Written by
John Keats |
SEASON of mists and mellow fruitfulness!
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eaves run;
To bend with apples the moss'd cottage-trees 5
And fill all fruit with ripeness to the core;
To swell the gourd and plump the hazel shells
With a sweet kernel; to set budding more
And still more later flowers for the bees
Until they think warm days will never cease 10
For Summer has o'er-brimm'd their clammy cells.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor
Thy hair soft-lifted by the winnowing wind; 15
Or on a half-reap'd furrow sound asleep
Drowsed with the fume of poppies while thy hook
Spares the next swath and all its twin¨¨d flowers;
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook; 20
Or by a cider-press with patient look
Thou watchest the last oozings hours by hours.
Where are the songs of Spring? Ay where are they?
Think not of them thou hast thy music too ¡ª
While barr¨¨d clouds bloom the soft-dying day 25
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn; 30
Hedge-crickets sing; and now with treble soft
The redbreast whistles from a garden-croft;
And gathering swallows twitter in the skies.
|
Written by
Walt Whitman |
1
SAUNTERING the pavement, or riding the country by-road—lo! such faces!
Faces of friendship, precision, caution, suavity, ideality;
The spiritual, prescient face—the always welcome, common, benevolent face,
The face of the singing of music—the grand faces of natural lawyers and judges, broad
at
the
back-top;
The faces of hunters and fishers, bulged at the brows—the shaved blanch’d faces
of
orthodox citizens;
The pure, extravagant, yearning, questioning artist’s face;
The ugly face of some beautiful Soul, the handsome detested or despised face;
The sacred faces of infants, the illuminated face of the mother of many children;
The face of an amour, the face of veneration;
The face as of a dream, the face of an immobile rock;
The face withdrawn of its good and bad, a castrated face;
A wild hawk, his wings clipp’d by the clipper;
A stallion that yielded at last to the thongs and knife of the gelder.
Sauntering the pavement, thus, or crossing the ceaseless ferry, faces, and faces, and
faces:
I see them, and complain not, and am content with all.
2
Do you suppose I could be content with all, if I thought them their own finale?
This now is too lamentable a face for a man;
Some abject louse, asking leave to be—cringing for it;
Some milk-nosed maggot, blessing what lets it wrig to its hole.
This face is a dog’s snout, sniffing for garbage;
Snakes nest in that mouth—I hear the sibilant threat.
This face is a haze more chill than the arctic sea;
Its sleepy and wobbling icebergs crunch as they go.
This is a face of bitter herbs—this an emetic—they need no label;
And more of the drug-shelf, laudanum, caoutchouc, or hog’s-lard.
This face is an epilepsy, its wordless tongue gives out the unearthly cry,
Its veins down the neck distended, its eyes roll till they show nothing but their whites,
Its teeth grit, the palms of the hands are cut by the turn’d-in nails,
The man falls struggling and foaming to the ground while he speculates well.
This face is bitten by vermin and worms,
And this is some murderer’s knife, with a half-pull’d scabbard.
This face owes to the sexton his dismalest fee;
An unceasing death-bell tolls there.
3
Those then are really men—the bosses and tufts of the great round globe!
Features of my equals, would you trick me with your creas’d and cadaverous march?
Well, you cannot trick me.
I see your rounded, never-erased flow;
I see neath the rims of your haggard and mean disguises.
Splay and twist as you like—poke with the tangling fores of fishes or rats;
You’ll be unmuzzled, you certainly will.
I saw the face of the most smear’d and slobbering idiot they had at the asylum;
And I knew for my consolation what they knew not;
I knew of the agents that emptied and broke my brother,
The same wait to clear the rubbish from the fallen tenement;
And I shall look again in a score or two of ages,
And I shall meet the real landlord, perfect and unharm’d, every inch as good as
myself.
4
The Lord advances, and yet advances;
Always the shadow in front—always the reach’d hand bringing up the laggards.
Out of this face emerge banners and horses—O superb! I see what is coming;
I see the high pioneer-caps—I see the staves of runners clearing the way,
I hear victorious drums.
