Written by
David Lehman |
"He gave her class.
She gave him sex.
"
-- Katharine Hepburn on Fred Astaire and Ginger Rogers
He gave her money.
She gave him head.
He gave her tips on "aggressive growth" mutual funds.
She gave him a red rose
and a little statue of eros.
He gave her Genesis 2 (21-23).
She gave him Genesis 1 (26-28).
He gave her a square peg.
She gave him a round hole.
He gave her Long Beach on a late Sunday in September.
She gave him zinnias
and cosmos in the plenitude of July.
He gave her a camisole and a brooch.
She gave him a cover and a break.
He gave her Venice, Florida.
She gave him Rome, New York.
He gave her a false sense of security.
She gave him a true sense of uncertainty.
He gave her the finger.
She gave him what for.
He gave her a black eye.
She gave him a divorce.
He gave her a steak for her black eye.
She gave him his money back.
He gave her what she had never had before.
She gave him what he had had and
lost.
He gave her nastiness in children.
She gave him prudery in adults.
He gave her Panic Hill.
She gave him Mirror Lake.
He gave her an anthology of drum solos.
She gave him the rattle of leaves in
the wind.
|
Written by
Charles Webb |
"Don't overdo it," Dad yelled, watching me
Play shortstop, collect stamps and shells,
Roll on the grass laughing until I peed my pants.
"Screw him," I said, and grabbed every cowry
I could find, hogged all the books I could
From Heights Library, wore out the baseball
Diamond dawn to dusk, and—parents in Duluth—
Gorged on bountiful Candy dusk to dawn.
Not until a Committee wrote of my poems,
"Enthusiasm should be tempered,"
Did I change my song.
I write now
The way I live: calm and sober, steering
Toward the Golden Mean.
The Committee
Was right to withhold funds.
I'd have bought
A hundred box turtles with lemon-speckled shells,
Flyfished for rainbows six months straight,
Flown to the Great Barrier Reef and dived
Non-stop among pink coral and marble cones,
Living on chocolate malts, peaches, and barbecue.
I'd have turned into a ski bum, married
Ten women in ten states, written nothing
Poetry would glance at twice, instead
Of rising at 5:00 as I do now, writing
'Til noon about matters serious and deep,
Teaching 'til 6:00, eating a low-fat meal
High in fiber and cruciferous vegetables,
Then bed by 9:00, alarm clock set
Five minutes late: my one indulgence of the day.
|
Written by
Barry Tebb |
Here is a silence I had not hoped for
This side of paradise, I am an old believer
In nature’s bounty as God’s grace
To us poor mortals, fretting and fuming
At frustrated lust or the scent of fame
Coming too late to make a difference
Blue with white vertebrae of cloud forms
Riming the spectrum of green dark of poplars
Lined like soldiers, paler the hue of hawthorn
With the heather beginning to bud blue
Before September purple, yellow ragwort
Sways in the wind as distantly a plane hums
And a lazy bee bumbles by.
A day in Brenda’s flat, mostly play with Eydie,
My favourite of her seven cats, they soothe better
Than Diazepan for panic
Seroxat for grief
Zopiclone to make me sleep.
I smoke my pipe and sip blackcurrant tea
Aware of the ticking clock: I have to be back
To talk to my son’s key nurse when she comes on
For the night shift.
Always there are things to sort,
Misapprehensions to untangle, delusions to decipher,
Lies to expose, statistics to disclose, Trust Boards
And team meetings to attend, ‘Mental Health Monthly’
To peruse, funds for my press to raise – the only one
I ever got will leave me out of pocket.
A couple sat on the next bench
Are earnestly discussing child custody, broken marriages,
Failed affairs, social service interventions –
Even here I cannot escape complexity
"I should never have slept with her once we split"
"The kids are what matters when it comes to the bottom line"
"Is he poisoning their minds against me?"
Part of me nags to offer help but I’ve too much
On already and the clock keeps ticking.
"It’s a pity she won’t turn round and clip his ear"
But better not to interfere.
Damn my bloody superego
Nattering like an old woman or Daisy nagging
About my pipe and my loud voice on buses –
No doubt she’s right – smoking’s not good
And hearing about psychosis, medication and end-on-sections
Isn’t what people are on buses for.
