Written by
Walt Whitman |
1
TO conclude—I announce what comes after me;
I announce mightier offspring, orators, days, and then, for the present, depart.
I remember I said, before my leaves sprang at all,
I would raise my voice jocund and strong, with reference to consummations.
When America does what was promis’d,
When there are plentiful athletic bards, inland and seaboard,
When through These States walk a hundred millions of superb persons,
When the rest part away for superb persons, and contribute to them,
When breeds of the most perfect mothers denote America,
Then to me and mine our due fruition.
I have press’d through in my own right,
I have sung the Body and the Soul—War and Peace have I sung,
And the songs of Life and of Birth—and shown that there are many births:
I have offer’d my style to everyone—I have journey’d with confident step;
While my pleasure is yet at the full, I whisper, So long!
And take the young woman’s hand, and the young man’s hand, for the last time.
2
I announce natural persons to arise;
I announce justice triumphant;
I announce uncompromising liberty and equality;
I announce the justification of candor, and the justification of pride.
I announce that the identity of These States is a single identity only;
I announce the Union more and more compact, indissoluble;
I announce splendors and majesties to make all the previous politics of the earth
insignificant.
I announce adhesiveness—I say it shall be limitless, unloosen’d;
I say you shall yet find the friend you were looking for.
I announce a man or woman coming—perhaps you are the one, (So long!)
I announce the great individual, fluid as Nature, chaste, affectionate, compassionate,
fully
armed.
I announce a life that shall be copious, vehement, spiritual, bold;
I announce an end that shall lightly and joyfully meet its translation;
I announce myriads of youths, beautiful, gigantic, sweet-blooded;
I announce a race of splendid and savage old men.
3
O thicker and faster! (So long!)
O crowding too close upon me;
I foresee too much—it means more than I thought;
It appears to me I am dying.
Hasten throat, and sound your last!
Salute me—salute the days once more. Peal the old cry once more.
Screaming electric, the atmosphere using,
At random glancing, each as I notice absorbing,
Swiftly on, but a little while alighting,
Curious envelop’d messages delivering,
Sparkles hot, seed ethereal, down in the dirt dropping,
Myself unknowing, my commission obeying, to question it never daring,
To ages, and ages yet, the growth of the seed leaving,
To troops out of me, out of the army, the war arising—they the tasks I have set
promulging,
To women certain whispers of myself bequeathing—their affection me more clearly
explaining,
To young men my problems offering—no dallier I—I the muscle of their brains
trying,
So I pass—a little time vocal, visible, contrary;
Afterward, a melodious echo, passionately bent for—(death making me really undying;)
The best of me then when no longer visible—for toward that I have been incessantly
preparing.
What is there more, that I lag and pause, and crouch extended with unshut mouth?
Is there a single final farewell?
4
My songs cease—I abandon them;
From behind the screen where I hid I advance personally, solely to you.
Camerado! This is no book;
Who touches this, touches a man;
(Is it night? Are we here alone?)
It is I you hold, and who holds you;
I spring from the pages into your arms—decease calls me forth.
O how your fingers drowse me!
Your breath falls around me like dew—your pulse lulls the tympans of my ears;
I feel immerged from head to foot;
Delicious—enough.
Enough, O deed impromptu and secret!
Enough, O gliding present! Enough, O summ’d-up past!
5
Dear friend, whoever you are, take this kiss,
I give it especially to you—Do not forget me;
I feel like one who has done work for the day, to retire awhile;
I receive now again of my many translations—from my avataras ascending—while
others
doubtless await me;
An unknown sphere, more real than I dream’d, more direct, darts awakening rays about
me—So long!
Remember my words—I may again return,
I love you—I depart from materials;
I am as one disembodied, triumphant, dead.
|
Written by
Frank Bidart |
The only thing I miss about Los Angeles
is the Hollywood Freeway at midnight, windows down and
radio blaring
bearing right into the center of the city, the Capitol Tower
on the right, and beyond it, Hollywood Boulevard
blazing
--pimps, surplus stores, footprints of the stars
--descending through the city
fast as the law would allow
through the lights, then rising to the stack
out of the city
to the stack where lanes are stacked six deep
and you on top; the air
now clean, for a moment weightless
without memories, or
need for a past.