This face is a life-boat;
This is the face commanding and bearded, it asks no odds of the rest;
This face is flavor’d fruit, ready for eating;
This face of a healthy honest boy is the programme of all good.
These faces bear testimony, slumbering or awake;
They show their descent from the Master himself.
Off the word I have spoken, I except not one—red, white, black, are all deific;
In each house is the ovum—it comes forth after a thousand years.
Spots or cracks at the windows do not disturb me;
Tall and sufficient stand behind, and make signs to me;
I read the promise, and patiently wait.
This is a full-grown lily’s face,
She speaks to the limber-hipp’d man near the garden pickets,
Come here, she blushingly cries—Come nigh to me, limber-hipp’d
man,
Stand at my side till I lean as high as I can upon you,
Fill me with albescent honey, bend down to me,
Rub to me with your chafing beard, rub to my breast and shoulders.
5
The old face of the mother of many children!
Whist! I am fully content.
Lull’d and late is the smoke of the First-day morning,
It hangs low over the rows of trees by the fences,
It hangs thin by the sassafras, the wild-cherry, and the cat-brier under them.
I saw the rich ladies in full dress at the soiree,
I heard what the singers were singing so long,
Heard who sprang in crimson youth from the white froth and the water-blue,
Behold a woman!
She looks out from her quaker cap—her face is clearer and more beautiful than the
sky.
She sits in an arm-chair, under the shaded porch of the farmhouse,
The sun just shines on her old white head.
Her ample gown is of cream-hued linen,
Her grandsons raised the flax, and her granddaughters spun it with the distaff and the
wheel.
The melodious character of the earth,
The finish beyond which philosophy cannot go, and does not wish to go,
The justified mother of men.
|
Written by
William Wordsworth |
In distant countries I have been,
And yet I have not often seen
A healthy man, a man full grown,
Weep in the public roads alone.
But such a one, on English ground,
And in the broad high-way, I met;
Along the broad high-way he came,
His cheeks with tears were wet.
Sturdy he seemed, though he was sad;
And in his arms a lamb he had.
He saw me, and he turned aside,
As if he wished himself to hide:
Then with his coat he made essay
To wipe those briny tears away.
I follow'd him, and said, "My friend
What ails you? wherefore weep you so?"
—"Shame on me, Sir! this lusty lamb,
He makes my tears to flow.
To-day I fetched him from the rock;
He is the last of all my flock.
"
When I was young, a single man,
And after youthful follies ran.
Though little given to care and thought,
Yet, so it was, a ewe I bought;
And other sheep from her I raised,
As healthy sheep as you might see,
And then I married, and was rich
As I could wish to be;
Of sheep I numbered a full score,
And every year increas'd my store.
Year after year my stock it grew,
And from this one, this single ewe,
Full fifty comely sheep I raised,
As sweet a flock as ever grazed!
Upon the mountain did they feed;
They throve, and we at home did thrive.
—This lusty lamb of all my store
Is all that is alive;
And now I care not if we die,
And perish all of poverty.
Six children, Sir! had I to feed,
Hard labour in a time of need!
My pride was tamed, and in our grief,
I of the parish ask'd relief.
They said I was a wealthy man;
My sheep upon the mountain fed,
And it was fit that thence I took
Whereof to buy us bread:
"Do this; how can we give to you,"
They cried, "what to the poor is due?"
I sold a sheep as they had said,
And bought my little children bread,
And they were healthy with their food;
For me it never did me good.
A woeful time it was for me,
To see the end of all my gains,
The pretty flock which I had reared
With all my care and pains,
To see it melt like snow away!
For me it was a woeful day.
Another still! and still another!
A little lamb, and then its mother!
It was a vein that never stopp'd,
Like blood-drops from my heart they dropp'd.
Till thirty were not left alive
They dwindled, dwindled, one by one,
And I may say that many a time
I wished they all were gone:
They dwindled one by one away;
For me it was a woeful day.