I long for a girl in summer, pubescent
With a twinkle in her eye to come and say
"Come on, let’s do it!"
I was always shy in adolescence, too busy reading Baudelaire
To find a decent whore and learn to score
And now I’m probably impotent with depression
So I’d better forget sex and read more of Andr? Green
On metaphor from Hegel to Lacan and how the colloquium
At Bonneval changed analytic history, a mystery
I’ll not unravel if I live to ninety.
Ignorance isn’t bliss, I know enough to talk the piss
From jumped-up SHO’s and locums who’d miss vital side effects
And think all’s needed is a mother’s kiss.
I’ll wait till the heather’s purple and bring nail scissors
To cut and suture neatly and renew my stocks
Of moor momentoes vased in unsunny Surrey.
Can you believe it? Some arseholes letting off fireworks
On the moor? Suburban excesses spread like the sores
Of syphilis and more regulations in a decade of Blair
Than in the century before.
"Shop your neighbours.
Prove it.
Bring birth certificates to A&E
If you want NHS treatment free.
Be careful not to bleed to death
While finding the certificate.
Blunkett wants us all to have ID
Photo cards, genetic codes, DNA database, eye scans, the lot –
And kiss good-bye to the last bits of freedom we’ve got"
"At the end of the day she shopped me and all I’d done
Was take a few pound from the till ’cos Jenny was ill
And I didn’t have thirteen quid to get the bloody prescription done"
To-morrow I’ll be back in the Great Wen,
Two days of manic catching up and then
Thistledown, wild wheat, a dozen kinds of grass,
The mass of beckoning hills I’d love to make
A poet’s map of but never will.
"Oh to break loose" Lowell’s magic lines
Entice me still but slimy Fenton had to have his will
And slate it in the NYB, arguing that panetone
Isn’t tin foil as Lowell thought.
James you are a dreadful bore,
A pedantic creep like hundreds more, five A4 pages
Of sniping and nit-picking for how many greenbacks?
A thousand or two I’d guess, they couldn’t pay you less
For churning out such a king-size mess
But not even you can spoil this afternoon
Of watching Haworth heather bloom.
|
Written by
Russell Edson |
We bought an electric monkey, experimenting rather
recklessly with funds carefully gathered since
grandfather's time for the purchase of a steam monkey.
We had either, by this time, the choice of an electric
or gas monkey.
The steam monkey is no longer being made, said the monkey
merchant.
But the family always planned on a steam monkey.
Well, said the monkey merchant, just as the wind-up monkey
gave way to the steam monkey, the steam monkey has given way
to the gas and electric monkeys.
Is that like the grandfather clock being replaced by the
grandchild clock?
Sort of, said the monkey merchant.
So we bought the electric monkey, and plugged its umbilical
cord into the wall.
The smoke coming out of its fur told us something was wrong.
We had electrocuted the family monkey.
|
Written by
Henry Lawson |
He had offices in Sydney, not so many years ago,
And his shingle bore the legend `Peter Anderson and Co.
',
But his real name was Careless, as the fellows understood --
And his relatives decided that he wasn't any good.
'Twas their gentle tongues that blasted any `character' he had --
He was fond of beer and leisure -- and the Co.
was just as bad.
It was limited in number to a unit, was the Co.
--
'Twas a bosom chum of Peter and his Christian name was Joe.
'Tis a class of men belonging to these soul-forsaken years:
Third-rate canvassers, collectors, journalists and auctioneers.
They are never very shabby, they are never very spruce --
Going cheerfully and carelessly and smoothly to the deuce.
Some are wanderers by profession, `turning up' and gone as soon,
Travelling second-class, or steerage (when it's cheap they go saloon);
Free from `ists' and `isms', troubled little by belief or doubt --
Lazy, purposeless, and useless -- knocking round and hanging out.
They will take what they can get, and they will give what they can give,
God alone knows how they manage -- God alone knows how they live!
They are nearly always hard-up, but are cheerful all the while --
Men whose energy and trousers wear out sooner than their smile!
They, no doubt, like us, are haunted by the boresome `if' or `might',
But their ghosts are ghosts of daylight -- they are men who live at night!
Peter met you with the comic smile of one who knows you well,
And is mighty glad to see you, and has got a joke to tell;
He could laugh when all was gloomy, he could grin when all was blue,
Sing a comic song and act it, and appreciate it, too.