The need for the past
is so much at the center of my life
I write this poem to record my discovery of it,
my reconciliation.
It was in Bishop, the room was done
in California plush: we had gone into the coffee shop, were told
you could only get a steak in the bar:
I hesitated,
not wanting to be an occasion of temptation for my father
but he wanted to, so we entered
a dark room, with amber water glasses, walnut
tables, captain's chairs,
plastic doilies, papier-mâché bas-relief wall ballerinas,
German memorial plates "bought on a trip to Europe,"
Puritan crosshatch green-yellow wallpaper,
frilly shades, cowhide
booths--
I thought of Cambridge:
the lovely congruent elegance
of Revolutionary architecture, even of
ersatz thirties Georgian
seemed alien, a threat, sign
of all I was not--
to bode order and lucidity
as an ideal, if not reality--
not this California plush, which
also
I was not.
And so I made myself an Easterner,
finding it, after all, more like me
than I had let myself hope.
And now, staring into the embittered face of
my father,
again, for two weeks, as twice a year,
I was back.
The waitress asked us if we wanted a drink.
Grimly, I waited until he said no...
Before the tribunal of the world I submit the following
document:
Nancy showed it to us,
in her apartment at the model,
as she waited month by month
for the property settlement, her children grown
and working for their father,
at fifty-three now alone,
a drink in her hand:
as my father said,
"They keep a drink in her hand":
Name Wallace du Bois
Box No 128 Chino, Calif.
Date July 25 ,19 54
Mr Howard Arturian
I am writing a letter to you this afternoon while I'm in the
mood of writing. How is everything getting along with you these
fine days, as for me everything is just fine and I feel great except for
the heat I think its lot warmer then it is up there but I don't mind
it so much. I work at the dairy half day and I go to trade school the
other half day Body & Fender, now I am learning how to spray
paint cars I've already painted one and now I got another car to
paint. So now I think I've learned all I want after I have learned all
this. I know how to straighten metals and all that. I forgot to say
"Hello" to you. The reason why I am writing to you is about a job,
my Parole Officer told me that he got letter from and that you want
me to go to work for you. So I wanted to know if its truth. When
I go to the Board in Feb. I'll tell them what I want to do and where
I would like to go, so if you want me to work for you I'd rather have
you sent me to your brother John in Tonapah and place to stay for
my family. The Old Lady says the same thing in her last letter that
she would be some place else then in Bishop, thats the way I feel
too.and another thing is my drinking problem. I made up my mind
to quit my drinking, after all what it did to me and what happen.
This is one thing I'll never forget as longs as I live I never want
to go through all this mess again. This sure did teach me lot of things
that I never knew before. So Howard you can let me know soon
as possible. I sure would appreciate it.
P.S From Your Friend
I hope you can read my Wally Du Bois
writing. I am a little nervous yet
--He and his wife had given a party, and
one of the guests was walking away
just as Wallace started backing up his car.
He hit him, so put the body in the back seat
and drove to a deserted road.
There he put it before the tires, and
ran back and forth over it several times.
When he got out of Chino, he did,
indeed, never do that again:
but one child was dead, his only son,
found with the rest of the family
immobile in their beds with typhoid,
next to the mother, the child having been
dead two days:
he continued to drink, and as if it were the Old West
shot up the town a couple of Saturday nights.
"So now I think I've learned all I want
after I have learned all this: this sure did teach me a lot of things
that I never knew before.
I am a little nervous yet."
It seems to me
an emblem of Bishop--
For watching the room, as the waitresses in their
back-combed, Parisian, peroxided, bouffant hairdos,
and plastic belts,
moved back and forth
I thought of Wallace, and
the room suddenly seemed to me
not uninteresting at all:
they were the same. Every plate and chair
had its congruence with
all the choices creating
these people, created
by them--by me,
for this is my father's chosen country, my origin.