To wicked deeds I was inclined,
And wicked fancies cross'd my mind,
And every man I chanc'd to see,
I thought he knew some ill of me.
No peace, no comfort could I find,
No ease, within doors or without,
And crazily, and wearily
I went my work about.
Oft-times I thought to run away;
For me it was a woeful day.
Sir! 'twas a precious flock to me,
As dear as my own children be;
For daily with my growing store
I loved my children more and more.
Alas! it was an evil time;
God cursed me in my sore distress,
I prayed, yet every day I thought
I loved my children less;
And every week, and every day,
My flock, it seemed to melt away.
They dwindled.
Sir, sad sight to see!
From ten to five, from five to three,
A lamb, a weather, and a ewe;
And then at last, from three to two;
And of my fifty, yesterday
I had but only one,
And here it lies upon my arm,
Alas! and I have none;
To-day I fetched it from the rock;
It is the last of all my flock.
|
Written by
John Keats |
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eaves run;
To bend with apples the mossed cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimmed their clammy cell.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reaped furrow sound asleep,
Drowsed with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers;
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cider-press, with patient look,
Thou watchest the last oozings, hours by hours.
Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,---
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir, the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The redbreast whistles from a garden-croft,
And gathering swallows twitter in the skies.
|
Written by
Walt Whitman |
SPONTANEOUS me, Nature,
The loving day, the mounting sun, the friend I am happy with,
The arm of my friend hanging idly over my shoulder,
The hill-side whiten’d with blossoms of the mountain ash,
The same, late in autumn—the hues of red, yellow, drab, purple, and light and dark
green,
The rich coverlid of the grass—animals and birds—the private untrimm’d
bank—the primitive apples—the pebble-stones,
Beautiful dripping fragments—the negligent list of one after another, as I happen to
call them to me, or think of them,
The real poems, (what we call poems being merely pictures,)
The poems of the privacy of the night, and of men like me,
This poem, drooping shy and unseen, that I always carry, and that all men carry,
(Know, once for all, avow’d on purpose, wherever are men like me, are our lusty,
lurking, masculine poems;)
Love-thoughts, love-juice, love-odor, love-yielding, love-climbers, and the climbing sap,
Arms and hands of love—lips of love—phallic thumb of love—breasts of
love—bellies press’d and glued together with love,
Earth of chaste love—life that is only life after love,
The body of my love—the body of the woman I love—the body of the man—the
body of the earth,
Soft forenoon airs that blow from the south-west,
The hairy wild-bee that murmurs and hankers up and down—that gripes the full-grown
lady-flower, curves upon her with amorous firm legs, takes his will of her, and holds
himself tremulous and tight till he is satisfied,
The wet of woods through the early hours,
Two sleepers at night lying close together as they sleep, one with an arm slanting down
across and below the waist of the other,
The smell of apples, aromas from crush’d sage-plant, mint, birch-bark,
The boy’s longings, the glow and pressure as he confides to me what he was dreaming,
The dead leaf whirling its spiral whirl, and falling still and content to the ground,
The no-form’d stings that sights, people, objects, sting me with,
The hubb’d sting of myself, stinging me as much as it ever can any one,
The sensitive, orbic, underlapp’d brothers, that only privileged feelers may be
intimate where they are,
The curious roamer, the hand, roaming all over the body—the bashful withdrawing of
flesh where the fingers soothingly pause and edge themselves,
The limpid liquid within the young man,
The vexed corrosion, so pensive and so painful,
The torment—the irritable tide that will not be at rest,
The like of the same I feel—the like of the same in others,
The young man that flushes and flushes, and the young woman that flushes and flushes,
The young man that wakes, deep at night, the hot hand seeking to repress what would master
him;
The mystic amorous night—the strange half-welcome pangs, visions, sweats,
The pulse pounding through palms and trembling encircling fingers—the young man all
color’d, red, ashamed, angry;
The souse upon me of my lover the sea, as I lie willing and naked,
The merriment of the twin-babes that crawl over the grass in the sun, the mother never
turning her vigilant eyes from them,
The walnut-trunk, the walnut-husks, and the ripening or ripen’d long-round walnuts;
The continence of vegetables, birds, animals,
The consequent meanness of me should I skulk or find myself indecent, while birds and
animals never once skulk or find themselves indecent;
The great chastity of paternity, to match the great chastity of maternity,
The oath of procreation I have sworn—my Adamic and fresh daughters,
The greed that eats me day and night with hungry gnaw, till I saturate what shall produce
boys to fill my place when I am through,
The wholesome relief, repose, content;
And this bunch, pluck’d at random from myself;
It has done its work—I tossed it carelessly to fall where it may.