Only cynical in cases where his own self was the jest,
And the humour of his good yarns made atonement for the rest.
Seldom serious -- doing business just as 'twere a friendly game --
Cards or billiards -- nothing graver.
And the Co.
was much the same.
They tried everything and nothing 'twixt the shovel and the press,
And were more or less successful in their ventures -- mostly less.
Once they ran a country paper till the plant was seized for debt,
And the local sinners chuckle over dingy copies yet.
They'd been through it all and knew it in the land of Bills and Jims --
Using Peter's own expression, they had been in `various swims'.
Now and then they'd take an office, as they called it, -- make a dash
Into business life as `agents' -- something not requiring cash.
(You can always furnish cheaply, when your cash or credit fails,
With a packing-case, a hammer, and a pound of two-inch nails --
And, maybe, a drop of varnish and sienna, too, for tints,
And a scrap or two of oilcloth, and a yard or two of chintz).
They would pull themselves together, pay a week's rent in advance,
But it never lasted longer than a month by any chance.
The office was their haven, for they lived there when hard-up --
A `daily' for a table cloth -- a jam tin for a cup;
And if the landlord's bailiff happened round in times like these
And seized the office-fittings -- well, there wasn't much to seize --
They would leave him in possession.
But at other times they shot
The moon, and took an office where the landlord knew them not.
And when morning brought the bailiff there'd be nothing to be seen
Save a piece of bevelled cedar where the tenant's plate had been;
There would be no sign of Peter -- there would be no sign of Joe
Till another portal boasted `Peter Anderson and Co.
'
And when times were locomotive, billiard-rooms and private bars --
Spicy parties at the cafe -- long cab-drives beneath the stars;
Private picnics down the Harbour -- shady campings-out, you know --
No one would have dreamed 'twas Peter --
no one would have thought 'twas Joe!
Free-and-easies in their `diggings', when the funds began to fail,
Bosom chums, cigars, tobacco, and a case of English ale --
Gloriously drunk and happy, till they heard the roosters crow --
And the landlady and neighbours made complaints about the Co.
But that life! it might be likened to a reckless drinking-song,
For it can't go on for ever, and it never lasted long.
.
.
.
.
.
Debt-collecting ruined Peter -- people talked him round too oft,
For his heart was soft as butter (and the Co.
's was just as soft);
He would cheer the haggard missus, and he'd tell her not to fret,
And he'd ask the worried debtor round with him to have a wet;
He would ask him round the corner, and it seemed to him and her,
After each of Peter's visits, things were brighter than they were.
But, of course, it wasn't business -- only Peter's careless way;
And perhaps it pays in heaven, but on earth it doesn't pay.
They got harder up than ever, and, to make it worse, the Co.
Went more often round the corner than was good for him to go.
`I might live,' he said to Peter, `but I haven't got the nerve --
I am going, Peter, going -- going, going -- no reserve.
Eat and drink and love they tell us, for to-morrow we may die,
Buy experience -- and we bought it -- we're experienced, you and I.
'
Then, with a weary movement of his hand across his brow:
`The death of such philosophy's the death I'm dying now.
Pull yourself together, Peter; 'tis the dying wish of Joe
That the business world shall honour Peter Anderson and Co.
`When you feel your life is sinking in a dull and useless course,
And begin to find in drinking keener pleasure and remorse --
When you feel the love of leisure on your careless heart take holt,
Break away from friends and pleasure, though it give your heart a jolt.
Shun the poison breath of cities -- billiard-rooms and private bars,
Go where you can breathe God's air and see the grandeur of the stars!
Find again and follow up the old ambitions that you had --
See if you can raise a drink, old man, I'm feelin' mighty bad --
Hot and sweetened, nip o' butter -- squeeze o' lemon, Pete,' he sighed.
And, while Peter went to fetch it, Joseph went to sleep -- and died
With a smile -- anticipation, maybe, of the peace to come,
Or a joke to try on Peter -- or, perhaps, it was the rum.
.
.
.
.
.
Peter staggered, gripped the table, swerved as some old drunkard swerves --
At a gulp he drank the toddy, just to brace his shattered nerves.
It was awful, if you like.
But then he hadn't time to think --
All is nothing! Nothing matters! Fill your glasses -- dead man's drink.