Before, I had merely been anxious, bored; now,
I began to ask a thousand questions...
He was, of course, mistrustful, knowing I was bored,
knowing he had dragged me up here from Bakersfield
after five years
of almost managing to forget Bishop existed.
But he soon became loquacious, ordered a drink,
and settled down for
an afternoon of talk...
He liked Bishop: somehow, it was to his taste, this
hard-drinking, loud, visited-by-movie-stars town.
"Better to be a big fish in a little pond."
And he was: when they came to shoot a film,
he entertained them; Miss A--, who wore
nothing at all under her mink coat; Mr. M--,
good horseman, good shot.
"But when your mother
let me down" (for alcoholism and
infidelity, she divorced him)
"and Los Angeles wouldn't give us water any more,
I had to leave.
We were the first people to grow potatoes in this valley."
When he began to tell me
that he lost control of the business
because of the settlement he gave my mother,
because I had heard it
many times,
in revenge, I asked why people up here drank so much.
He hesitated. "Bored, I guess.
--Not much to do."
And why had Nancy's husband left her?
In bitterness, all he said was:
"People up here drink too damn much."
And that was how experience
had informed his life.
"So now I think I've learned all I want
after I have learned all this: this sure did teach me a lot of things
that I never knew before.
I am a little nervous yet."
Yet, as my mother said,
returning, as always, to the past,
"I wouldn't change any of it.
It taught me so much. Gladys
is such an innocent creature: you look into her face
and somehow it's empty, all she worries about
are sales and the baby.
her husband's too good!"
It's quite pointless to call this rationalization:
my mother, for uncertain reasons, has had her
bout with insanity, but she's right:
the past in maiming us,
makes us,
fruition
is also
destruction:
I think of Proust, dying
in a cork-linked room, because he refuses to eat
because he thinks that he cannot write if he eats
because he wills to write, to finish his novel
--his novel which recaptures the past, and
with a kind of joy, because
in the debris
of the past, he has found the sources of the necessities
which have led him to this room, writing
--in this strange harmony, does he will
for it to have been different?
And I can't not think of the remorse of Oedipus,
who tries to escape, to expiate the past
by blinding himself, and
then, when he is dying, sees that he has become a Daimon
--does he, discovering, at last, this cruel
coherence created by
"the order of the universe"
--does he will
anything reversed?
I look at my father:
as he drinks his way into garrulous, shaky
defensiveness, the debris of the past
is just debris--; whatever I reason, it is a desolation
to watch...
must I watch?
He will not change; he does not want to change;
every defeated gesture implies
the past is useless, irretrievable...
--I want to change: I want to stop fear's subtle
guidance of my life--; but, how can I do that
if I am still
afraid of its source?
|
Written by
Rainer Maria Rilke |
High above he stands, beside the many
saintly figures fronting the cathedral's
gothic tympanum, close by the window
called the rose, and looks astonished at his
own deification which placed him there.
Erect and proud he smiles, and quite enjoys
this feat of his survival, willed by choice.
As labourer in the fields he made his start
and through his efforts brought to full fruition
the garden God named Eden. But where was
the hidden path that led to the New Earth?
God would not listen to his endless pleas.
Instead, He threatened him that he shall die.
Yet Adam stood his ground: Eve shall give birth.
|
Written by
Adrienne Rich |
1
You, once a belle in Shreveport,
with henna-colored hair, skin like a peachbud,
still have your dresses copied from that time,
and play a Chopin prelude
called by Cortot: "Delicious recollections
float like perfume through the memory."
Your mind now, moldering like wedding-cake,
heavy with useless experience, rich
with suspicion, rumor, fantasy,
crumbling to pieces under the knife-edge
of mere fact. In the prime of your life.
Nervy, glowering, your daughter
wipes the teaspoons, grows another way.
2
Banging the coffee-pot into the sink
she hears the angels chiding, and looks out
past the raked gardens to the sloppy sky.
Only a week since They said: Have no patience.
The next time it was: Be insatiable.