|
Written by
John Lindley |
“I’d rather make $700 a week playing a maid than earn $7 a day being a maid”.
Hattie McDaniel.
I’m the savage in the jungle
and the busboy in the town.
I’m the one who jumps the highest
when the Boss man comes around.
I’m the maid who wields the wooden broom.
I’m the black boot polish cheeks.
I’m the big fat Lawdy Mama
who always laughs before she speaks.
I’m the plaintive sound of spirituals
on the mighty Mississip’.
I’m the porter in the club car
touching forelock for a tip.
I’m the bent, white-whiskered ol’ Black Joe
with the stick and staggered walk.
I’m the barefoot boy in dungarees
with a stammer in my talk.
I’m the storytelling Mr.
Bones
with a jangling tambourine.
I’m the North’s excuse for novelty
and the South’s deleted scene.
I’m the one who takes his lunch break
with the extras and the grips.
I’m the funny liquorice coils of hair
and the funny looking lips.
I’m the white wide eyes and pearly teeth.
I’m the jet black skin that shines.
I’m the soft-shoe shuffling Uncle Tom
for your nickels and your dimes.
I’m the Alabami Mammy
for a state I’ve never seen.
I’m the bona fide Minstrel Man
whose blackface won’t wash clean.
I’m the banjo playing Sambo
with a fixed and manic grin.
I’m the South’s defiant answer
that the Yankees didn’t win.
I’m the inconvenient nigrah
that no one can let go.
I’m the cutesy picaninny
with my hair tied up in bows.
I’m the funny little shoeshine boy.
I’m the convict on the run;
the ****** in the woodpile
when the cotton pickin’s done.
I’m a blacklist in Kentucky.
I’m the night when hound dogs bay.
I’m the cut-price, easy light relief
growing darker by the day.
I’m the “yessir, Massa, right away”
that the audience so enjoys.
I’m the full-grown man of twenty-five
but still they call me ‘boy’.
For I’m the myth in Griffith’s movie.
I’m the steamboat whistle’s cry.
I’m the dust of dead plantations
and the proof of Lincoln’s lie.
I’m the skin upon the leg iron.
I’m the blood upon the club.
I’m the deep black stain you can’t erase
no matter how you scrub.
John Lindley
|
Written by
Katharine Tynan |
Our father, ere he went
Out with his brother, Death,
Smiling and well-content
As a bridegroom goeth,
Sweetly forgiveness prayed
From man or beast whom he
Had ever injured
Or burdened needlessly.
'Verily,' then said he,
'I crave before I pass
Forgiveness full and free
Of my little brother, the ass.
Many a time and oft,
When winds and ways were hot,
He hath borne me cool and soft
And service grudged me not.
'And once did it betide
There was, unseen of me,
A gall upon his side
That suffered grievously.
And once his manger was
Empty and bare, and brown.
(Praise God for sweet, dry grass
That Bethlehem folk shook down! )
'Consider, brethren,' said he,
'Our little brother; how mild,
How patient, he will be,
Though men are fierce and wild.
His coat is gray and fine,
His eyes are kind with love;
This little brother of mine
Is gentle as the dove.
'Consider how such an one
Beheld our Saviour born,
And carried him, full-grown,
Through Eastern streets one morn.
For this the Cross is laid
Upon him for a sign.
Greatly is honourèd
This little brother of mine.