.
.
.
.
.
Yet, to show his heart was not of human decency bereft,
Peter paid the undertaker.
He got drunk on what was left;
Then he shed some tears, half-maudlin, on the grave where lay the Co.
,
And he drifted to a township where the city failures go.
Where, though haunted by the man he was, the wreck he yet might be,
Or the man he might have been, or by each spectre of the three,
And the dying words of Joseph, ringing through his own despair,
Peter `pulled himself together' and he started business there.
But his life was very lonely, and his heart was very sad,
And no help to reformation was the company he had --
Men who might have been, who had been, but who were not in the swim --
'Twas a town of wrecks and failures -- they appreciated him.
They would ask him who the Co.
was -- that ***** company he kept --
And he'd always answer vaguely -- he would say his partner slept;
That he had a `sleeping partner' -- jesting while his spirit broke --
And they grinned above their glasses, for they took it as a joke.
He would shout while he had money, he would joke while he had breath --
No one seemed to care or notice how he drank himself to death;
Till at last there came a morning when his smile was seen no more --
He was gone from out the office, and his shingle from the door,
And a boundary-rider jogging out across the neighb'ring run
Was attracted by a something that was blazing in the sun;
And he found that it was Peter, lying peacefully at rest,
With a bottle close beside him and the shingle on his breast.
Well, they analysed the liquor, and it would appear that he
Qualified his drink with something good for setting spirits free.
Though 'twas plainly self-destruction -- `'twas his own affair,' they said;
And the jury viewed him sadly, and they found -- that he was dead.
|
Written by
Sor Juana Inés de la Cruz |
Disillusionment (Español)
Ya, desengaño mío,
llegasteis al extremo
que pudo en vuestro ser
verificar el serlo.
Todo los habéis perdido;
mas no todo, pues creo
que aun a costa es de todo
barato el escarmiento.
No envidiaréis de amor
los gustos lisonjeros:
que está un escarmentado
muy remoto del riesgro.
El no esperar alguno
me sirve de consuelo;
que también es alivio
el no buscar remedio.
En la pérdida misma
los alivios encuentro:
pues si perdi el tesoro,
también se perdió el miedo.
No tener qué perder
me sirve de sosiego;
que no teme ladrones,
desnudo, el pasajero.
Ni aun la libertad misma
tenerla por bien quiero:
que luego será daño
si por tal la poseo.
No quiero más cuidados
de bienes tan inciertos,
sino tener el alma
como que no la tengo.
Top of page
Disillusionment (English)
Disillusionment,
this is the bitter end,
this proves you're rightly called
the end of illusion.
You've made me lose all,
yet no, losing all
is not paying too dear
for being undeceived.
No more will you envy
the allurements of love,
for one undeceived
has no risk left to run.
It's some consolation
to be expecting none:
there's relief to be found
in seeking no cure.
In loss itself
I find assuagement:
having lost the treasure,
I've nothing to fear.
Having nothing to lose
brings peace of mind:
one traveling without funds
need not fear thieves.
Liberty itself
for me is no boon:
if I hold it such,
it will soon be my bane.
No more worries for me
over boons so uncertain:
I will own my very soul
as if it were not mine.
|
Written by
Barry Tebb |
You were the one I wanted most to know
So like yet unlike, like fire and snow,
The casual voice, the sharp invective,
The barbed wit, the lapsed Irish Protestant
Who never gave a ****, crossed the palms
Of the great and good with coins hot with contempt
For the fakers and the tricksters whose poetry
Deftly bent to fashion’s latest slant.
You wrote from the heart, feelings on your sleeve,
But feelings are all a master poet needs:
You broke all the taboos, whores and fags and booze,
While I sighed over books and began to snooze
Until your voice broke through the haze
Of a quarter century’s sleep.
“Wake up you git
And bloody write!” I did and never stopped
And like you told the truth about how bad poetry
Rots the soul and slapped a New Gen face or two
And kicked some arses in painful places,
And so like you, got omitted from the posh anthologies
Where Penguin and Picador fill the pages
With the boring poetasters you went for in your rages,
Ex-friends like Harrison who missed you out.
You never could see the envy in their enmity.