Then: Save yourself; others you cannot save.
Sometimes she's let the tapstream scald her arm,
a match burn to her thumbnail,
or held her hand above the kettle's snout
right inthe woolly steam. They are probably angels,
since nothing hurts her anymore, except
each morning's grit blowing into her eyes.
3
A thinking woman sleeps with monsters.
The beak that grips her, she becomes. And Nature,
that sprung-lidded, still commodious
steamer-trunk of tempora and mores
gets stuffed with it all: the mildewed orange-flowers,
the female pills, the terrible breasts
of Boadicea beneath flat foxes' heads and orchids.
Two handsome women, gripped in argument,
each proud, acute, subtle, I hear scream
across the cut glass and majolica
like Furies cornered from their prey:
The argument ad feminam, all the old knives
that have rusted in my back, I drive in yours,
ma semblable, ma soeur!
4
Knowing themselves too well in one another:
their gifts no pure fruition, but a thorn,
the prick filed sharp against a hint of scorn...
Reading while waiting
for the iron to heat,
writing, My Life had stood--a Loaded Gun--
in that Amherst pantry while the jellies boil and scum,
or, more often,
iron-eyed and beaked and purposed as a bird,
dusting everything on the whatnot every day of life.
5
Dulce ridens, dulce loquens,
she shaves her legs until they gleam
like petrified mammoth-tusk.
6
When to her lute Corinna sings
neither words nor music are her own;
only the long hair dipping
over her cheek, only the song
of silk against her knees
and these
adjusted in reflections of an eye.
Poised, trembling and unsatisfied, before
an unlocked door, that cage of cages,
tell us, you bird, you tragical machine--
is this fertillisante douleur? Pinned down
by love, for you the only natural action,
are you edged more keen
to prise the secrets of the vault? has Nature shown
her household books to you, daughter-in-law,
that her sons never saw?
7
"To have in this uncertain world some stay
which cannot be undermined, is
of the utmost consequence."
Thus wrote
a woman, partly brave and partly good,
who fought with what she partly understood.
Few men about her would or could do more,
hence she was labeled harpy, shrew and whore.
8
"You all die at fifteen," said Diderot,
and turn part legend, part convention.
Still, eyes inaccurately dream
behind closed windows blankening with steam.
Deliciously, all that we might have been,
all that we were--fire, tears,
wit, taste, martyred ambition--
stirs like the memory of refused adultery
the drained and flagging bosom of our middle years.
9
Not that it is done well, but
that it is done at all? Yes, think
of the odds! or shrug them off forever.
This luxury of the precocious child,
Time's precious chronic invalid,--
would we, darlings, resign it if we could?
Our blight has been our sinecure:
mere talent was enough for us--
glitter in fragments and rough drafts.
Sigh no more, ladies.
Time is male
and in his cups drinks to the fair.
Bemused by gallantry, we hear
our mediocrities over-praised,
indolence read as abnegation,
slattern thought styled intuition,
every lapse forgiven, our crime
only to cast too bold a shadow
or smash the mold straight off.
For that, solitary confinement,
tear gas, attrition shelling.
Few applicants for that honor.
10
Well,
she's long about her coming, who must be
more merciless to herself than history.
Her mind full to the wind, I see her plunge
breasted and glancing through the currents,
taking the light upon her
at least as beautiful as any boy
or helicopter,
poised, still coming,
her fine blades making the air wince
but her cargo
no promise then:
delivered
palpable
ours.
|
Written by
Lucy Maud Montgomery |
Now at our casement the wind is shrilling,
Poignant and keen
And all the great boughs of the pines between
It is harping a lone and hungering strain
To the eldritch weeping of the rain;
And then to the wild, wet valley flying
It is seeking, sighing,
Something lost in the summer olden.
When night was silver and day was golden;
But out on the shore the waves are moaning
With ancient and never fulfilled desire,
And the spirits of all the empty spaces,
Of all the dark and haunted places,
With the rain and the wind on their death-white faces,
Come to the lure of our leaping fire.