'
And even while he spake,
Down in his stable stall
His little ass 'gan shake
And turned its face to the wall.
Down fell the heavy tear;
Its gaze so mournful was,
Fra Leo, standing near,
Pitied the little ass.
That night our father died,
All night the kine did low:
The ass went heavy-eyed,
With patient tears and slow.
The very birds on wings
Made mournful cries in the air.
Amen! all living things
Our father's brethern were.
|
Written by
Friedrich von Schiller |
Ah! happy he, upon whose birth each god
Looks down in love, whose earliest sleep the bright
Idalia cradles, whose young lips the rod
Of eloquent Hermes kindles--to whose eyes,
Scarce wakened yet, Apollo steals in light,
While on imperial brows Jove sets the seal of might!
Godlike the lot ordained for him to share,
He wins the garland ere he runs the race;
He learns life's wisdom ere he knows life's care,
And, without labor vanquished, smiles the grace.
Great is the man, I grant, whose strength of mind,
Self-shapes its objects and subdues the fates--
Virtue subdues the fates, but cannot blind
The fickle happiness, whose smile awaits
Those who scarce seek it; nor can courage earn
What the grace showers not from her own free urn!
From aught unworthy, the determined will
Can guard the watchful spirit--there it ends
The all that's glorious from the heaven descends;
As some sweet mistress loves us, freely still
Come the spontaneous gifts of heaven!--Above
Favor rules Jove, as it below rules love!
The immortals have their bias!--Kindly they
See the bright locks of youth enamored play,
And where the glad one goes, shed gladness round the way.
It is not they who boast the best to see,
Whose eyes the holy apparitions bless;
The stately light of their divinity
Hath oft but shone the brightest on the blind;--
And their choice spirit found its calm recess
In the pure childhood of a simple mind.
Unasked they come delighted to delude
The expectation of our baffled pride;
No law can call their free steps to our side.
Him whom he loves, the sire of men and gods
(Selected from the marvelling multitude)
Bears on his eagle to his bright abodes;
And showers, with partial hand and lavish, down,
The minstrel's laurel or the monarch's crown!
Before the fortune-favored son of earth,
Apollo walks--and, with his jocund mirth,
The heart-enthralling smiler of the skies
For him gray Neptune smooths the pliant wave--
Harmless the waters for the ship that bore
The Caesar and his fortunes to the shore!
Charmed at his feet the crouching lion lies,
To him his back the murmuring dolphin gave;
His soul is born a sovereign o'er the strife--
The lord of all the beautiful of life;
Where'er his presence in its calm has trod,
It charms--it sways as solve diviner God.
Scorn not the fortune-favored, that to him
The light-won victory by the gods is given,
Or that, as Paris, from the strife severe,
The Venus draws her darling--Whom the heaven
So prospers, love so watches, I revere!
And not the man upon whose eyes, with dim
And baleful night, sits fate.
Achaia boasts,
No less the glory of the Dorian lord
That Vulcan wrought for him the shield and sword--
That round the mortal hovered all the hosts
Of all Olympus--that his wrath to grace,
The best and bravest of the Grecian race
Untimely slaughtered, with resentful ghosts
Awed the pale people of the Stygian coasts!
Scorn not the darlings of the beautiful,
If without labor they life's blossoms cull;
If, like the stately lilies, they have won
A crown for which they neither toiled nor spun;--
If without merit, theirs be beauty, still
Thy sense, unenvying, with the beauty fill.
Alike for thee no merit wins the right,
To share, by simply seeing, their delight.
Heaven breathes the soul into the minstrel's breast,
But with that soul he animates the rest;
The god inspires the mortal--but to God,
In turn, the mortal lifts thee from the sod.
Oh, not in vain to heaven the bard is dear;
Holy himself--he hallows those who hear!
The busy mart let justice still control,
Weighing the guerdon to the toil!--What then?
A God alone claims joy--all joy is his,
Flushing with unsought light the cheeks of men.
Where is no miracle, why there no bliss!
