was.
The only singers now are crows crying, “Caw, caw,” And the sheets of rain whine in the wind and doorways.
And the only listeners now are … the rats … and the lizards.
4 The feet of the rats scribble on the door sills; the hieroglyphs of the rat footprints chatter the pedigrees of the rats and babble of the blood and gabble of the breed of the grandfathers and the great-grandfathers of the rats.
And the wind shifts and the dust on a door sill shifts and even the writing of the rat footprints tells us nothing, nothing at all about the greatest city, the greatest nation where the strong men listened and the women warbled: Nothing like us ever was.


Written by Henry Lawson | Create an image from this poem

Australian Engineers

 Ah, well! but the case seems hopeless, and the pen might write in vain; 

The people gabble of old things over and over again.
For the sake of the sleek importer we slave with the pick and the shears, While hundreds of boys in Australia long to be engineers.
A new generation has risen under Australian skies, Boys with the light of genius deep in their dreamy eyes--- Not as of artists or poets with their vain imaginings, But born to be thinkers and doers, and makers of wonderful things.
Born to be builders of vessels in the Harbours of Waste and Loss, That shall carry our goods to the nations, flying the Southern Cross; And fleets that shall guard our seaboard---while the East is backed by the Jews--- Under Australian captains, and manned by Australian crews.
Boys who are slight and quiet, but boys who are strong and true, Dreaming of great inventions---always of something new; With brains untrammelled by training, but quick where reason directs--- Boys with imagination and keen, strong intellects.
They long for the crank and the belting, the gear and the whirring wheel, The stamp of the giant hammer, the glint of the polished steel, For the mould, and the vice, and the turning-lathe ---they are boys who long for the keys To the doors of the world's mechanics and science's mysteries.
They would be makers of fabrics, of cloth for the continents--- Makers of mighty engines and delicate instruments, It is they who would set fair cities on the western plains far out, They who would garden the deserts---it is they who would conquer the drought! They see the dykes to the skyline, where a dust-waste blazes to-day, And they hear the lap of the waters on the miles of sand and clay; They see the rainfall increasing, and the bountiful sweeps of grass, And all the year on the rivers long strings of their barges pass.
.
.
.
.
.
.
.
But still are the steamers loading with our timber and wood and gold, To return with the costly shoddy stacked high in the foreign hold, With cardboard boots for our leather, and Brum-magem goods and slops For thin, white-faced Australians to sell in our sordid shops.
Written by Robert Burns | Create an image from this poem

66. Elegy on the Death of Robert Ruisseaux

 NOW Robin 1 lies in his last lair,
He’ll gabble rhyme, nor sing nae mair;
Cauld poverty, wi’ hungry stare,
 Nae mair shall fear him;
Nor anxious fear, nor cankert care,
 E’er mair come near him.
To tell the truth, they seldom fash’d him, Except the moment that they crush’d him; For sune as chance or fate had hush’d ’em Tho’ e’er sae short.
Then wi’ a rhyme or sang he lash’d ’em, And thought it sport.
Tho’he was bred to kintra-wark, And counted was baith wight and stark, Yet that was never Robin’s mark To mak a man; But tell him, he was learn’d and clark, Ye roos’d him then! Note 1.
Ruisseaux is French for rivulets or “burns,” a translation of his name.
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Written by Dorothy Parker | Create an image from this poem

The Whistling Girl

 Back of my back, they talk of me,
Gabble and honk and hiss;
Let them batten, and let them be-
Me, I can sing them this:

"Better to shiver beneath the stars,
Head on a faithless breast,
Than peer at the night through rusted bars,
And share an irksome rest.
"Better to see the dawn come up, Along of a trifling one, Than set a steady man's cloth and cup And pray the day be done.
"Better be left by twenty dears Than lie in a loveless bed; Better a loaf that's wet with tears Than cold, unsalted bread.
" Back of my back, they wag their chins, Whinny and bleat and sigh; But better a heart a-bloom with sins Than hearts gone yellow and dry!

Book: Shattered Sighs