But we bar them out with this rose-red splendor
From our blithe domain,
And drown the whimper of wind and rain
With undaunted laughter, echoing long,
Cheery old tale and gay old song;
Ours is the joyance of ripe fruition,
Attained ambition.
Ours is the treasure of tested loving,
Friendship that needs no further proving;
No more of springtime hopes, sweet and uncertain,
Here we have largess of summer in fee
Pile high the logs till the flame be leaping,
At bay the chill of the autumn keeping,
While pilgrim-wise, we may go a-reaping
In the fairest meadow of memory!
|
Written by
John Donne |
Image of her whom I love, more than she,
Whose fair impression in my faithful heart
Makes me her medal, and makes her love me,
As Kings do coins, to which their stamps impart
The value: go, and take my heart from hence,
Which now is grown too great and good for me:
Honours oppress weak spirits, and our sense
Strong objects dull; the more, the less we see.
When you are gone, and Reason gone with you,
Then Fantasy is queen and soul, and all;
She can present joys meaner than you do;
Convenient, and more proportional.
So, if I dream I have you, I have you,
For, all our joys are but fantastical.
And so I 'scape the pain, for pain is true;
And sleep which locks up sense, doth lock out all.
After a such fruition I shall wake,
And, but the waking, nothing shall repent;
And shall to love more thankful sonnets make
Than if more honour, tears, and pains were spent.
But dearest heart, and dearer image, stay;
Alas, true joys at best are dream enough;
Though you stay here you pass too fast away:
For even at first life's taper is a snuff.
Filied with her love, may I be rather grown
Mad with much heart, than idiot with none.
|
Written by
Amy Lowell |
Thou dear and well-loved haunt of happy hours,
How often in some distant gallery,
Gained by a little painful spiral stair,
Far from the halls and corridors where throng
The crowd of casual readers, have I passed
Long, peaceful hours seated on the floor
Of some retired nook, all lined with books,
Where reverie and quiet reign supreme!
Above, below, on every side, high shelved
From careless grasp of transient interest,
Stand books we can but dimly see, their charm
Much greater that their titles are unread;
While on a level with the dusty floor
Others are ranged in orderly confusion,
And we must stoop in painful posture while
We read their names and learn their histories.
The little gallery winds round about
The middle of a most secluded room,
Midway between the ceiling and the floor.
A type of those high thoughts, which while we read
Hover between the earth and furthest heaven
As fancy wills, leaving the printed page;
For books but give the theme, our hearts the rest,
Enriching simple words with unguessed harmony
And overtones of thought we only know.
And as we sit long hours quietly,
Reading at times, and at times simply dreaming,
The very room itself becomes a friend,
The confidant of intimate hopes and fears;
A place where are engendered pleasant thoughts,
And possibilities before unguessed
Come to fruition born of sympathy.
And as in some gay garden stretched upon
A genial southern slope, warmed by the sun,
The flowers give their fragrance joyously
To the caressing touch of the hot noon;
So books give up the all of what they mean
Only in a congenial atmosphere,
Only when touched by reverent hands, and read
By those who love and feel as well as think.
For books are more than books, they are the life,
The very heart and core of ages past,
The reason why men lived, and worked, and died,
The essence and quintessence of their lives.
And we may know them better, and divine
The inner motives whence their actions sprang,
Far better than the men who only knew
Their bodily presence, the soul forever hid
From those with no ability to see.
They wait here quietly for us to come
And find them out, and know them for our friends;
These men who toiled and wrote only for this,
To leave behind such modicum of truth
As each perceived and each alone could tell.
Silently waiting that from time to time
It may be given them to illuminate
Dull daily facts with pristine radiance
For some long-waited-for affinity
Who lingers yet in the deep womb of time.
The shifting sun pierces the young green leaves
Of elm trees, newly coming into bud,
And splashes on the floor and on the books
Through old, high, rounded windows, dim with age.
The noisy city-sounds of modern life
Float softened to us across the old graveyard.