Grow, change, and ripen all that mortal be,
Shapened from form to form, by toiling time;
The blissful and the beautiful are born
Full grown, and ripened from eternity--
No gradual changes to their glorious prime,
No childhood dwarfs them, and no age has worn.
--
Like heaven's, each earthly Venus on the sight
Comes, a dark birth, from out an endless sea;
Like the first Pallas, in maturest might,
Armed, from the thunderer's--brow, leaps forth each thought of light.
|
Written by
Johann Wolfgang von Goethe |
ONCE two persons uninvited
Came to join my dinner table;
For the nonce they lived united,
Fox and crane yclept in fable.
Civil greetings pass'd between us
Then I pluck'd some pigeons tender
For the fox of jackal-genius,
Adding grapes in full-grown splendour.
Long-neck'd flasks I put as dishes
For the crane, without delaying,
Fill'd with gold and silver fishes,
In the limpid water playing.
Had ye witness'd Reynard planted
At his flat plate, all demurely,
Ye with envy must have granted:
"Ne'er was such a gourmand, surely!"
While the bird with circumspection
On one foot, as usual, cradled,
From the flasks his fish-refection
With his bill and long neck ladled.
One the pigeons praised,--the other,
As they went, extoll'd the fishes,
Each one scoffing at his brother
For preferring vulgar dishes.
* * *
If thou wouldst preserve thy credit,
When thou askest folks to guzzle
At thy hoard, take care to spread it
Suited both for bill and muzzle.
1819.
|
Written by
Algernon Charles Swinburne |
Put in the sickles and reap;
For the morning of harvest is red,
And the long large ranks of the corn
Coloured and clothed as the morn
Stand thick in the fields and deep
For them that faint to be fed.
Let all that hunger and weep
Come hither, and who would have bread
Put in the sickles and reap.
Coloured and clothed as the morn,
The grain grows ruddier than gold,
And the good strong sun is alight
In the mists of the day-dawn white,
And the crescent, a faint sharp horn,
In the fear of his face turns cold
As the snakes of the night-time that creep
From the flag of our faith unrolled.
Put in the sickles and reap.
In the mists of the day-dawn white
That roll round the morning star,
The large flame lightens and grows
Till the red-gold harvest-rows,
Full-grown, are full of the light
As the spirits of strong men are,
Crying, Who shall slumber or sleep?
Who put back morning or mar?
Put in the sickles and reap.
Till the red-gold harvest-rows
For miles through shudder and shine
In the wind's breath, fed with the sun,
A thousand spear-heads as one
Bowed as for battle to close
Line in rank against line
With place and station to keep
Till all men's hands at a sign
Put in the sickles and reap.
A thousand spear-heads as one
Wave as with swing of the sea
When the mid tide sways at its height;
For the hour is for harvest or fight
In face of the just calm sun,
As the signal in season may be
And the lot in the helm may leap
When chance shall shake it; but ye,
Put in the sickles and reap.
For the hour is for harvest or fight
To clothe with raiment of red;
O men sore stricken of hours,
Lo, this one, is not it ours
To glean, to gather, to smite?
Let none make risk of his head
Within reach of the clean scythe-sweep,
When the people that lay as the dead
Put in the sickles and reap.
Lo, this one, is not it ours,
Now the ruins of dead things rattle
As dead men's bones in the pit,
Now the kings wax lean as they sit
Girt round with memories of powers,
With musters counted as cattle
And armies folded as sheep
Till the red blind husbandman battle
Put in the sickles and reap?
Now the kings wax lean as they sit,
The people grow strong to stand;
The men they trod on and spat,
The dumb dread people that sat
As corpses cast in a pit,
Rise up with God at their hand,
And thrones are hurled on a heap,
And strong men, sons of the land,
Put in the sickles and reap.
The dumb dread people that sat
All night without screen for the night,
All day without food for the day,
They shall give not their harvest away,
They shall eat of its fruit and wax fat:
They shall see the desire of their sight,
Though the ways of the seasons be steep,
They shall climb with face to the light,
Put in the sickles and reap.
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