Longley was the worst, a hypocrite to boot,
All you said about him never did come out;
I’ve tried myself to nail others of that ilk
Hither and thither they slide and slither
And crawl out of the muck white as brides’
Fat with OBE’s, sinecures and sighs
And Collected Poems no one buys.
Yet ‘Mainstrem’, your last but one collection,
I had to wait months for, the last borrower
Kept it for two years and likely I’ll do the same
Your poetry’s like no other, no one could tame
Your roaring fury or your searing pain.
You bared your soul in a most unfashionable way
But everything in me says your verse will stay,
Your love for your fourth and final wife,
The last chance marriage that went right
The children you loved so much but knew
You wouldn’t live to see grown up, so caught
Their growing pains and joys with a painter’s eye
And lyric skill as fine as Wordsworth’s best
they drank her welcome to his heritage
of grey, grey-green, wet earth and shapes of stone.
Who weds a landscape will not die alone.
Those you castigated never forgave.
Omitted you as casually as passing an unmarked grave,
Armitage, I name you, a blackguard and a knave,
Who knows no more of poetry than McGonagall the brave,
Yet tops the list of Faber’s ‘Best Poets of Our Age’.
Longley gave you just ten lines in ‘Irish Poets Now’
Most missed you out entirely for the troubles you gave
Accusing like Zola those poetic whores
Who sold themselves to fashion when time after time
Your passions brought you to your knees, lashing
At those poetasters when their puffed-up slime
Won the medals and the prizes time after time
And got them all the limelight while your books
Were quietly ignored, the better you wrote,
The fewer got bought.
Belatedly I found a poem of yours ‘Leeds 2’
In ‘Flashpoint’, a paint-stained worn out
School anthology from 1962.
Out of the blue
I wrote to you but the letter came back ‘Gone away
N.
F.
A.
’ then I tried again and had a marvellous letter back
Full of stories of the great and good and all their private sins,
You knew where the bodies were buried.
Who put the knife in, who slept with who
For what reward.
They never could shut you up
Or put you in a pen or pay you off and then came
Morley, Hulse and Kennedy’s ‘New Poetry’
Which did more damage to the course of poetry
Than anything I’ve read - poets unembarrassed
By the need to know more than what’s politically
White as snow.
Constantine and Jackie Kay
And Hoffman with the right connections.
Sweeney and O’Brien bleeding in all the politically
Sensitive places, Peter Reading lifting
Horror headlines from the Sun to make a splash.
Sansom and Maxwell, Jamie and Greenlaw.
Proving lack of talent is no barrier to fame
If you lick the right arses and say how nice they taste.
Crawling up the ladder, declaring **** is grace.
A talented drunken public servant
Has the world’s ear and hates me.
He ought to be in prison for misuse
Of public funds and bigotry;
But there’s some sparkle in his poetry.
You never flinched in the attack
But gave the devils their due:
The ‘Honest Ulsterman’ you founded
Lost its honesty the day you withdrew
But floundered on, publicly sighed and
Ungraciously expired as soon as you died.
You went with fallen women, smoked and sang and boozed,
Loved your many children, wrote poetry
As good as Yeats but the ignominy you had to bear
Bred an immortality impossible to share.
You showed us your own peccadilloes,
Your early lust for fame, but you learned
The cost of suffering, love and talent winning through,
Your best books your last, just two, like the letters
You wrote before your life was through.
The meeting you wanted could never happen:
I didn’t know about the stroke
That stilled your tongue and pen
But if you passed your mantle on to me
I’ll try and take up where you left off,
Give praise where praise is due
And blast the living daylights from those writers who
Betray the sacred art of making poetry true
To suffering and love, to passion and remorse
And try to steer a flimsy world upon a saner course.
|
Written by
Andrew Barton Paterson |
The Premier and the Socialist
Were walking through the State:
They wept to see the Savings Bank
Such funds accumulate.
"If these were only cleared away,"
They said, "it would be great.
"
"If three financial amateurs
Controlled them for a year,
Do you suppose," the Premier said,
"That they would get them clear?"
"I think so," said the Socialist;
"They would -- or very near!"
"If we should try to raise some cash
On assets of our own,
Do you suppose," the Premier said,
"That we could float a loan?"
"I doubt it," said the Socialist,
And groaned a doleful groan.
"Oh, Savings, come and walk with us!"