The room is filled with a warm, mellow light,
No garish colours jar on our content,
The books upon the shelves are old and worn.
'T was no belated effort nor attempt
To keep abreast with old as well as new
That placed them here, tricked in a modern guise,
Easily got, and held in light esteem.
Our fathers' fathers, slowly and carefully
Gathered them, one by one, when they were new
And a delighted world received their thoughts
Hungrily; while we but love the more,
Because they are so old and grown so dear!
The backs of tarnished gold, the faded boards,
The slightly yellowing page, the strange old type,
All speak the fashion of another age;
The thoughts peculiar to the man who wrote
Arrayed in garb peculiar to the time;
As though the idiom of a man were caught
Imprisoned in the idiom of a race.
A nothing truly, yet a link that binds
All ages to their own inheritance,
And stretching backward, dim and dimmer still,
Is lost in a remote antiquity.
Grapes do not come of thorns nor figs of thistles,
And even a great poet's divinest thought
Is coloured by the world he knows and sees.
The little intimate things of every day,
The trivial nothings that we think not of,
These go to make a part of each man's life;
As much a part as do the larger thoughts
He takes account of. Nay, the little things
Of daily life it is which mold, and shape,
And make him apt for noble deeds and true.
And as we read some much-loved masterpiece,
Read it as long ago the author read,
With eyes that brimmed with tears as he saw
The message he believed in stamped in type
Inviolable for the slow-coming years;
We know a certain subtle sympathy,
We seem to clasp his hand across the past,
His words become related to the time,
He is at one with his own glorious creed
And all that in his world was dared and done.
The long, still, fruitful hours slip away
Shedding their influences as they pass;
We know ourselves the richer to have sat
Upon this dusty floor and dreamed our dreams.
No other place to us were quite the same,
No other dreams so potent in their charm,
For this is ours! Every twist and turn
Of every narrow stair is known and loved;
Each nook and cranny is our very own;
The dear, old, sleepy place is full of spells
For us, by right of long inheritance.
The building simply bodies forth a thought
Peculiarly inherent to the race.
And we, descendants of that elder time,
Have learnt to love the very form in which
The thought has been embodied to our years.
And here we feel that we are not alone,
We too are one with our own richest past;
And here that veiled, but ever smouldering fire
Of race, which rarely seen yet never dies,
Springs up afresh and warms us with its heat.
And must they take away this treasure house,
To us so full of thoughts and memories;
To all the world beside a dismal place
Lacking in all this modern age requires
To tempt along the unfamiliar paths
And leafy lanes of old time literatures?
It takes some time for moss and vines to grow
And warmly cover gaunt and chill stone walls
Of stately buildings from the cold North Wind.
The lichen of affection takes as long,
Or longer, ere it lovingly enfolds
A place which since without it were bereft,
All stript and bare, shorn of its chiefest grace.
For what to us were halls and corridors
However large and fitting, if we part
With this which is our birthright; if we lose
A sentiment profound, unsoundable,
Which Time's slow ripening alone can make,
And man's blind foolishness so quickly mar.
|
Written by
Andrew Barton Paterson |
Ambition
I am the maid of the lustrous eyes
Of great fruition,
Whom the sons of men that are over-wise
Have called Ambition.
And the world's success is the only goal
I have within me;
The meanest man with the smallest soul
May woo and win me.
For the lust of power and the pride of place
To all I proffer.
Wilt thou take thy part in the crowded race
For what I offer?
The choice is thine, and the world is wide --
Thy path is lonely.
I may not lead and I may not guide --
I urge thee only.
I am just a whip and a spur that smites
To fierce endeavour.
In the restless days and the sleepless nights
I urge thee ever.
Thou shalt wake from sleep with a startled cry,
In fright unleaping
At a rival's step as it passes by
Whilst thou art sleeping.
Honour and truth shall be overthrown
In fierce desire;
Thou shalt use thy friend as a stepping-stone
To mount thee higher.
When the curtain falls on the sordid strife
That seemed so splendid,
Thou shalt look with pain on the wasted life
That thou hast ended.
Thou hast sold thy life for a guerdon small
In fitful flashes;
There has been reward -- but the end of all
Is dust and ashes.
For the night has come and it brings to naught
Thy projects cherished,
And thine epitaph shall in brass be wrought --
"He lived, and perished."
Art
I wait for thee at the outer gate,
My love, mine only;
Wherefore tarriest thou so late
While I am lonely?
Thou shalt seek my side with a footstep swift;
In thee implanted
Is the love of Art and the greatest gift
That God has granted.
And the world's concerns with its rights and wrongs
Shall seem but small things --
Poet or painter, or singer of songs,
Thine art is all things.
For the wine of life is a woman's love
To keep beside thee;
But the love of Art is a thing above --
A star to guide thee.
As the years go by with the love of Art
All undiminished,
Thou shalt end thy days with a quiet geart --
Thy work is finished.
So the painter fashions a picture strong
That fadeth never,
And the singer singeth a wondrous song
That lives for ever.
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Written by
Robert Herrick |
Thrice, and above, blest, my soul's half, art thou,
In thy both last and better vow;
Could'st leave the city, for exchange, to see
The country's sweet simplicity;
And it to know and practise, with intent
To grow the sooner innocent;
By studying to know virtue, and to aim
More at her nature than her name;
The last is but the least; the first doth tell
Ways less to live, than to live well:--
And both are known to thee, who now canst live
Led by thy conscience, to give
Justice to soon-pleased nature, and to show
Wisdom and she together go,
And keep one centre; This with that conspires
To teach man to confine desires,
And know that riches have their proper stint
In the contented mind, not mint;
And canst instruct that those who have the itch
Of craving more, are never rich.
These things thou knows't to th' height, and dost prevent
That plague, because thou art content
With that Heaven gave thee with a wary hand,
(More blessed in thy brass than land)
To keep cheap Nature even and upright;
To cool, not cocker appetite.
Thus thou canst tersely live to satisfy
The belly chiefly, not the eye;
Keeping the barking stomach wisely quiet,
Less with a neat than needful diet.
But that which most makes sweet thy country life,
Is the fruition of a wife,
Whom, stars consenting with thy fate, thou hast
Got not so beautiful as chaste;
By whose warm side thou dost securely sleep,
While Love the sentinel doth keep,
With those deeds done by day, which ne'er affright
Thy silken slumbers in the night:
Nor has the darkness power to usher in
Fear to those sheets that know no sin.
The damask'd meadows and the pebbly streams
Sweeten and make soft your dreams:
The purling springs, groves, birds, and well weaved bowers,
With fields enamelled with flowers,
Present their shapes, while fantasy discloses
Millions of Lilies mix'd with Roses.
Then dream, ye hear the lamb by many a bleat
Woo'd to come suck the milky teat;
While Faunus in the vision comes, to keep
From rav'ning wolves the fleecy sheep:
With thousand such enchanting dreams, that meet
To make sleep not so sound as sweet;
Nor call these figures so thy rest endear,
As not to rise when Chanticlere
Warns the last watch;--but with the dawn dost rise
To work, but first to sacrifice;
Making thy peace with Heaven for some late fault,
With holy-meal and spirting salt;
Which done, thy painful thumb this sentence tells us,
'Jove for our labour all things sells us.'
Nor are thy daily and devout affairs
Attended with those desp'rate cares
Th' industrious merchant has, who for to find
Gold, runneth to the Western Ind,
And back again, tortured with fears, doth fly,
Untaught to suffer Poverty;--
But thou at home, blest with securest ease,
Sitt'st, and believ'st that there be seas,
And watery dangers; while thy whiter hap
But sees these things within thy map;
And viewing them with a more safe survey,
Mak'st easy fear unto thee say,
'A heart thrice walled with oak and brass, that man
Had, first durst plough the ocean.'
But thou at home, without or tide or gale,
Canst in thy map securely sail;
Seeing those painted countries, and so guess
By those fine shades, their substances;
And from thy compass taking small advice,
Buy'st travel at the lowest price.