The Premier did entreat;
"A little walk, a little talk,
Away from Barrack Street;
My Socialistic friend will guide
Your inexperienced feet.
"
"We do not think," the Savings said,
"A socialistic crank,
Although he chance just now to hold
A legislative rank,
Can teach experienced Banking men
The way to run a Bank.
"
The Premier and the Socialist
They passed an Act or so
To take the little Savings out
And let them have a blow.
"We'll teach the Banks," the Premier said,
"The way to run the show.
"There's Tom Waddell -- in Bank finance
Can show them what is what.
I used to prove not long ago
His Estimates were rot.
But that -- like many other things --
I've recently forgot.
"Advances on a dried-out farm
Are what we chiefly need,
And loaned to friends of Ms.
L.
A.
Are very good, indeed,
See how the back-block Cockatoos
Are rolling up to feed.
"
"But not on us," the Savings cried,
Falling a little flat,
"We didn't think a man like you
Would do a thing like that;
For most of us are very small,
And none of us are fat.
"
"This haughty tone," the Premier said,
"Is not the proper line;
Before I'd be dictated to
My billet I'd resign!"
"How brightly," said the Socialist,
"Those little sovereigns shine.
"
The Premier and the Socialist
They had their bit of fun;
They tried to call the Savings back
But answer came there none,
Because the back-block Cockatoos
Had eaten every one.
|
Written by
Richard Hugo |
for Sydney Pettit
The lines are keen against today's bad sky
about to rain.
We're white and understand
why Indians sold butter for the funds
to build this church.
Four hens and a rooster
huddle on the porch.
We are dark
and know why no one climbed to pray.
The priest
who did his best to imitate a bell
watched the river, full of spirits, coil
below the hill, relentless for the bay.
A church abandoned to the wind is portent.
In high wind, ruins make harsh music.
The priest is tending bar.
His dreams have paid
outrageous fees for stone and mortar.
His eyes are empty as a chapel
roofless in a storm.
Greek temples seem
the same as forty centuries ago.
If we used one corner for a urinal,
he wouldn't swear we hadn't worshipped here.
The chickens cringe.
Rain sprays chaos where
the altar and the stained glass would have gone
had Indians not eaten tribal cows
one hungry fall.
Despite the chant,
salmon hadn't come.
The first mass
and a phone line cursed the river.
If rain had rhythm, it would not be Latin.
Children do not wave as we drive out.
Like these graves ours may go unmarked.
Can we be satisfied when dead
with daffodils for stones? These Indians--
whatever they once loved or used for God--
the hill--the river--the bay burned by the moon--
they knew that when you die you lose your name.
|
Written by
Thomas Moore |
["Now what, we ask, is become of this Sinking Fund - these eight millions of surplus above expenditure, which were to reduce the interest of the national debt by the amount of four hundred thousand pounds annually? Where, indeed, is the Sinking Fund itself?" - The Times]
Take your bell, take your bell,
Good Crier, and tell
To the Bulls and the Bears, till their ears are stunn'd,
That, lost or stolen,
Or fall'n through a hole in
The Treasury floor, is the Sinking Fund!
O yes! O yes!
Can anybody guess
What the deuce has become of this Treasury wonder?
It has Pitt's name on't,
All brass, in the front,
And R--b--ns--n's scrawl'd with a goose-quill under.
Folks well knew what
Would soon be its lot,
When Frederick or Jenky set hobnobbing,[1]
And said to each other,
"Suppose, dear brother,
We make this funny old Fund worth robbing.
"
We are come, alas!
To a very pretty pass --
Eight Hundred Millions of score, to pay,
With but Five in the till,
To discharge the bill,
And even that Five too, whipp'd away!
Stop thief! stop thief! --
From the Sub to the Chief,
These Genmen of Finance are plundering cattle --
Call the watch, call Bougham
Tell Joseph Hume,
That best of Charleys, to spring his rattle.
Whoever will bring
This aforesaid thing
To the well-known house of Robinson and Jenkin,
Shall be paid, with thanks,
In the notes of banks,
Whose Funds have all learn'd "the Art of Sinking.
"
O yes! O yes!
Can any body guess
What the devil has become of the Treasury wonder?
It has Pitt's name on 't,
All brass, in the front,
And R--b--ns--n's, scrawl'd with a goose-quill under.
|