Nor are thine ears so deaf but thou canst hear,
Far more with wonder than with fear,
Fame tell of states, of countries, courts, and kings,
And believe there be such things;
When of these truths thy happier knowledge lies
More in thine ears than in thine eyes.
And when thou hear'st by that too true report,
Vice rules the most, or all, at court,
Thy pious wishes are, though thou not there,
Virtue had, and moved her sphere.
But thou liv'st fearless; and thy face ne'er shows
Fortune when she comes, or goes;
But with thy equal thoughts, prepared dost stand
To take her by the either hand;
Nor car'st which comes the first, the foul or fair:--
A wise man ev'ry way lies square;
And like a surly oak with storms perplex'd
Grows still the stronger, strongly vex'd.
Be so, bold Spirit; stand centre-like, unmoved;
And be not only thought, but proved
To be what I report thee, and inure
Thyself, if want comes, to endure;
And so thou dost; for thy desires are
Confined to live with private Lar:
Nor curious whether appetite be fed
Or with the first, or second bread.
Who keep'st no proud mouth for delicious cates;
Hunger makes coarse meats, delicates.
Canst, and unurged, forsake that larded fare,
Which art, not nature, makes so rare;
To taste boil'd nettles, coleworts, beets, and eat
These, and sour herbs, as dainty meat:--
While soft opinion makes thy Genius say,
'Content makes all ambrosia;'
Nor is it that thou keep'st this stricter size
So much for want, as exercise;
To numb the sense of dearth, which, should sin haste it,
Thou might'st but only see't, not taste it;
Yet can thy humble roof maintain a quire
Of singing crickets by thy fire;
And the brisk mouse may feast herself with crumbs,
Till that the green-eyed kitling comes;
Then to her cabin, blest she can escape
The sudden danger of a rape.
--And thus thy little well-kept stock doth prove,
Wealth cannot make a life, but love.
Nor art thou so close-handed, but canst spend,
(Counsel concurring with the end),
As well as spare; still conning o'er this theme,
To shun the first and last extreme;
Ordaining that thy small stock find no breach,
Or to exceed thy tether's reach;
But to live round, and close, and wisely true
To thine own self, and known to few.
Thus let thy rural sanctuary be
Elysium to thy wife and thee;
There to disport your selves with golden measure;
For seldom use commends the pleasure.
Live, and live blest; thrice happy pair; let breath,
But lost to one, be th' other's death:
And as there is one love, one faith, one troth,
Be so one death, one grave to both;
Till when, in such assurance live, ye may
Nor fear, or wish your dying day.
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Written by
Vachel Lindsay |
Sweetheart Spring
Our Sweetheart, Spring, came softly,
Her gliding hands were fire,
Her lilac breath upon our cheeks
Consumed us with desire.
By her our God began to build,
Began to sow and till.
He laid foundations in our loves
For every good and ill.
We asked Him not for blessing,
We asked Him not for pain —
Still, to the just and unjust
He sent His fire and rain.
Sweetheart Summer
We prayed not, yet she came to us,
The silken, shining one,
On Jacob's noble ladder
Descended from the sun.
She reached our town of Every Day,
Our dry and dusty sod —
We prayed not, yet she brought to us
The misty wine of God.
Sweetheart Autumn
The woods were black and crimson,
The frost-bit flowers were dead,
But Sweetheart Indian Summer came
With love-winds round her head.
While fruits God-given and splendid
Belonged to her domain:
Baskets of corn in perfect ear
And grapes with purple stain,
The treacherous winds persuaded her
Spring Love was in the wood
Altho' the end of love was hers —
Fruition, Motherhood.
Sweetheart Winter
We had done naught of service
To win our Maker's praise.
Yet Sweetheart Winter came to us
To gild our waning days.
Down Jacob's winding ladder
She came from Sunshine Town,
Bearing the sparkling mornings
And clouds of silver-brown;
Bearing the seeds of Springtime.
Upon her snowy seas
Bearing the fairy star-flowers
For baby Christmas trees.
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